Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1271766 Composed by Rudesindo Soutelo. Arranged by Choir & Piano. 20th Century,A Cappella,Classical,Contemporary. Octavo. 30 pages. Publisher by Rudesindo Soutelo #864117. Published by Publisher by Rudesindo Soutelo (A0.1271766). À memoria da actriz Cruz ComesanhaLábios de sabor a mar (Derradeira epístola) / Sea flavour lips (Last epistle) for Choir and Piano [ca. 7' 34]Première: 27-V-2023. Igreja de Santo António, Lisboa. Int.: Coro da Academia Nacional Superior de Orquestra (ANSO). Dir: Rafael Araújo.The origin of this work is the emotional emptiness I felt when I received the news of the death of a close friend in an unfortunate accident at home. The text was constructed with ideas and phrases taken from the poetic correspondence we had exchanged in the previous months. A few years later, I plucked up the courage to write the music, firstly for Choir a Cappella, followed by a version for Brass Quintet and another for Voice and Piano. This new edition for Choir has been revised in its entirety and includes, as an option, the Piano.The English translation of the text at the end of the score is not intended to be sung. It is only inserted to help singers who do not understand Portuguese to comprehend the message.The complexes that organise the harmonic and melodic structure are [6, 2, 5, 1, 3], [10, 9, 2, 8] and [4, 8, 9, 7].--oOo--A origem desta obra está no vazio emocional que me produziu a notícia da morte de uma íntima amiga, num infortunado acidente caseiro. O texto foi construido com ideias e frases retiradas da correspondência poética que trocáramos nos meses anteriores. Alguns anos depois, ganhei coragem para escrever a música, primeiramente para Coro a Cappella, seguindo-se uma versão para Quinteto de Metais e outra para Voz e Piano. Esta nova edição para Coro foi revista na sua totalidade e inclui, como opção, o Piano.A tradução inglesa do texto, no final da partitura, não é para ser cantada. Só se insere para ajudar na compreensão da mensagem, aos cantores que não percebam português. Os complexos que organizam a estrutura harmónica e melódica são [6, 2, 5, 1, 3], [10, 9, 2, 8] e [4, 8, 9, 7].ISWC: T-041.574.843-4ISMN: 979-0-707704-16-5.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1278266 Composed by Rudesindo Soutelo. Arranged by Soprano or Tenor & Piano. 20th Century,Chamber,Classical,Contemporary. Score. 20 pages. Publisher by Rudesindo Soutelo #869968. Published by Publisher by Rudesindo Soutelo (A0.1278266). À memoria da actriz Cruz ComesanhaLábios de sabor a mar (Derradeira epístola) / Sea flavour lips (Last epistle) for Soprano/Tenor and Piano [ca. 7' 34]The origin of this work is the emotional emptiness I felt when I received the news of the death of a close friend in an unfortunate accident at home. The text was constructed with ideas and phrases taken from the poetic correspondence we had exchanged in the previous months. A few years later, I plucked up the courage to write the music, firstly for Choir a Cappella or with Piano ad libitum, followed by a version for Brass Quintet and another for Soprano or Tenor and Piano. This new edition for Voice has been revised in its entirety.The English translation of the text at the end of the score is not intended to be sung. It is only inserted to help singers who do not understand Portuguese to comprehend the message.The complexes that organise the harmonic and melodic structure are [6, 2, 5, 1, 3], [10, 9, 2, 8] and [4, 8, 9, 7].--oOo--A origem desta obra está no vazio emocional que me produziu a notícia da morte de uma íntima amiga, num infortunado acidente caseiro. O texto foi construido com ideias e frases retiradas da correspondência poética que trocáramos nos meses anteriores. Alguns anos depois, ganhei coragem para escrever a música, primeiramente para Coro a Cappella ou com Piano ad libitum, seguindo-se uma versão para Quinteto de Metais e esta para Soprano ou Tenor e Piano. Esta nova edição para Voz foi revista na sua totalidade.A tradução inglesa do texto, no final da partitura, não é para ser cantada. Só se insere para ajudar na compreensão da mensagem, aos cantores que não percebam português. Os complexos que organizam a estrutura harmónica e melódica são [6, 2, 5, 1, 3], [10, 9, 2, 8] e [4, 8, 9, 7].ISWC: T-041.574.843-4ISMN: 979-0-707704-17-2.

