Female choir (SSSAAA) - difficult - Digital Download SKU: S9.Q743 7. Retour de Melancolie En verrai ge jamais. Composed by Wilhelm Killmayer. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Duration 3 minutes. Schott Music - Digital #Q743. Published by Schott Music - Digital (S9.Q743). French.

Piano Solo - Level 4 - Digital Download SKU: A0.958750 Composed by Hipólito de Jesús Cárdenas Ruiz. Arranged by Juan Carlos Cortés A. 20th Century,Concert,Holiday,Standards,World. Score. 2 pages. Juan Carlos Cortés Aguirre #6141261. Published by Juan Carlos Cortés Aguirre (A0.958750). Transcripción para Piano Solo por:JUAN CARLOS CORTÉS A.Texto:Lejos del hogar.Pasillo por: Hipólito de Jesús Cárdenas RuizINTRODUCCIÓN:Aquí en donde estoy…Tan lejos del hogar, soñado hogar.Creo no poder matar esta tristeza,que aún lenta va royendo, mi enfermo corazón.En vano pretendería, ahogar está melancolía,porque los seres que dejé, allá en mi hogar, claman por mí.Si pudiera alas tener, o tan solo libertad,nadie igual podría correr, por llegar al hogar.Dios mío, tú sabrás, pues dueño eres de mí,pero quiero volar, a ese lugar, confiado en ti.Si no es tú voluntad, ceder a esta razón,de mis hijos cuidad, pedazos son de, mi corazón.INTERLUDIO:Adiós lares de amor, a do no retornaré,guardad, con santo ardor, ese mi hogar, do mi alma está.Y a mi esposa dirás, que por (*) lejos que esté, *(más)grabada vivirán, por siempre aquí en, mi corazón.

Piano Solo - Level 4 - Digital Download SKU: A0.919576 By Piano Melancolía. By Carl Jürgen Emert. 20th Century,Pop. Score. 6 pages. Carl Jürgen Emert #6462349. Published by Carl Jürgen Emert (A0.919576).

Piano Solo - Level 3 - Digital Download SKU: A0.958806 Composed by Ivo Pelay y Antonio Lozzi. Arranged by Juan Carlos Cortés A. Concert,Standards,Traditional,World. Score. 3 pages. Juan Carlos Cortés Aguirre #6873589. Published by Juan Carlos Cortés Aguirre (A0.958806). Transcripción para piano solo por:JUAN CARLOS CORTÉS A.Basado en la versión del cantor argentino Armando Moreno acompañado por la orquesta de Enrique Rodríguez.La canción del linyera.Letra: Ivo Pelay - Música: Antonio Lozzi.Introducción;Cuando se asoma alegre el sol sobre los campos del talar, juntos a la vías, van los linyeras.Llevando como el caracol la casa a cuestas y al azar, van los gitanos, todos los días.Ellos no saben del dolor, y en cada boca hay un cantar, que a gritos dicen, sus alegrías.Indiferentes al amor y en el eterno trajinar, ellos desechan, melancolía.Cuando se asoma alegre el sol sobre los campos del talar, van los linyeras, todos los días.Y al pasar se oye un peón, entonar esta canción:Linyera soy, corro el mundo y no sé a dónde voy.Linyera soy, lo que gano, lo gasto, lo doy.No sé llorar, ni en la vida deseo triunfar.No tengo norte, no tengo guía, para mí todo es igual.

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.533488 Composed by Jean-Yves Malmasson. 20th Century,Concert,Contemporary,Standards. Score. 17 pages. Musik Fabrik Music Publishing #2999957. Published by Musik Fabrik Music Publishing (A0.533488). 1. Hymne 2. Tristesse de la Lune 3. Recueillement Jean-Yves MALMASSON was born in 1963 at Saint-Cloud (Hauts-de-Seine), near Paris. He began his musical studies at the National Regional Conservatory of Boulogne-Billancourt (solfege, piano, theory, composition, organ and ondes Martenot) et and then at the Paris Conservatory where he won a First Prize in Orchestration. His principal teachers included Alain LOUVIER, Pierre GROUVEL, Serge NIGG and Jacques CHARPENTIER for theory and composition, and Jean-Claude HARTEMANN and Jean-Sébastien BEREAU for Orchestral Conducting. His work Le Chant de Dahut, poème symphonique for Ondes Martenot and orchestra inspired by the legend of the sunken city of Y won the SACEM prize in the Festival Les Tombées de la Nuit in Rennes, France.

Piano Solo - Level 4 - Digital Download SKU: A0.1452225 By Piano Melancolía. By Carl Jürgen Emert. Classical,Contemporary,Film/TV,Jazz,New Age. Score. 7 pages. Carl Jürgen Emert #1031545. Published by Carl Jürgen Emert (A0.1452225).

