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Tenor Saxophone Solo - Level 3 - Digital Download SKU: A0.546859 Composed by Luiz Gonzaga and Ze Dantas. Arranged by Leo Silva. Latin,Traditional. Individual part. 2 pages. MP Sheet Music #156796. Published by MP Sheet Music (A0.546859). “O xote das Meninas†is a xote by Luiz Gonzaga and Zé Dantas, originally recorded on February 5, 1953, becoming one of the most popular pieces in their repertoire. Gonzaga re-recorded it six years later, for his LP “Meus Sucessos com Zé Dantas†and an instrumental version, in 1972, for the LP “São-João Quenteâ€. According to Zé Dantas: His verses begin by singing the mandacaru, a cactus that does not depend on the rain to bloom, a phenomenon that, when it happens in the dry season, makes the caboclo believe that the thunderstorm is approaching. This superstition led us to establish a simile between the mandacaru flower, a prodromal sign of the rain that arrives giving the earth fecundity, and the girl who, getting sick of the doll, becomes a woman.
O Xote Das Meninas
Saxophone Tenor

$4.99 4.31 € Saxophone Tenor PDF SheetMusicPlus

String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813807 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,Sacred,Standards,Wedding. Score and parts. 9 pages. Regis Bookshar #6487189. Published by Regis Bookshar (A0.813807). O Spirit All-Embracing (Thaxted) (Bb) (String Quintet) - Intermediate - Digital Download. This marvelous arrangement of O Spirit All-Embracing, a hymn tune based on the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, would be a fabulous addition to any music library and could be performed for church services, especially Weddings and Funerals, but would be appropriate any time during the church year. However, if you are looking to perform this selection for concerts or recitals, I would suggest you look for the arrangement of Jupiter (Andante Maestoso from Jupiter, the Bringer of Jollity from The Planets), also by Regis Bookshar. These arrangements are suitable for high school and college students but professional musicians would also enjoy playing these selections as well. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. We have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions.The Planets, written between 1914 and 1917 by the English composer Gustav Holst, premiered at the Queen's Hall in London, on September 29, 1918 for an invited audience of about 250 people. In the fourth movement, Jupiter, the Bringer of Jollity, Holst portrays Jupiter's supposedly characteristic abundance of life and vitality. Nobility and generosity are allegedly characteristics of those born under Jupiter, and in the slower, middle section marked Andante Maestoso, perhaps the most well-known theme from The Planets (and the theme on which this arrangement is based), Holst provides a broad tune embodying these traits. In 1921, Holst adapted the theme to fit the patriotic poem I Vow to Thee, My Country by Cecil Spring Rice, and was written as a unison song with orchestra. It did not appear as the hymn tune until 1926, when Holst harmonized this melody, named Thaxted, named after the English village where he had lived for many years. Holst's friend Ralph Vaughan Williams included it in Songs of Praise. It has since been performed at numerous occasions, most notably for the wedding of Prince Charles and Diana, Princess of Wales in 1981, and also at the funerals of Princess Diana in 1997, Margaret Thatcher in 2013 and Senator John McCain where it was performed at the Washington National Cathedral on September 1, 2018. In addition to being used as the melody for the solemn, patriotic hymn I Vow to Thee, My Country, other settings of this hymn tune also include O God, Beyond All Praising, by Michael Perry in 1982, O Spirit All-Embracing by Delores Dufner in 1995 and We Praise You and Acknowledge You, O God, a paraphrase of the Te Deum Laudemus by Stephen P. Starke in 1999.Regis Bookshar thought that it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to the Trumpet Quintet version and this version for a String Quintet, consisting of 2 Violins, 1 Viola (which has the lead), 1 Violoncello and 1 Double Bass, he has made quite a few other arrangements of this selection. There are Quintets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are added as often as possible. I'm certain that this beautiful arrangement of O Spirit All-Embracing based on the Andante Maestoso section from Jupiter, the Bringer of Jo.
O Spirit All-Embracing (Thaxted) (Bb) (String Quintet - 2 Violins, 1 Viola, 1 Cello, 1 Bass) (Viola

$10.00 8.64 € PDF SheetMusicPlus

Instrumental Duet Clarinet,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.588894 Composed by David McKeown. Jazz,Latin,World. Score and parts. 5 pages. David McKeown #5770175. Published by David McKeown (A0.588894). Bossa de Bastião is an exciting original composition by David McKeown, arranged as a duet for one Oboe and one Clarinet.This duet is based on the Brazilian style of Bossa Nova which evolved in Rio de Janeiro during the late 1950s. Bossa in its purest form is lyrical song accompanied by nylon-stringed guitar. The rhythm derives from Samba but is played at around half tempo. The harmony is often complex and influenced by jazz; indeed it was the collaboration between guitarist João Gilberto and American Saxophonist Stan Getz that led to the huge international popularity of Bossa Nova in the 1960s and beyond.If you play to an intermediate standard and upwards, then you and your audience will enjoy this piece. Rhythms should be lightly articulated, the melody should always flow, and following the articulation in the score will help convey the style. Bossa de Bastião has a performance time of around two and a half minutes. You can listen to a full performance the Clarinet version of this duet by following the YouTube link above.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
Bossa de Bastião, for Oboe and Clarinet Duet
Hautbois, Clarinette (duo)

