Small Ensemble Alto Saxophone,Bass Clarinet,Tenor Saxophone - Level 4 - Digital Download SKU: A0.968994 Composed by Cole Poter. Arranged by Cristian Gomez. Jazz. Score and parts. 8 pages. Kike G #5011755. Published by Kike G (A0.968994). « Begin the Beguine » es una  canción  compuesta por  Cole Porter  que está identificado uno de los módulos de la música popular estadounidense.Fue compuesta en 1934, según el propio Porter, en un crucero exótico por las islas  Fiyi . Sus orígenes son inciertos: de acuerdo con él, que antes había declarado haber oído los cuatro primeros compara a un isleño en  Kalahabi  que bailaba frenéticamente bajo la luna indonesia, la había escuchado a una banda martiniquesa en un café cantante de  París . Entonces bautizó el ritmo como una rumba calipso. Más tarde, sin embargo, aseguraría que no venía de  Trinidad , sino de la misma  Martinica  y que se llamaba  bel-air de la lune .Actualmente el ritmo es conocido como  beguine . El 

Piano - Level 3 - Digital Download SKU: A0.1296017 By Bruno Martino. By Bruno Brighetti and Bruno Martino. Arranged by Sérgio Matias da Cunha. 20th Century,Jazz,Wedding. Score (Chords/Lyrics). 1 pages. Sérgio Matias da Cunha #886288. Published by Sérgio Matias da Cunha (A0.1296017). Partitura clara, objetiva, concisa e acessível apresentando marcações de cifra, células rítmicas envolvendo quartos de tempo, linhas de oitava, ornamentos, notas sincopadas, quiálteras e mudança de tonalidade, buscando a maior fidelidade com a versão original através das notas mais marcantes e características, visando o melhor resultado com harmonia e equilíbrio, oferecendo as devidas informações para uma livre interpretação através da exposição deste fio melódico, cuidadosamente diagramado e organizado para melhor visualização, entendimento e execução. Presença de sinais de repetição também contribuem para a praticidade e a concisão desta partitura, distribuindo toda a música em uma página. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques� no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).

Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.839870 By Martina McBride. By Traditional Swedish Folk Tune and William Thomas Emmanuel. Arranged by Christopher Alexander. Christian,Praise & Worship,Religious,Sacred,Standards. 20 pages. Christopher Alexander #6064971. Published by Christopher Alexander (A0.839870). One of the greatest and well-known hymns of all time is a proud declaration of God’s almighty power.  This arrangement works to recreate that power as a mighty and triumphal praise song.  Every voice in the choir gets their own feature, including a soloist and even the piano accompanist!  You will not want to miss out on this arrangement of the all-time classic hymn.

TTBB divisi chorus - Digital Download SKU: BJ.1351 Composed by Henrik Dahlgren. Secular. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1351. Published by Bo Ejeby Forlag - Digital (BJ.1351). 8.27 x 11.7 inches.In 2017, I was commissioned by the Svanholm Singers to write a work for inclusion in a concert marking 70 years since the proclamation of the Universal Declaration of Human Rights. Choosing a text was difficult. I came across upon a poem by American poet Maya Angelou, but it struck me as being too powerful and emotional for the music I was writing to carry it; everything I composed sounded banal next to Angelou's words. I soon realized that I could use silence to enhance the text, rather than heaping layers and layers of music upon it. Silence is both terrifying and serious - in a sense, it is the only adequate counterpoint to the poetry. So, I decided to build the piece on silence. Though the beginning of the piece is the opposite of silence - a scream of desperation - I followed that outburst by cutting the poem's stanzas into single words, repeated in a different order each time, almost in the manner of a mantra. Finally, they end up in the right order and suddenly the words take on their rightful meaning. I hope, in this way, the music is equally powerful as the words. Son to Mother has been well-received and has gone on to become one of the most widely performed pieces I have written. It has been performed at various festivals and in various countries, including Taiwan, France and China - where it only just made it past the government censors.Also available for mixed choir.Henrik Dahlgren is a Swedish composer, born 1991. He has been studying at the Academy Of Music in Malmo with Prof. Rolf Martinsson and the Royal College Of Music in London with Dr. Haris Kittos. Henrik started his musical career as a drummer and has ever since worked in a very wide range of different genres and styles, both as a performer and as a composer.

