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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin,Voice - Digital Download SKU: A0.858899 Composed by Irish Air. Arranged by Stephen Bulat. Celtic,Holiday. Score and parts. 3 pages. Stephen Bulat Publishing #6233133. Published by Stephen Bulat Publishing (A0.858899). This traditional Irish folk song with lyrics by Fred Weatherly is set to the melody of Londonderry Air has been performed by many recording artists including The Irish Rovers, Chet Atkins, The Ventures, Glenn Miller, Bing Crosby, Judy Garland, Dennis Day, Mel Tormé, Tom Jones, Johhny Cash, Johnny Mathis, The Celtic Tenors, The Irish Tenors, Carly Simon and Elvis Presley. A Celtic and Irish Songbook must-have, this arrangement has been gig-tested and has a very easy to follow roadmap with all essential music notes, musical cues and rehearsal markings throughout. Arrangement is in lead sheet format (melody, lyrics & chords) with the layout in a larger style font than lead sheets in a typical fakebook. This format can be used for guitar sheet music, for piano sheet music, as instrumental sheet music, vocal sheet music or as accompaniment to a soloist (violin, flute, singer)The perfect addition to the working musician's gig book. Please click on the publisher to view this song in other keys as well as to purchase it in the Celtic Fiddle Fake Book or in Classic Love Songs - A Valentine's Day Fake Book.*PLEASE NOTE: The preview page may be in a different key than the purchased key.SMPPress publisher page: https://www.sheetmusicplus.com/publishers/stephen-bulat-sheet-music/3007289Online: http://stephenbulat.com
Oh Danny Boy (Londonderry Air) - Lead sheet (key of C)

$2.99 2.55 € PDF SheetMusicPlus

Brass Quartet Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1345874 By John Henry Leslie. By John Henry Leslie. Arranged by Andrew Lamb. 19th Century,Religious. 29 pages. Andrew Lamb #930750. Published by Andrew Lamb (A0.1345874). 🎺 Elevate your brass quartet performance with this stunning adaptation of Praise Ye The Lord by English composer John Henry Leslie, meticulously crafted by Andrew Lamb! 🎶🎼 Immerse your audience in the rich harmonies and captivating melodies, skillfully arranged for a quartet of talented musicians:🎺 Part 1: Trumpet / Cornet / Flugel in Bb, Trumpet in C🎺 Part 2: Trumpet / Cornet / Flugel in Bb, Trumpet in C📯 Part 3: French Horn, Tenor Horn, Trombone / Euphonium / Baritone (B.C.), Trombone / Euphonium / Baritone (T.C.)📯 Part 4: Trombone / Euphonium / Baritone (B.C.), Trombone / Euphonium / Baritone (T.C.)🌟 With a medium difficulty level, this arrangement strikes the perfect balance between challenge and accessibility. Ideal for both seasoned performers and those looking to enhance their skills.🎉 Perfect for various occasions, this arrangement can be the highlight of your concert or recital. Its spiritual and uplifting tones also make it a fitting addition to any Church Service.🔥 This arrangement is not just another rendition—it's a musical journey waiting to be explored. Get ready to leave a lasting impression on your audience with Praise Ye The Lord Brass Quartet Adaptation by Andrew Lamb!
John Henry Leslie | Praise Ye The Lord (arr. for Brass Quartet)
Quatuor de Cuivres: 2 trompettes, Cor, trombone
John Henry Leslie
$8.00 6.83 € Quatuor de Cuivres: 2 trompettes, Cor, trombone PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.890701 Composed by John Pitts. Baroque,Contemporary. Score and parts. 36 pages. Intensely Pleasant Music #3424663. Published by Intensely Pleasant Music (A0.890701). Passacaglia (2000-2012) duet 6 minutes This piece also exists in versions for organ (my original version in 2000) and orchestra (performed by Bristol University Symphony Orchestra under the baton of John Pickard in 2001). The piano duet version was finally completed in 2012.  The theme is based on the ground bass from Bach’s stonking Passacaglia in C minor for organ. However, the implied harmonies of Bach’s original ground bass are treated to some twisted harmonies – where each chord is altered using a system of harmonic substitution - swapping each chord implication for a newly chosen one (Cm=C, Fm=F#, G=A, Dm=A¨, Eb=F and on it goes around the 12 chromatic notes).  Each key therefore has a ‘dominant’ and ‘subdominant’ that are not the actual chords V and IV in that key, so the traditional cadences and chord relationships are supplanted by 12 individual 3-chord relationships – one set of three chords for each of the 12 (now almost exclusively major) keys. In an attempt to recreate the pulls of the traditional tonic-dominant-subdominant relationships, each key then also has a particular mode/scale with particular added notes that are designed to recreate the sense of moving away from and back towards the home chord of that key. This results in a lot of rich added harmonies and some idiomatic voice-leading. Bach’s original theme in Cm is: C G - E¨ F - G A¨  - F G - D E¨ - B C -   F G   - C, and in the opening statement of the ground bass this has become: C A - E F# - A B¨ - F# A - D# E - C# C - F# A - C. There are then 21 variations which modulate through a range of keys, during which the ground bass is constantly re-adjusted to fit the new harmonic areas. It starts in C major, then goes through ‘closely’ related keys (eg A major and A¨ major), and then back to C in variations 6, 9 and 11. This kind of arch then happens again but going through more distant keys before returning to C in variations 18, 19 and the final climactic variation 21. Leaving aside the structural and tonal nuts and bolts, my aim was to compose a piece that attempts to recapture some of the nobility and beauty of Bach's Passacaglia, with rich added note harmonies, and exuding an exuberant joy.
Passacaglia in C (piano duet)
1 Piano, 4 mains

