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Picc. (auch Bassfl), Klar. in A (auch Bassklar. in B), Vl. (mit Eisendämpfer), S. (24 Crotales [chrom. c'''-c''''']), Klav. (mit 5 Schrauben und Metallbolzen präpariert) soprano and 5 instruments - difficult - Digital Download SKU: S9.Q47142 Für Sopran und fünf Instrumente. Composed by Joerg Widmann. This edition: score and parts. Downloadable, score and parts. Duration 9 minutes. Schott Music - Digital #Q47142. Published by Schott Music - Digital (S9.Q47142). Vocalise.Widmann's chamber music-filled work from 1999 was commissioned by the Siemens Cultural Program. As the title suggests, this early work refers to the famous poems of Goethe, but the vocal part is restricted to vocalises and reflects the poetic text without directly quoting it. Experimental and intense sound constellations as well as the expressive vocalises characterize this early composition.
Wandrers Nachtlied

$36.99 31.5 € PDF SheetMusicPlus

Altosaxophone - difficult - Digital Download SKU: S9.Q564397 Version for alto saxophone. Composed by Joerg Widmann. Saxophone - solo - contemporary music. Downloadable, Separate edition. Duration 7 minutes. Schott Music - Digital #Q564397. Published by Schott Music - Digital (S9.Q564397). Jörg Widmann, an internationally sought-after soloist and professor of clarinet at the Freiburg Musikhochschule, displays the exquisite refinement of contemporary clarinet sound in 'Fünf Bruchstücke' (already published) for clarinet and piano (KLB 54) and in the present 'Fantasie' for solo clarinet. While noise, as a means of expression, is given much attention in 'Fünf Bruchstücke', 'Fantasie' is largely based on the usual Romantic melodious sound, though this time with ironic side trips into dance, klezmer and jazz music, the clarinet's equivalent of light music. 'Fantasie' for solo clarinet is my first real piece for my own instrument, the clarinet. With its eccentric virtuosity and its cheerful, ironic fundamental character, it reflects the experience with Stravinsky's 3 Pieces for solo clarinet of 1919 and the tonal innovations which did not appear in music before Carl Maria von Weber's notation for the clarinet, and takes them further in a new way. It is a little imaginary scene uniting the dialogues of different people in close proximity in the spirit of the commedia dell'arte. - Jörg Widmann ...on the interpretation: It would be important to take the title completely literally – which is why the performer should of course play the piece with imagination. The most important information on the structure: the complete absence of bar lines – whenever the piece is played to me by students or other persons, I am always pleased about the player's own ideas and about the fact that the musical text is taken literally and seriously, with all its dynamic and articulation marks, and yet filled with life and imagination. What I always notice, however, is that the rhythmic fast pulse part is often played like an étude, rather than with imagination. What is most important to me, personally, is to take pleasure in making tonal distinctions, even despite the strict timing. Use your imagination and enjoy playing my 'Fantasie'! - Jörg WidmannDie Bearbeitung durch Lois Alén González von Widmanns Fantasie ermöglicht es nun auch Saxophonisten, die für Klarinette komponierte Fantasie, die durch ihre starke Kontrastierung der Charakterveränderungen zu einem ausdrucksstarken Bravourstück geworden ist, spielen zu können.
Fantasie
Saxophone Alto

$12.99 11.06 € Saxophone Alto PDF SheetMusicPlus

Concert Band - Level 5 - Digital Download SKU: A0.1485676 Composed by Gioachino Rossini. Arranged by Albert Schwarzmann. 19th Century,21st Century,Classical,Opera,Romantic Period. 211 pages. Edition Schwalbe #1062745. Published by Edition Schwalbe (A0.1485676). When arranging the overture of Rossini's opera  Il barbiere di Siviglia (The Barber of Seville) the choice of the original source  is an important question, as there exist more versions in different scorings, with or without piccolo flute, with or without trombones. In this case the arranger was to be chosen the scientific original text edition published by the Rossini foundation. The arrangement  is transposed from the original key E to E flat. The ad libitum parts of Euphonium and Tuba are only recommended to be used,  if there is a lack of low winds and double bass players in the orchestra performing. This arrangement was first time performed by  Mozarteum Wind Philharmonic Salzburg conducted by Hansjoerg Angerer at their Three Kings' Concert on 6th January 2010  in the Grosses Festspielhaus (Large Festival Hall) in Salzburg, Austria and broadcasted live by Austrian television.  A live recording of this concert is available at https://www.salzburg-windphilharmonic.at/de/le-rendez-voud-de-chasse/ or  https://www.jpc.de/jpcng/classic/detail/-/art/le-rendez-vous-de-chasse/hnum/10428700.
Il barbiere di Siviglia - Sinfonia (The Barber of Seville - Overture)
Orchestre d'harmonie

$130.00 110.69 € Orchestre d'harmonie PDF SheetMusicPlus


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