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Piano Solo - Level 2 - Digital Download

SKU: A0.697736

Composed by African American Spiritual. Arranged by Sandy McIntire. Instructional,Sacred,Spiritual,Standards,Traditional. Score. 3 pages. Sandy McIntire #6599253. Published by Sandy McIntire (A0.697736).

Ezekiel Saw de Wheel is a well-known African American Spiritual that refers to an Old Testament story about the prophet Ezekiel. The tune has been recorded by numerous artists including Woody Guthrie, Paul Robeson, John Lee Hooker, the Dixie Hummingbirds, the Tillers, the Fisk Jubilee Singers, The Charioteers and Gold City.
This arrangement is an Early intermediate Piano Solo that imitates the rolling wheel.  Arrangements by McIntire of other African-American Spirituals include Joshua Fit de Battle of JerichoJacob's Ladder and Deep River, all available on sheetmusicplus.com.

Ezekiel Saw de Wheel
Piano seul

$3.99 3.78 € Piano seul PDF SheetMusicPlus

Acoustic Guitar,Banjo,Bass Guitar,Drums,Electric Guitar,Fiddle,Flute,Mandolin,Piano,Voice - Level 5 - Digital Download

SKU: A0.1414993

By Nitty Gritty Dirt Band. By A.P. Carter. Arranged by Cascia Talbert. Christian,Country. 81 pages. Cascia Talbert #996726. Published by Cascia Talbert (A0.1414993).

Can the Circle Be Unbroken (By and By) is a country/folk song reworked by A. P. Carter from the hymn Will the Circle Be Unbroken? by Ada R. Habershon and Charles H. Gabriel. The song's lyrics concern the death, funeral, and mourning of the narrator's mother.

The song first gained attention due to the Carter Family. The song has been recorded by many groups and musicians: Blind James Campbell, Bob Dylan, The Band, The Staple Singers, Clara Ward Singers, John Fahey, Roy Acuff, Joan Baez, The Chieftains, Jerry Lee Lewis, Gene Vincent, Ralph Stanley, The Black Crowes, Kristin Hersh, John Lee Hooker, Bill Monroe, the Nitty Gritty Dirt Band, Pentangle, Spacemen 3, Country Joe McDonald, John Statz, Spirit of the West with The Wonder Stuff, Mavis Staples, The Felice Brothers, Johnny Cash, Gregg Allman, the Neville Brothers, Jeff Buckley, Moby, and Agnes Chan. Its refrain was incorporated into the Carl Perkins song Daddy Sang Bass and the Atlanta song Sweet Country Music. It is primarily performed in gospel, bluegrass and folk, but versions in other genres exist. Most versions of the song use the alternate title Will the Circle Be Unbroken. In 1998, it was inducted into the Grammy Hall of Fame.

This arrangement is for a country/bluegrass band with flute and vocal.

Can The Circle Be Unbroken (Will The Circle Be Unbroken)
Nitty Gritty Dirt Band
$24.99 23.66 € PDF SheetMusicPlus

Piano,Vocal,Voice - Level 4 - Digital Download

SKU: A0.1414977

By Nitty Gritty Dirt Band. By A.P. Carter. Arranged by Cascia Talbert. Christian,Country. Score. 24 pages. Cascia Talbert #996710. Published by Cascia Talbert (A0.1414977).

Can the Circle Be Unbroken (By and By) is a country/folk song reworked by A. P. Carter from the hymn Will the Circle Be Unbroken? by Ada R. Habershon and Charles H. Gabriel. The song's lyrics concern the death, funeral, and mourning of the narrator's mother.

The song first gained attention due to the Carter Family. The song has been recorded by many groups and musicians: Blind James Campbell, Bob Dylan, The Band, The Staple Singers, Clara Ward Singers, John Fahey, Roy Acuff, Joan Baez, The Chieftains, Jerry Lee Lewis, Gene Vincent, Ralph Stanley, The Black Crowes, Kristin Hersh, John Lee Hooker, Bill Monroe, the Nitty Gritty Dirt Band, Pentangle, Spacemen 3, Country Joe McDonald, John Statz, Spirit of the West with The Wonder Stuff, Mavis Staples, The Felice Brothers, Johnny Cash, Gregg Allman, the Neville Brothers, Jeff Buckley, Moby, and Agnes Chan. Its refrain was incorporated into the Carl Perkins song Daddy Sang Bass and the Atlanta song Sweet Country Music. It is primarily performed in gospel, bluegrass and folk, but versions in other genres exist. Most versions of the song use the alternate title Will the Circle Be Unbroken. In 1998, it was inducted into the Grammy Hall of Fame.

This arrangement is for flute, voice and piano.

Can The Circle Be Unbroken (Will The Circle Be Unbroken)
Piano, Voix
Nitty Gritty Dirt Band
$4.99 4.72 € Piano, Voix PDF SheetMusicPlus

Concert Band - Level 4 - Digital Download

SKU: A0.1414965

By Nitty Gritty Dirt Band. By A.P. Carter. Arranged by Cascia Talbert. Christian,Country. 94 pages. Cascia Talbert #996694. Published by Cascia Talbert (A0.1414965).

