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French Horn,Piano - Level 3 - Digital Download SKU: A0.549548 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3506349. Published by jmsgu3 (A0.549548). Duration: ca. 4:00, Score: 9 pages, solo prt: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
Grieg: Ase's Death from Peer Gynt Suite for French Horn & Piano
Cor et Piano

$24.95 21.59 € Cor et Piano PDF SheetMusicPlus

Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.521424 Composed by Jean-Joseph Mouret. Arranged by Sherry Lewis. Baroque,Wedding. 8 pages. Sherry Lewis Publishing #6058929. Published by Sherry Lewis Publishing (A0.521424). RONDEAU by MouretDuo of violin and cello score: 2 pages parts: 3 pages time: 3'30 MY QUARTET VERSIONS in short notice work fine for solo, two parts, three parts and quartet however I offer individual versions for one, two, three and four parts: https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing to view all of the titles and sets I offer.If you can’t find a title then contact me at stringquartet@hotmail.com and I’ll give you the link back to Sheet Music Plus’s listing.
RONDEAU by Mouret, String Duo, Intermediate Level for violin and cello
Violon, Violoncelle (duo)

$4.50 3.89 € Violon, Violoncelle (duo) PDF SheetMusicPlus

Woodwind Ensemble Bassoon,Double Reed Quartet,English Horn - Level 2 - Digital Download SKU: A0.1266448 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Holiday. 8 pages. Jmsgu3 #859185. Published by jmsgu3 (A0.1266448). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior. 
Solage: Le basile for Double Reed Quartet

$32.95 28.51 € PDF SheetMusicPlus

Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015825 Composed by Jean-François Côté. Pop/Rock. 6 pages. Alfred Music - Digital Sheet Music #00-PS-0015825. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015825). ISBN 9781470617059. UPC: 038081486901.Cirque du Soleil, French for Circus of the Sun, is a unique entertainment venture that has been thrilling audiences since its inception by two street performers over 20 years ago. This amazing fusion of circus, acrobatics, and theater has also produced a breathtaking repertoire of original music ranging in style from classical Impressionism to modern pop and rock. Alfred Music now introduces the music to some of Cirque du Soleil's most popular songs, derived from a variety of show soundtracks. This updated volume includes selections from TOTEM, KOOZA, OVO, KAEUR, and O. Songs come complete with lyrics, melody line, and chord changes with professionally arranged piano accompaniment. Titles: AlegrAa (from AlegrAa) * All Come Together (from Amaluna) * Alone (from DELIRIUM) * Banquete (from OVO) * Blue Silk (from ZED) * Flying Scarlett (from IRIS - A Journey Through the World of Cinema) * Gamelan (from O) * If I Could Reach Your Heart (from KAEUR) * KumbalawA(c) (from Saltimbanco) * Kunya SobA(c) (from MystAre Live) * Let Me Fall (from Quidam) * Liama (from La Nouba) * Love Dance (from KAEUR) * Mio Bello Bello Amore (from Zumanity: Another Side of Cirque du Soleil) * Nostalgie (from O) * O (from O) * Ombra (from Dralion) * OmA(c) Yo KanoubA(c) (from TOTEM) * Pageant (from KAEUR) * Pearl (from KOOZA) * PokinoA- (from Saltimbanco) * QuA(c) ViyA(c)ra (from TOTEM) * Querer (from AlegrAa) * Quidam (from Quidam) * Solitude (from KOOZA) * Time Flies (from DELIRIUM) * Triangle Tango (from Corteo).
Solitude
Piano, Voix et Guitare

$3.99 3.45 € Piano, Voix et Guitare PDF SheetMusicPlus

Piano Trio,String Ensemble Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.533315 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 48 pages. Musik Fabrik Music Publishing #2343071. Published by Musik Fabrik Music Publishing (A0.533315). French composer Jacques Leguerney (1906-1997) has been recognized for hisoutstanding oeuvre of songs for voice and piano, mostly composed upon poems of theFrench poets of the Pleiade. After his death, the Leguerney Estate decided to allow thepublication of his instrumental chamber music. These works, many of which werewritten in his early years, are valuable contributions to the French chamber musicrepertoire, representing the 20th century from its early years through World War II.This Trio was composed in 1928, but not performed until December 3, 1932. Therespected French musicians Hortense de Sampigny (violinist) and Jacques Serres(cellist) gave its first and, as far as we know, only performance along withLeguerney’s friend and mentor, Thérèse Cahen, at the piano. The concert includingthis work was organized by the Société Musicale Indépendante at the concert hall ofthe Ecole Normale de Musique in Paris. A review, in the Journal des débâts, reads:“We do not know this composer. Judging from his composition, whose variegatedstyle reminds us of [Cesar] Franck, of Maurice Ravel and of Spanish dances, he mustbe quite young.â€The same month as this performance, Leguerney’s father, Marcel Leguerney, died. Atthis point, he interrupted his musical activity in order to take over his father’s businessto support his mother and sister. He was not able to resume musical composition until1940, when the outbreak of the war led him to close the business.This edition is based upon two autograph manuscript sources of the full score, as wellas copyist’s parts for the violin and ‘cello. His first completed sketch as well as hisfinal copy are in the Leguerney archives. The parts, made by a copyist, were obviouslyused for a performance, and contain suggested phrasing, as well as bowings (whichwe have not reproduced). We surmise that the violin and ’cello parts were used for thefirst performance. We also think that Thérèse Cahen must have kept her piano score,as the copyist's score of it was not found with the other parts.We have added rehearsal numbers, and corrected a few notational mistakes in themanuscript.We would like to thank Jean Libermann, cellist, and Marion Larigaudrie, violinist,for their advice in the preparation of this edition.
Jacques Leguerney: Trio for violin, violoncello and piano
Piano Trio: piano, violon, violoncelle