SATB chorus divisi - Digital Download SKU: BJ.1370 Composed by Henrik Dahlgren. Secular. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1370. Published by Bo Ejeby Forlag - Digital (BJ.1370). 8.27 x 11.7 inches.In 2017, I was commissioned by the male voice choir Svanholm Singers to write a work for inclusion in a concert marking 70 years since the proclamation of the Universal Declaration of Human Rights. Choosing a text was difficult. I came across upon a poem by Maya Angelou, but it struck me as being too powerful and emotional for the music I was writing to carry it; everything I composed sounded banal next to Angelou's words. I soon realized that I could use silence to enhance the text, rather than heaping layers and layers of music upon it. Silence is both terrifying and serious - in a sense, it is the only adequate counterpoint to the poetry. So, I decided to build the piece on silence. Though the beginning of the piece is the opposite of silence - a scream of desperation -, I followed that outburst by cutting the poem's stanzas into single words, repeated in a different order each time, almost in the manner of a mantra. Finally, they end up in the right order and suddenly the words take on their rightful meaning. I hope, in this way, the music is equally powerful as the words. Son to Mother has been well-received and has gone on to become one of the most widely performed pieces I have written. It has been performed at various festivals and in various countries, including Taiwan, France and China - where it only just made it past the government censors. - Henrik DahlgrenThis version is an adaptation for mixed choir of the original male choir version. Henrik Dahlgren is a Swedish composer, born 1991. He has been studying at the Academy Of Music in Malmo with Prof. Rolf Martinsson and the Royal College Of Music in London with Dr. Haris Kittos. Henrik started his musical career as a drummer and has ever since worked in a very wide range of different genres and styles, both as a performer and as a composer.

Piano - Level 2 - Digital Download SKU: A0.1295921 Composed by Ivan Lins and Vitor Martins. Arranged by Sérgio Matias da Cunha. 20th Century,Jazz,Latin. Score (Chords/Lyrics). 2 pages. Sérgio Matias da Cunha #886190. Published by Sérgio Matias da Cunha (A0.1295921). Partitura clara, objetiva, concisa e acessível apresentando marcações de cifra, células rítmicas envolvendo quartos de tempo, acordes elaborados, linhas de oitava, introdução, solo, ornamentos e quiálteras, buscando a maior fidelidade com a versão original através das notas mais marcantes e características, visando o melhor resultado com harmonia e equilíbrio, oferecendo as devidas informações para uma livre interpretação através da exposição deste fio melódico, cuidadosamente diagramado e organizado para melhor visualização, entendimento e execução. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques� no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).

Piano - Level 3 - Digital Download SKU: A0.1296110 Composed by Aloisio Silva, Ana Gabriela, Deco Martins, Edson Gomes Da Conceicao, Filipe Vieira Fonseca, and Julio Evangelista. Arranged by Sérgio Matias da Cunha. 20th Century,Latin. Score (Chords/Lyrics). 1 pages. Sérgio Matias da Cunha #886362. Published by Sérgio Matias da Cunha (A0.1296110). Partitura clara, objetiva, concisa e acessível apresentando marcações de cifra, células rítmicas envolvendo quartos de tempo, linhas de oitava, ornamentos, quiálteras e notas sincopadas, buscando a maior fidelidade com a versão original através das notas mais marcantes e características, visando o melhor resultado com harmonia e equilíbrio, oferecendo as devidas informações para uma livre interpretação através da exposição deste fio melódico, cuidadosamente diagramado e organizado para melhor visualização, entendimento e execução. Presença de sinais de repetição também contribuem para a praticidade e a concisão desta partitura, distribuindo toda a música em uma página. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques� no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).

