Composed by Juan Alais. Arranged by Leonardo Ramos. Classical,Multicultural,Weddin g,World. Individual part. 2 pages. Leonardo Ramos #691439. Published by Leonardo Ramos

Harpsichord - Digital Download SKU: A0.495060 Composed by Jean-Baptiste Lully. Arranged by Atila de Paula. Baroque,Classical,Opera. Score. 43 pages. Published by Atila de Paula (A0.495060). Selected pieces from Lully's opera Armide arranged for two harpsichords. 43 pages. 1. Première Entrée 2. Deuxième Entrée 3. Menuet 4.Gavotte 5. Passacaille Les plaisirs ont choisi pour asile.

Small Ensemble Bass Guitar,Clarinet,Drums,Flute,Piano,Trombone - Level 2 - Digital Download SKU: A0.1015246 By Fred Everything. By Frederic Blais. Arranged by Maestro Serafim. Contemporary. Score and parts. 1 pages. Gerson Serafim #6714153. Published by Gerson Serafim (A0.1015246). Arranjo de um dos temas mais lindos do Cinema! Para 2 Flautas, 2 Clarinetes, 1 Trombone, Quarteto de Cordas, Piano, Ritmo e Bateria

By Leolani Blaisdell. Folk; Multicultural; Standards. UKE. 2 pages. Published by Hal Leonard - Digital Sheet Music

Bassoon,Clarinet,Piano,Voice - Level 4 - Digital Download SKU: A0.1370906 Composed by David Warin Solomons. 21st Century,Contemporary. 18 pages. David Warin Solomons #955248. Published by David Warin Solomons (A0.1370906). A setting of the La Fontaine poem La cigale et la fourmi with narrator (in French), clarinet, bassoon and pianoThe pdf file contains score and instrumental parts. The narrator should use the score.(A version with English narrator is also available on this site)La cigale, ayant chanté tout l’été,se trouva fort dépourvue Quand la bise fut venue.Pas un seul petit morceau De mouche ou de vermisseau.Elle alla crier famine Chez la fourmi sa voisine,La priant de lui prêter Quelque grain pour subsisterJusqu’à la saison nouvelle.“Je vous paierai,�lui dit elle,“avant l’août,foi d’animal,Intérêt et principal.�La fourmi n’est pas prêteuse;C’est là son moindre défaut.“Que faisiez vous au temps chaud?�Dit elle à cette emprunteuse“Nuit et jour à tout venantJe chantais,ne vous déplaise.�“Vous chantiez?j’en suis fort aise.Eh bien!dansez maintenant.�English translation by S N SolomonsThe Grasshopper in drowsy songHad spent the pleasant summer long,And found herself without a crumbWhen winter’s icy blast had come.Not one small morsel could she spyOf puny worm or measly fly.So off she went to cry her wantStraight to her neighbour Madame Ant,Merely asking for a loanOf bread or grain to eke her ownUntil the plenteous time came round.“I’ll pay you back, or I’ll be boundBy August, word of animal,Both interest and principal.�The Ants are not a lending lotIndeed that is their slightest fault.“What were you doing when ’twas hot?�She asked this impecunious sort.� To all who came, both day and nightI used to sing at every chance.�“You used to sing? That’s fine and right!Well now’s the very time – to dance!�©S.N.Solomons.

Tuba ensemble (4 euphoniums and 4 tubas) - Digital Download SKU: CX.TEP10269 Composed by Blaise Ferrandino. Score and parts. 141 pages. Published by Tuba-Euphonium Press (CX.TEP10269). 13 movements.

Marimba,Piano,Rainstick,Violin - Level 5 - Digital Download SKU: A0.1415494 By Ludovic SELMI. By Ludovic SELMI. 21st Century,Contemporary. 61 pages. D-Project Co., Ltd. #997229. Published by D-Project Co., Ltd. (A0.1415494). I structured the beginning in a very expansive, linear way, with this rain reproduced by the rain stick. The piano creates a rotating bassline. Over this foundation, the marimba and violin come and go repetitively. There isn't really an ending; we move towards silence, in fact, it's very Zen. I wrote this piece so that the marimbist passes the rain stick to the violinist at a certain moment, a baton exchange like in a relay race. J'ai construit le début de manière très étalée, très linéaire, avec cette pluie reproduite par le bâton de pluie. Le piano qui fait tourner une basse. Par-dessus cette base, le marimba et le violon viennent et s’en vont de manière répétitive.Il n’y a pas de vraiment de fin, on va vers le silence en fait, c’est très Zen.J'ai écrit cette piece en permettant que le marimbiste transmette au violoniste le baton de pluie a un certain moment, un échange de baton comme dans un relais donc.

Piano Solo - Level 3 - Digital Download SKU: A0.862587 Composed by Bach, J. S. Arranged by Michael Bomier. Baroque,Contemporary. Score. 4 pages. Michael Butkus-Bomier #442687. Published by Michael Butkus-Bomier (A0.862587). 2015 Piano Contest Here is one of Bach's most haunting and yet intellectually rigorous compositions, set up so the intermediate player can see, at a glance, what hand plays what voice, and which accidental is operating when. The early editions, and many others since concentrate SO much on showing the voices and how long each note should LAST, that the important parts, which in our opinion, are when each note STARTS, and which hand plays it, are either left ambiguous or worse. So, here is an edition/arrangement, with 100% original notes, and precise L-R hand assignments. The French device of the laissez vibre or Tie to no where, is used throughout, for visual simplification. Many cautionary accidentals are included, so as to minimize the questioning of pitch that arises from such chromatic writing. Dur. 4:00 MP3 MIDI audio. Pedaling, ala Paul Badura-Skoda, is encouraged. MBB.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.533325 Composed by Jacques Leguerney. 20th Century,Concert,Standards. Score. 6 pages. Musik Fabrik Music Publishing #2343155. Published by Musik Fabrik Music Publishing (A0.533325). A setting by Leguerney of a poem by Joachim de Bellay: Range is Eb3-G2Heureux qui, comme Ulysse, a fait un beau voyage,Ou comme cestuy-là qui conquit la toison,Et puis est retourné, plein d'usage et raison,Vivre entre ses parents le reste de son âge !Quand reverrai-je, hélas, de mon petit villageFumer la cheminée, et en quelle saisonReverrai-je le clos de ma pauvre maison,Qui m'est une province, et beaucoup davantage ?Plus me plaît le séjour qu'ont bâti mes aïeux,Que des palais Romains le front audacieux,Plus que le marbre dur me plaît l'ardoise fine :Plus mon Loire gaulois, que le Tibre latin,Plus mon petit Liré, que le mont Palatin,Et plus que l'air marin la doulceur angevine.