Drum Set,Drums - Level 3 - Digital Download SKU: A0.1162087 By John K. By Donte Blaise, Ian Gagnon, John Poulson, and Rory Andrew. Arranged by COPYDRUM. Pop. Score. 2 pages. COPYDRUM #762459. Published by COPYDRUM (A0.1162087).

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.533325 Composed by Jacques Leguerney. 20th Century,Concert,Standards. Score. 6 pages. Musik Fabrik Music Publishing #2343155. Published by Musik Fabrik Music Publishing (A0.533325). A setting by Leguerney of a poem by Joachim de Bellay: Range is Eb3-G2Heureux qui, comme Ulysse, a fait un beau voyage,Ou comme cestuy-là qui conquit la toison,Et puis est retourné, plein d'usage et raison,Vivre entre ses parents le reste de son âge !Quand reverrai-je, hélas, de mon petit villageFumer la cheminée, et en quelle saisonReverrai-je le clos de ma pauvre maison,Qui m'est une province, et beaucoup davantage ?Plus me plaît le séjour qu'ont bâti mes aïeux,Que des palais Romains le front audacieux,Plus que le marbre dur me plaît l'ardoise fine :Plus mon Loire gaulois, que le Tibre latin,Plus mon petit Liré, que le mont Palatin,Et plus que l'air marin la doulceur angevine.

Bassoon,Clarinet,Piano,Voice - Level 4 - Digital Download SKU: A0.1370910 Composed by David Warin Solomons. 21st Century,Contemporary. 17 pages. David Warin Solomons #955254. Published by David Warin Solomons (A0.1370910). A setting of the La Fontaine poem La cigale et la fourmi with narrator (in English), clarinet, bassoon and pianoThe pdf file contains score and instrumental parts. The narrator should use the score.(A version with French narrator is also available on this site.)The Grasshopper in drowsy songHad spent the pleasant summer long,And found herself without a crumbWhen winter’s icy blast had come.Not one small morsel could she spyOf puny worm or measly fly.So off she went to cry her wantStraight to her neighbour Madame Ant,Merely asking for a loanOf bread or grain to eke her ownUntil the plenteous time came round.“I’ll pay you back, or I’ll be boundBy August, word of animal,Both interest and principal.�The Ants are not a lending lotIndeed that is their slightest fault.“What were you doing when ’twas hot?�She asked this impecunious sort.� To all who came, both day and nightI used to sing at every chance.�“You used to sing? That’s fine and right!Well now’s the very time – to dance!�©S.N.SolomonsOriginal French version:La cigale, ayant chanté tout l’été,se trouva fort dépourvue Quand la bise fut venue.Pas un seul petit morceau De mouche ou de vermisseau.Elle alla crier famine Chez la fourmi sa voisine,La priant de lui prêter Quelque grain pour subsisterJusqu’à la saison nouvelle.“Je vous paierai,�lui dit elle,“avant l’août,foi d’animal,Intérêt et principal.�La fourmi n’est pas prêteuse;C’est là son moindre défaut.“Que faisiez vous au temps chaud?�Dit elle à cette emprunteuse“Nuit et jour à tout venantJe chantais,ne vous déplaise.�“Vous chantiez?j’en suis fort aise.Eh bien!dansez maintenant.�.

By Alexz Johnson. By Alexz Johnson, Christopher Ward, and Frederic Gelais. Arranged by Eskander Aceval. Film/TV, Pop. Score. 3 pages. Eskander Aceval #681795. Published by Eskander Aceval

Viola Solo - Level 1 - Digital Download SKU: A0.837253 Composed by Garth M. Williams (Socan). Children,Christmas,Halloween,Standards. Individual part. 45 pages. Garth M. Williams (Socan) #2869001. Published by Garth M. Williams (Socan) (A0.837253). The Scampering Scarecrow and Other Pieces For Viola and Piano is written for the young viola student.  Each composition has suggested teaching techniques in that the scale and rhythms from the piece are contained as part of the score and parts.  Each piece also represents different seasons of the years; The Scampering Scarecrow, Peek A Boo Ghost, and A Big Bad Boo in 3 represent Halloween, while Floating Snowflakes was written for Christmas.  Teachers can listen to each piece as there are  ten MP's packaged along with the book.  Selections from this series can also be found as duets, and as orchestral pieces.  MP3'S are available for no cost from the composer at calaiscove@shaw.ca.

Soprano and organ (piano) - intermediate - Digital Download SKU: S9.Q7194 Words from: Song of Solomon 8:6. Composed by Naji Hakim. This edition: Sheet music. Downloadable. Duration 2:30. Schott Music - Digital #Q7194. Published by Schott Music - Digital (S9.Q7194). English • Danish.Naji Hakim, born in Beirut in 1955, is one of the most important organists and organ composers of today. He studied with Jean Langlais as well as at the Paris Conservatoire and was organist at Sacré-Coeur in Paris from 1985-93 and later succeeded Messiaen as organist at the Église de la Sainte Trinité. He gives concerts all over the world, is professor at the Conservatoire of Boulogne and visiting professor at the Royal Academy in London. 'Set me as a seal upon your heart' sets one of the best-known texts from King Solomon's Song to music. The expressive aria for soprano and organ is suitable for sacred and secular concerts. Of the same piece, Hakim also composed a version for mixed a-cappella choir (C 53747).

