Piano Solo - Level 4 - Digital Download SKU: A0.879513 Composed by Jean-Paul-Égide Martini, Jean-Pierre Claris de Florian. Arranged by Dennis Frayne. Holiday,Love,Standards,Wedding,World. Score. 6 pages. Presto! It's Music Magic Publishing #6696167. Published by Presto! It's Music Magic Publishing (A0.879513). Plaisir d'amour, which means Pleasure of Love in French, is a classical/romantic love song written in 1784 by Jean-Paul-Égide Martini (1741–1816). The lyrics come from a poem by Jean-Pierre Claris de Florian (1755–1794), which appears in his novel Célestine. This famous and beloved song has inspired many arrangements, transcriptions, and re-inventions, including Elvis Presley’s hit ballad, I Can't' Help Falling in Love with You.This arrangement for late intermediate to early advanced piano remains true to the original vocal and piano accompaniment composition and offers the early advanced pianist challenging voicing opportunities, grace notes, and trills.

Violin Solo - Level 4 - Digital Download SKU: A0.1137399 By Jean-Christophe Masson. By Jean-Christophe Masson www.jcmasson.com. Chamber,Classical,Multicultural,World. 40 pages. Jean-Christophe Masson #737602. Published by Jean-Christophe Masson (A0.1137399). Tango de Caen Milonga for violin and looper (15 titles) buy the CD on www.jcmasson.com POUR VIOLON ET LOOPER (15 titres) PREFACE DE CYRILLE TRICOIRE Durée des 15 titres : 60 minutes (chaque pièce dure environ 3 minutes) Niveaux (Conservatoires français) : cycle III minimum ou professionnel. COMMENT JOUER CES PIECES AVEC LOOPER Pour jouer ces pièces, vous devez disposer d’un looper, d’un microphone pour instruments à cordes (ou d’une cellule voire d’un instrument électrique) ainsi que d’un ampli. Il vous faudra vous munir enfin des câbles nécessaires aux raccordements de ces appareils (minimum deux).

Piano,Viola - Level 4 - Digital Download SKU: A0.1137004 By Jean-Christophe Masson. By Jean-Christophe Masson www.jcmasson.com. Chamber,Classical,Contemporary,Romantic Period,Spiritual. Score and part. 52 pages. Jean-Christophe Masson #736999. Published by Jean-Christophe Masson (A0.1137004). Crier face à l’Océan for viola and looper (14 titles) + 3 titles for viola, piano and looper buy the CD on my website www.jcmasson.com français : pour alto et looper, Recueil complet (14 titres) 14 titres pour alto et looper. La collection inclut également 3 titres en version pour alto, piano et looper (pour un seul musicien!). Durée des 14 titres : 45 minutes (chaque pièce dure environ 3-4 minutes) Niveaux (Conservatoires français) : cycle III minimum ou professionnel. COMMENT JOUER CES PIECES AVEC LOOPER Pour jouer ces pièces, vous devez disposer d’un looper, d’un microphone pour instruments à cordes (ou d’une cellule voire d’un instrument électrique) ainsi que d’un ampli. Il vous faudra vous munir enfin des câbles nécessaires aux raccordements de ces appareils (minimum deux).

Cello Solo - Level 4 - Digital Download SKU: A0.1137338 By Jean-Christophe Masson. By Jean-Christophe Masson www.jcmasson.com. Chamber,Classical,Contemporary,Romantic Period,Spiritual. Individual part. 52 pages. Jean-Christophe Masson #737540. Published by Jean-Christophe Masson (A0.1137338). Crier face à l’Océan for cello and looper (14 titles) + 3 titles for cello piano and looper buy the CD on www.jcmasson.com FRANCAIS : pour violoncelle et looper, Recueil complet (14 titres) La collection inclut également 3 titres en version pour violoncelle, piano et looper (pour un seul musicien!). Durée des 14 titres : 45 minutes (chaque pièce dure environ 3-4 minutes) Niveaux (Conservatoires français) : cycle III minimum ou professionnel. COMMENT JOUER CES PIECES AVEC LOOPER Pour jouer ces pièces, vous devez disposer d’un looper, d’un microphone pour instruments à cordes (ou d’une cellule voire d’un instrument électrique) ainsi que d’un ampli. Il vous faudra vous munir enfin des câbles nécessaires aux raccordements de ces appareils (minimum deux).

Bass Trombone,Clarinet,Flute - Level 4 - Digital Download SKU: A0.1394137 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 12 pages. Phil Beaman #977597. Published by Phil Beaman (A0.1394137). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite.  It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4 with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps.  Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts.  I wrote a highly ornamented continuo for each part when not playing melody.  In true Baroque style I have created a tight interplay between the parts.  Each part also has a rather wide range of about 2 octaves.  Although in a Minor Key, this piece is very bright and uplifting.  It is very accessible and thus a concert crowd pleaser.   Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation.  Most of all, this piece is just Pure Fun!6 pages score, 2 pages @ partRanges -Flute -  Ab to high F above staffClarinet - bottom space F# to high C above staffTrombone - low C below staff to high F above staff.