By L.A. Guns. Rock. Guitar (chords only). 3 pages. Published by Hal Leonard - Digital Sheet Music (HX.352732). - Guitar (chords only) - Rock - Hal Leonard - Digital Sheet Music

Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1247408 Composed by R. Amiruddin Tjitraprawira. Arranged by Otniel Simangunsong. 19th Century,A Cappella,Contest,Festival,Folk,Traditional. 14 pages. Otniel Simangunsong #842045. Published by Otniel Simangunsong (A0.1247408). Tondu' Majâng is a Madurese song composed by R. Amiruddin Tjitraprawira. R. Amiruddin Tjitraprawira, a figure who hails from Bangkalan Madura, is not widely known in his current condition. He was born on May 18, 1920 and died on December 17, 1975. A number of songs created by R. Amiruddin Tjitraprawira, circulated a lot like the song; Pangèran Trunodjojo, Madhurâ O Madhurâ, Asta Aermata, Kerrabhân Sape, Djoko Tole, Tera' Bulân, È Pasèsèr, Kè' Lèsap, Kembhângnga Naghârâ, Tondu' Majâng, Aèng Tantja 'Torowan, Orèng Matrol and others. This song is a regional Madurese song because it really describes the lives of the coastal communities of Madura who work as fishermen. The song Tondu' Majâng tells the life of a Madurese fisherman. Their life is described as very hard because they have to deal with many dangers at sea (atemmo bhâbhâjâ). They also have to risk their lives (abhândhâ nyabâ) to support their families who are left at home. Sometimes to catch a lot of fish they have to stay for days on the boat so they become used to the sea and rely on the waves as a pillow and the wind as their blanket (abhântal ombâ' sapo' angèn salanjhânga). Many write this song from Madura with Tanduk Majeng, even though the word tanduk or tandu' means horn in Indonesian. Meanwhile, when paired with the context and lyrics of this song, it is true that there is tondu' which means arrived. So it is appropriate to use tondu' instead of horns because what is told in this song is the arrival of the fishermen when they are looking for fish. Otniel Simangunsong is a conductor and composer from Indonesia. He was born in Tanjungbalai, North Sumatra on August 19, 1996. Currently he is a conductor of Benedicamus Chante Choir - Darma Cendika Catholic University Student Choir, Surabaya. He has also got some supports from another professional conductors and composers. Tondu' Majâng is arranged a capella with soprano, alto, tenor, baritone and bass voices. This arrangement shows the accompaniment of acoustic musical instruments such as guitar, bass and drums.

Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Percussion - Level 4 - Digital Download SKU: A0.1353773 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century. 27 pages. RayThompsonMusic #938540. Published by RayThompsonMusic (A0.1353773). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche. Petite Fille Americaine  (Young American Girl) is no 2 in the ballet, and includes some of the odd percussion : typewriter and gunshots, in addition to normal orchestral perc.It also includes the Ragtime Dance which became very popular in it's own right.The piece can be performed without percussion....but the percussion gives it an extra something!!

Violin Solo - Level 4 - Digital Download SKU: A0.1188518 By Guns N' Roses. By Duff McKagan, Izzy Stradlin', Slash, Steven Adler, and W. Axl Rose. Arranged by �ngel López de Rodas. 20th Century,Children,Instructional,Rock,Standards. 1 pages. �ngel López de Rodas #788124. Published by �ngel López de Rodas (A0.1188518). A violin arrange and transcripcion of the great Slash sweet child O´mine solo.

Bass Guitar TAB - Level 4 - Digital Download SKU: A0.1401879 By Guns N' Roses. By Duff McKagan, Izzy Stradlin', Slash, Steven Adler, and W. Axl Rose. Arranged by Emma L.M. Sweeney. Rock. Score. 7 pages. Emma L.M. Sweeney #985074. Published by Emma L.M. Sweeney (A0.1401879). The best and most accurate bass tab you will find for this awesome G'n'R classic! Now, go join a band!

Violin Solo - Level 4 - Digital Download SKU: A0.1135796 By Guns N' Roses. By Duff McKagan, Izzy Stradlin', Slash, Steven Adler, and W. Axl Rose. Arranged by K.L. Phillips. Contemporary,Film/TV,Pop,Wedding. 4 pages. K L Phillips #735845. Published by K L Phillips (A0.1135796). Arranged for the unaccompanied solo violinist, this piece is a popular choice for cocktail hour, reception, dinner or other special event music. Performance time - 2:50.

String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.921702 By Guns N' Roses. By Duff McKagan, Izzy Stradlin', Slash, Steven Adler, and W. Axl Rose. Arranged by Liam Jurgens. Metal,Rock. Score and parts. 6 pages. L Jurgens #5775815. Published by L Jurgens (A0.921702). A Condensed version of my main arrangement for the song. Can be used in many scenarios but particularly useful for the entrance of the bride.Around 1 min 25 long