Can the Circle Be Unbroken (By and By) is a country/folk song reworked by A. P. Carter from the hymn Will the Circle Be Unbroken? by Ada R. Habershon and Charles H. Gabriel. The song's lyrics concern the death, funeral, and mourning of the narrator's mother.

The song first gained attention due to the Carter Family. The song has been recorded by many groups and musicians: Blind James Campbell, Bob Dylan, The Band, The Staple Singers, Clara Ward Singers, John Fahey, Roy Acuff, Joan Baez, The Chieftains, Jerry Lee Lewis, Gene Vincent, Ralph Stanley, The Black Crowes, Kristin Hersh, John Lee Hooker, Bill Monroe, the Nitty Gritty Dirt Band, Pentangle, Spacemen 3, Country Joe McDonald, John Statz, Spirit of the West with The Wonder Stuff, Mavis Staples, The Felice Brothers, Johnny Cash, Gregg Allman, the Neville Brothers, Jeff Buckley, Moby, and Agnes Chan. Its refrain was incorporated into the Carl Perkins song Daddy Sang Bass and the Atlanta song Sweet Country Music. It is primarily performed in gospel, bluegrass and folk, but versions in other genres exist. Most versions of the song use the alternate title Will the Circle Be Unbroken. In 1998, it was inducted into the Grammy Hall of Fame.

This arrangement is for concert band and choir.

Can The Circle Be Unbroken (Will The Circle Be Unbroken)
Orchestre d'harmonie
Nitty Gritty Dirt Band
$49.99 47.33 € Orchestre d'harmonie PDF SheetMusicPlus

Full Orchestra - Level 3 - Digital Download

SKU: A0.809889

Composed by Robert E. Proctor. Blues,Contemporary. Score and parts. 270 pages. R. E. Proctor #4800403. Published by R. E. Proctor (A0.809889).

This concerto is in the traditional three movement format with the first and third movements being fast and the middle movement slow.  The second and third movements are most like a blues work.  The first movement is a rondo format, is not particularly bluesy.  A Les Paulâ„¢ guitar would play particularly well in this movement.  The second movement switches between the soloist as the distorted guitar sound to the vocalist as the clean guitar sound.  The final movement is happy, upbeat, and lively good time blues.  In the second and third movements in particular, the basses (cello, double bass) should be easily heard. At the end of the third movement, the precisionist on the drum set should improvise a loud, untimed measure, solo utilizing all the drums and cymbals in the set ending with four moderately paced and slowing beats on the snare drum.  A momentary pause, then the final chord.

The guitarist will need at least one foot pedal for distortion enabling him/her to switch between a clean sound and a distorted sound.  The guitar should be the equivalent of a Fenderâ„¢ Stratocaster or Telecaster guitar; a Gibsonâ„¢ Les Paul would do nicely also.  The music is partially fingered leaving the player the opportunity to interpret the part.  The work is after the fashion of Chicago style blues of the 1960’s.  The conductor and guitarist may wish to listen to recordings by the Paul Butterfield Blues Band, John Lee Hooker, John Mayall and the Blues Breakers, B.B. King, etc. to get a feel for the music of the 1960’s blues bands.  It would be highly desirable to use an organ, for the 3rd movement, that can produce a Hammond B3â„¢ with Leslie sound, as that instrument was widely used in blues of that period.  Although some of the notes notated as harmonics (h) in the score can be played as fretted notes, playing them as natural and artificial harmonics provides an interesting change of tonality.  The orchestral part is not particularly challenging.  The concerto is approx. 17 minutes in length.






Concerto for Electric Guitar and Orchestra
Orchestre

$19.95 18.89 € Orchestre PDF SheetMusicPlus

Guitar - intermediate - Digital Download

SKU: S9.Q780097

An Introduction to Blues Guitar Styles, Techniques and Improvisation. Schott Pop-Styles. This unique book gives an in-depth insight into blues guitar, from early Chicago Blues, through Memphis and Detroit Blues, the British Blues boom, Jazz Blues and many other blues genres, right up to the blues styles of today’s hottest guitarists. Downloadable. Schott Music - Digital #Q780097. Published by Schott Music - Digital (S9.Q780097).

English.

This unique book gives an in-depth insight into blues guitar, from early Chicago Blues, through Memphis and Detroit Blues, the British Blues boom, Jazz Blues and many other blues genres, right up to the blues styles of today’s hottest guitarists. Focusing on the playing styles of influential guitarists, author John Wheatcroft teaches the basics of blues improvisation and shows how it has developed over the years. Learn how to solo like classic blues guitarists B. B. King, John Lee Hooker and Albert Collins and then move on to find out more about the playing styles of Eric Clapton, Jimi Hendrix, Stevie Ray Vaughan, Robben Ford and many others. Simple step-by-step guides introduce basic techniques, harmony and theory, with demo solos and backing tracks as audio download.

Improvising Blues Guitar
Guitare

$28.99 27.45 € Guitare PDF SheetMusicPlus


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