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Easy Piano - Level 2 - Digital Download SKU: A0.1371895 By Johann Pachelbel. By Johann Pachelbel. Arranged by Glauco Fernandes. Baroque,Classical,Wedding. Score. 4 pages. Glauco Fernandes #956087. Published by Glauco Fernandes (A0.1371895). Explore the beauty of classical music with the exclusive sheet music for the piano arrangement in C of Canon by Johann Pachelbel, suitable for musicians at an easy to intermediate level. This carefully crafted arrangement offers an engaging and rewarding musical experience, suitable for those embarking on their piano journey and those seeking an accessible challenge.The sheet music for Canon maintains a friendly approach, making it an ideal choice for beginner pianists looking to improve their skills and for intermediate musicians seeking a charming interpretation of this classic composition. The notes have been arranged with clarity, allowing for a smooth and expressive performance of Pachelbel's majestic piece.Versatile for a variety of occasions, this arrangement for piano in C of Canon adds a touch of elegance to performances, particularly suitable for weddings and special events. The timeless beauty of this piece creates a truly memorable atmosphere, making it a delightful choice for musicians of all levels.Acquire now the easy/intermediate piano arrangement in C of Canon and immerse yourself in the classical opulence of this iconic composition. With its intrinsic quality and accessibility, this arrangement will not only provide a pleasant musical experience but also become a distinctive and charming addition to your piano repertoire.If you're looking for more high-quality sheet music, we suggest searching for Glauco Fernandes in the website's search bar. Contact: glaucofernandes.arrangements@gmail.com.
Canon by Pachelbel - Easy/Intermediate Piano Solo in C
Piano Facile
Johann Pachelbel
$5.99 5.18 € Piano Facile PDF SheetMusicPlus

Easy Piano - Level 2 - Digital Download SKU: A0.1371893 By Johann Pachelbel. By Johann Pachelbel. Arranged by Glauco Fernandes. Baroque,Classical,Wedding. Score. 3 pages. Glauco Fernandes #956085. Published by Glauco Fernandes (A0.1371893). Explore the beauty of classical music with the exclusive sheet music for the piano arrangement in C of Canon by Johann Pachelbel, suitable for musicians at an easy to intermediate level. This carefully crafted arrangement offers an engaging and rewarding musical experience, suitable for those embarking on their piano journey and those seeking an accessible challenge.The sheet music for Canon maintains a friendly approach, making it an ideal choice for beginner pianists looking to improve their skills and for intermediate musicians seeking a charming interpretation of this classic composition. The notes have been arranged with clarity, allowing for a smooth and expressive performance of Pachelbel's majestic piece.Versatile for a variety of occasions, this arrangement for piano in C of Canon adds a touch of elegance to performances, particularly suitable for weddings and special events. The timeless beauty of this piece creates a truly memorable atmosphere, making it a delightful choice for musicians of all levels.Acquire now the easy/intermediate piano arrangement in C of Canon and immerse yourself in the classical opulence of this iconic composition. With its intrinsic quality and accessibility, this arrangement will not only provide a pleasant musical experience but also become a distinctive and charming addition to your piano repertoire.If you're looking for more high-quality sheet music, we suggest searching for Glauco Fernandes in the website's search bar. Contact: glaucofernandes.arrangements@gmail.com.
Canon by Pachelbel - Easy/Intermediate Piano Solo in C with Chord Notation
Piano Facile
Johann Pachelbel
$5.99 5.18 € Piano Facile PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1331945 Composed by German Carol - Unknown. Arranged by Connie Boss. Christmas. Score. 2 pages. Connie Boss #918717. Published by Connie Boss (A0.1331945). O Christmas tree wasn't originally written for Christmas so the lyrics don't really reflect Christmas. I have changed lyrics to going out and picking out the tree, taking it home and putting decorations on it. I kept in the lyrics O Christmas Tree. This key is in G and is intended for alto voices. The melody is the same except for the intro and ending.Questions or requests email cdboss@cvalley.netLyrics:Verse 1O Christmas tree, O Christmas treeWe’re searching in the coldO Christmas tree, O Christmas treeYou’re beauty to beholdWe’re looking for the perfect oneOnce we find you our search is doneO Christmas tree, O Christmas treeWe’re searching in the cold Verse 2:O Christmas tree, O Christmas treeYou’re perfect and so tallO Christmas tree, O Christmas treeWe’ll place you in the hallThe ornaments we will findAnd the lights we will unwindO Christmas tree, O Christmas treeYou’re perfect and so tall Verse 3:O Christmas tree, O Christmas treeThe ornaments all sparkleO Christmas tree, O Christmas treeThe colored lights all twinkleThe tree is bright and we can seeChristmas presents underneathO Christmas tree, O Christmas treeThe ornaments all sparkle Verse 4:O Christmas tree, O Christmas treeNow it’s Christmas morningO Christmas tree, O Christmas treeThe children now are waking  They unwrap each presentThis is what dear Santa sentO Christmas tree, O Christmas treeNow it’s Christmas morning Outro:O Christmas tree, O Christmas treeYou are so lovely.
O Christmas Tree Alto solo and piano
Piano, Voix et Guitare

