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Flute and piano - intermediate to advanced - Digital Download SKU: S9.Q53380 Composed by Xavier Boisselot. Edited by Edmund Wachter and Elisabeth Weinzierl. Arranged by Jean Remusat. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. 11 pages. Schott Music - Digital #Q53380. Published by Schott Music - Digital (S9.Q53380). English • German.Xavier Boisselot studied composition at the Paris Conservatoire. In 1836 he won the 1er Grand prix de Rome with his cantata Velléda. His opera Ne touchez pas à la reine was first performed in 1847, followed by Mosquita la sorcière. Despite growing success, after 1850 he spent less time working on composition as he took over the management of his father’s piano factory Boisselot & Fils in Marseille. Flautist Jean Rémusat came from Bordeaux. In 1832 he won the 1er prix at the Paris Conservatoire, where he studied with Jean-Louis Tulou. He worked as principal flautist at the Queen’s Theatre in London until its closure in 1853. After a few more years working at the Théâtre Lyrique in Paris he went to work as a conductor in Shanghai, where he died at the age of 65. Rémusat – generally referred to without his first name – is often encountered by flautists as the arranger of well-known pieces from that time. Plate no. 12099 / published in 1853.
Boléro, de l‘Opéra “Ne touchez pas à la reine”
Flûte traversière et Piano

$3.99 3.44 € Flûte traversière et Piano PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.878770 Composed by Jean-Christophe Masson. Contemporary. Score and parts. 38 pages. Jean-Christophe Masson #6307203. Published by Jean-Christophe Masson (A0.878770). Professional level Symphonic poem for violin solo, cello solo, and orchestra (flute, oboe, clar, horn, trumpet, trombone, Tubular bells, bass drum and strings) Duration : 7 minutes Niveau professionnel Poème symphonique pour violon solo, violoncelle solo, et orchestre (flûte, hautbois, clarinette, cor, trompette, trombone, cloches tubulaires, grosse caisse symphonique et cordes) Durée : 7 minutes Création au Temple de Dijon, le 27 mars 2009, par Simon Bouveret au violon et Lucie Mercat au violoncelle, direction Maxime Pitois. www.jcmasson.com
Voyage dans notre Autre --- Symphonic poem for violin cello and orchestra --- FULL SCORE AND PARTS J
Orchestre

$30.00 25.84 € Orchestre PDF SheetMusicPlus

Organ - difficult - Digital Download SKU: S9.Q6228 Poème symphonique. Transcription by Jean Guillou. Composed by Franz Liszt. Arranged by Jean Guillou. This edition: Sheet music. Organ - Symphonic Poem - transcription. Downloadable. Duration 14' 30. Schott Music - Digital #Q6228. Published by Schott Music - Digital (S9.Q6228). German • English • French.Orpheus is one of 12 symphonic poems composed by Franz Liszt between 1848 and 1858. Liszt regarded these compositions as representing a higher form of musical creation. Their genesis in what he described as a poetic idea allowed him to favour freedom of expression over the constraints of form. The score of 'Orpheus' was first performed on 16 February 1854, under the baton of the composer, as the curtain rose for a production of Gluck's opera 'Orpheus' in Weimar. It had been inspired in particular by the contemplation in the Louvre museum in Paris of an Etruscan vase despicting Orpheus as a symbol of beauty and civilisation, mitigating the brutality of the world through the power of his art. This symphonic poem was first transcribed for organ in about 1860 by Alexander Wilhelm Gottschalk (1827-1908), one of Liszt's pupils. It appears that Liszt was moved to make radical modifications to that version, in spite of which it still remains unsatisfactory. It does, however, give us the benefit of proving that Liszt, who also transcribed the work for piano duet, was not against the idea in itself of a transcription for organ. Jean Guillou's transcription is more than a simple adaptation. As far as Romantic music is concerned, he is responsible for finding appropriate equivalents to the dramatic function of instrumentation to create an atmosphere which comes as close to that of the original composition as possible, to enrich the contrapuntal texture and to contribute to the simulation of the orchestral sound.
Orpheus
Orgue

$15.99 13.77 € Orgue PDF SheetMusicPlus






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