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Brass Quartet Cornet,Horn,Trombone - Level 2 - Digital Download SKU: A0.1266016 Composed by Solage, Late 14th Century. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #858750. Published by jmsgu3 (A0.1266016). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.
Solage: Le basile for Brass Quartet

$32.95 28.89 € PDF SheetMusicPlus

Piano,Violin - Level 2 - Digital Download SKU: A0.1239662 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 3 pages. Woods Only, Arrangements #835053. Published by Woods Only, Arrangements (A0.1239662). This arrangement adapted for violin and piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions.Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
Turkish March by Beethoven for Violin and Piano
Violon et Piano

$1.99 1.75 € Violon et Piano PDF SheetMusicPlus

Instrumental Duet Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.732534 Composed by Jean-Joseph Mouret. Arranged by Dave Prudon. Baroque,Christmas,Wedding. Score and parts. 6 pages. Prudon String Ensembles #3897585. Published by Prudon String Ensembles (A0.732534). You can find an abundance of quartet & trio arrangements of this well-known Baroque piece available for sale but not so many for a Violin/Cello Duo.  This arrangement fills the void in a spectacular way.  Cellists will like their part because it is much more interesting than the usual mundane bass line.  Still requested as part of the music for a wedding ceremony, this definitely earns a spot on the repertoire list of any professional Violin/Cello Duo.Take a peek at:  Prudon String Ensembles Sheet Music to find hundreds of other nice arrangements for strings.
Mouret Rondeau for Violin and Cello
Violon, Violoncelle (duo)

$8.99 7.88 € Violon, Violoncelle (duo) PDF SheetMusicPlus

String Quartet String Quartet - Level 2 - Digital Download SKU: A0.798086 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Inacio Saldanha. Rock. Score and parts. 9 pages. Inacio Saldanha #5030355. Published by Inacio Saldanha (A0.798086). Can't Help Falling in Love is a 1961 song recorded by American singer Elvis Presley for the album Blue Hawaii (1961). It was written by Hugo Peretti, Luigi Creatore, and George David Weiss and published by Gladys Music, Inc.[2] (The melody is based on Plaisir d'amour, a popular French love song composed in 1784 by Jean-Paul-Égide Martini). The song was initially written for a woman as Can't Help Falling in Love with Him, which explains the first and third line ending on in and sin rather than words rhyming with you.Can't Help Falling in Love was featured in Presley's 1961 film Blue Hawaii. During the following four decades, it has been recorded by numerous other artists, including Bob Dylan on his 1973 album Dylan, Tom Smothers, Swedish pop group A-Teens, and the British reggae group UB40, whose 1993 version topped the U.S. and UK charts. (Wikipedia)Arranged for String Quartet. Key of Eb major. Early Intermediate
Can't Help Falling In Love
Quatuor à cordes: 2 violons, alto, violoncelle
Elvis Presley
$14.99 13.14 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

C Instrument - Level 4 - Digital Download SKU: A0.1034493 Composed by Hubert Giraud, Jean Drejac, and Kim Gannon. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #639858. Published by John Fries (A0.1034493). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  The album with this song was recorded in Paris, and Quincy Jones led an orchestra of both American and French musicians in the studio. In the liner notes from the original album, jazz critic Nat Hentoff quotes the description of the recording of the album that Williams gave. Our first session was for 9:00 p.m., and I was all set to record. At 9:30 some musicians were still arriving. After about an hour, we had finished one song. The sound was wonderful, and I was very happy. At this point, I was informed that the orchestra has to have a 15 minute break. The musicians vanished to a local café for some wine. About 45 minutes later, they began arriving back in the studio. We got one more song recorded before the contractor stood up and, in perfect English, said, 'Overtime'.
Under Paris Skies
Ligne De Mélodie, (Paroles) et Accords

$3.99 3.5 € Ligne De Mélodie, (Paroles) et Accords PDF SheetMusicPlus






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