$9.99 8.53 € 1 Piano, 4 mains PDF SheetMusicPlus

Organ - Level 5 - Digital Download SKU: A0.890713 Composed by John Pitts. Baroque,Christian,Contemporary,Sacred. Score. 20 pages. Intensely Pleasant Music #3424723. Published by Intensely Pleasant Music (A0.890713). Passacaglia (2000-2012) for Organ - 6 minutes  This piece exists in versions for organ (this one - the original version in 2000) and orchestra (performed by Bristol University Symphony Orchestra under the baton of John Pickard in 2001), and finally a piano duet version completed in 2012.   The theme is based on the ground bass from Bach’s stonking Passacaglia in C minor for organ. However, the implied harmonies of Bach’s original ground bass are treated to some twisted harmonies – where each chord is altered using a system of harmonic substitution - swapping each chord implication for a newly chosen one (Cm=C, Fm=F#, G=A, Dm=A¨, Eb=F and on it goes around the 12 chromatic notes).  Each key therefore has a ‘dominant’ and ‘subdominant’ that are not the actual chords V and IV in that key, so the traditional cadences and chord relationships are supplanted by 12 individual 3-chord relationships – one set of three chords for each of the 12 (now almost exclusively major) keys. In an attempt to recreate the pulls of the traditional tonic-dominant-subdominant relationships, each key then also has a particular mode/scale with particular added notes that are designed to recreate the sense of moving away from and back towards the home chord of that key. This results in a lot of rich added harmonies and some idiomatic voice-leading. Bach’s original theme in Cm is: C G - E¨ F - G A¨  - F G - D E¨ - B C -   F G   - C, and in the opening statement of the ground bass this has become: C A - E F# - A B¨ - F# A - D# E - C# C - F# A - C. There are then 21 variations which modulate through a range of keys, during which the ground bass is constantly re-adjusted to fit the new harmonic areas. It starts in C major, then goes through ‘closely’ related keys (eg A major and A¨ major), and then back to C in variations 6, 9 and 11. This kind of arch then happens again but going through more distant keys before returning to C in variations 18, 19 and the final climactic variation 21. Leaving aside the structural and tonal nuts and bolts, my aim was to compose a piece that attempts to recapture some of the nobility and beauty of Bach's Passacaglia, with rich added note harmonies, and exuding an exuberant joy.
Passacaglia in C (Organ)
Orgue

$7.99 6.82 € Orgue PDF SheetMusicPlus

Large Ensemble,Mixed Percussion,Strings Acoustic Guitar,Baritone Saxophone,Drums,Electric Bass Guitar,Electric Guitar,Piano and Keyboard,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1044819 By John Paul Kayne. By John Paul Kayne. Arranged by John Paul Kayne. 20th Century,Film/TV,Jazz,Multicultural,Rock,World. Score and parts. 40 pages. John P. Kayne #649437. Published by John P. Kayne (A0.1044819). Jazz Font Edition. Originally arranged for Jazz or Rock Ensemble and Strings featuring Jazz a sultry Baritone and Tenor Saxophone duet solo’s, 3 guitars ( Classical, Acoustic Steel String and Electric Guitar) and electric piano (ie Rhodes). Written in C Major around the C6/F6 chords as a modern take on the RyÅ«kÅka; a Japanese genre of popular music from the late 1920’s to 1960’s. Composed in Notion for iPad using jazz saxophone samples & techniques including a fair amount articulations such as slurs, growls and trills to achieve a vocal like performance.
Serenade Ryūkōka in C Maj for jazz ensemble & strings;Jazz font
John Paul Kayne
$49.99 42.66 € PDF SheetMusicPlus

