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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download

SKU: A0.1039965

By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. Pop,Rock. Score and parts. 8 pages. RayThompsonMusic #644832. Published by RayThompsonMusic (A0.1039965).

Arranged string quartet: Melody amd solo is given to 1st vln small amount given to viola and 2nd vln. Cello has a fun part duplicating bass guitaar Includes tricky ending of song!! Lovely Rita is a song by the English rock band the Beatles from their 1967 album Sgt. Pepper's Lonely Hearts Club Band. It was written and sung by Paul McCartney and credited to Lennon–McCartney. It is about a female traffic warden and the narrator's affection for her.[.

Lovely Rita
Quatuor à cordes: 2 violons, alto, violoncelle
The Beatles
$14.99 14.16 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download

SKU: A0.841010

By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. Pop. 11 pages. RayThompsonMusic #447688. Published by RayThompsonMusic (A0.841010).

Arranged standard wind quintet.

Opening piano solo arr. clt and bsn, then melody is taken by oboe, chorus by flute.
Fun for everyone.

Martha My Dear is a song by the English rock band the Beatles from their 1968 eponymous double album The Beatles (also known as the White Album).
Credited to Lennon–McCartney, the song was written solely by Paul McCartney about his Old English Sheepdog, Martha. It has been covered by several artists, including Slade, Herb Alpert & The Tijuana Brass, Phish, World Party, and Les Boréades de Montréal.

The song incorporates elements from pop rock music; it also features a music hall-inspired piano line that recurs throughout the piece, as well as a brass section. The song modulates through several keys The song is notated mainly in the key of Eâ™­ major, showing up embellished chords with jazzy sprinkled dissonances. The verse is a syncopated replicate of the first melodic section adding two extra beats, a technique similar to that used later by McCartney in Two of Us. Though the bridge is in the key of F major, the manner in which it abruptly sets in and exits makes it sound more out-of-the-way than it really is.

Martha My Dear
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
The Beatles
$15.95 15.07 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download

SKU: A0.953445

By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. Pop. 10 pages. RayThompsonMusic #559185. Published by RayThompsonMusic (A0.953445).

Arranged clarinet quintet: Eb, 2Bb, alto and bass. Alt Bbs provided for Eb and Alto. .Eleanor Rigby is a song by the English rock band the Beatles from their 1966 album Revolver. It was also issued on a double A-side single, paired with Yellow Submarine. The song was written primarily by Paul McCartney and credited to Lennon–McCartney. The song continued the transformation of the Beatles from a mainly rock and roll- and pop-oriented act to a more experimental, studio-based band. With a double string quartet arrangement by George Martin and lyrics providing a narrative on loneliness, Eleanor Rigby broke sharply with popular music conventions, both musically and lyrically. Richie Unterberger of AllMusic cites the band's singing about the neglected concerns and fates of the elderly on the song as just one example of why the Beatles' appeal reached so far beyond the traditional rock audience. YouTube Link is wind quintet version.

Eleanor Rigby
Quintette de Clarinettes: 5 clarinettes
The Beatles
$17.95 16.96 € Quintette de Clarinettes: 5 clarinettes PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download

SKU: A0.1418708

Composed by John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Pop. 12 pages. RayThompsonMusic #1000200. Published by RayThompsonMusic (A0.1418708).

Arranged wind quintet

This is a medley of the final 3 songs by the English rock band the Beatles from their 1969 album Abbey Road. Written by Paul McCartney and credited to Lennon–McCartney,it is the sixth song of the album's climactic B-side medley.

Golden Slumbers is followed by Carry That Weight and begins the progression that leads to the end of the album.(The End )The  songs were recorded together as a single piece, and  contain strings and brass arranged and scored by producer George Martin.

My arrangement gaves the melody mainly to the oboe.

I have omitted the 16 bars or so, of guitar riffs in the end

My MP3 extract is of the very end.

Golden Slumbers is also available as a stand alone piece.

Golden Slumbers/carry That Weight/the End Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$19.95 18.85 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download

SKU: A0.844927

By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. Pop. 10 pages. RayThompsonMusic #450440. Published by RayThompsonMusic (A0.844927).

Arranged standard brass quintet: 2tpts, hn. tbn and tuba. Opening piano solo arr horn and tuba, then melody is taken by tpt 2 , chorus by trumpet 1. Fun for everyone.

