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Woodwind Ensemble,Woodwind Quartet Bass Clarinet,Bassoon,Flute,Oboe - Level 3 - Digital Download SKU: A0.1141940 Composed by J. H. Hopkins. Arranged by Joseph Judge. Christmas. 18 pages. School Ensemble Music #742316. Published by School Ensemble Music (A0.1141940). We Three Kings, for woodwind quartet. Level 3. Flute, Oboe, Clarinet, Bassoon. As well as parts for Clarinet, Clarinet, Horn, Bass Clarinet. This recognizable song was arranged to be easy to play: range limited, rests provided, rehearsal marks designed for easy group cuing, and the workload shared (everyone gets to play the melody). Audio sample available at SchoolEnsemble.com.
We Three Kings for Woodwind Quartet in Schools
Flûte, Hautbois, Clarinette, Basson

$4.99 4.35 € Flûte, Hautbois, Clarinette, Basson PDF SheetMusicPlus

Unison chorus - Digital Download SKU: C7.CGA1146 Composed by Hal H Hopson. Christmas, Easter, General. Select Voices. Sacred Anthem. Octavo. 8 pages. Chorister's Guild - Digital #CGA1146. Published by Chorister's Guild - Digital (C7.CGA1146). UPC: 749193013687.This noble anthem is based on the St. Anthony Chorale tune, generally attributed to Franz Joseph Haydn. The unison vocal part may be voiced in a variety of ways using children’s choir, adult choir, or combined children’s and adult choirs. The well-crafted accompaniment enhances an easy-to-learn melody by providing both support and interest to the vocal line. Based on selected verses from Psalm 98 and Psalm 150, the text reminds us to sing and praise the Lord forever..
Sing We Hallelujah
Chorale Unison

$1.95 1.7 € Chorale Unison PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1433437 By Sharon Wilson. By African-American Spiritual, Charles H. Gabriel, Charles Wesley, Emily D. Wilson, Isaac Watts, Joseph Parry, and Traditional Spiritual. Arranged by Sharon Wilson. Christian,Easter,Lent,Sacred,Spiritual. 43 pages. Sharon Wilson #1013688. Published by Sharon Wilson (A0.1433437). This collection contains five (5) sacred hymns arranged for a STRING QUARTET. These arrangements are straight-forward and suitable for late beginner to intermediate string groups since all notes for all instruments can be played in the first position. An optional repeat is provided for each song in case a longer selection is desired.The VIOLIN 3 part is the same as the VIOLA part in case a Viola player is not available. Violin 1 carries the melody throughout each song. For each of the five songs in this collection there is a 3-page grand staff score plus a 1-page, 1-staff score for each part (VIOLIN 1, VIOLIN 2, VIOLIN 3, VIOLA, and CELLO).Each string quartet arrangement is also available separately with accompanying preview pages and audio samples. Titles included in this collection: Jesus, Lover of My Soul (ABERYSTWYTH)Since Jesus Came into My HeartWayfaring StrangerWhen I Survey the Wondrous Cross (ROCKINGHAM)When We All Get to Heaven Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
Songs for Worship (A collection of 5 hymns and spirituals for String Quartet)
Quatuor à cordes: 2 violons, alto, violoncelle
Sharon Wilson
$20.00 17.43 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 5 - Digital Download SKU: A0.1157493 Composed by Samuel Coleridge-Taylor. Arranged by Charles Decker. 20th Century,Contest,Festival,Multicultural,World. Brass Band. 124 pages. Charles Decker Music Press #757828. Published by Charles Decker Music Press (A0.1157493). This brilliant brass band arrangement captures the brilliance and excitement of the Coleridge-Taylor's orchestral showpiece Danse Nègre from his African Suite, Op. 35. Born of an African father, Samuel Coleridge-Taylor was an early 20th century English composer and conductor who was an influential advocate for Black composers. The five-minute arrangement is scored for a traditional British Brass Band of soprano E-flat cornet, B-flat cornets, flugelhorn, 3 E-flat alto horns, 2 baritone horns, euphonium, and E-flat and B-flat bass. A complete set of substitute parts are include for common band brass instruments being F horn substitutes for E-flat alto horns and all low brass instruments set in the bass clef. The recording is of the entire arrangement. “The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!†    Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music “I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.For more brass quintet editions by Charles Decker use these links to Kendor Music  and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
Danse Nègre from African Suite. Op. 35 for Brass Band

