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Oboe,Piano - Level 3 - Digital Download SKU: A0.549510 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3502271. Published by jmsgu3 (A0.549510). Super-famous, Instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background: Edvard Grieg (1843 –1907) was a Norwegian composer and concert pianist. Most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg, moreover, used Norwegian folk music in his compositions. Therefore, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is essential to realize that he did this like Jean Sibelius in Finland and Bedřich Smetana in Bohemia. Legacy Grieg is mainly celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. There is also a museum located at his former home in Troldhaugen.  Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music to illustrate a play by Ibsen known as Peer Gynt. The space includes, in particular, the famous selection entitled In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel Peer Gynt. In one favorite episode, for example, Peer steals a bride at her wedding.
Grieg: Morning Mood from Peer Gynt Suite for Oboe & Piano
Hautbois, Piano (duo)

$32.95 28.33 € Hautbois, Piano (duo) PDF SheetMusicPlus

Chamber Orchestra - Level 4 - Digital Download SKU: A0.534136 Composed by Louis Adolphe Mayeur. Opera,Romantic Period,Standards. Score and parts. 49 pages. Musik Fabrik Music Publishing #3133403. Published by Musik Fabrik Music Publishing (A0.534136). Louis Adolphe Mayeur (1837 - 1894), was a Belgium clarinetist, saxophonist, composer and conductor who spent most of his musical career in France; Entering the French Military in 1855, he was a clarinetist in the Second Régiment of the Cuirassiers (Mounted Calvary) of the Garde Impériale. A student of Klosé at the Paris Conservatory, he received his First Prize in Clarinet in 1860. One of the inner circle of Adolphe Sax (along with fellow Belgiums Jules Demersseman and Jean-Baptiste Singelée, whose “Quartet for Saxophones“ was premièred with Mayeur playing and Demersseman conducting), Mayeur took up the saxophone and was quickly engaged as the saxophone soloist in the Opera House of Brussels, La Monnaie (the Mint). Sax commissioned a number of works from Mayeur for the saxophone, which were published by his company and used in his class at the Paris Conservatory.By 1871, Mayeur was also named Saxophone Solo with the Paris Opera, performing in opears and ballets by Halévy, Meyerbeer, Thomas, Saint-Saens, Massenet,   Délibes and Paladlihe. It would appear that sometime during this period, his relations with Sax became difficult, culminating in his publications of works by Buffet-Crampon, one of Sax’s rival companies and one of the main protagonists in the series of lawsuits which led to Sax’s bankrupcy. Mayeur’s own declining health lead to his death in 1894.The Grande Fantaisie de Concert sur Rigoletto dates from 1877. The contrasting sections use motifs from arias and duets from Verdi’s opera. Florid cadenzas seperate the various sections, but those passages should be played in the manner of “bel canto†ornamentation, always lyrical and songlike.  This is the score and solo part for the orchestral version. Versions are available from Musik Fabrik for piano for Symhony Orchestra (on rental : 2222/2000/Timp/hp/strings) and for Concert Band (for sale). The score plus solo part for each of the versions is available for sale, as well as the individual parts for the concert band version
Louis Mayeur: Grande Fantaisie de Concert sur Rigoletto (de Verdi) for alto saxophone and orchestra
Orchestre de chambre
1871, Mayeur was also named Saxophone Solo with the Paris Opera, performing in opears and ballets by Halévy, Meyerbeer, Thomas, Saint-Saens, Massenet,   Délibes and Paladlihe It would appear that sometime during this period, his relations with Sax became difficult, culminating in his publications of works by Buffet-Crampon, one of Sax’s rival companies and one of the main protagonists in the series of lawsuits which led to Sax’s bankrupcy
$25.95 22.31 € Orchestre de chambre PDF SheetMusicPlus






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