Acoustic Guitar,Alto Flute,C Instrument,Electric Violin,Electronic Keyboard,Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.1150809 By Israel Pessoa. By Diversos. Arranged by Israel Pessoa. 20th Century,Broadway,Film/TV,Folk,Musical/Show,Wedding. Score and individual part. 71 pages. Israel Pessoa #750992. Published by Israel Pessoa (A0.1150809). Livro com 50 partituras. Melodias com cifra das principais musicas tocadas nos eventos em geral. Para você que quer começar ou expandir seu repertório. Todas as partituras foram escritas e revisadas com extremo cuidado para que você possar baixar e tocar. 1. Anjo Guardião - Banda da Graça 2. Beautiful Day - U2 3. Because You Loved Me - Celine Dion 4. Better Together - Jack Johnson 5. Blinding Lights - The Weeknd 6. Cheia de Manias - Raça Negra 7. Coffin Dance - Tabut Dansi 8. Como é lindo o canto de Iemanjá 9. Corre Pro Meu Mar - Maneva 10. Dandelions - Ruth B 11. De Janeiro a Janeiro - Nando Reis 12. Deixa Tudo Como Tá - Thiaguinho 13. Don’t Give Up On Me - Andy Grammer 14. Era uma Vez - Kell Smith 15. Espumas ao Vento - Lara Amélia 16. Eu Juro - Armandinho 17. Garota de Ipanema- Vinícius de Moraes 18. Gratidão - Gabriela Rocha 19. Harvest Moon - Neil Young 20. Here comes the sun - The Beatles 21. História Infinita - Esdras Gondim 22. How Far I'll Go - Moana 23. I See The Light - Enrolados 24. Karma Chameleon - Culture Club 25. Like My Father -Jax 26. Locked Out Of Heaven - Bruno Mars 27. Monte Castelo - Legião Urbana 28. One Way Or Another - Blondie 29. Oxalá criou a Terrra, Oxalá criou o mar 30. Oxalá, nosso pai lá no céu 31. Pé na Areia - Diogo Nogueira 32. Pretexto - Imaginasamba 33. Primeiros Erros - Capital Inicial 34. Razão da Minha Vida - Belo 35. Señorita - Shawn Mendes - Camila Cabello 36. Simplesmente Jose - Eugênio Jorge 37. Sítio do Pica-pau-amarelo - Gilberto Gil 38. Sugar - Maroon 5 39. Sweet Child O'Mine - Guns N' Roses - Com solos do Slash 40. Take On Me - A-Ha 41. Thank You - Led Zeppelin 42. That's How You Know - Encantada 43. Time After Time - Cyndi Lauper 44. Total Eclipse Of My Heart - Bonnie Tyler 45. True Colors - Cyndi Lauper 46. Vi Amor no Seu Olhar - Belo 47. Wave - Tom Jobim 48. When You Believe - O principe do Egito 49. Why Worry - Dire Straits 50. Yeshua - Casa Worship.

Concert Band - Level 3 - Digital Download SKU: A0.1150351 By Wesley Besancon. By Wesley Besancon. Arranged by Wesley Besancon. Contest,Festival,New Age. Score and parts. 35 pages. Wesley Besancon #750531. Published by Wesley Besancon (A0.1150351). The Texas Revolution (October 2, 1835 – April 21, 1836) was a rebellion of colonists from the United States and Tejanos (Hispanic Texans) in putting up armed resistance to the centralist government of Mexico. Although the uprising was part of a larger one, the Mexican Federalist War, that included other provinces opposed to the regime of President Antonio López de Santa Anna, the Mexican government believed the United States had instigated the Texas insurrection with the goal of annexation. (from wikipedia- credited use). My piece perfectly encapsulates the revolution (from the guns, to the war motifs, to the mysterioso part). I hope you enjoy this piece.

Concert Band - Level 3 - Digital Download SKU: A0.1147116 By Wesley Besancon. By Wesley Besancon. Arranged by Wesley Besancon. Contest,Festival,Historic,New Age. Score and Parts. 98 pages. Wesley Besancon #747321. Published by Wesley Besancon (A0.1147116). The Texas Revolution (October 2, 1835 – April 21, 1836) was a rebellion of colonists from the United States and Tejanos (Hispanic Texans) in putting up armed resistance to the centralist government of Mexico. Although the uprising was part of a larger one, the Mexican Federalist War, that included other provinces opposed to the regime of President Antonio López de Santa Anna, the Mexican government believed the United States had instigated the Texas insurrection with the goal of annexation. (from wikipedia- credited use). My piece perfectly encapsulates the revolution (from the guns, to the war motifs, to the mysterioso part). I hope you enjoy this piece.

Piano and voice - Digital Download SKU: LV.22208 Composed by H. Lovegrove. Civil War--Union, Patriotism, War casualties, Courage, Flags. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.22208). Let Me Hold It Till I Die. Song and Chorus. By H. Lovegrove. Published 1864 by H.L. Story in Burlington, VT. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Civil War--Union, Patriotism, War casualties, Courage, Flags. First line reads See, the one who bears the banner, where the guns are crashing loud.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.