Small Ensemble Bass Voice,Piano,Tenor Voice - Level 2 - Digital Download SKU: A0.801045 Composed by Connie Boss. Easter,Sacred. Score and parts. 4 pages. Connie Boss #4285309. Published by Connie Boss (A0.801045). A song for Good Friday. I have one out there in treble clef. This one is in bass clef for men to sing it. It has piano accompaniment and guitar chords as well as written in duet. The ending is unique (my mp3 doesn't show it because I couldn't get it to play it right) but after Pound # 11 I'm no longer breathin', it ends in complete silence at that point.The attached video is in SA and cello. Questions or requests, email cdboss@cvalley.netLyrics:Refrain: How can it be, the pain that I feel, pounding through my hands be from the hammer and the nail? When as a child, so young, but aware, I watched Joseph use the hammer and the nail. To create things that were so beautiful. How can this pain be from the hammer and the nail? Verse Pound #1 What have I done Pound #2 They know not what they do Pound #3 I’m shaking in my knees Pound #4 Leads to many more Refrain: Verse Pound #5 I’m barely alive Pound #6 They poke me with a stick Pound #7 Soon I’ll be in heaven Pound #8 I’m feeling faint Refrain: Pound #9 I’m dying inside Pound #10 Father please forgive them Pound #11 I’m no longer breathin’.

Bass Guitar - Level 3 - Digital Download SKU: A0.941977 By Fall Out Boy. By Andrew Hurley, Bob Mosher, Jack Marshall, Jacob Scott Sinclair, Jarrell Young, Joseph Trohman, Liam O'Donnell, Patrick Stump, Peter Wentz, and Waqaas Hashmi. Arranged by Daniel Roberts. Pop,Rock. Score. 4 pages. Daniel P Roberts #6356167. Published by Daniel P Roberts (A0.941977). Uma Thurman by Fall Out Boy. Bass line with TAB. Guitar and Key parts arranged for Bass. I can move mountainsI can work a miracle, work a miracleOoh, oh, oh, I'll keep you like an oathMay nothing but death do us apart[Chorus]She wants to dance like Uma ThurmanBury me 'til I confessShe wants to dance like Uma ThurmanAnd I can't get you out of my head[Verse 1]The stench, the stench of summer sexAnd CK Eternity - oh Hell yesDivide me down to the smallest I can bePut your, put your v-v-v-venom in me[Pre-Chorus]I can move mountainsI can work a miracle, work a miracleOoh, oh, oh, I'll keep you like an oathMay nothing but death do us apart[Chorus]She wants to dance like Uma ThurmanBury me 'til I confessShe wants to dance like Uma ThurmanAnd I can't get you out of my head

Full Orchestra - Level 4 - Digital Download SKU: A0.1152147 By Fabio Henrique Teles Martins. By Franz Joseph Haydn. Arranged by Fabio Henrique Teles Martins. Classical. Score and Parts. 104 pages. Fabio Dentello #752360. Published by Fabio Dentello (A0.1152147). Being one of his most elegant piano sonatas, the sonata in E minor (Hob. XVI: 34) can give us various feelings during its movements. It has a beautiful Adagio and a slight Molto Vivace as a Finale in Rondo form. This piece as said was thought of as a solo Piano Sonata, but the moment I heard it for the first time (on 12/18/2022, and yes, it was precisely on that day, because, I made the decision to start orchestrating it on the next day, the 19th) the idea of orchestrating it came to me because at least for me, it could sound like a beautiful symphony, even if it is very brief. I was extremely satisfied with the results, unfortunately with certain limitations of the VST I use (BBCSO pro) certain excerpts sound a little unrealistic, however, I have great esteem with the result. This orchestration/arrangement can be compared almost faithfully with the original, of course with several additions of voices and certain modifications to adapt it to the context of the orchestra, I tried to be as faithful as possible with Haydn's orchestral language, I am a great admirer of his vast work, and as I am also a classical/romantic composer, I learned a lot from him. I hope you enjoy this work as much as I enjoyed composing it!!

