Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1431523 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 70 pages. Jmsgu3 #1011997. Published by jmsgu3 (A0.1431523). BACH: Partita No. 3 BWV 827 Contents: Fantasia, Allemande, Courante, Sarabande, Burlesca, Scherzo, Gigue. Bach's Partita No. 3 in A minor, BWV 827, is an essential work in the composer's output for keyboard instruments. Here are some key points about this piece: It is one of the six partitas that Bach composed for harpsichord or clavichord, regarded as pinnacles of Baroque keyboard music. The Partita No. 3 consists of seven movements following the traditional partita structure: Allemande, Corrente, Sarabande, Burlesca, Scherzo, Gigue.  The Burlesca movement is particularly notable, featuring rapid hand-crossing and a lively, humorous character unusual for Bach's works. The Sarabande movement is considered one of Bach's most profound and expressive, with its rich harmonies and emotional depth. The final Gigue is a tour de force of contrapuntal writing, with multiple melodic lines interwoven in a lively dance rhythm. With the other partitas, BWV 827 demonstrates Bach's mastery of various dance forms and his ability to elevate them into profound artistic statements. So, in summary, Bach's Partita No. 3 stands out for its structural complexity, emotional range, and virtuosic demands, cementing its place among the composer's most outstanding keyboard achievements.

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1431199 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 54 pages. Jmsgu3 #1011662. Published by jmsgu3 (A0.1431199). BACH: Partita No. 2 BWV 826 Contents: Sinfonia, Allemande, Courante, Sarabande, Rondeau, Capriccio. Bach's Partita No. 2 in C minor, BWV 826, is an essential work for several reasons: Significance in Bach's Oeuvre It is part of Bach's monumental collection of six partitas (suites) for the keyboard, considered among music history's most famous and challenging suites. The partitas were published as Bach's Opus 1 in 1731, showcasing the diversity of forms and ingenious counterpoint in his keyboard writing.  Partita No. 2 was one of the earliest partitas to be published individually in 1727, highlighting its significance.  Musical Characteristics It opens with a grand Sinfonia movement akin to a French overture, followed by an expressive Andante aria-like movement.  The fugue movement has an intense subject spanning a minor 9th interval. It includes a double (ornamented variation) of the traditional Sarabande dance movement. The final Capriccio movement is a virtuosic and contrapuntal concerto-like piece testing the performer's technical prowess.  Overall, the partita exhibits a weighty, substantial, and momentous character compared to the first.  Influence and Legacy It expanded keyboard suites' technical and musical boundaries along with the other partitas.  Due to its artistic merit and challenges, it has remained a pinnacle of the keyboard repertoire, studied and performed by generations of musicians.  In summary, Bach's Partita No. 2 is a significant work that exemplifies the composer's mastery of counterpoint, variation forms, and virtuosic keyboard writing, solidifying the partitas' enduring importance in the canon of Western classical music.

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1433956 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 86 pages. Jmsgu3 #1014184. Published by jmsgu3 (A0.1433956). BACH: Partita No. 5 BWV 829 Contents: Praeambulum, Allemande, Courante, Aria, Sarabande, Menuet, Passepied, Gigue. Bach's Partita No. 5 in G major, BWV 829, is an essential work for several reasons: The Partitas, including BWV 829, were among the last keyboard suites composed by Bach and are considered his most technically demanding. They were published individually starting in 1726, then collected together as Clavier-Übung I in 1731, the first of Bach's works published under his direction. Partita No. 5 in G major, BWV 829, is particularly notable for its free-ranging structure, unlike the strictly organized English and French Suites. Additionally, the tonalities of the six Partitas form a deliberate sequence of intervals going up and down, with Partita No. 5 in G major completing this tonal scheme. This intervallic sequencing suggests Bach carefully structured the collection as a cohesive whole. Finally, Partita No. 5 is considered an exercise in spiritual delight for its technical demands and expressive qualities. It is one of the repertoire's most famous and challenging keyboard suites.