$3.99 3.45 € Hautbois, Clarinette (duo) PDF SheetMusicPlus

Handchimes or handbells (3-4 octaves) - Level 3 - Digital Download SKU: H1.2202DP Composed by John Stainer. Arranged by Arnold B. Sherman. General Worship, Sacred. Handbell score. 8 pages. Hope Publishing - Digital #2202DP. Published by Hope Publishing - Digital (H1.2202DP). By John Stainer. John 3:1 - John 3:2 - John 3:3 - John 3:4 - John 3:5 - John 3:6 - John 3:7 - John 3:8 - John 3:9 - John 3:10 - John 3:11 - John 3:12 - John 3:13 - John 3:14 - John 3:15 - John 3:16 - John 3:17 - John 3:18 - John 3:19 - John 3:20 - Jo.Choral rendition of John 3:16 by John Stainer In this arrangement, John Stainer's beloved choral rendition of John 3:16 has been set for handbells with optional chimes OR a 2nd handbell choir. In this arrangement, John Stainer's beloved choral rendition of John 3:16 has been set for handbells with optional chimes OR a 2nd handbell choir. The selection(s) is ideal for festivals and other multiple choir events. Item MHP2201 will stand on its own.
God So Loved the World
John Stainer John 3:1 - John 3:2 - John 3:3 - John 3:4 - John 3:5 - John 3:6 - John 3:7 - John 3:8 - John 3:9 - John 3:10 - John 3:11 - John 3:12 - John 3:13 - John 3:14 - John 3:15 - John 3:16 - John 3:17 - John 3:18 - John 3:19 - John 3:20 - Jo
$6.25 5.4 € PDF SheetMusicPlus

Choral SATB w/opt. Oboe and Cello - Digital Download SKU: H1.C5860DP Composed by Heather Sorenson. Piano with Optional Oboe & Cello. Lent, Holy Week. Octavo. 16 pages. Hope Publishing - Digital #C5860DP. Published by Hope Publishing - Digital (H1.C5860DP). John Parker & Jay Parker. John 19:1 - John 19:2 - John 19:3 - John 19:4 - John 19:5 - John 19:6 - John 19:7 - John 19:8 - John 19:9 - John 19:10 - John 19:11 - John 19:12 - John 19:13 - John;19:14 - John 19:15 - John 19:16 - Jo.Original Lenten anthem This thought-provoking Lenten anthem begins with the stirring question, O God, what have we done? Stunningly scored for SATB voices and piano, with optional oboe and cello, the authors and composer take us on a journey down the Via Dolorosa with Jesus. The drama builds as we see the Savior beaten, crowned with thorns and ultimately crucified. The optional parts are included and reproducible.
He Carries My Cross Alone
Chorale SATB

$3.25 2.81 € Chorale SATB PDF SheetMusicPlus

Soprano Saxophone Solo - Level 1 - Digital Download SKU: A0.1193032 Composed by Carlos Eduardo Lyra Barbosa and Ronaldo F.e. Boscoli. Arranged by Fabio Eduardo de Oliveira. Jazz,Latin,Standards. Individual part. 2 pages. Fabio Eduardo #792488. Published by Fabio Eduardo (A0.1193032). FREE DOWNLOAD PLAYBACK https://www.fabioeduardomusiconline.com/freedownloadCarlos Eduardo Lyra Barbosa (born 11 May 1933) is a Brazilian singer and composer of numerous bossa nova and Música popular brasileira classics. He and Antonio Carlos Jobim, were the first two music composers, together with lyricists Vinicius de Moraes and Ronaldo Boscoli, to be recorded by João Gilberto on his first LP entitled Chega de Saudade (1959), which was called the first generation of Bossa Nova.
Saudade Fez Um Samba
Saxophone (partie séparée)

$4.99 4.31 € Saxophone (partie séparée) PDF SheetMusicPlus

Instrumental Duet,Piano B-Flat Trumpet,Instrumental Duet,Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.747015 By The Andrews Sisters. By Aloysio Oliveira, Ervin Drake, and Zequinha Abreu. Arranged by Keith Terrett. Classical,Latin,Multicultural,World. 10 pages. Keith Terrett #5870055. Published by Keith Terrett (A0.747015). Arranged for for Bb Trumpet, C Trombone & Piano Tico-Tico no fubá (sparrow in the cornmeal, or, literally, rufous-collared sparrow in the cornmeal) is a Brazilian choro song written by Zequinha de Abreu in 1917. A great arrangement for your next performance, sure to be a big hit with your audience!Its original title was Tico-Tico no farelo (sparrow in the bran), but since Brazilian guitarist Américo Jacomino Canhoto (1889–1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics.Eros Volusia and her dancers dance to Tico-Tico in 1942 Rio Rita. Ethel Smith performed Tico-Tico onscreen in Bathing Beauty (1944). Carmen Miranda performed Tico-Tico onscreen in Copacabana (1947); It was also featured in the Aquarela do Brasil segment of the Walt Disney film Saludos Amigos (1942) and in Woody Allen's Radio Days (1987).In Quebec the song has been used for several decades in commercials for Sico paint.In season three of Mama's Family episode An Ill Wind, an intoxicated Iola briefly sings the song's chorus before passing out onto a bed.This song can be heard on various episodes of the Belgian Kabouter Wesley cartoon.In season one of Narcos: Mexico, episode 3 (El Padrino), the orchestral version of the song is played by a band during a reception. A biographical movie about Zequinha de Abreu with the same title, Tico-Tico no Fubá was produced in 1952 by the Brazilian film studio Companhia Cinematográfica Vera Cruz, starring Anselmo Duarte as Abreu.The title phrase also features in the lyrics to the song O Pato made famous by João Gilberto.Choro (Portuguese pronunciation: [ˈʃoɾu], cry or lament), also popularly called chorinho (little cry or little lament), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chorõe
Tico Tico (tico Tico No Fuba)
The Andrews Sisters
$12.99 11.23 € PDF SheetMusicPlus






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