Piano Solo - Level 5 - Digital Download SKU: A0.944867 Composed by Craig Peaslee. 20th Century,Concert,Contemporary,Ragtime. Score. 29 pages. Craig Peaslee Music #5221633. Published by Craig Peaslee Music (A0.944867). Highly influenced by John Cage, 8'66 features compositional practices explored by Cage.Song of the Talpa People calls for the pianist to play the movement while attempting to prevent any of the piano hammers to fall (hit the strings, causing sound); however, due to the tempo marking, human error, and other factors, it is a certainty that the hammers will fall - we simply do not know when, where, and how many of these falls will happen on any given performance. Cage was a pioneer of indeterminant music, a single piece of music that can sound wildly different each time it is heard.In Funeral March for a Deaf Man the written music was lined up directly to a section of Cage's Lecture on Nothing so that whenever a syllable from the speech would be spoken the pianist plays the note(s) that correspond at the same time.The finale, In Futurm, allows for the pianist to perform the piece as originally written.The titles for the three movements are taken from compositions of silent music that predate Cage's 4'33 1. Funeral March for the Obsequies of a Dead Man (1897) by Alphonse Allais (1854-1905). 2. In Gaston Leroux's 1903 novel La Double Vie de Theophraste Longuet, silent concerts are given by the Talpa people. 3. In futurum (1919) by Edwin Schul

Piano,Violin - Level 4 - Digital Download SKU: A0.1303076 Composed by Thomas Oboe Lee. 20th Century,21st Century,Chamber,Classical,Contemporary. 37 pages. Thomas Oboe Lee #892666. Published by Thomas Oboe Lee (A0.1303076). I recently discovered Tamsin Waley-Cohen's recording of the complete CPE Bach sonatas for violin and piano. I was enthralled by her playing and CPE's music!!! Confession: I have been a fan of CPE for decades!!! My next project is a sonata for violin and piano. I thought I should try my hand at incorporating CPE's style into TOLmusic. Why not??? This will be my fifth sonata for violin and piano. The work is in seven movements. NB: I accidentally found some enigmatic titles in CPE's Petites Pièces per il Cembalo Solo. These are so amusing and funny compared to the usual Adagio, Allegro,Presto, etc. I see as titles in CPE's music that I decided to steal a few of them for my own work. I. La Stahl ... Largo II. La Gabriel ... Allegretto III. L'Auguste ... Adagio IV. La Boehmer ... Presto TRIO V. La Complaisante ... Andante VI. La Gleim ... Moderato grazioso VII. La Xenophon ... Allegro marcato VIII. La Caroline ... Largocredits.

Instrumental Duet Bassoon,Instrumental Duet,Voice - Digital Download SKU: A0.576770 Composed by David Warin Solomons. Contemporary,Renaissance. Score and parts. 2 pages. David Warin Solomons #429021. Published by David Warin Solomons (A0.576770). Setting of Ronsard's poem A Cassandre for speaking voice and bassoon In the sound sample the poem is spoken in modern French by my father S N Solomons who also created an English version as shown below The bassoon part is based on the song To Cassandra for alto and guitar, using my father's translation, which is also available on this site Mignonne, allons voir si la rose Qui ce matin avoit desclose Sa robe de pourpre au Soleil, A point perdu ceste vesprée Les plis de sa robe pourprée, Et son teint au vostre pareil. Las ! voyez comme en peu d'espace, Mignonne, elle a dessus la place Las ! las ses beautez laissé cheoir ! Ô vrayment marastre Nature, Puis qu'une telle fleur ne dure Que du matin jusques au soir ! Donc, si vous me croyez, mignonne, Tandis que vostre âge fleuronne En sa plus verte nouveauté, Cueillez, cueillez vostre jeunesse : Comme à ceste fleur la vieillesse Fera ternir vostre beauté. [English translation by SN Solomons] Darling, come see the rose so red, Which this morn timidly had spread Her mantle to the eye of day. Come see if she has lost this e'en Her crimson pleated robe's soft sheen, That same blush which on your cheek plays. See how in but a paltry hour She has let fall her ailing flower. Her beauty lies there in the dust! Alas! How cruel is Mother Nature, Since such a blossom can endure Only from trembling dawn to dusk. Darling you must indeed believe, Whilst innocence within you cleaves The bud and blooms in purity, Garner the gifts of tender youth, For, like this flower, age in sooth Will sadly spoil and tarnish beauty.].