Guitar,Piano,Vocal,Voice - Level 2 - Digital Download

SKU: A0.971708

Composed by Julian WAGSTAFF. Broadway,Holiday,Musical/Show,Opera,Patriotic. Score. 6 pages. Julian Wagstaff #13513. Published by Julian Wagstaff (A0.971708).

The rousing male solo number (tenor) from the musical John Paul Jones by Julian Wagstaff, based on the life of the Scots-born hero of the American Revolution. This exquisite piano/vocal arrangement is a reduction from the full orchestral score, prepared by the composer. For more information visit www.johnpauljonesmusical.com.

Piano/Vocal/Chords - Digital Download

SKU: AX.00-XS-0000093

By Led Zeppelin. By Jimmy Page and Robert Plant. Hard Rock/Metal. 4 pages. Alfred Music - Digital Sheet Music #00-XS-0000093. Published by Alfred Music - Digital Sheet Music (AX.00-XS-0000093).

ISBN 9780739068885. UPC: 038081387758.

Matching piano/vocal/guitar songbook to Led Zeppelin's second album, featuring detailed arrangements that capture all the nuances, including the intense bass lines of John Paul Jones and keyboard renditions of the essential guitar parts. Keyboardists, you're in for some fun: grab that pitch-bender and play the entire Heartbreaker guitar solo note-for-note. Guitar World magazine editor Brad Tolinski provides an insightful historical foreword, and Robert Plant has officially certified the accuracy of the lyrics. Titles: Whole Lotta Love * What Is and What Should Never Be * The Lemon Song * Thank You * Heartbreaker * Living Loving Maid (She's Just a Woman) * Ramble On * Moby Dick * Bring It on Home.

Piano/Vocal/Chords - Digital Download

SKU: AX.00-XS-0000067

By Led Zeppelin. By Jimmy Page, John Bonham, John Paul Jones, and Robert Plant. Hard Rock/Metal. 6 pages. Alfred Music - Digital Sheet Music #00-XS-0000067. Published by Alfred Music - Digital Sheet Music (AX.00-XS-0000067).

ISBN 9780739059227. UPC: 038081352633.

Though Led Zeppelin's fourth album was actually released sans title, it has come to be known as Led Zeppelin IV. Perhaps best known for its hit Stairway to Heaven, the album remains a favorite of classic rock fans of all generations. Rolling Stone has even placed it on its list of the 500 greatest albums of all time. Drawing from more than 30 years of documentation, interviews, and recorded footage, this book delivers unprecedented accuracy and, for the first time, lyrics officially certified by Robert Plant. Titles: The Battle of Evermore * Black Dog * Four Sticks * Going to California * Misty Mountain Hop * Rock and Roll * Stairway to Heaven * When the Levee Breaks.

Concert band Timpani - Level 2 - Digital Download

SKU: HX.167823

By Bob Seger. By George Jackson and Thomas E. Jones III. Arranged by Paul Murtha. Rock. Individual instrument part. 1 pages. Duration 135. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.167823).

Easy Guitar (with TAB) - Level 1 - Digital Download

SKU: A0.1047465

By Dan Jones (www.danjonesguitarist.com). By Dan Jones. Blues,Folk,Rock. Tablature. 5 pages. DanJonesGuitarist #652027. Published by DanJonesGuitarist (A0.1047465).

