C Instrument,Folk Instrument,Instrumental Solo,Piano,Treble Clef Instrument,Zither - Level 2 - Digital Download SKU: A0.565804 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Folk,Praise & Worship,Romantic Period,Sacred,Traditional. Score and individual part. 5 pages. Sharon Wilson #6228853. Published by Sharon Wilson (A0.565804). Here is an easy instrumental duet arrangement (for BOWED PSALTERY solo with PIANO accompaniment) of the classic hymn tune HURSLEY with lyrics by John Keble. The psaltery part was designed for a beginning psaltery player and is written in the key of F major with only 1 flat (B♭ = A♯). The piano accompaniment is at the intermediate level. To assist those new to reading music notation, two solo parts are included: one is the standard music notation and includes the lyrics for sing along enjoyment. The second solo part is identical to the standard music but instead of lyrics, the note names are provided below each note (example A, B, C…). The psaltery plays the melody throughout. An optional repeat and second ending is included in case a longer song is desired. A piano accompaniment and/or rehearsal track (MP3 format) is available for this arrangement as a separate purchase: Sun of My Soul (Piano Accompaniment Track for Easy Bowed Psaltery Solo).The range of a typical soprano psaltery is two octaves beginning with the G above middle C (G4). However, since some psalteries have fewer than 25 strings, the range for this song is less than 2 octaves. Also, the notes are written an octave lower on the staff to avoid the ledger line notes that would be required to notate the upper notes. The notated range for this song is E3 (the first E above middle C) to D5 (the second D above middle C).The purchase price includes a combined score (grand staff, 3-stave) with both parts (PSALTERY and PIANO) on each page, plus 2 options for the 1-staff solo part (one with lyrics, one with alphabetic note names). This arrangement is one of the 10 songs in the collection Hymns and Choruses (A Collection of 10 Easy Bowed Psaltery Solos with Piano Accompaniment).Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic

Easy Piano - Level 2 - Digital Download SKU: A0.1329231 By Traditional and Traditional Carols. By Henry Wadsworth Longfellow, John Baptiste Calkin, Traditional, and Traditional Carols. Arranged by Darek. Advent,Christmas,Religious,Sacred,Traditional. Score. 2 pages. Darek #917209. Published by Darek (A0.1329231). I Heard the Bells on Christmas Day - Christmas Carol [EASY PIANO]Simplified Arrangement for Beginner Pianists of I Heard the Bells on Christmas Day  - Traditional Christmas Carol by John Baptiste Calkin and Henry Wadsworth Longfellow.Sheet Music for Piano or Keyboard in Easy Arrangements for Beginner Pianists. Included: Chords, Fingering, Lyrics and simple YouTube video tutorial.Easy Version for Pianists | Beginner Version | Easy Piano Sheet Music | Arrangement for Beginners | Piano | Keyboard | Grand Piano | Traditional Christmas Carol | Easy Piano Arrangement | Simple Arrangement For Beginners | For Novice Pianists | Christian Carol Arrangement | Sheet Music Christmas Collection | Various Traditional Carols | Holiday Carol Songs | Christmas Music Album | Christmas Carol Book | Christmas Carols for Piano Beginners | Festive Music | Easy Sheet Music Collection | Grand Piano.

Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.1169891 Composed by English Folk Song, Henry Wadsworth Longfellow, and John Baptiste Calkin. Arranged by Mark R Lewis. Christmas,Folk,Holiday,Religious,Traditional. Octavo. 23 pages. Mark R Lewis #770256. Published by Mark R Lewis (A0.1169891). On Christmas Day is a medley of I Heard the Bells on Christmas Day and I Saw Three Ships by Mark R Lewis. John Baptiste Calkin wrote the music for I Heard the Bells in 1872 as an adaptation of the earlier poem Christmas Bells by Henry Wadsworth Longfellow. I Saw Three Ships is an English carol thought to originate from the 17th century, though the lyrics used is most modern arrangements come from later published versions.This arrangement is intended to be performed by SATB divisi choir and accompanied by a 3-5 octave handbell choir. All four voice parts pass the melody back and forth and are featured at different times and explore different vocal and accompaniment styles throughout the piece. Most intermediate choirs should be able to perform this piece, although the basses and alto should be able to sing down to a D2 or an F3 respectively (there are optional notes if this is too low). The handbell part is not particularly difficult but is active across the whole ensemble and uses mallets through one of the middle verses. There are also several key changes that will require quick bell changes or sharing of bells. It is also worth noting that I Heard the Bells is in 4/4 and I Saw Three Ships is in 6/8.This download includes a piano and choir score for when handbells are not an option as well as the handbell sheet music. Handbells are the preferred accompaniment, although it will still sound good with just piano.