$25.95 22.45 € Piano Trio: piano, violon, violoncelle PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0014584_BBC1 Baritone B.C.. Arranged by Vince Gassi. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014584_BBC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014584_BBC1). UPC: 038081380674.The Huron Carol is Canada's oldest Christmas carol, written in 1643 by Jean de BrA(c)beuf, a Jesuit missionary. The melody is from a tradition French folk song, Une Jeune Pucelle (A Young Maid). Intended as a gift and teaching aid to the Huron people, BrA(c)beuf wrote the lyrics in their native language. The Moon of Winter is a powerful and moving adaptation of this carol for band that will enhance your next Christmas concert, adding a sense of reverence and honor. (2:57) This title is available in SmartMusic.
The Moon of Winter (The Huron Carol): Baritone B.C.
Orchestre d'harmonie

$3.00 2.6 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 4 - Digital Download SKU: A0.534137 Composed by Louis Adolphe Mayeur. Arranged by Paul Wehage. Opera,Romantic Period,Standards. Score and parts. 50 pages. Musik Fabrik Music Publishing #3133405. Published by Musik Fabrik Music Publishing (A0.534137). Louis Adolphe Mayeur (1837 - 1894), was a Belgium clarinetist, saxophonist, composer and conductor who spent most of his musical career in France; Entering the French Military in 1855, he was a clarinetist in the Second Régiment of the Cuirassiers (Mounted Calvary) of the Garde Impériale. A student of Klosé at the Paris Conservatory, he received his First Prize in Clarinet in 1860. One of the inner circle of Adolphe Sax (along with fellow Belgiums Jules Demersseman and Jean-Baptiste Singelée, whose “Quartet for Saxophones“ was premièred with Mayeur playing and Demersseman conducting), Mayeur took up the saxophone and was quickly engaged as the saxophone soloist in the Opera House of Brussels, La Monnaie (the Mint). Sax commissioned a number of works from Mayeur for the saxophone, which were published by his company and used in his class at the Paris Conservatory.By 1871, Mayeur was also named Saxophone Solo with the Paris Opera, performing in opears and ballets by Halévy, Meyerbeer, Thomas, Saint-Saens, Massenet,   Délibes and Paladlihe. It would appear that sometime during this period, his relations with Sax became difficult, culminating in his publications of works by Buffet-Crampon, one of Sax’s rival companies and one of the main protagonists in the series of lawsuits which led to Sax’s bankrupcy. Mayeur’s own declining health lead to his death in 1894.The Grande Fantaisie de Concert sur Rigoletto dates from 1877. The contrasting sections use motifs from arias and duets from Verdi’s opera. Florid cadenzas seperate the various sections, but those passages should be played in the manner of “bel canto†ornamentation, always lyrical and songlike.  This is the score and solo part only for the concert band version. Versions are available from Musik Fabrik for piano, for Symhony Orchestra (on rental : 2222/2000/Timp/hp/strings) and for Concert Band (for sale). The score plus solo part for each of the versions is available for sale, as well as the individual parts for the concert band version
Louis Mayeur: Grande Fantaisie de Concert sur Rigoletto (de Verdi) for alto saxophone and concert b
Orchestre d'harmonie
1871, Mayeur was also named Saxophone Solo with the Paris Opera, performing in opears and ballets by Halévy, Meyerbeer, Thomas, Saint-Saens, Massenet,   Délibes and Paladlihe It would appear that sometime during this period, his relations with Sax became difficult, culminating in his publications of works by Buffet-Crampon, one of Sax’s rival companies and one of the main protagonists in the series of lawsuits which led to Sax’s bankrupcy
$25.95 22.45 € Orchestre d'harmonie PDF SheetMusicPlus

Cello Duet Cello - Level 1 - Digital Download SKU: A0.841352 Composed by Jean-Baptiste Breval. Arranged by Yuriy Leonovich, Michele Galvagno. Baroque,Instructional,Standards. Score. 18 pages. Artistic Score Engraving di Galvagno Michele #5871601. Published by Artistic Score Engraving di Galvagno Michele (A0.841352). After the most widely known first sonata, Breval proposes us this second sonata in F major, again in two movements, once more Allegro and Rondo. A strong point in these sonatas is putting more musical interest in the second movements, and this one is no exception, with quite a few clear calls to Haydn, especially op. 76/5. Technically this sonata focuses on backward-extended 1st position and then shifts freely up to 4th position, stressing on triplets in the first movement and on quick semiquavers runs in the second.
Sonata op. 40 no. 2 in F major for cello and basso
2 Violoncelles (duo)

$3.50 3.03 € 2 Violoncelles (duo) PDF SheetMusicPlus






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