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Marching Band - Digital Download SKU: AX.00-PC-0016499_K2 2nd Keyboard. By Tower Of Power. By David Garibaldi, Emilio Castillo, and Stephen Kupka. Arranged by Victor López. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016499_K2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016499_K2). UPC: 038081473154.Victor LA3pez concludes our Tower of Power halftime show with the funky Down to the Nightclub, before a reprise of What Is Hip? After a steady buildup, the show finishes with a short final statement of You're Still a Young Man. Although conceived as part of the complete show, this chart would make a great stands or pep band tune by stopping at the optional ending for a shorter version. Another winner from the pen of Victor LA3pez! (2:20).
Down to the Nightclub / What Is Hip?: 2nd Keyboard
Fanfare
Tower Of Power
$3.00 2.87 € Fanfare PDF SheetMusicPlus

Bassoon Solo - Level 3 - Digital Download SKU: A0.918879 By Jubal's Lyre Music. By Johann Sebastian Bach. Arranged by Martin Dicke. Baroque,Classical,Contest,Festival,Sacred,Wedding. Individual part. 13 pages. Jubal's Lyre Music Publishers #6330763. Published by Jubal's Lyre Music Publishers (A0.918879). This beloved work by J. S. Bach is arranged here for Bassoon with a keyboard part that is accessible to intermediate players and can be played on piano, organ, or harpsichord. It is perfect for weddings, concerts, or solo/ensemble repertoire. For worship, it can be performed almost any time since it exudes peace and joy, but it is particularly suited for Advent and Christmas since it comes from Cantata 147, Herz und Mund und Tat und Leben (Heart and Mouth and Deeds and Life), a cantata about Mary, the mother of Jesus, visiting her cousin Elizabeth and singing the Magnificat (see Luke 1:26-56). Arrangements for other instruments and ensembles are also available. For more music and information, visit www.jubalslyre.com/music.
Jesu, Joy of Man's Desiring (Bassoon and Keyboard)
Basson
Jubal's Lyre Music
$4.99 4.77 € Basson PDF SheetMusicPlus

Choral Choir (SAB) - Level 1 - Digital Download SKU: A0.827770 Composed by Music by Francis Scott Key and Words by John Stafford Smith. Arranged by Sylvia Chapa. A Cappella,Graduation,Holiday,Instructional,Patriotic. Octavo. 2 pages. Sylvia Chapa #4632781. Published by Sylvia Chapa (A0.827770). An easy 3-part SAB Choir arrangement of The Star Spangled Banner, the US National Anthem, this was originally created for a high school choir with limited music reading capabilities. It may be sung a cappella or with the keyboard accompaniment. The accompaniment supports and doubles the parts often, and is helpful in the beginning stages of teaching the song. It could be played by a high school pianist or on a church organ. It could be sung as a vocal solo by reading the top notes (melody).   Suitable for a vocal solo or choir at a ball game, Memorial Day programs/church if allowed, Fourth of July, Veteran's Day, Patriots Day, and any patriotic observance in the US.  This is in the High Key of Bb, so if you have that soprano, go for it! The MP3 recorded sounds are computer generated voices and piano in the key of Bb. Note that it is also available in the lower keys of G, Ab, and A. The optional high note is then G, Ab, or A.  .
National Anthem: The Star Spangled Banner for 3-part SAB Mixed Choir with optional keyboard accompan
Chorale 3 parties

$2.50 2.39 € Chorale 3 parties PDF SheetMusicPlus

Piano/Keyboard - Early Intermediate SKU: HL.8739187 Easy Piano. Arranged by Fred Bock and Lloyd Larson. Piano solos. Fred Bock Publications. Sacred. 36 pages. Fred Bock Music Company #BG0991. Published by Fred Bock Music Company (HL.8739187). ISBN 9781934596234. UPC: 073999391879. 9x12 inches. Arranged by Fred Bock, adapted by Lloyd Larson.For many years now, the Bock's Best Piano Solo books have been perhaps the best-selling sacred keyboard volumes of all time. Fred's unique harmonies brought a fresh face to classic hymns and new praise songs alike. Now veteran arranger Lloyd Larson has taken these classic arrangements and simplified them for the beginning player. This first volume includes: Great Is Thy Faithfulness • Halle Halle Halle • Morning Has Broken • There Is a Balm in Gilead • Come Thou Fount of Every Blessing • We Gather Together • When I Survey the Wondrous Cross • What Child Is This? • All for Jesus • This Ol' House.
EZ Bock's Best - Volume 1
Piano seul