$34.95 30.45 € PDF SheetMusicPlus

Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.745682 Composed by Franz Xaver Gruber, James R. Murray, Joseph Mohr, Louis H. Redner, and Philip Brooks. Arranged by Lee Marcum. Christmas,Sacred. Score and part. 11 pages. Leemarcummusic.com #6602609. Published by leemarcummusic.com (A0.745682). Manger Medley is a 3-song collection of Christmas carols (O Little Town of Bethlehem, Away in a Manger, and Silent Night! Holy Night!) for Solo Alto Sax and Piano, surrounding the birth of Christ. The arrangement infuses jazz harmonies supporting the solo and uses the keys of Db, Eb, and Ab to create a still and peaceful setting. This arrangement would work great for an offertory in church and any Christmas concert or Christmas Eve service. The difficulty level is early intermediate and the performance time is 4:12. Email the publisher for a free copy of the audio piano track. lee@leemarcummusic.com
Manger Medley - Alto Sax
Saxophone Alto et Piano

$10.00 8.71 € Saxophone Alto et Piano PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1107440 By Nathan Evans. By Alexander Oriet, David Phelan, and Nathan Evans. Arranged by Joel Jacklich (A.S.C.A.P.). 19th Century,Folk,Multicultural,World. 12 pages. Joel Jacklich #710097. Published by Joel Jacklich (A0.1107440). New Zealand-based music teacher and folk music compiler Neil Colquhoun claimed to have collected the song around 1966 from one F. R. Woods. Woods, who was in his 80s at the time, had allegedly heard the song from his uncle. it was attributed to one D.H. Rogers. It has been speculated that Rogers was the uncle of Woods and that Rogers had worked as a teenage pirate or shore whaler in the early-to-mid 19th century, composing this and another song in his later years and eventually passing them on to his nephew as an old man. Nathan Evers recorded the work in 2021 during the COVID pandemic and it became a viral sensation with house-bound Tik-Tokers sparking a whole re-introduction of sea shanties in what was termed Shanty-Tok. This string quartet arrangement gives all instruments a chance at the melody, and adds the affectation of a foot-stomp and a shout at the ends of verses. The history of whaling in New Zealand stretches from the late eighteenth century to 1965. In 1831, the British-born Weller brothers Edward, George, and Joseph, who had emigrated to Sydney in 1829, founded a whaling station at Otakou near modern Dunedin in the South Island of New Zealand, seventeen years before Dunedin was established. The Weller brothers had on their voyage to New Zealand brought in the 'Lucy Ann' (the Weller brothers' barque) a good deal of rum and a good deal of gunpowder. From 1833, the Weller brothers sold provisions to whalers in New Zealand from their base at Otakou, which they had named Otago in approximation of the local MÄori pronunciation. The song's lyrics describe a whaling ship called the Billy o' Tea [Note: a billy is a pot in which water is boiled to make tea or coffee] and its hunt for a right whale. The song describes how the ship's crew hope for a wellerman to arrive and bring them supplies of luxuries. According to the song's listing on the website New Zealandfolk Song, the workers at these bay-whaling stations (shore whalers) were not paid wages, they were paid in slops (ready made clothing), spirits and tobacco. The chorus continues with the crew singing of their confidence that the tonguin' will be the last step of their plight. Tonguing in this context refers to the practice of cutting strips of whale blubber to render into oil. Subsequent verses detail the captain's determination to bring in the whale in question, even as time passes and the quartet of whaling boats is lost in the fight. In the last verse, the narrator conveys how the Billy o' Tea is still considered locked in an ongoing struggle with the whale, with the wellerman making his regular call to strengthen the captain and crew. Note from Wikipedia.
Wellerman
Quatuor à cordes: 2 violons, alto, violoncelle
Nathan Evans
$12.99 11.32 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus


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