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Guitar - Level 1 - Digital Download SKU: A0.1175289 Composed by Brian Streckfus. Instructional. Guitar Tab. 5 pages. Brian Streckfus #774500. Published by Brian Streckfus (A0.1175289). Pages: 5 (84 chords to name)Objective:Instead of learning chords one by one, you instead learn how to build chords yourself. Also, this mindset helps in composing, because instead of seeing things as wrong chord versus correct chord, you simply see it as every harmony as a name. Like many things in life, theoritcal concepts can allow you to formulate thousands of outcomes in a single day. Tips:1. You start counting from 0 for this exercise if that makes any sense. Avoid the common fence post error by overcounting by 1. Other times you start counting from 1 in music is when talking about scale degrees. What is the distance from C to E? C(0) C#(1) D(2) D#(3) E(4).2. Use the chromatic scale at the top to help in counting.3. E# = F...Fb = E...B# = C...Cb = B...In otherwords, don't let strange enharmonics confuse you. Picture the black key sometimes missing between white keys on a piano in your mind if it helps. 4. Even though enharmonics like E# can seem confusing, they can actually add clarity sometimes because they cause the chord to stack perfectly in the sheet music and letter names. A# C# E#...versus...A# C# F...Sure, F is easier to understand in a part, but it actually makes the harmony harder to understand because not it looks like it isn't 3rds, even though it is.5. I included tab just to make this worksheet a little bit more interesting; however, the guitar chords that result are NOT practical. Voicings of common guitar chords are much more spread out, and often contain more duplicate letter names. Practical guitar chords is sort of a different conversation. I sort of did this intentionally to prove that perfectly stacked voicings do not work well on guitar. C E G Bb perfectly in order in harmony, sounds like it would be easy on guitar, but it is not.6. To make this more practical on guitar, I recommend building the chords yourself by simply knowing letter names well on guitar. The next time something asks for G major, don't just play a common voicing, actually find G B D randomly on the guitar neck. 7. Often the fifth of a chord is removed since it is the least important to invoking the flavor of the chord. This is especially true on guitar because we quickly run out of fingers and strings.8. The nature of the piano lends pianists to constantly seeing these distances on a linear plane. Conversely, guitar is a very murky instrument since the real distances of pitches is counterintuitive to arbitrary (usually) fret numbers! That is why many guitarists would benefit from thinking this way, instead of thinking of chords simply as shapes (which is also important for different reasons). In other words, try to build a chord on one string on guitar. It is impractical, but the half step distances required for chords will make much more sense.To Do:1. Slight differences in how the sheet look need to be made similiar.2. Remove green line.
Triad Chord Worksheet
Guitare notes et tablatures

$1.99 1.7 € Guitare notes et tablatures PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1490896 Composed by Yvonne Johnson. Blues,Instructional. Score. 25 pages. Yvonne Johnson #1067680. Published by Yvonne Johnson (A0.1490896). A collection of Grade 3 & 4 pieces covering a variety of rhythms commonly encountered in the Boogie & Blues genre.Saturday Night BoogieAn upbeat, fun to play Grade 3 piano boogie with swing (jazz) eighths over a walking bass. This boogie needs to be played in a relaxed manner with good rhythm and accents in the syncopated bars.Rocking The BluesThis upbeat Grade 3 blues piece has an eighth note (quaver) LH walking bass pattern, with some staccato articulations in the RH. Eighth notes (quavers) should be played straight. Jitterbug BoogieThis lively Grade 3 boogie was inspired by the swing dancers of the early 20th C. LH provides a driving walking bass while the RH plays syncopated rhythms and piano stabs.Train Ride BoogieThis Grade 3 boogie has a familiar, popular chugging train style LH. The RH playsblues scale patterns and syncopated rhythms. Eighth notes (quavers) should be swung.Boogie 1-4-5A lively Grade 3 boogie rock focusing on Primary Triads in root position. This piece requires well coordinated hands, a neat staccato touch and quick chord changes. Eighth notes (quavers) are best played straight.Boogie TrainA lively, fun to play Grade 4 piano boogie with a typical LH boogie bass. The LH bass is a common but difficult pattern requiring flexibility. Students should be able to span octaves comfortably before playing this piece.1st Inversion BoogieAn upbeat Grade 3 piano boogie in the key of C Major. RH focuses on 1st inversion triads and is played over a steady walking bass. Attention to articulations and accents is needed to convey the jaunty character of this piece.Chameleon BoogieInspired by the chameleons' unusual rocking movements when walking, this fairly lively Grade 3 boogie blues is based on a typical I IV V progression. Standard fingering for chromatic scales has been used for the turns. Eighth notes (quavers) should be lightly swung.Jingle Bell BoogieA lively, fun to play Grade 4 boogie arrangement of this popular Christmas carol. LH plays a fairly easy walking bass in the verse, before breaking into a well known boogie pattern for the chorus. LH needs to be relaxed, have flexibility and the ability to span the broken octaves comfortably.
Boogie & Blues 9 Intermediate Piano Solos
Piano seul

$9.95 8.52 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.982522 By System of a Down. By Daron Malakian and Serj Tankian. Arranged by Christina Pepper. Metal,Rock. Score. 7 pages. Christina Pepper #6473833. Published by Christina Pepper (A0.982522). Revenga is a song from System of a Down's fourth studio album, Mezmerize. This is a piano solo arrangement of intermediate to low advanced difficulty in the original key. Lyrics:Poisoning a drink, bleeding in a sinkChoking with a link, killing with a stinkJust your mother's hoBleeding in a sink, poisoning a drinkBurning up, my sweet ClementineTrampling a shrink, bleeding in a sinkHallelujah wink, getting on the brinkJust your mother's hoHallelujah wink, murdering a shrinkBurning upOh, my sweet revengeWill be yours for the takingIt's in the making, baby, ohMy sweet revengeWill be yours for the takingIt's in the making, baby, ohKilling with stink, bleeding in a sinkPoisoning a drink, getting on the brinkJust your mother's hoBleeding in a sink, trampling a shrinkBurning up, my sweet ClementinePoisoning a drink, bleeding in a sinkChoking with a link, killing with a stinkJust your mother's hoPoisoning a drink, bleeding in a sinkBurning upMy sweet revengeWill be yours for the takingIt's in the making, baby, ohMy sweet revengeWill be yours for the takingIt's in the making, baby, ohI saw her laughThen she saidGo awayI saw her laughThen she said, then she saidGo away, awayOh, oh, ohMy sweet revengeWill be yours for the takingIt's in the making, baby, ohMy sweet revengeWill be yours, it's in the makingIt's in the taking, making, baking, taking, faking, ohHoMy sweet ClementineHoShoulda been, coulda been, woulda been, woulda been youShoulda been, coulda been, woulda been, woulda been you
Revenga
Piano seul
System of a Down
$5.99 5.13 € Piano seul PDF SheetMusicPlus






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