Choral Choir,Choral (4-Part) - Level 3 - Digital Download SKU: A0.1388616 By Justin Bieber. By Alexander Izquierdo, Andrew Watt, Jon Bellion, Jordan Johnson, Justin Bieber, Michael Pollack, Raul Cubina, and Stefan Johnson. Arranged by Matt Lammin. Pop,Soul. 19 pages. Matthew Lammin #972119. Published by Matthew Lammin (A0.1388616). Based on the Lloyiso version.Lead Vocal + SAT backing vocals.Full score and individual parts.This piece should be accompanied by piano and/or guitar; chords are included above the stave for this purpose. The arrangement is written out in open score.

Piano Solo - Level 4 - Digital Download SKU: A0.1297229 By Martycli Piano Guy. By Martyn Clive Johnson. Arranged by Martyn Clive Johnson. 20th Century,Contemporary,Country,Jazz,Ragtime. Score. 8 pages. Martyn Johnson #887291. Published by Martyn Johnson (A0.1297229). I started off writing this as a Country and Western style piece trying to imitate Floyd Kramer with his hammer on/hammer off guitar style piano but it became more ragtime/stride piano as I went along, but you might still detect a little here and there.I haven't included dynamics, fingering or pedalling and leave these to individual choice. No two pianists agree on these things anyway. I have included chord symbols which I always find helpful when learning a piece. It is stride piano and the left hand can be tricky but it is acceptable to leave out intervals of 10ths and octaves etc and just play single notes followed by a chord. Especially for pianists with shorter fingers.Please note this is just a piano transcription for piano solo and doesn't include notation for the other instruments in my YouTube video. It was written to be a piano solo and sounds perfectly full in that context.

Choral 2-Part Chorus,Choir,Choral - Digital Download SKU: A0.1472118 By Bethel Music and Jenn Johnson. By Ben Fielding, Brian Johnson, Ed Cash, Jason Ingram, and Jenn Johnson. Arranged by Lloyd Larson. 21st Century,A Cappella,Christian,Contemporary,Praise & Worship. 10 pages. Clem & Jun Bascar #1049817. Published by Clem & Jun Bascar (A0.1472118). An awsome two part choral arrangement by LLoyd Larson. Applicable for both youth and adult choir, for any worship services and Christian fellowships or special ocassions.

Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.792222 Composed by Heinrich Schutz. Arranged by Fetter, David. Baroque,Classical,Renaissance. Score and parts. 40 pages. Gordon Cherry #4728855. Published by Gordon Cherry (A0.792222). Psalm 1 by Heinrich Schütz (1585-1672), is taken from his collection of choral settings of several of the biblical Psalms of David, in which Schütz continued the polychoral tradition he had absorbed in Venice as a student of Giovanni Gabrieli.   Schütz indicated in his preface to the Psalms, published in 1619, that due to limits on performance during the Thirty Years War, alternate instruments or voices could be employed as available.  As Psalm 1 was composed for two choirs of voices, it might be an attractive option to double the parts in this version for brass.  Also, the choirs might be placed some distance apart.  The original version of Psalm I is for two four-part choirs, one of mixed voices and one of tenors and basses.  (The original also calls for continuo accompaniment, but, as in similar works of Gabrieli, the choral parts sound complete in themselves.) Composer/arranger David Fetter (b. 1938) is a Trombone faculty member at the Peabody Conservatory of the Johns Hopkins University in Baltimore, Maryland.  Also a conductor, his works are performed in concert, at festivals, and in educational settings in the U.S. and Europe and they have been recorded by leading soloists. Mr. Fetter is a former member of the Cleveland Orchestra, the Baltimore Symphony Orchestra, the Radio/Telefis Symphony Orchestra of Ireland, the U.S. Army Band, and other ensembles, where he performed for conductors who included George Szell, Leonard Bernstein, Seiji Ozawa, James Levine, Sergiu Comissiona, and David Zinman.  At the Eastman School of Music he was a trombone student of Emory Remington and a member of the Eastman Wind Ensemble under Frederick Fennell.  He holds a Master’s in Musicology from The American University.  See www.peabody.jhu.edu/David Fetter.