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1169893 Composed by English Folk Song, Henry Wadsworth Longfellow, and John Baptiste Calkin. Arranged by Mark R Lewis. Christmas,Folk,Holiday,Religious,Traditional. Octavo. 23 pages. Mark R Lewis #770258. Published by Mark R Lewis (A0.1169893). On Christmas Day is a medley of I Heard the Bells on Christmas Day and I Saw Three Ships by Mark R Lewis. John Baptiste Calkin wrote the music for I Heard the Bells in 1872 as an adaptation of the earlier poem Christmas Bells by Henry Wadsworth Longfellow. I Saw Three Ships is an English carol thought to originate from the 17th century, though the lyrics used is most modern arrangements come from later published versions.This arrangement is intended to be performed by TTBB divisi choir and accompanied by a 3-5 octave handbell choir. All four voice parts pass the melody back and forth and are featured at different times and explore different vocal and accompaniment styles throughout the piece. Most intermediate choirs should be able to perform this piece, although the bass 2s should be able to sing down to a D2 (there are optional notes if this is too low). The handbell part is not particularly difficult but is active across the whole ensemble and uses mallets through one of the middle verses. There are also several key changes that will require quick bell changes or sharing of bells. It is also worth noting that I Heard the Bells is in 4/4 and I Saw Three Ships is in 6/8.This download includes a piano and choir score for when handbells are not an option as well as the handbell sheet music. Handbells are the preferred accompaniment, although it will still sound good with just piano.

String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1283553 Composed by Don George, Duke Ellington, Harry James, and Johnny Hodges. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 3 pages. DAVID LEE GINGRAS #874740. Published by DAVID LEE GINGRAS (A0.1283553). I'm Beginning to See the Light is a popular song and jazz standard, with music written by Duke Ellington, Johnny Hodges, and Harry James and lyrics by Don George and published in 1944. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added some pretty cool left-hand fills to keep things moving along smoothly, we hope you like what we've done with this great old tune!

Piano,Vocal,Voice - Digital Download SKU: A0.502453 By John Denver. By Johnny Marks. Arranged by Mario Stallbaumer. Christmas. Score. 3 pages. Published by Mario Stallbaumer (A0.502453). With this sheet music, you can play Rudolph the Red-Nosed Reindeer on piano! It's an accurate, carefully created piano arrangement of the famous Christmas song. The vocal melody is included in the piano part, so it makes for a perfect piano solo cover. Of course, you can also use this piano arrangement to accompany a singer, or sing along yourself - this sheet music includes a staff for the vocals, as well as the song's full lyrics! Composed by Johnny Marks, it was recorded by Gene Autry in 1949, and topped the US charts during Christmas of that year. Other famous versions were recorded by Dean Martin, Bing Crosby, John Denver, Ella Fitzgerald, Pentatonix, and many other great artists! Rudolph the Red-Nosed Reindeer is a wonderful Christmas song to play on the piano!

Guitar - Level 2 - Digital Download SKU: A0.1050124 Composed by Traditional. Arranged by Calum Wood. Celtic,Folk,Irish,Traditional. Guitar Tab. 1 pages. Calum Wood #654499. Published by Calum Wood (A0.1050124). Attention all guitar players and Scottish music enthusiasts! Are you looking for a unique and authentic Scottish tune to add to your repertoire? Look no further than Miss Stewart of Garth - a beautiful and haunting melody that captures the essence of traditional Scottish music.Our guitar score of Miss Stewart of Garth features both TAB and music notation, making it accessible to players of all skill levels. Whether you're a seasoned guitarist or just starting out, you'll be able to master this timeless tune in no time.What sets our guitar score apart is its attention to detail and accuracy. We've taken great care to ensure that every note and rhythm is transcribed with precision, so you can play the song exactly as it was meant to be played.With Miss Stewart of Garth in your repertoire, you'll be able to transport yourself and your audience to the rolling hills and misty glens of Scotland. The haunting melody will linger in your mind long after you've put down your guitar, and you'll find yourself returning to it again and again.Don't miss out on the opportunity to add this unique and authentic Scottish tune to your collection. Order your guitar score of Miss Stewart of Garth today and start playing this beautiful melody for yourself!The History of the Tune 'Miss Stewart of Garth'Miss Stewart of Garth is a Scottish reel with a long and interesting history. The tune is believed to have originated in the early 18th century and was likely composed by a Scottish fiddler. It was first published in the late 18th century in the Scots Musical Museum, a collection of Scottish songs and tunes compiled by James Johnson.The title Miss Stewart of Garth refers to a woman named Anne Stewart, who was the daughter of John Stewart, the laird of Garth. The Garth estate was located in Perthshire, Scotland, and was known for its picturesque beauty and its association with the Jacobite cause.During the 18th century, the Jacobites were a political movement in Scotland that sought to restore the Stuart dynasty to the throne of Great Britain. Many Highlanders supported the Jacobite cause, and the Garth estate was known to be sympathetic to their efforts.It's possible that Miss Stewart of Garth was composed as a tribute to Anne Stewart or as a way of expressing support for the Jacobite cause. The tune has a melancholy and wistful quality that has made it a favorite among Scottish musicians and dancers for centuries.Over the years, Miss Stewart of Garth has been played in many different contexts, from traditional Highland gatherings to modern concerts and recordings. Its enduring popularity is a testament to the beauty and power of Scottish music, and it remains a beloved part of Scotland's cultural heritage to this day.