Small Ensemble Cello,Flute,Soprano Recorder,Violin - Level 3 - Digital Download SKU: A0.900405 Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. Score and parts. 3 pages. Gustavo Fuentes #3637525. Published by Gustavo Fuentes (A0.900405). Diamond in the Rough. Celtic music song composed by Gustavo Fuentes, arranged for two voices. Two melody instruments, such as tin whistle, low whistle, flute, recorder, piano or violin, with chords for piano or guitar. The audio is from to the Gustavo Fuentes CD Almas en vuelo that you can listen to on Spotify. The most important symbol of Celtic art is the triskelion. It is made up of three curved legs representing the past, the present and the future. It can also symbolize the balance between mind, body and spirit; the beginning and the end; or constant learning versus eternal evolution.Life is a timeline. Memories from the past can sometimes evoke pleasant images and beautiful experiences in our minds, but they can also fill us with sadness and nostalgia. Thinking of the future can give us hope, but it can also awaken anxiety. The only time when we can truly be, make decisions, and effect change is the present. Today is a gift, a diamond in the rough that we can cut and polish to our liking. Quoting the wise words of Irish author Oscar Wilde in The Picture of Dorian Grey: Life is a moment. There is no hereafter. So make it burn always with the hardest flame. Canción de música celta compuesta por Gustavo Fuentes, arreglada para dos voces agudas como tin-whistle, low whistle, flauta traversa, flauta dulce, piano o violín, con cifrado de acordes para piano o guitarra. El audio pertenece al CD de Gustavo Fuentes Almas en vuelo, que se puede escuchar completo en Spotify. El símbolo más importante del arte celta es el trisquel. Formado por tres brazos en espiral representan el pasado, el presente y el futuro, y simboliza el equilibrio entre cuerpo, mente y espíritu, el principio y el fin, el aprendizaje perpetuo y la eterna evolución.Nuestra vida está construida en el tiempo. A veces el pasado nos trae recuerdos gratos y experiencias hermosas; en otros momentos, nos llena de melancolía y añoranza. El futuro puede generarnos esperanza, pero también ansiedad. El único momento donde podemos ser, donde podemos elegir, donde podemos cambiar, es el presente. Deberíamos considerar el ahora como una verdadera joya, como un diamante que podemos tallar y lustrar para que tenga la forma y el brillo que merecemos. Y estaría bien recordar las palabras que el escritor irlandés Oscar Wilde nos dejó en El retrato de Dorian Grey: La vida es el presente, el futuro no existe. Haz que la vida arda siempre con la llama más intensa.

Piano Solo - Level 3 - Digital Download SKU: A0.1316616 By Andrømède. By PEYCRU Damien. Classical. Score. 14 pages. Andrømède #905333. Published by Andrømède (A0.1316616). Andromède est passionné par la musique et commence à créer ses propres compositions en 2021. Il parcourt différents styles musicaux mais se découvre littéralement lors de ses compositions de piano.Son EP, composé de cinq morceaux, intitulé Rétro.FM, retranscrira au plus près son univers aux nuances mélancoliques et douces, ses expériences de vie, et sa personnalité. 

Full Orchestra - Level 3 - Digital Download SKU: A0.1154375 By Valdeci Faganioli. By Valdeci Faganioli. Arranged by Valdeci Faganioli. Folk,Latin,Multicultural,World. Score and parts. 33 pages. Valdeci Faganioli #754657. Published by Valdeci Faganioli (A0.1154375). Music for full orchestra.

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1156755 Composed by Thomas Oboe Lee. 20th Century,Chamber,Classical,Contemporary,Romantic Period. 39 pages. Thomas Oboe Lee #757086. Published by Thomas Oboe Lee (A0.1156755). I have been a fan of the music by Heitor Villa-Lobos since my teenage years in São Paulo, Brazil, 1959-66. It was there when I first first heard his Bachianas Brasileiras No. 5, with soprano solo and eight cellos. The memory of that music will forever haunt me. I then recently discovered through a CD box set recorded by the Cuarteto Latinoamericano that Villa-Lobos wrote 17 string quartets. I guess he wanted to beat the number of string quartets that Beethoven wrote which is 16. So this being my 17th string quartet I wanted to pay homage to Villa-Lobos and dedicate this work to him, in memoriam. I took his first string quartet as a model, in terms of the titles he gave to the movements of that work. I. Cantilena … Andante II. Brincadeira … Allegretto scherzando III. Canto lírico … Moderato IV. Cançoneta … Andantino quasi allegretto V. Saltando como um Saci … Presto VI. Melancolia … Lento, Andante NB: the titles of the movements for the rest of his string quartets (nos. 2 to 17) have the same standard classical four-movement designations of fast/allegro, slow/adagio, scherzo and fast/allegro. credits.