Large Ensemble,Strings Acoustic Guitar,B-Flat Bass Saxophone,Drums,Electric Bass Guitar,Electric Guitar,Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1035423 By John P. Kayne. By John P. Kayne. Arranged by John P. Kayne. Contemporary,Film/TV,Jazz,Multicultural,Pop,World. Score and parts. 40 pages. John P. Kayne #640643. Published by John P. Kayne (A0.1035423). Originally arranged for Jazz or Rock Ensemble and Strings featuring sultry Baritone and Tenor Saxophone duet solo’s, 3 guitars ( Classical, Acoustic Steel String and Electric Guitar) and electric piano (ie Rhodes). Written in C Major around the C6/F6 chords as a modern take on RyÅ«kÅka; a Japanese genre of popular music from the late 1920’s to 1960’s. Composed in Notion for iPad using jazz saxophone samples & techniques including a fair amount atriculations such as slurs, growls and trills to achieve a vocal like performance.
Serenade Ryūkōka in C Major for Jazz Ensemble and Strings
Saxophone Tenor et Piano
John P Kayne
$49.99 42.66 € Saxophone Tenor et Piano PDF SheetMusicPlus

Large Ensemble - Level 4 - Digital Download SKU: A0.1042917 By John Paul Kayne. By John Paul Kayne. Arranged by John Paul Kayne. 20th Century,Contemporary,Jazz,Multicultural,Rock,World. Score and parts. 13 pages. John P. Kayne #647627. Published by John P. Kayne (A0.1042917). Jazz Font Edition. Originally arranged for Jazz or Rock Ensemble and Strings featuring Jazz a sultry Baritone and Tenor Saxophone duet solo’s, 3 guitars ( Classical, Acoustic Steel String and Electric Guitar) and electric piano (ie Rhodes). Written in C Major around the C6/F6 chords as a modern take on the RyÅ«kÅka; a Japanese genre of popular music from the late 1920’s to 1960’s. Composed in Notion for iPad using jazz saxophone samples & techniques including a fair amount articulations such as slurs, growls and trills to achieve a vocal like performance.
Seranade Ryūkōka in C Maj for jazz ensemble & strings;Jazz font - Score Only
John Paul Kayne
$2.99 2.55 € PDF SheetMusicPlus

Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1500318 Composed by John Varley Roberts. Arranged by John Varley Roberts and L. Müller. 19th Century,Christian,Classical,Religious,Sacred. 6 pages. Müller Publishing company #1076399. Published by Müller Publishing company (A0.1500318). Christ is Risen from the Dead - John Varley Roberts - For Choir SATB in C MajorOptimize your choir’s practice sessions with the reduced score of Christ is Risen from the Dead by J. V. Roberts, edited by L. Müller. This condensed format, featuring Soprano and Alto together in the Treble Clef and Tenor and Bass in the Bass Clef, is ideal for choirs aiming to simplify page turns and improve readability. This score format allows for a comprehensive yet concise view of the arrangement, aiding in better rehearsal efficiency and musical synchronization.
Christ is Risen from the Dead - John Varley Roberts - For Choir SATB in C Major
Chorale SATB

$2.99 2.55 € Chorale SATB PDF SheetMusicPlus

Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1500317 Composed by John Varley Roberts. Arranged by John Varley Roberts and L. Müller. 19th Century,Christian,Classical,Religious,Sacred. 8 pages. Müller Publishing company #1076398. Published by Müller Publishing company (A0.1500317). Christ is Risen from the Dead - John Varley Roberts - For Choir SATB in C MajorElevate your choir’s presentation with the complete edition of Christ is Risen from the Dead by J. V. Roberts, expertly edited by L. Müller. Each vocal part—Soprano, Alto, Tenor, Bass—is clearly laid out on its individual stave, allowing singers to follow their lines effortlessly. This format provides clarity and structure, essential for refining your choir’s performance in both rehearsals and live settings.
Christ is Risen from the Dead - John Varley Roberts - For Choir SATB in C Major
Chorale SATB

$2.99 2.55 € Chorale SATB PDF SheetMusicPlus






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