Organ - Level 5 - Digital Download SKU: A0.909270 Composed by Vidas Pinkevicius. Christian,Contemporary,Sacred. Score. 8 pages. Vidas Pinkevicius #3540609. Published by Vidas Pinkevicius (A0.909270). In the fall of 2013 my friend and colleague, Paulius Grigonis who is the organist at St Joseph church here in Vilnius was preparing to play a recital at Vilnius Cathedral around Christmas time. He approached me asking for advice about the pieces he could be playing.I offered him to compose a set of 6 variations on the famous Christmas tune Adeste fideles and he agreed too much hesitation (too bad).I started working on the composition but got stuck at the end of the 5th variation. I used major and minor chords only. My goal was to create something colorful and modern and yet understandable to the listener.Because of these simple chords the harmonies are very clear and transparent. What makes it sound modern though is that I avoid traditional chordal progressions of the perfect fourth and perfect fifth. This would imply tonic-dominant, dominant-tonic, tonic-subdominant, subdominant-tonic relationship.But I didn't want this. I wanted to surprise my audience and my friend Paulius. So I chose all kinds of progressions - minor and major seconds, minor and major thirds, even a tritone to keep it fresh.However, the result was too difficult to play for Paulius on a short notice and I got side-tracked with other projects. Although the idea of completing the variations never left me.So last weekend I sat down and added the last variation with a CODA.I hope you'll enjoy this piece which is dedicated to Paulius.8 pages, PDF score. Advanced level.

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801548 Composed by Connie Boss. Christian,Christmas,Gospel,Sacred. Score. 4 pages. Connie Boss #6097477. Published by Connie Boss (A0.801548). This is version number 2 of this song. I decided to make an SATB version of the first one I did that was a duet. I decided to change the bridge. I decided I really liked it, so I condensed it somewhat into a duet with the new bridge. You can listen to both and decide which one you like better. I really love this song because when I wrote it, I thought back about how life would have been back in those days as apposed to life today. In some ways, life was much simpler, but at the same time a hard life. Today is similar but in a different way. Some things are easier but life is not as simple as it once was. I can't imagine an angel appearing before me and giving me a message from God as what happened to Mary and Joseph. cdboss@cvalley.net. Lyrics below.

Piano,Voice Duet Baritone Horn TC,Piano,Soprano voice - Level 5 - Digital Download SKU: A0.1101414 Composed by Brett L. Wery. Chamber,Classical,Contemporary,Multicultural,World. 52 pages. Sonata Grendel Publishing #704802. Published by Sonata Grendel Publishing (A0.1101414). I. Hammering on Rocks text by Joseph Ross II. Normal text by Reginald Harris III. My Body Holds Stones text by Laura Tohe IV. The Museum of Stones text by Carolyn Forché. Quarry Songs were written as a project initiated by my long-time friend and colleague, Mark Evans. Mark and I have spent hundreds of hours rehearsing and performing together so when he asked me to participate in a project to create a song cycle as part of a residency at the Avaloch Farm Music Institute in New Hampshire, I said yes immediately. Joining us were former students, now colleagues, Areli Mendoza-Pannone (soprano) and Robert Frazier (baritone). During our residency at Avaloch, the trio and I organized Zoom meetings with the poets and work-shopped many sections of the songs. I am immensely grateful for the contributions Mark, Areli, and Bobby made to this piece. I am especially indebted to the four amazing poets for their powerful, inspiring poems. These are works of courage, honesty, and craftsmanship and I’m humbled by the writer’s trust and generosity as I attempt to add a dimension to their work that is worthy of the source. The poems represent varied American perspectives of the artifacts of human existence and the trajectory of our culture(s), the human capacity to grow numb to suffering, the weight and cost of identity—self imposed and projected—on ourselves, our nation, and our children. Most importantly the poems witness our power to change the world through art. These poems recall the courage of Nelson Mandela, the paralysis that comes with the twenty year old war in Afghanistan, the lasting wounds of inflicted upon children in boarding schools designed to eradicate native cultures, and the markers of war and suffering that call as much for hope as for remorse. I chose poets whose voices represent not only suppressed perspectives but also the voices of Americans born of privilege, willing to use the power of art to focus the readers’ minds on the rough truths of our shared history as Americans.

Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.915688 Composed by Richard Joseph Barber. 20th Century,Christian,Christmas,Sacred. Octavo. 11 pages. Barber Music Company #3820397. Published by Barber Music Company (A0.915688). Voicing: SAB. Ranges: Sop., F4 to G5; Alt., A3 to D5; Bass, F2 to D4.                                                                                      Mood: Rejoicing, praise and thanksgiving over the Father's gift of His Son, who came to set us free from sin and death. Difficulty: Not difficult. Not hard to learn. Fun to sing. The piano part will take some practice and will require a comfortable octave reach. History: The Father Sent the Son is the title song of a cantata I composed ten or so years ago for a church choir that could barely muster a men's section. They loved to sing. They rehearsed every Sunday afternoon between services and sang every Sunday morning for worship and often in the evenings. They loved the entire cantata and sang it with enthusiasm. Since that time other choirs have song the cantata, and I have added and subtracted and rewritten through the years. I wanted to get the entire cantata as close to perfection as possible before I published it, but I have decided to publish the portions I am most happy with piecemeal for the time being. When all portions are where I thing they should be, I will publish the entire cantata as one work. Lord willing, of course.  Please let me know if you enjoy the music I write. It is encouraging to hear from people who have enjoyed my work, or even from those who want to offer a criticism or suggestion. Dick Barber, aspiringtunerjb@sbcglobal.net

Piano Solo - Level 3 - Digital Download SKU: A0.1011295 Composed by Ho Jie Rong. Contemporary,Standards. Score. 8 pages. Ho Jie Rong #5794119. Published by Ho Jie Rong (A0.1011295). I am a Singaporean pianist and composer. I have studied the piano since 5 years old under Mr Joseph Toh and I graduated from LASALLE College of the Arts with a Diploma in Music in 2013, majoring in Music Composition under Malaysian composer Mr Chong Kee Yong and Singaporean composer Mrs Joyce Koh Bee Tuan. About Two Army FantasiesTwo Army Fantasies is composed in 2014. They are composed during my time serving the army. The 2 pieces are The Attack on a Red Ant on Me and Monkeys Dancing in the Rain. I composed The Attack on a Red Ant on Me after I was bitten by a small red ant in a grassy area while I was accompanying some workers. The last cluster chord is to be played brutally and crispy as a revenge! I composed the Monkeys Dancing in the Rain as a homage to the monkeys living in the forest near my army camp. Sometimes i wonder what the monkeys are doing when it is raining. Do they hide in their trees? Or dance in the rain, just like how this piece is depicting.Two Army Fantasies is dedicated to my student, Mr Remus Toh. .

Instrumental Duet Harpsichord,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.958468 Composed by Joseph Dillon Ford. 20th Century. Score and parts. 3 pages. David Warin Solomons2 #3691563. Published by David Warin Solomons2 (A0.958468). The Fuga a tre voci was composed on 28 March 1976 not long before I moved from Miami to Cambridge to begin graduate study in music at Harvard. It remained an imperfect sketch in need of extensive revisions, and languished for a quarter-century in a manila file folder until I rediscovered it late in 2001 and was pleased to find that it was worth the trouble of resurrecting. This was no easy task, as it was my original intention to comply closely with eighteenth-century contrapuntal practices. Although I had written numerous polyphonic pieces in a similar style since 1976, none of these was a fugue. There was also the challenge of reconnecting with musical ideas I had originated at the age of twenty-four at a time in my life when I was rapidly approaching the age of fifty. Still, I persevered in my efforts to revive and improve this early polyphonic essay, and hope the performer and listener will be as pleased with the results as I am. This three-voice fugue can be performed by any instrument or combination of instruments, including the harpsichord.

