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SATB, Organ, opt. Handbells, opt. Brass - Digital Download SKU: C6.833135 Composed by Thomas Jarman LYNGHAM. Arranged by Anna Laura Page. General, All Saints, Hymn Arrangement, Christ the King. MP3. Celebrating Grace - Digital #833135. Published by Celebrating Grace - Digital (C6.833135). The traditional Charles Wesley text is combined with the joyful and buoyant tune, LYNGHAM, to create a rousing anthem of praise in this arrangement by Anna Laura Page. Commissioned to honor long-time organist and editor, Sharron Lyon, this setting is full of life and energy. A regal first stanza is followed by a more legato treatment in the second stanza. The third stanza, set in relative minor, beautifully paints the text. A key change provides lift and energy, and the regal style of the first stanza returns with a triumphant ending. Available separately: Part for Handbells (3-5 octaves); Score and parts for Bb Trumpets 1 & 2, Trombones 1 & 2, Horn in F (sub. for Tbn. 1), Tuba, Percussion, Timpani, and Organ.
Our Great Redeemer's Praise Tenor Rehearsal MP3

$2.99 2.59 € PDF SheetMusicPlus

Violin Solo - Level 2 - Digital Download SKU: A0.1263839 Composed by Rudesindo Soutelo. Arranged by Solo Violin. 21st Century,Children,Classical,Contemporary. 15 pages. Publisher by Rudesindo Soutelo #856751. Published by Publisher by Rudesindo Soutelo (A0.1263839). A Alva Vidal CapómAlva (2006, revised in 2023) for Solo Violin [ca. 15']  1. Alvorecer / Dawn  2. Leitura / Reading  3. Vagar / Slowly  4. Apoteose / ApotheosisPremière: 29-IV-2011. CCF Auditorium, Bandung (Indonesia). Int.: Eya Grimonia.Even the simplest things need a solid internal structure that supports their discourse and transcends it. This work was a birthday present to an 11-year-old girl who was born on the 11th of the month 11, and is built on her onomastic numbers [4, 5, 5] which generate the harmonic and melodic basis together with those of the composer [9, 7], those of her mother [6, 5, 7] and those of her brother [5, 5, 5]. Thus, the first movement, “Dawnâ€, is structured in 11 sections (it is a gift from the age of 11) of 4+5+5 bars. “Reading†has 9 sections of 4 bars and the melodic-harmonic sequence is formed by the complex [4, 5, 6, 7, 9], so we all find ourselves involved in the reading plot. The third movement, “Slowlyâ€, in 5/4, a reference to the names of the girl and her brother, has 3 sections of 5+5+5 bars; the brother’s turning round endlessly while the girl thinks about the turns that the world takes. The final “Apotheosisâ€, in the rhythm of 9+7 eighths, has two parts: in the first one there are 3 sections of 6+5+7 (the mother) opening the way to the 3 sections of the second part which represent the effervescence in the dawn of life (4+5+5).The most beautiful expression of mathematics, the language of the most intimate emotions, the essence of our own existence is in the music.--oOo--Até mesmo as coisas mais simples precisam duma sólida estrutura interna que sustente o seu discurso e o transcenda.Esta obra foi prenda de anos a uma menina de 11 anos que nasceu no dia 11 do mês 11, e está construída sobre os seus números onomásticos [4, 5, 5] que geram a base harmónica e melódica em conjunto com os do compositor [9, 7], os da sua mãe [6, 5, 7] e os do seu irmão [5, 5, 5]. Assim, o primeiro andamento, “Alvorejarâ€, está estruturado em 11 secções (é prenda dos 11 anos) de 4+5+5 compassos. “Leitura†tem 9 secções de 4 compassos e a sequência melódico-harmónica está conformada pelo complexo [4, 5, 6, 7, 9], assim, todos nos vemos envolvidos na trama leitora. O terceiro andamento, “Vagarâ€, em 5/4, referência aos nomes da menina e do seu irmão, tem 3 secções de 5+5+5 compassos; os do irmão a dar voltas sem fim enquanto a menina pensa nas voltas que dá o mundo. A “Apoteose†final, no ritmo de 9+7 oitavos, tem duas partes: na primeira há 3 secções de 6+5+7 (a mãe) abrindo o caminho às 3 secções da segunda parte que representam a efervescência na alva da vida (4+5+5).A expressão mais formosa da matemática, a linguagem das emoções mais íntimas, a essência da nossa própria existência está na música.ISWC: T-045.522.028-6ISMN: 979-0-707704-14-1.
Alva
Violon