$5.50 4.76 € Piano, Voix et Guitare PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1331928 Composed by German Carol - Unknown. Arranged by Connie Boss. Children,Christmas. Score. 2 pages. Connie Boss #918699. Published by Connie Boss (A0.1331928). O Christmas tree wasn't originally written for Christmas so the lyrics don't really reflect Christmas. I have changed lyrics to going out and picking out the tree, taking it home and putting decorations on it. I kept in the lyrics O Christmas Tree. This key is in G and is intended for children or soprano voices. The melody is the same except for the intro and ending.Questions or requests email cdboss@cvalley.netLyrics:Verse 1O Christmas tree, O Christmas treeWe’re searching in the coldO Christmas tree, O Christmas treeYou’re beauty to beholdWe’re looking for the perfect oneOnce we find you our search is doneO Christmas tree, O Christmas treeWe’re searching in the cold Verse 2:O Christmas tree, O Christmas treeYou’re perfect and so tallO Christmas tree, O Christmas treeWe’ll place you in the hallThe ornaments we will findAnd the lights we will unwindO Christmas tree, O Christmas treeYou’re perfect and so tall Verse 3:O Christmas tree, O Christmas treeThe ornaments all sparkleO Christmas tree, O Christmas treeThe colored lights all twinkleThe tree is bright and we can seeChristmas presents underneathO Christmas tree, O Christmas treeThe ornaments all sparkle Verse 4:O Christmas tree, O Christmas treeNow it’s Christmas morningO Christmas tree, O Christmas treeThe children now are waking  They unwrap each presentThis is what dear Santa sentO Christmas tree, O Christmas treeNow it’s Christmas morning Outro:O Christmas tree, O Christmas treeYou are so lovely.
O Christmas Tree child or soprano solo and piano
Piano, Voix et Guitare

$5.50 4.76 € Piano, Voix et Guitare PDF SheetMusicPlus

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1294831 By Cheryl Prazak. By Lyrics: Cheryl Prazak and music: Oscar Ahnfelt. Arranged by Jon Burr. Christian,Country,Praise & Worship. Score. 8 pages. Cheryl Prazak #885157. Published by Cheryl Prazak (A0.1294831). “Cast your bread upon the waters†- Ecclesiastes 11:1Lyricist Cheryl Prazak blends eclectic and nostalgic lyric themes with lively renditions of traditional tunes in her new release “Hearts Aflame.â€Working with arranger/producer Jon Burr of arrangerforhire.com, and the wonderful vocalist Sammie Jane, these tracks were created for your enjoyment in the celebration of Christ.The album title and song Hearts Aflame were inspired by the 2023 Asbury Revival at Asbury University in Wilmore, Kentucky.Footprints In The GardenOn the path were footprints in the garden, whose they were, I could not find a sign.Thinking I was alone in the garden, I supposed the footprints to be mine.I could not hear your sweet voice pleading, summoning me from a world somewhere.You were in the garden interceding, but I didn’t remember that You care. I could not hear your kind voice calling, lost was I in a world of despair.On my heavy heart your voice was falling, I had long forgotten You were there.Now I hear your voice gently whispering, falling softly as the morning dew.I can feel your loving touch refreshing, bidding me to start my life anew.All the time You were there in the garden, giving me your love and strength sublime.I thought I was alone in the garden; wondrously, You were there all the time.But now your gentle voice I am hearing, breaking through the din and through the fray.Yours the voice of my kind Master speaking, in the garden from which I did stray.Like roses lost within a labyrinth, still fragrantly blossom in the rain.In the garden now two sets of footprints, that is where my roses bloom again.That is where my roses bloom again.
Footprints In The Garden
Piano, Voix
Cheryl Prazak
$4.99 4.31 € Piano, Voix PDF SheetMusicPlus

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1308595 Composed by Dale Vail. Classical,Contest,Festival,Jazz. Brass Band. 107 pages. Dale Vail #897836. Published by Dale Vail (A0.1308595). Christchurch Alive! - Brass Band Major WorkPlaying level : Suitable for bands of all levelsParts for British Brass Band, and transposed options for Bass clef Trombone/Euphonium/Baritones/Tubas and Horns in F.Christchurch Alive! was written for the Nor'west Brass Band in 2017 by Dale Vail as the own choice work for their first New Zealand National Brass Band Contest in 2018.Christchurch Alive! is a testimony to the spirit of the Christchurch Community, and their resilience to the life changing earthquakes of 2010 and 2011. The piece is built around the harmonic circle of fifths. The circle of fifths is famous for being a common harmonic pattern in both baroque and classical music, and jazz and modern music. Most influentially used by Arcangelo Corelli, the pattern appears commonly in the Johann Sebastian Bach's music, and the works of Antonio Lucio Vivaldi.In the modern age, it is most famously heard in Joseph Kosma's Autumn Leaves. Dale's piece takes the two sides of this famous progression, and links them into one seamless piece of music, symbolising the union of two eras making something new, much like pre-earthquake culture, and new post-earthquake culture, joining together to create a new community.The work opens with a traditional style melody, utilising a modern minor 7th tonality. Tubular bells sound 5 times, a clock tower striking 5am marking the first hour after the first earthquake. The band explodes into a New Orleans style street band theme, showing the nightlife and central city vibrancy that still exists amongst the repairs. This swaps to a Vivaldi inspired melody, using the same circle of 5ths progression, a blend of two different times, old and new buildings forming one city. A solo voice from offstage begins a cadenza, echos of a busker in the old arts centre markets, which brings one intoA nostalgic melody from the flugel. A reflection on what used to be. The circle of fifths becomes a I - V progression, stuck on a continuous loop, illustrating a longing to remember, and to restore what was. The circle begins to move forward again with a solo trombone taking the stage, a reflection on the late night jam sessions from the Christchurch Jazz School on Poplar lane. A Sibelius inspired melody reminds that whilst the past is remembered, it cannot be revisited. The flugel melody is re-harmonized, remembering what made the old Christchurch great, and taking that with us to the new Christchurch. All the themes are revisited and brought together in a vibrant ending, a hybrid of different communities, restored and new landmarks, and a resolve to make the future their own.The city is thriving and more alive than ever.
Christchurch Alive!