$12.95 12.37 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1148922 By Johann Sebastian Bach and Víkingur Ólafsson. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Easter,Festival,Instructional. Score. 8 pages. Flavio Regis Cunha #749054. Published by Flavio Regis Cunha (A0.1148922). Prelude and Fugue in E minor, BWV 855, is the 10th prelude and fugue for keyboard (harpsichord) in the first book of The Well Tempered Clavier, composed in 1722 by Johann Sebastian Bach. The Prelude in E minor, BWV 855a, features as No. 18 (Praeludium 5) in the 1720 Klavierbüchlein für Wilhelm Friedemann Bach. BWV 855a may also refer to both this Prelude and a Fughetta in the same key, an early version of BWV 855. Ólafsson teamed up with director Magnús Leifsson to shoot the video in a fish processing plant in Iceland, complete with grand piano. They use the fish, an early Christian symbol, to allude to the mysticism and timelessness of Bach’s music – as changeable as water, it has to be understood at a metalevel, given the many different ways in which composition, transcription and performance can be interwoven. Everything is there in Bach’s music, says the pianist, who transports the composer’s keyboard writing to new shores on his latest recording. Icelandic pianist Víkingur Ólafsson releases video featuring music from his new album, Johann Sebastian Bach.Advanced Intermediate Format: Concert, 9 x 12 inches 8 pagesPLUS: Engraved and Published with Urtext Kapellmeister Music Fonts.
Bach: Prelude No. 10 in E Minor (BWV 855: 1) - As played By Vikingur Olafsson
Piano seul
Johann Sebastian Bach and Víkingur Ólafsson
$5.99 5.72 € Piano seul PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download SKU: A0.1295730 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 38 pages. Jmsgu3 #886030. Published by jmsgu3 (A0.1295730). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
Sweelinck: Echo Fantasia No. 1 for String Orchestra
Orchestre à Cordes

$38.95 37.22 € Orchestre à Cordes PDF SheetMusicPlus

Piano,Soprano Flute - Level 2 - Digital Download SKU: A0.1381847 Composed by J.S. Bach/Charles Gounod. Arranged by Ian Fitze. 19th Century,Instructional,Religious,Romantic Period,Wedding. Score and part. 4 pages. Ian Fitze #966499. Published by Ian Fitze (A0.1381847). Visit my website at IAN FITZE MUSICAL ARRANGEMENTS for a complete catalogue of my works including FREE DOWNLOADS.A moving arrangement of this classic makes great use of the full range of both the Flute soloist and the Keyboard accompaniment - note - this recording uses a harp sound on the keyboard but Piano will work just as well. Transposed for ease of reading and performance on the Flute.Very appropriate for weddings, funerals and other similar functions.
Prelude #1 in C Major/Ave Maria
Flûte traversière et Piano

$1.99 1.9 € Flûte traversière et Piano PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.995799 Composed by Kathleen Ryan. 20th Century,Contemporary. Score. 7 pages. Indigo Mesa Music LLC #5197945. Published by Indigo Mesa Music LLC (A0.995799). Verbs is a set of 24 impressionistic preludes for piano left hand alone, composed by Kathleen RyanEach prelude evokes the energy and mood of its title verb. Thus, the preludes utilize a wide range of modern styles and harmonic languages.Wait - to be in readiness or expectation. These preludes hark back to earlier antecedents by Debussy, Rachmaninov, Chopin and J S Bach in their variety and appeal, creating an album rich in contrasts. Ryan’s composing style is eclectic, referencing jazz, contemporary classical, traditional classical, and American folk songs and hymns: Play, for example, is a vibrant anthem, redolent of sacred harp singing, while other Preludes are more contemplative, tender and wistful (Forgive, Bloom). Push is energetic and rumbling, suggesting bustling city life, Bounce scampers playfully around the keyboard with jazzy syncopations and colourful harmonies, and Tangle is redolent of some of Prokofiev’s more introspective ‘Visions Fugitives’. The album closes with the meditative Bless. Frances Wilson, The Cross-Eyed PianistVerbs: 24 Preludes for Piano Left Hand is a fascinating collection of pieces composed by Kathleen Ryan. The project originated in 2006 when [Keith] Porter-Snell asked Ryan to create a set of twenty-four piano preludes for left hand only, one in each key. In her search for a unifying theme, Ryan settled on the idea of verbs, one for each prelude, because a verb conveys a distinct quality of energy and motion. ... Ryan’s eclectic composing style contains elements of jazz, contemporary classical, traditional classical, and her own vision that includes making the piano sing. ... It is hard to believe that these preludes are played with only one hand, as they are full, rich, and sound like they move all over the piano keyboard. All of the titles are one-word verbs and the preludes range in duration from 34 seconds to a little more than four minutes. Some are light and playful and some are more complex and dramatic. All are very different from each other and specific to their individual ‘verbs.’ Kathy Parsons, MainlyPiano.com
Wait (Verbs 1)
Piano seul

$5.25 5.02 € Piano seul PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1295690 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 29 pages. Jmsgu3 #885988. Published by jmsgu3 (A0.1295690). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
Sweelinck: Echo Fantasia No. 1 for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$28.95 27.66 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus






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