Three Pieces for Beginner Guitarists (Acoustic or Electric) by Dan Jones Presented in notes, TAB and easy chords (www.danjonesguitarist.com) As an active guitar teacher, I find that many beginner pupils want to learn either acoustic (steel string) guitar or electric guitar. I have also found a lack of quality resources in these styles which have musical interest, and which lay out some of the necessary technical and musical foundations for future learning. I composed these three little pieces for my own young students. They are played by those using their right-hand fingers, and a plectrum and I’ve found them to be very popular in both lessons and performance. The pieces can be learnt in any order (I have a slight preference for starting my pupils with D-Day Rock - the third in the collection). Below is an outline of the pedagogy behind them (1) Sore Finger Blues This is a simple twelve-bar blues which uses a combination of open strings and notes at the third and second frets. It can be played with a straight or swung rhythm. It is effective at a slow tempo for those needing time to place the fretting hand fingers. The main technical challenge is in bars 10 and 22 where the player moves the third finger between the G and A on string 1. Although this is traditionally an advanced technique, I’ve found my students find it comfortable, as long as the fingering outlined in the notes is followed. The chords are dominant (with major thirds). These clash against the minor pentatonic scale in a way which is typical of the style. The chords are quite simple for beginners. I have opted for a D5 power-chord in bars 9 & 21 which is easier than the usual D chord (which also works perfectly well). Plectrum players should be sure to anchor the plucking hand, either with the side of the hand resting on the bridge, or a finger against the scratch plate of the guitar. Fingerstyle players can anchor either with a finger touching the scratch plate of the guitar, or by resting the thumb on a bass string when the fingers are plucking, or vice versa. This is more typical of classical style. (2) Cross-String Traffic This piece was conceived as a fingerstyle piece, although it can be played using a plectrum. The challenge for plectrum players is to cross the strings smoothly. It is for this reason that the fretting hand is relatively simple so that learners can concentrate on the plucking hand. Players are also encouraged to press down the index finger on string 2 at the correct angle to allow the first string to resonate. Chords have once again been chosen to suit less-experienced fingers; therefore, I have opted for Dm6 instead of the more common Dm (a very tricky chord for beginners). Players should go for maximum resonance and notes played at fret 3 could be fretted with either fingers 3 or 4. (3) D-Day Rock This piece is made nearly entirely of open strings and third fret notes. Where there is string crossing, the music allows the player ‘thinking time’ to change accordingly. Teachers and learners can decide with which finger to press the third fret notes. The rhythmic complexities from bar 13 to the end pose no problems once players have the sound of the piece in their ear. Once again, chords have been selected for ease of playing. The Gm/D chord can be played with a 3-string barre (often quite easy for beginners where no fretted bass note is required) or using three separate fingers. The pedal D sounds effective musically. I have presented these pieces as ensemble works with large groups of beginners. Players and audiences alike have been very receptive! For a wealth of music for beginners, ensembles and advanced players, please visit www.danjonesguitarist.com. A YouTube link to a film of the pieces will be uploaded before the end of June 2022.

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download

SKU: A0.971730

Composed by WAGSTAFF, Julian. Broadway,Holiday,Musical/Show,Patriotic,Standards. Score. 10 pages. Julian Wagstaff #3479715. Published by Julian Wagstaff (A0.971730).

Rousing second-act trio from the musical John Paul Jones by Julian Wagstaff, based on the life of the Scots-born hero of the American Revolution. This exquisite piano/vocal arrangement is a reduction from the full orchestral score, prepared by the composer. For more information visit www.johnpauljonesmusical.com.

Composed by Lewis E. Jones. Arranged by Samuel Stokes. Christian, Sacred, General Worship, Easter, Lent. 3 pages. Published by SamuelStokesMusic.com (S0.305853). - - Christian,Sacred,General Worship,Easter,Lent - SamuelStokesMusic.com

Concert Band - Digital Download

SKU: A0.733028

Composed by Marc Oliver. Arranged by Ayotte Custom Musical Engravings. Praise & Worship,Sacred,Spiritual. Score and parts. 42 pages. Ayotte Custom Musical Engravings #2347283. Published by Ayotte Custom Musical Engravings (A0.733028).

Almost everybody and his mother on the Planet have written their own arrangements of Amazing Grace so I guess I should not be the exception. Amazing Grace (And Then some) is written for Solo Tuba, accompanied by a wind band. I was inspired to write this chart by a young man named Brandon Jones who lives in the Mobile, Alabama area. He was about 20 years old at the time of this writing (in 2012). He wanted to dedicate it to his father who had died when Brandon was about 4 or 5 years old. My arrangement of Amazing Grace (And Then Some) is not just another theme and variations type of work. Instead, I have interwoven two additional hymns (Praise to the Lord, the Almighty and I Will Sing of My Redeemer) in order to break up the monotony of just the one hymn (hence the subtitle And Then Some) Oh, did I mention that Brandon plays a C tuba that was passed down from his father?

Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - Digital Download

SKU: A0.876447

Composed by Joe Procopio. Dance,Jazz,Pop. Score and parts. 24 pages. JoeCopio Music LLC #53323. Published by JoeCopio Music LLC (A0.876447).