$100.00 86.47 € PDF SheetMusicPlus

Piano Quartet - Level 1 - Digital Download SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3 (A0.548646). O Come, All Ye Faithful The traditional Adeste Fideles was arranged for a piano quartet ( piano, violin, viola & cello) featuring a thought-provoking re-harmonized final verse. O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another view says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. It seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Nevertheless, the O Come All Ye Faithful: Piano Quartet version has a re-harmonized final verse for more energy and drive. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built an extensive music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to making his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the poems may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, poems are used for whether the event is Midnight Mass or regular daytime Mass.  
O Come All Ye Faithful for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle

$24.95 21.57 € Piano Quatuor: piano, violon, alto, violoncelle PDF SheetMusicPlus

Piano Trio - Level 1 - Digital Download SKU: A0.548647 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 7 pages. Jmsgu3 #3407487. Published by jmsgu3 (A0.548647). O Come, All Ye Faithful O Come, All Ye Faithful arranged for piano trio ( piano, violin & cello) featuring a thought-provoking re-harmonization of the final verse. O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another view says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. It seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built an extensive music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to making his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the poems may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, other poems are used for whether the event is Midnight Mass or regular daytime Mass.  
O Come All Ye Faithful for Piano Trio
Piano Trio: piano, violon, violoncelle

$24.95 21.57 € Piano Trio: piano, violon, violoncelle PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149 pages. Thomas Oboe Lee #431379. Published by Thomas Oboe Lee (A0.869295). Instrumentation: 3222-4231-timp-2perc-hp-chorus-strings Program note:It has been a wonderful two years of thinking, learning and working on my Continental Harmony Project with the Bangor Symphony Orchestra. It is a rare occasion that a composer in the 21st century would receive a commission to write a musical work of such scale: a 40-minute piece for symphony orchestra, 200-plus chorus and a ballet company.   At the Bangor Public Library I found some wonderful evocative 19th century texts for the chorus about the city of Bangor and its environs: the Penobscot River, Mt. Ktaadn, the logging industry, the native American culture, etc.   At times I felt overwhelmed, but most of the times I was exuberant and quite inspired by the music that came forth in the process.   The premiere is less than a month away, and I am looking forward to it. Susan Jonason, Executive Director of the Bangor Symphony, has made the occasion a very public one: a free concert on a Saturday evening! I hope the audience will go home humming the tunes from the work as they walk into the crisp, cool Bangor night.Formally the work is in five movements. The first, third and fifth movements are choral, and the two in between are orchestral.   In the premiere, the Robinson Ballet will dance in the orchestral movements.  The first movement is about the Penobscot River from winter to spring. The melting of the ice is a harbinger of things to come: warmer weather, for instance; but it has also contributed to a lot of flooding in the city of Bangor and its surroundings.The second movement is a waltz, a grand 19th century ballroom waltz for the ladies of the rich lumber barons. They come to the ball showing off their latest hats and gowns from London, Paris and Milan.The third movement is about the woods and the people who work in them. Thoreau’s text about Mt. Ktaadn is full of awesome thoughts about how nature is beautiful, yet unkind to man.   It is followed by a J.G. Whittier lyric entitled The Logger’s Boast. The original song had twenty stanzas to it. I whittled it down to five. I don’t know what the original song sounded like, so I made up my own version of a lumberjack’s drinking song.The fourth movement is a wild, drunken polka. After a long week of working in the woods the lumbermen come back to the city and spend all their earnings on booze, women and gambling. And they dance the night away …The last movement begins with a funeral march for Joe Attien, a native American who was Thoreau’s guide when he came up here in the 1900’s. The work ends with a rousing march, a centennial hymn to the city of Bangor.   God bless our city Bangor, now! On this its birthday morn …NB: The two ballet movements, II. La Valse and IV. Drunken Polka, are optional.
Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
Orchestre

$9.99 8.64 € Orchestre PDF SheetMusicPlus






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