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Clarinet and piano - advanced - Digital Download SKU: S9.Q574877 Composed by Carl Maria von Weber. Compositions pour la clarinette avec piano par. Downloadable. Op. 48. Duration 21 minutes, 28 seconds. Musikverlag Robert Lienau - Digital #Q574877. Published by Musikverlag Robert Lienau - Digital (S9.Q574877). German.Ohne die Bekanntschaft mit dem Klarinettisten Heinrich Joseph Baermann (1784-1847) wäre Carl Maria von Weber (1786-1826) wohl nicht auf die Idee gekommen, ein so reiches Werk für die Klarinette zu schaffen. Webers Klarinettenkompositionen gehören bis heute zu den Klassikern der Klarinettenliteratur. Baermanns Sohn Carl hat dazu wesentlich beigetragen. Carl Baermann (;Anmerkung: Auch die Schreibweise „Bärmann ist üblich) (1810-1885) war der berühmteste Schüler seines Vaters. In seinen Revisionen berücksichtigte er die Aufführungspraxis seines Vaters.
Grand Duo concertant
Clarinette et Piano

$12.99 11.17 € Clarinette et Piano PDF SheetMusicPlus

Piano - Moderate SKU: M2.MOS-18024 Mit einem Anhang zur Ausfuhrung der Ornamente. Composed by Johann Sebastian Bach. This edition: Revised Edition. 29 Stucke aus dem Notenbuchern fur Anna Magdalena und Wilhelm Friedemann Bach sowie anderen Quellen. Möseler Verlag #MOS 18024. Published by Möseler Verlag (M2.MOS-18024). ISBN 9790203700029.Das Bach-Buch fur Klavierspieler enthalt uberwiegend Stucke von Johann Sebastian Bach; daneben zwei oder drei von seinen Sohnen. Die Sammlung wurde 1925 erstmals veroffentlicht. Ziel der Ausgabe war es schon damals, den originalen Notentext wiederzugeben; befreit von den haufig ublichen unkommentierten Eingriffen und Zusatzen der Herausgeber. Sie gab damit den Urtext wieder soweit es die damalige Quellenlage zuliess. Diese Neuausgabe erfolgt in unveranderter Reihenfolge der Stucke aber unter Berucksichtigung der Erkenntnisse der neueren Bach-Forschung, wie sie z.B. im Werkverzeichnis von Wolfgang Schmieder 1990 oder in den Banden der neuen Bach-Ausgabe dokumentiert sind. Die zweite Auflage der Ausgabe enthielt weiterhin eine ausfuhrliche Abhandlung zur Verzierungstechnik der Bach-Zeit, die weit uber den eingentlichen Inhalt der Ausgabe hinausging. Darauf wurde in der Neuausgabe verzichtet; an ihrer Stelle soll lediglich eine Ubersicht der verwendeten Verzierungszeichen und ihre mogliche Ausfuhrung stehen.
Das Bach-Buch fur Klavierspieler
Piano seul

