Composed by Lewis Redner. Arranged by Kc Daugirdas. Christian, Sacred, Praise & Worship, General Worship, Christmas. Score, Set of Parts. 9 pages. Published by Kc Daugirdas (S0.177119). - Score,Set of Parts - Christian,Sacred,Praise & Worship,General Worship,Christmas - Kc Daugirdas

Composed by Kc Daugirdas. Romantic Period, Classical Period, Post-Romantic, Repertoire, Technique Training. Score, Solo Part. 3 pages. Published by Kc Daugirdas (S0.181707). - Score,Solo Part - Romantic Period,Classical Period,Post-Romantic,Repertoire,Technique Training - Kc Daugirdas

Composed by Traditional Hymn. Arranged by Kc Daugirdas. Christian, Sacred, General Worship, Funeral, Americana. Octavo. 5 pages. Published by Kc Daugirdas (S0.177113). - Octavo - Christian,Sacred,General Worship,Funeral,Americana - Kc Daugirdas

Composed by Kc Daugirdas. Classical Period, Baroque Period, Etudes and Exercises, Repertoire, Technique Training. Solo Part. 3 pages. Published by Kc Daugirdas (S0.184443). - Solo Part - Classical Period,Baroque Period,Etudes and Exercises,Repertoire,Technique Training - Kc Daugirdas

Composed by Kc Daugirdas (ASCAP). Contemporary Classical, Modern, Christian, Sacred, Christmas. Octavo. 6 pages. Published by Kc Daugirdas (S0.328336). - Octavo - Contemporary Classical,Modern,Christian,Sacred,Christmas - Kc Daugirdas

Voice Duet Voice - Level 4 - Digital Download

SKU: A0.1031871

Composed by Kc Vicdan. Arranged by Kc Vicdan. Christian,Contemporary,Gospel,Holiday,World. 1 pages. KC VICDAN #3631443. Published by KC VICDAN (A0.1031871).

Who Am I Lord by Kc Vicdan

Piano Accompaniment, Choir, SSA - Intermediate - Digital Download Composed by Kestutis Daugirdas, Kc Daugirdas. 21st Century, Contemporary Classical, European. Octavo, Score. 14 pages. Published by Kc Daugirdas

Choral, Organ, Voice (SATB) - Digital Download Composed by Matthew Martin. Edited by Robin Osborne KC and Rosanna Omitowoju KC. This edition: scorch. Sacred. Octavo. 15 pages. Hal Leonard - Digital #346512. Published by Hal Leonard - Digital

Choral Choir (SATB divisi) - Level 3 - Digital Download

SKU: A0.1162878

By Until The Ribbon Breaks. By Elliot Wall, James Flannigan, and Peter Lawrie Winfield. Arranged by Ben Fordham and Kestutis Daugirdas. A Cappella,Chamber,Pop,Rock,Singer/Songwriter. Octavo. 10 pages. Kc Daugirdas #763235. Published by Kc Daugirdas (A0.1162878).

The Silver Lake Chorus teamed up with Pete Lawrie-Winfield to record an a cappella version of My Love by U.K indie band UNTIL THE RIBBON BREAKS for their Reimagined project.  Now available for your ensemble! 

Easy to learn, satisfying to perform, with chill backgrounds, a soulful solo/trio lead, and a strong shout chorus where everyone gets to belt. Perfect for a high-school/collegiate a cappella group! Arranged for SATB divisi chorus (SSAATBB) and a soloist group (3 parts - tenor/alto).

Piano Accompaniment, SAB - Easy/Beginner - Digital Download By Lewis Capaldi. Arranged by Kc Daugirdas (ASCAP). Score. 8 pages. Published by Kc Daugirdas

Choral Choir,Choral,SSAA Chorus - Level 2 - Digital Download

SKU: A0.1463237

By Adele. By Adele Adkins and Paul Epworth. Arranged by Kestutis Daugirdas. Blues,Pop,Rock. 21 pages. Kc Daugirdas #1041931. Published by Kc Daugirdas (A0.1463237).

A guaranteed choir and crowd-pleaser!  Rolling in the Deep is empowering, soulful, and instantly recognizable, and this arrangement is easy to learn.  

Includes both Piano-Vocal Score AND Vocal-Only Score, saving page turns and trees!

Other arrangements attempt to simplify the rhythms and melodies, but end up wasting lots of rehearsal time, as the signers are forced to unlearn the version they already know from the recording. 

This arrangement stays faithful to the original rhythms and phrasing of Adele's vocal, while adding thoughtful additional harmonies and counterlines to fill out the choral texture. 

Works great with the included piano accompaniment.  Drums and guitar part not included, but widely available in tab/chart form online.