LILLY’S DANCE (THE TUMBLER) Back to School 2015 From PAPA’S FAMOUS DANCES by Joe Procopio LILLY’S DANCE (THE TUMBLER) is a delightful Latin flavored dance that was inspired by Little Miss Lilly who could tumble on command all by her big self when she was only 15 months old. When I first saw her dance and tumble at such a young age, I was so moved that I wrote this piece to celebrate her ability to amaze everyone with her dancing and tumbling. LILLY’S DANCE (THE TUMBLER) was originally written and arranged for a small ensemble, band, stage band or combo with flexible instrumentation so that it may be performed with only two Saxophones (Alto Sax I and Alto Sax II) and a standard backup with Piano/Keyboard, Guitar, Bass and Drums. In addition, any combo may be augmented by adding any or all of the parts included for Flute, Clarinet, Tenor Sax, and Baritone Sax. This flexible or variable instrumentation of LILLY’S DANCE (THE TUMBLER) makes it unique and perfect for schools and colleges that do not have a permanent roster of music students entering their music programs annually. It also eases the burden for Directors searching for good music to perform for groups with ever changing numbers of music students. What’s more, LILLY’S DANCE (THE TUMBLER) has a section open for solos to enable the ensemble to feature players who can improvise well enhancing not only the group’s enjoyment but also everyone’s listening pleasure. This piece is composed in the same style of the other dances in the set - all of which have been performed by College and High School students in many major concert events along the East Coast with great success. It is published separately and in a set entitled PAPA’S FAMOUS DANCES PART 1 from the sets PAPA’S FAMOUS DANCES Part I and Part II. Each Part contains 3 Dances. I have adapted the audio here for synthesizer so that it may be previewed. It is one of 6 works named and dedicated to each of my 6 Grandchildren: Lilly, Mary, Lydia, Emma, Joey and Wilson. Instrumentation for LILLY’S DANCE (THE TUMBLER) includes SCORE and parts for: ALTO SAX I ALTO SAX II TENOR SAX BARITONE SAX FLUTE CLARINET PIANO/KEYBOARD - GUITAR - BASS - DRUMS VITA Joe Procopio is a master musician and teacher with proven success for over 50 years. His purpose in teaching, writing music and books is to make his successful method of making musicians available to as many people as possible around the world. While I cannot guarantee that my methods will make you a great musician as they have for many others, says Procopio, I can say that they are designed to magnify your love of music - and that I guarantee each will enrich and enhance your life. People from all over the world have written to me to tell me so. As a Master Musician , Joe Procopio is an ASCAP Artist, composer, conductor and professional musician. He was the Lead Reed for many of the nation's top recording artists including: The Temptations, Steve and Eydie Gorme, Aretha Franklin, Tony Bennett, Lawrence Welk, Frankie Avalon, Frankie Laine, Jack Jones, Kathryn Grayson, Carmel Quinn, Don Cornell, Bobby Rydell, Vic Damone, Rodney Dangerfield, Foster Brooks, The Vagabonds, The Ritz Brothers, Sammy Cohn, Jimmy Van Heusen, Tiny Tim, Al Martino, Petula Clark, Wayne Newton, Pat Cooper, The Four Tops, The Spinners, etc. Lead Alto Sax Jimmy Dorsey Orchestra and the Palace Theater Myrtle Beach, SC He is listed in The Encyclopedia of Saxophone Music Londeix, Roncorp Pub. He is the teacher of Guitarist T. Maxwell heard in TV’s Magnum P.I., The Rockford Files and Kojak ; the vocalist/bassist I. Cattell of Brit Floyd (Pink Floyd) and New York Tenor Saxophonist Paul Carlon to mention a few. His accomplishments as a teacher include: The Miles Clark Endowed Chair, Music, College of the Albemarle, Elizabeth City, NC, Chair Music Depart.

Guitar - Advanced Intermediate - Digital Download By Calum Scott. Arranged by Dan Jones. Score, Tablature. 8 pages. Published by danjonesguitarist.com

By Elton John. Arranged by Barbara Anderson-Jones. Score. 4 pages. Published by Barbara Anderson-Jones (H0.224791-118100). - Score - - Barbara Anderson-Jones