Martha My Dear is a song by the English rock band the Beatles from their 1968 eponymous double album The Beatles (also known as the White Album). Credited to Lennon–McCartney, the song was written solely by Paul McCartney about his Old English Sheepdog, Martha. It has been covered by several artists, including Slade, Herb Alpert & The Tijuana Brass, Phish, World Party, and Les Boréades de Montréal.
The song incorporates elements from pop rock music; it also features a music hall-inspired piano line that recurs throughout the piece, as well as a brass section.
The song modulates through several keys The song is notated mainly in the key of Eâ™­ major, showing up embellished chords with jazzy sprinkled dissonances.

The verse is a syncopated replicate of the first melodic section adding two extra beats, a technique similar to that used later by McCartney in Two of Us. Though the bridge is in the key of F major, the manner in which it abruptly sets in and exits makes it sound more out-of-the-way than it really is.

Martha My Dear
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
The Beatles
$19.95 18.85 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download

SKU: A0.1271201

By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Pop,Standards,Wedding. 9 pages. RayThompsonMusic #863596. Published by RayThompsonMusic (A0.1271201).

Arranged standard wind quintet

Yesterday is a song by English rock band the Beatles written by Paul McCartney (credited to Lennon–McCartney) first released on the album Help! in the United Kingdom in August 1965.

Yesterday, with the B-side Act Naturally, was released as a single in the United States in September 1965. While it topped the American chart in October the song also hit the British top 10 in a cover version by Matt Monro.

The song also appeared on the UK EP Yesterday in March 1966 and the Beatles' US album Yesterday and Today released in June 1966.

McCartney's vocal and acoustic guitar, together with a string quartet, essentially made for the first solo performance of the band. It remains popular today with more than 2,200 cover versions and is one of the most covered songs in the history of recorded music.

My arrangement differs from others you may find.
Rather than giving the tune to one player, I have given it in turn to oboe, horn, flute and tutti.
The flute enters after the 1st verse.
The accompaning parts are not simply block chords, but are varied and full of interest to each player.

The chorus section is treat as a chorale, with all the players playing.

This is the wind quintet version you need!

Yesterday
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
The Beatles
$19.95 18.85 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Trio Bass Clarinet,Bassoon,English Horn,Flute,Oboe - Level 3 - Digital Download

SKU: A0.1211950

Composed by Marin Marais. Arranged by Ray Thompson. Baroque,Christmas. 10 pages. RayThompsonMusic #809502. Published by RayThompsonMusic (A0.1211950).

The French composer Marin Marais composed the tune as a dance for his opera Alcyone of 1706, with the title Marche pour les Matelots.

The tune was subsequently included in Raoul Auger Feuillet's 1706 Recueil de contredanse along with a longways proper dance, La Matelotte, which Feuillet had himself written to go with the tune.

In 1710 John Essex (d. 1744) published an English translation of Feuillet's work called, For the Further Improvement of Dancing, in which the dance is given as The Female Saylor.

The words were written around 1860 while William Morris, then 26, was working as an apprentice in the office of the architect, Edmund Street, presumably under the persuasion of his fellow students who at that time had a taste for part-song. It became known as the Christmas Carol Masters in This Hall (alternative title: Nowell, Sing We Clear)

 Gustav Holst incorporated the carol into his work Three Carols (1916–17) along with Christmas Song: On this Day and I Saw Three Ships. Holst wrote the Three Carols for amateurs singing in his Thaxted festivals.

I have arranged the March and 3 of the Sailor's Airs from the opera for mixed woodwind trio, The march is then reprised to complete the arrangement.

1.flute/oboe/clarinet 1

2.cor anglais/clarinet 2

3.bassoon/bass clarinet

The mp3 is  of oboe, cor anglais and bassoon.

Marais: Marche pour les Matelots (Masters in this Hall) et Airs de Matelots I-II-III -wind trio

$9.99 9.44 € PDF SheetMusicPlus

Brass Ensemble,Brass Quartet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download

SKU: A0.768013

By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Pop. Score and parts. 7 pages. RayThompsonMusic #375248. Published by RayThompsonMusic (A0.768013).