$13.95 11.99 € Piano seul PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worship,Sacred,World. Score. 2 pages. Servant Song Music and Ministry #649158. Published by Servant Song Music and Ministry (A0.1044425). I wrote this reconciliation hymn back in 2016, when elders from the Blood Tribe, Metis, Piikani, and Siksika nations of Southern Alberta led the Reconciliation Week events at Medicine Hat College, in Medicine Hat, Alberta. They invited me to write and teach this hymn as part of the sessions at MHC, where I was (then) the ecumenical Chaplain. It has been an honour to participate in this annual tradition of indigenous leaders sharing their distinctive cultural practices, traditions, and values with the public in Medicine Hat (and the surrounding communities) for a decade, now. During the session I was asked to assist with, the Elders were sharing the Seven Grandfathers' Teachings, and so I included these core values into the lyrics of the hymn. The work in Medicine Hat started with expressions of lament and support from a group of local churches and the Medicine Hat College Chaplaincy program while the Truth and Reconciliation Commission was crossing the country. We quickly realized that many non-indigenous Canadians genuinely wanted to learn more about their First Nations, Metis, and Inuit neighbours. Seeing an urgent need for greater awareness about the intergenerational damage that was done by the Indian Residential School system here in Canada, and also identifying these Reconciliation events as a way to decrease racist stereotypes and assumptions about indigenous peoples, we decided to continue offering an annual reconciliation session, which grew, year by year. A decade later, I'm delighted to have seen deeper, healthier relationships being built between indigenous and non-indigenous people. Musically, this hymn loosely imitates the style of the French Canadian Voyageurs, the folk melodies of the 18th and 19th centuries. The lyrics incorporate the Seven Grandfathers' Teachings. This core ethical framework has many different versions, but many First Nations communities have adopted these teachings in some form. (I've heard Elders say that Respect must come first, because it is the foundation that we build on, but for this particular group at Medicine Hat College, Humility was first on the list). I have Metis ancestry myself, and as an adult, I have researched the long-hidden genealogical and cultural treasures of my family tree. Whether you are an indigenous person looking to support other indigenous Christian composers, or whether you are a non-indigenous person who is trying to broaden the repertoire of your congregation, We Must Learn to Walk Together is an upbeat, hope-filled hymn that sings about reconciliation as if it is not only possible in the distant future - but also achievable today, using the concrete steps suggested by the lyrics. The indigenous wisdom of the Seven Grandfathers' Teachings lines up beautifully with the teachings of Christ. Musically, this hymn is highly accessible for congregational singing; the range is moderate and the rhythms provide musical interest without becoming overly complex; to hear the guitar version and melody line of the hymn being played and sung by the composer, please go to the following YouTube link: https://youtu.be/3DpkFCLxgEs. The musical format of the hymn alternates between the chorus and three verses. The piece takes roughly 3:30 to perform. This hymn has been transcribed in the key of C Major, so it is as easy as possible for church accompanists to play and for congregations to sing; guitarists are invited to play in the key of A Major and simply capo 3. Guitar chords are included. I hope and pray that this hymn for reconciliation will help you, your congregation, and the wider community to think about, pray for, and enact the calls to action of the Canadian Truth and Reconciliation Commission in new and deeper ways this year.
We Must Learn to Walk Together
Piano, Voix et Guitare
Lisa Waites
$3.99 3.43 € Piano, Voix et Guitare PDF SheetMusicPlus

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1002970 Composed by Henry Mollicone. Contemporary. Score. 13 pages. Henry Mollicone Publications #2014939. Published by Henry Mollicone Publications (A0.1002970). Http://www.HenryMollicone.com Derri-air, a ragtime song for baritone and piano, was written during the production of the new feature-length documentary film, THE FACE ON THE BARROOM FLOOR- The Poem, the Place, the opera. The Face on the Barroom Floor refers to the famous picture painted on the floor of the Teller House Bar in Central City, Colorado (inspired by the poem by D’Arcy), and the opera I composed to John S. Bowman’s libretto in 1978, which was performed every season in Central City for 33 years, and continues to be my most performed opera. Film producer Lawrence Kraman found on the internet a poem which tells a similar story of another woman whose backside (clothed in a can can dress) was painted on the ceiling in a bar a few blocks away. Alas, the bar (and the lady on the ceiling) are no longer there, but for those who know the face poem, Bottoms up- or the end of the slip of a miss, the poem by Colorado’s Sid Squibb, published in 1951, is truly funny- a kind of parody of the Face poem, detailing in this case how the painting got to be done on the ceiling! -Henry Mollicone May, 2013 More information: http://henrymollicone.com/catalog/songlist/derri-air-2012/.
Derri-Air (on the barroom ceiling)
Piano, Voix

$10.00 8.6 € Piano, Voix PDF SheetMusicPlus

Saxophone in Bb - easy to intermediate - Digital Download SKU: S9.Q54944 Composed by Emil Mangelsdorff. This edition: Sheet music. Jazz - rhythm - saxophone. Jazz Studio. Downloadable. Schott Music - Digital #Q54944. Published by Schott Music - Digital (S9.Q54944). Key: B flat major. German.Jazz ist Rhythmus und Improvisation. Diese Anleitung will den Weg weisen, wie sich jeder das Improvisieren aneignen kann. Von der einfachen Übung bis zum vollendeten Chorus sind alle Schwierigkeitsgrade berücksichtigt. Darüber hinaus können zwei oder mehr Spieler verschiedener Instrumente sich durch gemeinsames Üben mit der Kollektiv-Improvisation vertraut machen. Für diesen Zweck weisen die Übungen gleicher Nummer bei allen Instrumenten dieselbe Harmoniefolge und dieselbe (klingende) Tonart auf. Der Erfolg wird sich einstellen, wenn die Besonderheiten des Rhythmus, die Regeln der Melodiebildung und die harmonischen Grundlagen des Jazz in den den Schriften aus der Jazz-Studio-Reihe beachtet werden.
Anleitung zur Improvisation

$12.99 11.17 € PDF SheetMusicPlus


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