Cello Solo - Level 5 - Digital Download SKU: A0.903740 Composed by Alan Edgar. 20th Century,Concert,Contemporary,Folk. Individual part. 10 pages. Alan Edgar Ted Moon #3053507. Published by Alan Edgar Ted Moon (A0.903740). Comedy for solo cello: the player complains aloud about the task, generally messes about and tries to play variations on two Manx folk tunes: the Streams of Lovely Nancy and  Chyndaa yn Bwoailley, or Whirling Dance.   We hear bits of Bach, Tchaikowsky, Lennon and Mc Cartney, di Capua and some rude sound-effects.  The extreme range of the cello is employed.  It's a tribute to the very comical Failing--a very difficult Piece for Double-bass by Tom Johnson A performance lasts about 8 minutes.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1172085 Composed by Charles H. Gabriel. Arranged by Todd Marchand. 19th Century,Christian,Sacred,Traditional. 16 pages. Con Spirito Music #772348. Published by Con Spirito Music (A0.1172085). Higher Ground (I'm pressing on the upward way) is a 19th-century American gospel song with lyrics by Johnson Oatman, Jr. (1856-1922) and music by Charles Hutchinson Gabriel (1856-1932).Both Oatman and Gabriel were prolific writers. Oatman, an ordained Methodist Episcopal minister employed primarily in retail and insurance work, is said to have written over 5,000 hymns and songs in the latter 30-some years of his life.  Although not a talented singer nor recognized as an outstanding preacher, he was acknowledged to have ministered to countless souls through the words of his hymns and songs.Gabriel, a Methodist Episcopal church music director and editor of gospel song books, anthem collections, music instruction manuals, and more, is said to have written between seven and eight thousand texts and/or tunes under his own name and several pseudonyms. In addition to the music for Higher Ground, he composed the music for such well-known gospel songs as His Eye is on the Sparrow and Will the Circle Be Unbroken? The opening line of Oatman’s text (I'm pressing on the upward way) draws especially from Philippians 3:13-14: “Forgetting what lies behind and straining forward to what lies ahead, I press on toward the goal for the prize of the upward call of God in Christ Jesus.� Other sources include passages from the prophets Isaiah and Micah and the Psalms of Ascent (120-134). Gabriel's music cleverly evokes the upward vision of the text with an ascending arpeggio spanning an octave on the first words of the refrain (Lord, lift me up) and the matching of the highest notes of the tune to the words a higher plane.This arrangement for brass quintet expands the meter of the tune from 3/4 to 4/4 to allow for some countermelodic call-and-response by various voices in the ensemble. Every member will enjoy a lyrical part to play in this arrangement, which is fitting as a prelude, offertory, or special musical selection in worship, and ideal as a lyrical selection on recitals. ©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com

Piano Solo - Digital Download SKU: A0.914954 By The Beatles. By John Lennon and Paul McCartney. Arranged by Anthony Molinaro. Rock. Score. 4 pages. Anthony Molinaro #6055669. Published by Anthony Molinaro (A0.914954). Advanced arrangement for solo piano by Anthony Molinaro, award-winning pianist & composer, and Director of Music at Loyola University Chicago. From the album Here, There and Everywhere. Visit www.anthonymolinaro.com for more information.

Piano Trio,String Ensemble Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.938413 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 59 pages. Colin Bayliss #9995. Published by Colin Bayliss (A0.938413). Piano Trio (B44) was written in the spring of 1991 for David Johnson and the trio which he was forming in Cologne. The work is in three movements:-1. Structures The three instruments build differing structural patterns based on a 12-note row. The violin and 'cello often complement each other, but the piano rarely joins them and tries to pull the music towards a diatonic tonal language, eventually succeeding to end in G major. The movement is in arch form, the second half being based on the retrogrades of the note row. 2. Textures Most forms of sound textures are used, including col legno and sul ponticello for the strings, while the piano occasionally employs soft-headed timpani sticks both on the keyboard and the interior of the instrument. Again the movement is in arch form, with a central section incorporating a miniature scherzo, with a trio section parodying the palm court trio style with a tune of sickly sentimentality. [ This movement may be played separately under the title Einer Kleiner Alptraum - A Little Night... mare] 3. Metamorphoses The notes which will eventually become a Scottish folk tune are hidden either in the repeated notes or in the left hand of the piano, either singly or in harmony. After a neo- classical exposition, using a serial melody, progress is quickly halted by the use of some of the notes of the folk tune being arranged into the theme of Weber's Turandot which was used by Hindemith in his Symphonic Metamorphoses . This pulls the music into a slightly more tonal frame work which becomes more pronounced after a reference to the theme of the slow movement of the Eroica symphony used in Richard Strauss' Metamorphosen. From then onwards, tonality, or rather modality, is established and the folk tune style is maintained with simplicity to the end, except for a miniscule coda reminiscent of the opening of the movement. The sound sample is a performance of the second movement Textures.