Piano Solo - Level 3 - Digital Download SKU: A0.1011289 Composed by Ho Jie Rong. Contemporary,Standards. Score. 13 pages. Ho Jie Rong #5794097. Published by Ho Jie Rong (A0.1011289). I am a Singaporean pianist and composer. I have studied the piano since 5 years old under Mr Joseph Toh and I graduated from LASALLE College of the Arts with a Diploma in Music in 2013, majoring in Music Composition under Malaysian composer Mr Chong Kee Yong and Singaporean composer Mrs Joyce Koh Bee Tuan. About Six Preludes I started composing this set of Six Preludes for piano in 2014 and revised in 2020. The first piece of this set is Walking. There are different types of walks one can imagine. Octaves in the left hand at the opening represents walking sluggishly, whilst the middle section’s running right hand and jokingly bass notes representing a quick stroll. The Adagio recititavo part represents tip-toeing and finally the quasi cadenza part represents a trip on the floor, ouch! The second piece, which is nicknamed Joke, is a parody of Chopin’s Scherzo no. 1 in B minor, Op. 20. Take this piece as a lame unfunny joke, as in the slow coda, which is a sigh after listening to this joke. Night Song, as the name says, means a piece to be played at night, most commonly associate with pieces like Nocturnes, Barcarolles etc. The fourth piece, Chopin, is a homage to Chopin. I chose his Prelude in G and B flat minor, Op. 28 no. 3 and no. 16 respectively as sources of inspirations. Vision is a poly-tonality piece. Sometimes what we think or see, may not always end up the way it is. Hence, I hope to create this double effect by using the keys at the same time. The final piece of this set is a Fughetta. A fughetta is a small fugue. This piece is actually a piano transcription of the 3rd movement of my Three Colours (for Clarinet in B flat, Violin and Cello) which is composed and premiered in 2012. I revised and edited some sections. This is a 12-tone work. The P0 and R0 makes up the subject of this piece, while R11 makes up the countersubject. Six Preludes is dedicated to my friend Ng Yu Fei.

String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.958467 Composed by Joseph Dillon Ford. 20th Century. Score and parts. 7 pages. David Warin Solomons2 #3691565. Published by David Warin Solomons2 (A0.958467). The Fuga a tre voci was composed on 28 March 1976 not long before I moved from Miami to Cambridge to begin graduate study in music at Harvard. It remained an imperfect sketch in need of extensive revisions, and languished for a quarter-century in a manila file folder until I rediscovered it late in 2001 and was pleased to find that it was worth the trouble of resurrecting. This was no easy task, as it was my original intention to comply closely with eighteenth-century contrapuntal practices. Although I had written numerous polyphonic pieces in a similar style since 1976, none of these was a fugue. There was also the challenge of reconnecting with musical ideas I had originated at the age of twenty-four at a time in my life when I was rapidly approaching the age of fifty. Still, I persevered in my efforts to revive and improve this early polyphonic essay, and hope the performer and listener will be as pleased with the results as I am. This three-voice fugue can be performed by any instrument or combination of instruments, including the harpsichord.

Woodwind Ensemble,Woodwind Trio - Level 3 - Digital Download SKU: A0.958470 Composed by Joseph Dillon Ford. 20th Century. 7 pages. David Warin Solomons2 #3691569. Published by David Warin Solomons2 (A0.958470). The Fuga a tre voci was composed on 28 March 1976 not long before I moved from Miami to Cambridge to begin graduate study in music at Harvard. It remained an imperfect sketch in need of extensive revisions, and languished for a quarter-century in a manila file folder until I rediscovered it late in 2001 and was pleased to find that it was worth the trouble of resurrecting. This was no easy task, as it was my original intention to comply closely with eighteenth-century contrapuntal practices. Although I had written numerous polyphonic pieces in a similar style since 1976, none of these was a fugue. There was also the challenge of reconnecting with musical ideas I had originated at the age of twenty-four at a time in my life when I was rapidly approaching the age of fifty. Still, I persevered in my efforts to revive and improve this early polyphonic essay, and hope the performer and listener will be as pleased with the results as I am. This three-voice fugue can be performed by any instrument or combination of instruments, including the harpsichord.

