EUROPE
1694 articles
USA
2037 articles
DIGITAL
1749 articles (à imprimer)
Partitions Digitales
Partitions à imprimer
1749 partitions trouvées


String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
The Edmund Fitzgerald - Concerto for Piano and Strings
Orchestre à Cordes

$9.99 8.76 € Orchestre à Cordes PDF SheetMusicPlus

Small Ensemble,Strings Piano Accompaniment,Synthesizer,Voice - Level 3 - Digital Download SKU: A0.829346 By Nichole Nordeman. By Nichole Nordeman. Arranged by Lyndell Leatherman. Christian,Gospel. Score and parts. 20 pages. Leatherman Music Services #5793875. Published by Leatherman Music Services (A0.829346). In 2003 my church asked me to transcribe and orchestrate (for keyboards and string section) Nichole Nordeman's hauntingly beautiful Small Enough for use in their annual Christmas program...a duet between Mary and Joseph. If you are unfamiliar with this song, or it's been a while since you thought of it, you can hear her rendition here: https://www.youtube.com/watch?v=y5wR8PIXPwQActually, the song can be used anytime as it marvels about how our great God can be interested in the minutiae of our lives. Nicole's recording is in the key of C, and that transcription/arrangement is posted separately on SMP. This edition is lowered a minor 3rd to the key of A.
Small Enough
Nichole Nordeman
$19.99 17.53 € PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1373008 By Judy Garland. By Joseph McCarthy and Harry Carroll. Arranged by Douglas R. Morrison. 20th Century,Classical,Film/TV,Standards. 8 pages. Douglas R. Morrison #957331. Published by Douglas R. Morrison (A0.1373008). A classic standard, now available as a Rivendell String Quartet Arrangement.  This famous melody, based on the middle section of Chopin's Fantaisie-Impromptu in c# minor, op. 66, has been performed by countless artists over the years.  My favorite performance is by Judy Garland in MGM's Ziegfeld Girl.A great selection for receptions and weddings!
I'm Always Chasing Rainbows
Quatuor à cordes: 2 violons, alto, violoncelle
Judy Garland
$12.99 11.39 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Woodwind Ensemble - Level 4 - Digital Download SKU: A0.768500 Composed by Franz Joseph Haydn. Arranged by Roar Kvam. Classical,Concert. 114 pages. KVAMusic Edition #3454071. Published by KVAMusic Edition (A0.768500). About 1785, Haydn received a commission to write a series of concertos for Ferdinand IV, King of Naples and the Twin Sicilies. It was a very curious commission; for these concertos were to be written for a pair of strange instruments, the so-called Lira organizzata. The lira was a favourite instrument of the lazzaroni, the common people of Neaples: the Bourbon King, though often a rough and uncouth monarch, had a deep affection for his people. and for all their peculiar customs, and it is characteristic that his favourite musical instrument should have been that so beloved by his people. In a letter from the King of Neaples there are two points which explain much of the peculiar character of Haydn’s concertos for the King: the first is the restricted tonal range of all the works, C, F and G major are the only principal keys allowed. The second is the range of the lira itself which is about that of an oboe. Bearing these limitations in mind, Haydn did not attempt to write complicated double concertos, but rather ensemble music for two lire, two violins, two violas, cello and two horns, in other words, 9 solo instruments.  (This edition: Flute, oboe, two clarinets, two basset horns, bassoon, contrabass and two horns). Moreover, he neatly combined the concerto form with that of the divertimento: there is often no strict division into solo and tutti, but constant intermingling of both. Wonderful music by Haydn, originally written for a mixed ensemble of 2 liras, 2 Horns and strings, but this is a transcription for a classical wind ensemble, a great companion for a concert together with i.e. Mozart’s Gran Partita, since it has almost the same instrumentation.
Haydn: Concerto No. 2 in G major (Classical Wind Ensemble)

$33.00 28.94 € PDF SheetMusicPlus

Small Ensemble Alto Saxophone,Bass Clarinet,Bassoon,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.828664 Composed by Joseph M. Scriven, Charles C. Converse. Arranged by Theodore A. Samuels. Romantic Period,Sacred,Spiritual. Score and parts. 22 pages. Theodore A. Samuels #5899021. Published by Theodore A. Samuels (A0.828664). 2020 SMP Press Composition Contest Entry for both the Contemporary and Sacred instrumental ensemble categories:  This is a flexible transcription of an arrangement for organ (published by Shattinger International Publications, Inc.), now for a wind quintet consisting of flute, oboe (or a 2nd flute), clarinet, horn (or alto saxophone), and bassoon (or bass clarinet). The playing time is approximately 3 minutes.
What A Friend We Have In Jesus

$14.99 13.14 € PDF SheetMusicPlus






Partitions Gratuites
Acheter des Partitions Musicales
Acheter des Partitions Digitales à Imprimer
Acheter des Instruments de Musique

© 2000 - 2025

Accueil - Version intégrale