$5.00 4.32 € Violon PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.859669 Composed by Sydney Stevens. Country,Folk,New Age,Pop. Score. 68 pages. Sydney Stevens, Water Music #2959611. Published by Sydney Stevens, Water Music (A0.859669). Contact: sydneystevenspianostudio@gmail.comCycles of Life Songbook: A collection of 11 original piano/vocals by Sydney Stevens (ASCAP). Book is arranged for piano/vocal with chords and includes one piano solo: Lucy.From the Album: Cycles of LifeMood: Introspective, heartfelt, emotional, comforting, hopeful.Musical Traits: Most songs are arranged with left hand broken chords and right hand reflecting vocal part. Songs included in this book: Cycles of Life, Another Day, Time, Brian's Song, Tumbleweed, Alleys, Herbie, Back to the Heart, Lucy, Dead of Winter, The River [Note: all songs can be sampled &/or purchased on this website] More Links: www.sydneystevenswatermusic.comhttp://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition.
Cycles of Life Songbook
Piano, Voix et Guitare

$14.95 12.93 € Piano, Voix et Guitare PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1109662 By Juan Carlos Cortés Aguirre. By Juan Carlos Cortés A. Arranged by Juan Carlos Cortés Aguirre. Baroque,Classical,Contemporary,Instructional,Standards. Score. 2 pages. Juan Carlos Cortés Aguirre #712009. Published by Juan Carlos Cortés Aguirre (A0.1109662). Composición original en Do Sostenido menor por: JUAN CARLOS CORTÉS A. Composición de carácter libre que no pretenden encajar en el estilo ortodoxo y puro del barroco, sino utilizar estos elementos musicales como simples ejercicios lúdicos para delite de quién compone e inquietud de quién lo escucha. Se reitera la expresado en las anteriores composiciones de esta clase, que: Aunque lo parezca, no se trata de emular al gran Juan Sebastián Bach, más bien al componer en este estilo se rinde un tributo eterno de gratitud y admiración por la majestuosidad y perfección de su obra, como lo han hecho multitud de músicos en el mundo a través de la historia... Original composition in C sharp minor by: JUAN CARLOS CORTES A. Composition of a free character that does not intend to fit into the orthodox and pure style of the baroque, but rather to use these musical elements as simple playful exercises to the delight of those who compose and the concern of those who listen to them. It reiterates what was expressed in the previous compositions of this class, that: Although it may seem like it, it is not about emulating the great Juan Sebastián Bach, rather when composing in this style an eternal tribute of gratitude and admiration is paid for the majesty and perfection of his work, as many musicians have done in the world through history...
Pequeño Estudio Barroco No. 4 (Small Baroque Studio No. 4)
Piano seul
Juan Carlos Cortés Aguirre
$7.99 6.91 € Piano seul PDF SheetMusicPlus

SATB, Organ, opt. Handbells, opt. Brass - Digital Download SKU: C6.811135 Composed by Thomas Jarman LYNGHAM. Arranged by Anna Laura Page. General, All Saints, Hymn Arrangement, Christ the King. Octavo. 12 pages. Celebrating Grace - Digital #811135. Published by Celebrating Grace - Digital (C6.811135). 6.75 x 10.5 inches.The traditional Charles Wesley text is combined with the joyful and buoyant tune, LYNGHAM, to create a rousing anthem of praise in this arrangement by Anna Laura Page. Commissioned to honor long-time organist and editor, Sharron Lyon, this setting is full of life and energy. A regal first stanza is followed by a more legato treatment in the second stanza. The third stanza, set in relative minor, beautifully paints the text. A key change provides lift and energy, and the regal style of the first stanza returns with a triumphant ending. Available separately: Part for Handbells (3-5 octaves); Score and parts for Bb Trumpets 1 & 2, Trombones 1 & 2, Horn in F (sub. for Tbn. 1), Tuba, Percussion, Timpani, and Organ.
Our Great Redeemer's Praise (Digital)

$2.40 2.08 € PDF SheetMusicPlus






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