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Violin Duet Violin - Level 3 - Digital Download SKU: A0.889440 Composed by Wolfgang Amadeus Mozart. Arranged by Luis Anjos Teixeira. Baroque,Christmas,Concert,Standards. 35 pages. Luis Anjos Teixeira #4758249. Published by Luis Anjos Teixeira (A0.889440). Wolfgang Amadeus Mozart, is probably the most beloved artist that ever existed in this World. His work is without any doubt amongst the highest cultural achievements of the Human Being. To understand his cultural environment and musical practices I would advise you to read among others also the following books:  „A Treatise on the Fundamental Principles of Violin Playing  „Versuch einer gründlichen Violinschule from Leopold Mozart and from David D. Boyden A History of Violin Playing from its Origins to 1761. Also the biography righten by Jean et Brigite Massin gives us a deep view and idea of this times. Mozart wrote in Wien at 27.07.1786 this 12 duets for 2 basset horns K. 487, for his very Dear Friends „the Jacquin Family.  This arrangement for 2 violin proposes an intime relation with the original work, but allows us to perform it also with modern instruments and to apply todays standards of musical literature praxis.  No changes where made on the original composition, only the presentation of the score has been adjusted to contemporary violin music literature. It is also perfect adjusted for the use of baroque violins.  I transposed it for the violin and introduced interpretation symbols to shorten some notes and induce loudness variations. The bowing is adjusted to violin performance but very much compromised with the ones in the original scores in wish they also meant a musical legato. I advise you to adjust much of the bowing to your taste and interpretation. Fingering is also relative to taste and school practices and is left to the artists choice. In order to leave the original notation as much untouched as possible I shortened the length of some notes with the „Staccato symbol to originate silence in between them.  You are also free to further shorten even many more notes.  As Mozart said - „The music is not in the notes but in the silent in between.  In the arrangement, instead of repetitions, the performers interchange their parts so each of them will get to play as first and second violin player along each piece. This was common practice in chamber music when both musicians where at the same level. Very Human, this work comes from the hand of a musical Genius no other than Mozart.  I tried to do an arrangement that would bring us as close as possible to the musical intention of the original work. This music demands accuracy and a very lively sensitive approach, it is a refined work of art, totally appropriate for serious „concert halls, for advanced students and great performers. Very useful of course for the music classroom on a wide range of various practices with students and also little concerts or presentations. It was righten for close friends and it should be practiced and performed with a heart full of Love and compassion. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. Have fun! It is a piece that can be used in many different kinds of situations, from the serious concert hall to a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events or even joyful social meetings. When performed Live It will give you back a great  feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Tei.
Mozart Violin Duets
2 Violons (duo)

$17.56 15.07 € 2 Violons (duo) PDF SheetMusicPlus

Piano,Violin - Level 3 - Digital Download SKU: A0.549571 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. 18 pages. Jmsgu3 #3508655. Published by jmsgu3 (A0.549571). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
Grieg: Hall of the Mountain King from Peer Gynt Suite for Violin & Piano
Violon et Piano

$24.95 21.41 € Violon et Piano PDF SheetMusicPlus

Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.900166 By Sarah Labrie, Conductor - Chamber Choral Conducting Workshop, Sarteano, Italy. By Mary Ellen Haupert. Easter,Sacred,Spiritual. 5 pages. Mary Ellen Haupert #3031789. Published by Mary Ellen Haupert (A0.900166). ILLUMINE LE TENEBRE (SSAATTBB) For Jean Saladino and the Viterbo University Concert Choir TRANSLATION of TEXT: Most High, glorious God, enlighten the darkness of my heart and give me true faith, certain hope and perfect charity, sense and knowledge, Lord, that I may carry out your holy and true command. Amen. - St. Francis of Assisi's Prayer before the Crucifix NOTES from the composer: One year ago, I had the privilege of participating in the Leadership Pilgrimage to Assisi and Rome (2011) sponsored by the Franciscan Sisters of Perpetual Adoration, Franciscan Healthcare, and Viterbo University.  I carried with me, not only the responsibility of bringing back a hint of Francis’ lived experience to my students, but the desire to compose something wholly Franciscan. The San Damiano Cross is one of the most distinctive Franciscan images we have on campus.  The gentle Jesus that hangs on this 12th-century icon will forever be linked to Francis’ dramatic step from citizen to sainthood-welcoming his earnest prayer to enlighten the darkness of his heart.  The Basilica of Santa Chiara in Assisi holds both the San Damiano Cross and the remains of his confidante, St. Clare.  It seemed a good place to start getting serious. Copying the prayer in at least six different languages, I tucked it away in my travel books, not digging it out again until the following summer (2012).  The opening phrases in the piece came easily enough (Altissimo, glorioso Dio), but I stumbled through a handful of ideas before coming up with the mantra (illumine le tenebre…).  It made sense that Francis would joyfully address God singing forte (Altissimo and Signore), while quietly chanting his humble prayers for faith, hope, charity, and knowledge. The friendship between Francis and Clare can’t be missed, not only in the intermingling of SATB voices, but in the setting of che faccia lo tuo santo e verace comadamento (that I may carry out your holy and true command).  The phrase is sung only once by the women before the final return of the illumine chant (which is repeated throughout by the men).  Maybe I chanced on weaving some of Clare’s courage with Francis’ persistence into Illumina le tenebre, all while trying to compose something wholly Franciscan?   ---Mary Ellen Haupert, October 2012.  
Illumine le tenebre
Chorale SATB
Sarah Labrie, Conductor - Chamber Choral Conducting Workshop, Sarteano, Italy
$3.99 3.42 € Chorale SATB PDF SheetMusicPlus






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