TTBB - Intermediate - Digital Download Arranged by Kc Daugirdas. Christian, Gospel, Spiritual, Praise & Worship, Christmas. Octavo. 6 pages. Published by Kc Daugirdas

Choir, SATB - Advanced Intermediate - Digital Download Composed by Kc Daugirdas. 21st Century, Contemporary Classical, Sacred, European, Recital. Octavo, Piano Reduction. 22 pages. Published by Kc Daugirdas

Instrumental Duet,Piano C Instrument - Level 2 - Digital Download

SKU: A0.881051

By K.C. And The Sunshine Band. By Harry Wayne Casey and Richard Finch. Arranged by Marco Polo Ignacio. Contemporary. Lead Sheet / Fake Book. 2 pages. MARCO POLO IGNACIO #6873879. Published by MARCO POLO IGNACIO (A0.881051).

Give It Up is a song by American disco group KC and the Sunshine Band, although it was simply credited as KC in many countries, including the US. Following the backlash against many disco artists on the charts at the beginning of the 1980s, the song was a comeback hit for the act in the US. Epic Records refused to release it; however, the independent Meca Records label showed its support and the song peaked at No. 18 on the Billboard Hot 100 in March 1984. The song had been an even bigger hit in the UK several months earlier, where it had hit No. 1 on the UK Singles Chart for three weeks in August 1983. It went on to become the 18th best-selling single of the year in the UK. It was the last of the band's hits in the US and UK, and the most successful of its 10 UK hits. The song also went to No. 2 in Belgium. No. 3 in Australia and top 10 in several other countries.

Violin and piano - Advanced - Digital Download

SKU: ZY.DO-1525

Composed by David Braid. Score and part. 32 pages. Les Editions Doberman-Yppan (digital) #DO 1525. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1525).

J'aime les formes musicales concises telles que le Prélude et la Fugue, où il y a une idée claire et directe, suivie d'une autre plus complexe et développée.

Conformément à cette idée, cette œuvre se compose de deux pièces distinctes, la première - Transfigured Life - vise à attirer l'auditeur avec son rythme rapide et dansant et sa partie de violon simple et mélodique. Il se «transfigure» via quelques courts intermèdes au piano solo en seulement deux notes alternées pour terminer - qui sont le cœur de l'idée originale, maintenant clarifiée en effaçant tout le reste.

Le deuxième morceau - Still Life - conserve son sentiment de quiétude grâce à une ligne de piano simple qui laisse beaucoup d'espace à la partie contrastée (mais encore une fois simple) du violon. En tant que pièce absolue et non programmatique, le titre fait référence uniquement à la couleur et au rythme atmosphériques ; c'est à l'auditeur de voir la « nature morte » de son choix dans son esprit.

Une note sur les performances :
Malgré ma référence à des lignes « simples » et l'évitement déterminé par l'œuvre des grincements modernistes traditionnels, l'œuvre présente certains défis d'exécution en termes de phrasé et d'ensemble qui nécessitent des compétences et une musicalité considérables. L'œuvre a eu le privilège d'être récemment enregistrée par le violoniste Ezgi Sarıkcıoğlu et la pianiste Rossitza Stoycheva, et est disponible sur toutes les principales plateformes :

https://open.spotify.com/album/6p5YIe17ci0UMuo2RqZgjR
https://music.apple.com/gb/album/transfigured-life-still-life-world-premiere-recording/1738035953
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Transfigured Life - Still Life, Op. 165 (violin & piano) - David Braid

I am keen on concise musical forms such as Prelude and Fugue, where there is one clear straightforward idea, followed by another that is more involved & developed.

In keeping with that idea, this work consists of two distinct pieces, the first - Transfigured Life - aims to draw in the listener with its quick, dancing rhythm and simple, melodic violin part. It 'transfigures' via a few short solo piano interludes into just two alternating notes to end - which are the core of the original idea, now made clear by clearing everything else out of the way.

The second piece - Still Life - retains its sense of stillness through an uncomplicated piano line that gives lots of space for the violin's contrasting (but again simple) part. As an absolute, not programmatic, piece the title refers to the atmospheric colour and pacing only; it's up to the listener to see 'Still life' of their choosing in their own mind.

A note on performance:
Despite my reference to 'simple' lines, and the work's determined avoidance of mainstream modernist squeak - the work has certain performance challenges of phrasing and ensemble that requires considerable skill and musicianship. The work has had the privilege of being recently recorded by violinist Ezgi Sarıkcıoğlu and pianist Rossitza Stoycheva, and is available on all major platforms:

https://open.spotify.com/album/6p5YIe17ci0UMuo2RqZgjR
https://music.apple.com/gb/album/transfigured-life-still-life-world-premiere-recording/1738035953.