Guitar ensemble - Intermediate - Digital Download SKU: ZZ.DZ-4281 Composed by Francesco Di Giandomenico. Score and parts. 42 pages. Les Productions d'OZ - Digital #DZ 4281. Published by Les Productions d'OZ - Digital (ZZ.DZ-4281). ISBN 9782898521980.Music For a While is a collection of three short sketches. The music interweaves elements of East European folklore, North American minimalism, European polyphony and traditional Italian music.The first sketch is a very rhythmical, lively and powerful dance based on a fragment from Bela Bartok’s collection For Children.The second sketch is like a canon, a tribute to Pachelbel, but interestingly the development of the piece is influenced by contemporary minimalism. The music, based on a cell of 4 bars with a typical tonal progression that is constantly variated, is simple, beautiful and bright.The last sketch is an homage to Federico Fellini’s universe. With a typical Italian dance rhythm (including references to Nino Rota’s music), this piece evokes the crazy, funny and melancholic wMusic For a While est une collection de trois courts croquis. La musique entrelace des éléments du folklore d'Europe de l'Est, du minimalisme nord-américain, de la polyphonie européenne et de la musique traditionnelle italienne.Le premier «sketch» est une danse très rythmique, animée et puissante, basée sur un fragment de la collection For Children de Béla Bartók.Le deuxième «sketch» est comme un canon, un hommage à Pachelbel, mais de manière intéressante, le développement de la pièce est influencé par le minimalisme contemporain. La musique, basée sur une cellule de 4 mesures avec une progression tonale typique constamment variée, est simple, belle et lumineuse.Le dernier «sketch» est un hommage à l'univers de Federico Fellini. Avec un rythme de danse italienne typique (incluant des références à la musique de Nino Rota), cette pièce évoque le monde fou, drôle et mélancolique du cirque.

Piano Solo - Level 1 - Digital Download SKU: A0.1163579 By Emilia & Alex Rose. By Alex Rose, Alexis Guzman, Alexis J. Guzman Cotto, Angelo Javier Roca Villagran, Emilia Mernes, Jorge Valdes, Jorge Vasquez, Justin Rafael Quiles, Maria Mernes, Pedro David Daleccio Torres, Pedro Deleccio, and Pedro Polanco. Arranged by Eskander Aceval. Latin,Pop. Score. 2 pages. Eskander Aceval #763922. Published by Eskander Aceval (A0.1163579). Emilia & Alex Rose - Bendición (Versión Lenta) acordes, piano. *No incluye el verso masculino.

Guitar - Advanced - Digital Download SKU: ZY.DO-1555 Composed by Stephen Goss. Score. 15 pages. Les Editions Doberman-Yppan (digital) #DO 1555. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1555). Pierrot, or Harlequin? (2023) is based on stock characters from the Italian commedia dell’arte tradition. Columbina has a choice of partner – Pierrot, or Harlequin? Or maybe she will select neither of them. In this set of triple variations, Pierrot and Harlequin compete for Columbina's attention and favour. Pierrot is deep, quiet, thoughtful, and loving, but sometimes melancholic. Harlequin is light-hearted, extrovert, and fun to be with, but somewhat shallow and brash. Columbina herself is coquettish, impulsive, and unpredictable. How will the story end between these imperfect characters? The performer gets to select one of three possible endings as the piece nears its conclusion.Pierrot, or Harlequin? was commissioned by the International Guitar Festival Homenaje 2023. The premiere was given by Giacomo Susani at Barco Teatro, Padova, Italy, on 10th November 2023.Pierrot, or Harlequin? (2023) est basé sur des personnages de la tradition italienne de la commedia dell’arte. Columbina a le choix entre deux partenaires – Pierrot ou Harlequin? Ou peut-être ne choisira-t-elle aucun des deux. Dans cette série de variations en trio, Pierrot et Harlequin rivalisent pour l'attention et les faveurs de Columbina. Pierrot est profond, calme, réfléchi et aimant, mais parfois mélancolique. Harlequin est enjoué, extraverti, amusant à être avec, mais quelque peu superficiel et effronté. Columbina elle-même est coquette, impulsive et imprévisible. Comment se terminera l'histoire entre ces personnages imparfaits? Le performer a le choix entre trois fins possibles alors que la pièce approche de sa conclusion.Pierrot, or Harlequin? a été commandé par le Festival International de Guitare Homenaje 2023. La première a été donnée par Giacomo Susani au Barco Teatro, Padoue, Italie, le 10 novembre 2023.

Small Ensemble Cello,High Voice,Medium Voice,Piano Accompaniment - Level 4 - Digital Download SKU: A0.533489 Composed by Jean-Yves Malmasson. 20th Century,Concert,Contemporary,Standards. Score and parts. 26 pages. Musik Fabrik Music Publishing #2999959. Published by Musik Fabrik Music Publishing (A0.533489). 1. Hymne 2. Tristesse de la Lune 3. Recueillement Jean-Yves MALMASSON was born in 1963 at Saint-Cloud (Hauts-de-Seine), near Paris. He began his musical studies at the National Regional Conservatory of Boulogne-Billancourt (solfege, piano, theory, composition, organ and ondes Martenot) et and then at the Paris Conservatory where he won a First Prize in Orchestration. His principal teachers included Alain LOUVIER, Pierre GROUVEL, Serge NIGG and Jacques CHARPENTIER for theory and composition, and Jean-Claude HARTEMANN and Jean-Sébastien BEREAU for Orchestral Conducting. His work Le Chant de Dahut, poème symphonique for Ondes Martenot and orchestra inspired by the legend of the sunken city of Y won the SACEM prize in the Festival Les Tombées de la Nuit in Rennes, France.The set includes the vocal score and the cello part.