Choral Choir (SAB) - Level 4 - Digital Download SKU: A0.915693 Composed by Richard Joseph Barber. 20th Century,Christian,Christmas,Contemporary,Sacred. Octavo. 13 pages. Barber Music Company #3868985. Published by Barber Music Company (A0.915693). Voicing: SAB w/ piano. Range: Sop., C4 to A5; Alt., C4 to E-flat 5; Baritone., C3 to E-flat 4. Duration: 2:40. Use: Christmas services. Great for choirs low on male voices. Performance: I wrote this piece as the finale to The Father Sent the Son, a cantata I wrote for one of my church choirs. The last theme in this piece is a reprise of the title music. I was thinking of the shepherds running to tell their neighbors what they had seen that wonderful night in Bethlehem. Avoid singing with a heavy tone. There should be buoyancy in the tone and in the diction. The tempo is fast a mm140, but it works if you pianist can handle it. I have done it at mm132 on more than occasion for a piano player's sake. It still worked okay, but if you can manage 140,do it. By the way, every choir that I have done this piece with has enjoyed it thoroughly. It is fun to sing and to hear. Please send your comments, and questions. I will be happy to hear from you! Dick Barber: aspiringtunerrjb@sbcglobal.net. 

C Instrument - Level 2 - Digital Download SKU: A0.842476 By The Fray. By Isaac Slade and Joseph King. Arranged by Ben Clapton. Rock. Lead Sheet / Fake Book. 3 pages. Ben Clapton #4597303. Published by Ben Clapton (A0.842476). You Found Me was released by American rock band The Fray in 2008. It was their third single to sell 2 million downloads in the US, and marked The Fray's first number one hit in Australia.This is a lead sheet for the song, which has the melody and lyrics, and guitar chords. The song is written in B, and it has capo chords at capo 4 to utilise open chords.From Wikipedia:In an interview, lead singer and pianist Isaac Slade expressed his meaning behind the lyrics of the song:'You Found Me' is such a great song you should really listen to it. I love it as if it were my own child. The heart ache, the let down that comes with life. Sometimes you're let down, sometimes you're the one who lets someone else down. It gets hard to know who you can trust, who you can count on. This song came out of a tough time, and I'm still right in the thick of it. There's some difficult circumstances my family and friends have been going through over the past year or so and it can be overwhelming. It wears on me. It demands so much of my faith to keep believing, keep hoping in the unseen. Sometimes the tunnel has a light at the end, but usually they just look black as night. This song is about that feeling, and the hope that I still have, buried deep in my chest.In another interview Isaac Slade declared that:I kept getting these phone calls from home – tragedy after tragedy... If there is some kind of Person in charge of this planet – are they sleeping? Smoking? Where are they? I just imagined running into God standing on a street corner like Bruce Springsteen, smoking a cigarette, and I'd have it out with Him.In a Reuters article about the album, Slade stated that the lyrics for You Found Me were written in 2007, and that the song asks about the problem of evil, why bad things happen to good people, after some of their friends and family went through very tough times.Many others say that the song represents the reason we cope with things and how abandonment plays a role in everyday life.

Digital Download SKU: A0.1068482 Composed by 1862, 1864, Music – William B. Bradbury, and Words – Joseph H. Gilmore. Arranged by Pat Holmberg. Christian,Gospel. Full Performance. Duration 110. Patricia Tanttila Holmberg #1966913. Published by Patricia Tanttila Holmberg (A0.1068482). This is a familiar Christian hymn, played here on the piano. Here are the words, if you want to sing along, or just enjoy listening. He leadeth me! O blessed thought! O words with heav’nly comfort fraught Whate’er I do, where’er I be, Still ‘tis God’s hand that leadeth me. Chorus: He leadeth me, he Leadeth me, By His own hand He leadeth me, His faithful foll’wer I would be, For by His hand He leadeth me. Sometimes ‘mid scenes of deepest gloom,Sometimes where Eden’s bowers bloom,By waters still,’er troubled sea, Still ‘tis His hand that leadeth me! Repeat Chorus after each stanza. Lord, I would clasp Thy hand in mine, Nor ever murmur nor repine; Content, whatever lot I see, since ‘tis my God that leadeth me! And when my task on earth is done, When by Thy grace the vict’ry’s won, E’en death’s cold wave I will not flee, Since God thru Jordan leadeth me. BMI www.patholmberg.com.