By Pink Floyd. By Nicholas Mason, Rick Wright, Roger Waters, and David Gilmour. Arranged by Johnny C. Leavitt. Chamber, Rock. 31 pages. Johnny C. Leavitt #822874. Published by Johnny C. Leavitt

By Pink Floyd. By Roger Waters. Arranged by Johnny C. Leavitt. Chamber, Rock. 21 pages. Johnny C. Leavitt #821874. Published by Johnny C. Leavitt

By Pink Floyd. By Rick Wright and Roger Waters. Arranged by Johnny C. Leavitt. Chamber, Rock. 24 pages. Johnny C. Leavitt #822876. Published by Johnny C. Leavitt

Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.810671 Composed by John Philip Sousa. Arranged by Matthew Nunes. Chamber,Classical,Historic,March,Patriotic. 20 pages. Matthew Nunes Music #417650. Published by Matthew Nunes Music (A0.810671). Slang for “looking for employment�, On the Tramp is based on Septimus Winner’s song Out of Work. This Brass Quintet arrangement was made using “The President’s Own� United States Marine Band’s The Complete Marches of John Philip Sousa score as found at https://www.marineband.marines.mil/Audio-Resources/The-Complete-Marches-of-John-Philip-Sousa/. On The Tramp was composed in 1879, and the referenced edition was made Public Domain in 2015. The piece is catalogued as Volume 1, No. 6.

Piano Solo - Level 3 - Digital Download SKU: A0.959374 Composed by John Dykes. Arranged by Bruce Loyd. Jazz,New Age,Praise & Worship,Sacred. Score. 3 pages. Bruce Loyd #5789395. Published by Bruce Loyd (A0.959374). Original piano arrangement suitable for personal worship, relaxation, sacred church offertory, preludes or postludes. Moderately advanced 

Small Ensemble Cello,Clarinet,Flute,Piano,Trombone,Trumpet,Violin - Digital Download SKU: A0.818293 Composed by Stephen R Dalrymple (Dalrymple Designs). Contemporary. Score and parts. 109 pages. Stephen R Dalrymple #4991045. Published by Stephen R Dalrymple (A0.818293). Sketches of Christ Movement 3 Though I Was Blind; Now I SeeTone Poem for Cello and Piano and Piano by Stephen R Dalrymplebased on John 9, the account of the interactions of the man born blind, Jewish authorities, and Jesus Christtranscribed for solo flute, clarinet, trumpet, euphonium/trombone, and violin   Sketches of Christ is a 3 movement work by Stephen R Dalrymple intended for the concert stage (contrasted with preludes and offertories at church). It was originally titled Sonata for Cello and Piano. As I composed similar works, I realized that, although I have used the concepts of sonata form in various movements, because these pieces reflect the drama of selected passages of the Bible, Tone Poem was a more fitting genre title. I have begun the process of transcribing these Tone Poems for additional instruments.   I consider these Tone Poems as contemporary classical music. I have used modal harmonies; polychords and polytonality; free dissonance; atonality, mixed meters, etc. to convey the drama of the Bible.   Sketches of Christ is based on 3 episodes from Christ’s Life: The calming of the Sea of Galilee, Mary and Martha, and the healing of the man born blind.    This score is movement 3 of a 3 movement tone poem, originally scored and premiered as a sonata for Cello and Violin. It is presented here for 5 additional solo instruments: Flute, Clarinet, Trumpet, Euphonium (or Trombone) and Violin.  â€ƒSketches of Christ is written in 20th Century Classical Music composition techniques. Various movements employ a mix of bitonality, modal harmony, deliberate dissonance, and mixed meter. Each movement dramatizes an event form the Life of Christ. This movement expresses the interactions of the man born blind, Jewish authorities, and Jesus Christ from John 9.  â€ƒThe score shows the parts for cello and piano, but individual parts are provided for the other solo instruments.  â€ƒIncludes 14 scores: Full Score for cello and piano letter size; Cello, Flute, Clarinet, Trumpet, Euphonium (or trombone), and Violin solo parts; Full Score for cello and small page format for performing from a 10 inch tablet and the same solo parts for 10 inch tablet. tablet (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)  â€ƒThe 3 movements of the tone poem are published separately. This tone poem is actually a more like a solo instrument and piano duet rather than a solo with a piano accompaniment.

Guitar - Digital Download SKU: A0.941296 By Buddy De Franco. By Johnny Green. Arranged by Dwight Sutton. Contemporary. Guitar Tab. 2 pages. Dwight Sutton #4596825. Published by Dwight Sutton (A0.941296). This is a pop-jazz fingerstyle version by an arranger with 60 years experience. It employs open-string chords as much as possible and has clearly defined melody, bass, and chords or counterpoint. It appears in both standard notation and tablature.