Piano Solo - Level 4 - Digital Download SKU: A0.1427036 By Billy Williams. By Fred E. Ahlert and Joe Young. Arranged by Martyn Clive Johnson (aka Martycli Piano Guy). 20th Century,Broadway,Comedy,Jazz,Musical/Show,Ragtime. Score. 8 pages. Martyn Johnson #1007767. Published by Martyn Johnson (A0.1427036). My arrangement is a tribute to the old Fat's Waller recording. It's not copied from that rendition at all but I have arranged it as a stride piano piece and hope it exudes some of the joy that Mr Waller brought to it.I take it through three iterations in C, Db and D major, going up a semi-tone each time - so plenty of practice in trickier keys. I don't include dynamics in my notation nor fingering and pedalling as I prefer to leave these to the discretion of the individual pianist. You will never get two piano teachers to agree on these things. I like to give the reader the notes as simply as possible and leave the interpretation up to them. Similarly with voicings - some notes will be held longer instinctively by the pianist than others and do not need to be placed in separate voicings to make them difficult to read.The stride piano left hand often contains 10ths which can be too large a span for some pianists. The solution is to roll them or to just play them as a single bass note on the root of the chord or as an octave.This is a wonderfully joyous piece and I hope you get as much pleasure from learning and playing it as I did arranging it.

C Instrument - Level 2 - Digital Download SKU: A0.1438046 By Noah Kahan. By Noah Kahan. Arranged by Johnny Herbert. Film/TV,Folk,Pop,Rock,Singer/Songwriter. Lead Sheet / Fake Book. 4 pages. Johnny Herbert #1018118. Published by Johnny Herbert (A0.1438046). Stick Season is the third studio album by American singer-songwriter Noah Kahan, who also served as producer alongside Gabe Simon. It was released on October 14, 2022, by Mercury Records and Republic Records. Another version of the album, titled Stick Season (Forever), was released on February 9, 2024, featuring all the collaborations and three original songs, of which two are the collaborations You're Gonna Go Far and Paul Revere and one is the single Forever.

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1328871 By Yellowcard. By Ben Harper, Longineu Parsons III, Peter Mosely, Ryan Key, and Sean Mackin. Arranged by Johnny C. Leavitt. Chamber,Grunge,Punk,Rock. 28 pages. Johnny C. Leavitt #916880. Published by Johnny C. Leavitt (A0.1328871).

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1025974 Composed by Courtney Caitlin Johnson. Contemporary. Octavo. 7 pages. White Orchid Resonance #5721457. Published by White Orchid Resonance (A0.1025974). The Tide Rises, The Tide Falls is an SATB choral piece with piano accompaniment based on Henry Wadsworth Longfellow's poem of the same name.

Choral Choir (3-Part) - Level 2 - Digital Download SKU: A0.854815 Composed by Traditional. Arranged by Jake Alexander. A Cappella,Folk,Traditional. Octavo. 6 pages. Jake Alexander #6425225. Published by Jake Alexander (A0.854815). A straightforward, unaccompanied arrangement of this blustery sea shanty, made famous by The Dreadnoughts and The Longest Johns, for female, male or mixed voice choir. Approximately 2 and a half minutes in length.My name is Jake Alexander - I’m a composer, arranger and choir leader based in London. I create accessible arrangements that play to the strengths of community choirs. If you would like to offer any feedback, or just want to say hi, please get in touch at jake@jakealexander.org. Also, feel free to get in touch if you would like to be sent rehearsal tracks - these are available for all of my scores. Happy singing!jakealexander.orgquaggycommunitychoir.com

Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Piano Accompaniment,Soprano Saxophone,Tenor Saxophone,Violin - Level 3 - Digital Download SKU: A0.974077 Composed by Trad. New Zealand shanty song. Arranged by Alexander Bosrup Karlsen. Celtic,Folk,World. Score and parts. 10 pages. Alexander Bosrup Karlsen #6249029. Published by Alexander Bosrup Karlsen (A0.974077). The Wellerman, made famous by The Longest Johns and Nathan Evans. The song origins from New Zealand, and was sung by sailors and whalers since it's likely origin in 1860-70s. And that had has it's renneasaince on TikTok.Leadsheet for Trumpets, flutes, saxes, clarinets...