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Bodhran Drum,Fiddle,Flute,Guitar,Piano - Level 2 - Digital Download SKU: A0.1369549 Composed by David Hein and Irene Sankoff. Arranged by Dominique Hogan. Broadway,Celtic,Irish,Musical/Show,Pop. Accompaniment. Duration 174. Dominique Hogan #953914. Published by Dominique Hogan (A0.1369549). Accompaniment track for Dominique Hogan's arrangement of Welcome to the Rock! A powerful upbeat opening or closing number in your choral program, Welcome to the Rock is the opening song to the hit musical Come From Away based on the remarkable true story of the 6 days following 9/11 when the world stopped, 38 jetliners and 6600 people were ground in the tiny town of Gander in Newfoundland, Canada. The townspeople who rallied together to offer amazing hospitality to all the passengers, who cooked for them and took them into their homes.  Welcome to the Rock is an ideal selection for choirs of any size, and is sure to be a showstopper!Available in SATB, SAB and 2 part.
Welcome to the Rock Accompaniment Showtrax

$19.99 17.38 € PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.533844 Composed by Therese Brenet. Contemporary. Score and parts. 13 pages. Musik Fabrik Music Publishing #3053313. Published by Musik Fabrik Music Publishing (A0.533844). A setting of a poem in French by Tristan Corbières (1845-1875) for SATB chorus, and orchestra. The instrumentation is: 2220/2000/timp/3perc/hp/organ/strings. The work may be performed alone or together with the composer's two other owrks for chorus and orchestra (Ciels and Le Bois Amical). This is the score only. The orchestral parts are on rental from the publisher. The chorus part, which contains a piano reduction, is available for sale.RonelIl fait noir, enfant, voleur d'étincelles !Il n'est plus de nuits, il n'est plus de jours ;Dors... en attendant venir toutes cellesQui disaient : Jamais ! Qui disaient : Toujours !Entends-tu leurs pas ?... Ils ne sont pas lourds :Oh ! les pieds légers ! – l'Amour a des ailes...Il fait noir, enfant, voleur d'étincelles !Entends-tu leurs voix ?... Les caveaux sont sourds.Dors : Il pèse peu, ton faix d'immortelles :Ils ne viendront pas, tes amis les ours,Jeter leur pavé sur tes demoiselles...Il fait noir, enfant, voleur d'étincelles !English translationIt is Dark, child, thief of sparks!There are no longer nights, There are no longer daysSleep..waiting for those who say never, who say always, to arriveDo you hear their footsteps? They are not heavy.Oh, the light steps! Love has wings...It is Dark, child, thief of sparks!Do you hear their voices? The tombs are silent.Sleep, it weighs little, your weight of dried flowersThey will not come, your friends the bears,to throw their cobblestone on your firefliesIt is Dark, child, thief of sparks!Translation © 2008 by Paul Wehage
Thérèse Brenet: Rondel for SATB chorus, orchestra and organ, score
Orchestre

$16.95 14.74 € Orchestre PDF SheetMusicPlus

Small Ensemble Cello,Flute,Soprano Recorder,Violin - Level 3 - Digital Download SKU: A0.900403 Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. Score and parts. 5 pages. Gustavo Fuentes #3637513. Published by Gustavo Fuentes (A0.900403). Ivory Angel. Celtic music song composed by Gustavo Fuentes, arranged for three voices. Two melody instruments, such as tin whistle, low whistle, flute, recorder, piano or violin, and low voice like cello or bass, with chords for piano or guitar. The audio is from to the Gustavo Fuentes CD Almas en vuelo that you can listen to on Spotify. The Celtics strongly believed in the elements of nature. They believed that animals, plants and even rocks had a life and a spirit. And they considered trees to be the most important elements. Trees symbolized life: the roots were in the Underworld, the branches in the Otherworld and the trunk in the Middle Earth. Trees gave the Celtics wood to build homes and weapons and to shelter them from the cold. They also shielded them from the sun with their shadow. Trees gave them fruit to eat and they lodged birds, the messengers of the Gods, in their branches. Trees protected people’s spirits and so each person was assigned a sacred tree according to their date of birth.Even today we still have spirits and objects that protect us. In the case of artists, their own art is often their protector. The title of this song refers to the ivory angel, the piano, however, this song is dedicated to all the instruments that help us express ourselves and prevent us from being lonely, silent or forgotten. Canción de música celta compuesta por Gustavo Fuentes, arreglada para tres voces. Dos agudas como tin-whistle, low whistle, flauta traversa, flauta dulce, piano o violín, y un instrumento grave como cello o bajo, con cifrado de acordes para piano o guitarra. El audio pertenece al CD de Gustavo Fuentes Almas en vuelo, que se puede escuchar completo en Spotify. Los celtas creían profundamente en los elementos de la naturaleza. Los animales, las plantas y hasta las rocas tenían su propia vida y espíritu. Y entre estos elementos, el más importante eran los árboles. Para los celtas los árboles eran un símbolo de vida, con sus raíces en el Inframundo, las ramas en el Supramundo y el tronco en la Tierra Media. Les entregaban su madera para construir viviendas y armas, los abrigaban del frío con su leña y los protegían del sol al dar su sombra. Les daban sus frutos que servían de sustento y resguardaban a los pájaros, mensajeros de los dioses. Eran protectores del espíritu, y cada persona tenía su árbol protector según el momento del año en que hubiera nacido.En nuestros tiempos, algunos también tenemos espíritus u objetos protectores. Entre los artistas, es en muchos casos nuestro propio arte, representado en los músicos por nuestro instrumento. Y si bien el ángel de marfil se refiere al piano, esta melodía está dedicada a los instrumentos que nos ayudan a expresarnos, y que nos protegen de la soledad, del silencio y del olvido.
Un ángel de marfil (Ivory Angel), Celtic Song by Gustavo Fuentes

$4.99 4.34 € PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.1091551 Composed by George Gershwin. 20th Century,Classical,Film/TV,Jazz. Score and parts. 253 pages. Szüts Apor #695728. Published by Szüts Apor (A0.1091551). In 1930, George Gershwin, together with his brother Ira, was invited to go to Hollywood to provide the music for the film Delicious. He spent seven weeks on the score only to find that just four songs (Blah, Blah, Blah; Delicious; Katinkitschka; Somebody from Somewhere), a five-minute Dream Sequence and one minute from a six-minute orchestral sequence called New York Rhapsody would be incorporated in the film. When he went back to New York in February 1931, George had decided to use the material from the six-minute sequence to work into a concert piece and had sketched some of it. Some of the material was jettisoned: the Manhattan Rhapsody opens with the main romantic theme in 6/8 time arranged for piano and solo cello. The rest of the film sequence was radically rearranged and rescored. Gershwin completed the fourteen-minute piece by May. The new work was titled Rhapsody in Rivets during his sketching, but later he could not decide between New York Rhapsody and Manhattan Rhapsody. George Gershwin settled on Second Rhapsody.
Second Rhapsody
Orchestre

$100.00 86.96 € Orchestre PDF SheetMusicPlus






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