The song was the first track recorded during the sessions for the Beatles' Sgt. Pepper's Lonely Hearts Club Band (1967),and was intended for inclusion on the album. Instead, with the group under record-company pressure to release a single, it was issued in February 1967 as a double A-side with Penny Lane. The combination reached number two in the United Kingdom, breaking the band's four-year run of chart-topping singles there, while Strawberry Fields Forever peaked at number eight on the Billboard Hot 100 in America. Strawberry Fields Forever is one of the defining works of the psychedelic rock genre and has been covered by many artists. The Beatles made a promotional film clip for the song that is similarly recognised for its influence in the medium of music video. The Strawberry Fields memorial in New York's Central Park is named after the song. Arranged brass quartet : 2 tpts, thn and tuba Alt horn in F for trombone part Video is clarinet quartet version.

Strawberry Fields Forever
The Beatles
$17.95 16.96 € PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download

SKU: A0.1209582

Composed by Gustav Holst. Arranged by Ray Thompson. Christmas. 9 pages. RayThompsonMusic #807733. Published by RayThompsonMusic (A0.1209582).

This is my arrangement of Gustav Holst's arrangement.
It is arranged for wind quintet

The French composer Marin Marais composed the tune as a dance for his opera Alcyone of 1706, with the title Marche pour les Matelots.

The tune was subsequently included in Raoul Auger Feuillet's 1706 Recueil de contredansealong with a longways proper dance, La Matelotte, which Feuillet had himself written to go with the tune.

In 1710 John Essex (d. 1744) published an English translation of Feuillet's work called, For the Further Improvement of Dancing, in which the dance is given as The Female Saylor.

The words were written around 1860 while William Morris, then 26, was working as an apprentice in the office of the architect, Edmund Street, presumably under the persuasion of his fellow students who at that time had a taste for part-song. It became known as the Christmas Carol Masters in This Hall (alternative title: Nowell, Sing We Clear)

 Gustav Holst incorporated the carol into his work Three Carols H133 (1916–17) along with Christmas Song: On this Day and I Saw Three Ships. Holst wrote the Three Carols for amateurs singing in his Thaxted festivals.

You can check out my arrangemet of this and other
Marin Marais compositions here.

Holst: Masters in this Hall (3 Carols H.133) - wind quintet Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$14.95 14.13 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download

SKU: A0.1251539

Composed by Arr. Michael Sweeney and Percy Aldridge Grainger. Arranged by Ray Thompson. 20th Century,Folk. 24 pages. RayThompsonMusic #845816. Published by RayThompsonMusic (A0.1251539).



Lincolnshire Posy is a musical composition by Percy Grainger for concert band commissioned in 1937 by the American Bandmasters Association. Considered by John Bird, the author of Grainger's biography, to be his masterpiece, the 16-minute-long work has six movements, each adapted from folk songs that Grainger had collected on a 1905–1906 trip to Lincolnshire, England.

In a similar fashion to these folk songs, many of the movements are in strophic form.

This is my arrangement of No.VI. The Lost Lady Found
Arranged symphonic wind dectet (double wind quintet) and bass

A lilting 3/4 melody in strophic form. As the tempo is too fast for the conductor to gesture each beat of every measure, the movement is typically conducted in 1 where each gesture given by the conductor indicates a full measure instead of each beat. Every section of the ensemble states the theme at some point in the movement.

This movement is based on the ballad of the same name,in which a lady, who while living with her uncle in a village is kidnapped by three Roma. After being missing for a long time, the villagers begin to speculate that the uncle is responsible for her disappearance, later imprisoning him and condemning him to death. At some point, the lady was found in Dublin by a young squire who loved her and was subsequently brought back to the village. Upon return to the village, the villagers, mere moments away from executing the uncle at the gallows, realized their error and set the uncle free, celebrating the lady's return with church bells (which are emulated by the tubular bells in the closing of the movement), music, and frivolity.

As this movement was not yet completed at the time of the work's premiere, it was omitted for the performance.

For Info:
Green Bushes is an English folk song  which is featured in the second movement of Vaughan Williams's English Folk Song Suite, in Percy Grainger's Green Bushes (Passacaglia on an English Folksong), and in
George Butterworth's The Banks of Green Willow. The melody is very similar to that of the Lost Lady Found movement.

The Lost Lady Found
$17.99 17 € PDF SheetMusicPlus


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