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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.850527 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Contest,Festival,Instructional,Romantic Period,Standards. 36 pages. Diego Marani #457230. Published by Diego Marani (A0.850527). Tchaikovsky's Serenade for Strings in C Major was written with an ear towards one of his idols, a certain 18th century composer by the name of Mozart. The title and structure of the piece are taken from the serenades of the latter, though this is certainly Tchaikovsky's own particularly 19th century rendering of these older ideas. That it is a masterful work, is demonstrated by the fact that it still remains among the most performed and appreciated by the public alongside the serenades by Antonín Dvořák and Josef Suk. The final movement begins with slow and subdued section, based on a Russian folk song, stands in stark contrast to the core of the movement, which is a very quick-paced and rollicking finale based on another Russian folk melody—this time a dance tune. This dance tune spins out and gives the orchestra a rather strenuous workout. It is almost as if the piece is continually building and building, seemingly getting faster, until Tchaikovsky channels the inventiveness and unpredictability of his beloved Mozart. This arrangement for clarinet quartet (Bb Clarinet 1 or Eb Clarinet, Bb Clarinet 2, Bb Clarinet 3 or Eb Alto Clarinet, Bb Bass Clarinet) reflects faithfully the original and is suitable for classroom, repertoire and recital.
"Finale" from Serenade Op. 48 for Clarinet Quartet
Quatuor de Clarinettes: 4 clarinettes

$14.99 12.84 € Quatuor de Clarinettes: 4 clarinettes PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.742915 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Contest,Festival,Instructional,Romantic Period,Standards. 23 pages. Diego Marani #351038. Published by Diego Marani (A0.742915). Tchaikovsky's Serenade for Strings in C Major was written with an ear towards one of his idols, a certain 18th century composer by the name of Mozart. The title and structure of the piece are taken from the serenades of the latter, though this is certainly Tchaikovsky's own particularly 19th century rendering of these older ideas. That it is a masterful work, is demonstrated by the fact that it still remains among the most performed and appreciated by the public alongside the serenades by Antonín Dvořák and Josef Suk. Cast in a classical four movement outlay, the work begins with a sonata form movement (Tchaikovsky calls it a sonatina, i.e. little sonata, though it is a rather robust form, replete with a slow introduction and full development). This arrangement for sax quartet (Bb Soprano, Eb Alto, Bb Tenor, Eb Baritone) reflects faithfully the original and is suitable for classroom, repertoire and recital.
"Pezzo in forma di Sonatina" from Serenade Op. 48 for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones

$14.99 12.84 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Jazz Ensemble - Digital Download SKU: AX.00-PC-0016825_TX1 B-flat Tenor Saxophone. Composed by Josef Myrow. Arranged by Dave Wolpe. Jazz. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0016825_TX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016825_TX1). UPC: 038081500768.Arranged in both high and low keys for flexibility, the moderate swing tempo of You Make Me Feel So Young is 132 BPM. It has no horn solos but includes a trombone soli and the lead trumpet range is to high C. The vocal range for the low key is from low G-sharp below middle C to third space C. The high key range is from low C-sharp to F top line treble clef. (3:00).
You Make Me Feel So Young: B-flat Tenor Saxophone
Saxophone (partie séparée)

$3.00 2.57 € Saxophone (partie séparée) PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792373. Published by Aaron Meier (A0.922637). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Cello True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a Dâ™­ to a Dâ™®  • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the Eâ™­ in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
Olga-Polka, Op. 196 (arr. for string orchestra): Cello
Orchestre à Cordes

$3.99 3.42 € Orchestre à Cordes PDF SheetMusicPlus

String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.766998 Composed by Emile Waldteufel, Franz Lehar, Josef Ivanovici, Juventino Rosas, and Rudolf Sieczynski. Arranged by Bob Delfausse. Concert,Romantic Period,Wedding. Score and parts. 18 pages. Robert Delfausse #5324739. Published by Robert Delfausse (A0.766998). These five very famous waltzes were all written for full orchestra.  While this arrangement for string trio does not claim to have the grandeur of orchestral performances, it does claim maximum musicality and fun.  I made the arrangement at the request of friends in a string trio, and they have made good use of it, often at weddings.  Enjoy!  Level: intermediate and above.  Duration: 4 minutes, 51 seconds.
Viennese waltz Medley, for string trio

$10.00 8.57 € PDF SheetMusicPlus






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