Trumpet (C) and organ - Digital Download SKU: S9.Q43159 Concerto for Trumpet in C and Organ. Composed by Jean Guillou. This edition: Sheet music. Downloadable. Op. 64. Duration 16 minutes. Schott Music - Digital #Q43159. Published by Schott Music - Digital (S9.Q43159). Jean Guillou is one of todays’ most important organ virtuosos and composers. A pupil of Dupré, Duruflé and Messiaen, he embodies the living tradition of French organ music. The concerto L’Ébauche d’un souffle (Hint of a Breeze) was composed in 1985.

Flute and piano - intermediate to advanced - Digital Download SKU: S9.Q53377 Op. 34. Composed by Eugene Walckiers. Edited by Edmund Wachter and Elisabeth Weinzierl. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. 34. 27 pages. Schott Music - Digital #Q53377. Published by Schott Music - Digital (S9.Q53377). English • German.As a pupil of Antonin Reicha at the Paris Conservatoire Eugène Walckiers, originally from the French part of Flanders, joined the ranks of illustrious French composers such as Hector Berlioz, Charles Gounod and César Franck. He studied the flute with Jean-Louis Tulou and was one of the few celebrated flute virtuosos of the time whose reputation has survived to this day, thanks to their compositions for and including the flute. He himself played regularly in a legendary quartet with the best flautists of his day: Jean Firmin Brossa, Johannes Donjon and Paul Taffanel. This Fantaisie sur des Motifs de l’Opera “Guillaume Tell� was published in the year following the first performance of the opera both by Schott in Mainz and, with insignificant discrepancies, by Troupenas in Paris (Plate number 374), the original publisher of Rossini’s last four operas. Plate no. 3289 / published in 1830.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1003436 Composed by Jean Mouton. Arranged by Aristotle A. Esguerra. Christian,Classical,Renaissance,Sacred,World. Octavo. 3 pages. CantemusDomino.Net #3565921. Published by CantemusDomino.Net (A0.1003436). A serene setting of a Eucharistic text by Jean Mouton (c.1459–1522), this SATB motet is suitable for Communion outside of Septuagesima and Lent.Total length: ~3:30Key: G majorRange requirements (middle C = C4):· Superius [Soprano]: D4–E5· Contratenor [Alto]: G3–A4· Tenor: D3–E4· Bassus [Bass]: G2–C4

Cello,Oboe,Violin - Level 4 - Digital Download SKU: A0.1393758 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 12 pages. Phil Beaman #977229. Published by Phil Beaman (A0.1393758). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite.  It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4 with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps.  Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts.  I wrote a highly ornamented continuo for each part when not playing melody.  In true Baroque style I have created a tight interplay between the parts.  Each part also has a rather wide range of about 2 octaves.  Although in a Minor Key, this piece is very bright and uplifting.  It is very accessible and thus a concert crowd pleaser.   Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation.  Most of all, this piece is just Pure Fun!6 pages score, 2 pages @ partRanges -Violin - bottom space F# to high E above staffOboe - middle C to high A above staffCello - low C below staff to high E above staff.

Cello Duet Cello - Level 2 - Digital Download SKU: A0.1508659 By Aaron Sinnett. By Jean-Baptiste Bréval. Arranged by Aaron Sinnett. 19th Century,Baroque,Chamber,Classical. Score. 89 pages. Aaron Sinnett #1083923. Published by Aaron Sinnett (A0.1508659). Jean-Baptiste Bréval, Six Sonatas, Op. 40Score and parts included. (Minimal markings, no additional edits, i.e. no fingerings or bowing added)As per the tradition of the era, Bréval composed the Cello solo and the bass line, leaving the chord making up to the performer. This means that there is originally no piano accompaniment part by Bréval. (If you are familiar with any sonata by said composer, it is likley No. 1 in C major, as it appears in volume 4 of a popular method, which is supplied with a piano accompoaniment.) Even so, as many can attest, most sonatas of the Baroque/early Classical periods are beautiful performed with two cellos, or cello duet.In this edition, I have made the notation modern, the layout clean and clear, as well as providing the score of the two original parts and individual parts, labeled Cello 1 and Cello 2. (For those wishing for historical accuracy in part naming Cello 2 should more appropriately be labelled Basso.) I have elevated it to Cello 2 simply to encourage the performance of this excellent set of sonatas with two cellos. I believe they sound very good this way in spite of being traditionally expected to be performed with a chord making instrument like a keyboard in addition to the solo cello and bass instrument. Thus, making it a trio.The Table of contents is the following without being overly detailed (one of the preview pages will have incipits from all six sonatas as is the custom when printing a complete set of pieces in a single volume).  Sonata No. 1 in C major Sonata No. 2 in F major Sonata No. 3 in G major Sonata No. 4 in Bb major Sonata No. 5 in A major Sonata No. 6 in D major Each sonata is two movements long. They all have first movements with the customary Sonata Allegro form. The seconds movements vary from RONDOs to Minuets to a set of variations.It is my sincere hope that more of these sonatas be learned and performed as they are not only great learning material, Bréval has crafted each one masterfully.