Piano - Level 3 - Digital Download SKU: A0.1295958 By Ivan Lins. By Ivan Lins and Vítor Martins. Arranged by Piano. 20th Century,Jazz,Latin,Pop. Score (Chords/Lyrics). 1 pages. Sérgio Matias da Cunha #886224. Published by Sérgio Matias da Cunha (A0.1295958). Partitura clara, objetiva, concisa e acessível apresentando marcações de cifra, figuras rítmicas maiores que a semicolcheia, notas sincopadas, sinais de repetição e mudança de tonalidade, buscando a maior fidelidade com a versão original através das notas mais marcantes e características, visando o melhor resultado com harmonia e equilíbrio, oferecendo as devidas informações para uma livre interpretação através da exposição deste fio melódico, cuidadosamente diagramado e organizado para melhor visualização, entendimento e execução. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques� no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).

String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1358069 By Coldplay. By Avicii, Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Lara Simpson. Pop,Wedding. 12 pages. Lara Alice Simpson #942578. Published by Lara Alice Simpson (A0.1358069). String quartet arrangement of 'Sky Full of Stars' by Coldplay.

String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1036285 By Coldplay. By Avicii, Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Lara Simpson. Pop. Score and parts. 12 pages. Lara Simpson #641392. Published by Lara Simpson (A0.1036285). For acoustic string quartet.

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1414908 By Fernando Ortega. By Robert Lowry. Arranged by Kenneth Martin. 21st Century,Contemporary,Praise & Worship,Religious,Sacred. Score. 7 pages. Martin Music Editions #996658. Published by Martin Music Editions (A0.1414908). In this stripped-down yet deeply emotive arrangement of Nothing But the Blood of Jesus, crafted in the style of Fernando Ortega and Jesus Culture, the focus is on the interplay between violin, voice, and piano. This rendition radiates a sense of intimacy and contemplation, drawing listeners into a sacred space of worship and reflection.The piano introduces the piece with gentle, lingering chords that evoke a sense of reverence. Its melodies are reminiscent of Fernando Ortega's contemplative style, creating a foundation that supports and uplifts the subsequent elements of the arrangement.As the vocalist begins, their voice carries the timeless lyrics with sincerity and warmth. Each word is infused with meaning, resonating against the piano's backdrop. The vocal delivery, reminiscent of Jesus Culture's heartfelt expression, conveys both vulnerability and deep conviction, inviting listeners to engage with the profound message of the hymn.The violin enters delicately, weaving its melodic lines around the vocal phrases. Its tone is expressive and soul-stirring, adding a poignant layer of emotion to the arrangement. The violin's presence evokes Fernando Ortega's introspective sensibility, enhancing the lyrical depth and drawing out the thematic richness of the hymn.As the arrangement progresses, the piano's role evolves, providing rhythmic support and harmonic depth. The vocal and violin melodies intertwine, creating a dialogue that reflects the spiritual journey depicted in the lyrics. The simplicity of the instrumentation allows each element to shine individually while blending harmoniously together.During the chorus, the arrangement swells with emotional intensity. The vocalist's delivery becomes more impassioned, emphasizing the profound truth encapsulated in the refrain. The piano responds with cascading arpeggios, underscoring the soaring declarations of faith and redemption.In the quieter moments, the violin takes center stage, offering introspective solos that invite contemplation. Its melodic lines soar above the piano's accompaniment, articulating the yearning and gratitude expressed in the hymn's verses.As the arrangement reaches its culmination, the trio of voice, violin, and piano unites in a transcendent climax. The vocal harmonies rise in unison, resonating with the instrumentation to create a moment of profound connection and worshipful response.In this arrangement of Nothing But the Blood of Jesus, the collaboration between voice, violin, and piano channels the spirit of Fernando Ortega and Jesus Culture. Rooted in simplicity yet imbued with deep emotion and spiritual depth, this rendition invites listeners to experience the transformative power of grace and redemption through music.

Concert Band - Level 2 - Digital Download SKU: A0.1235675 By Martin Garrix. By Martijn Garritsen. Arranged by Scaver. 21st Century,Disco,Pop,Video Game. Score and Parts. 41 pages. Scaver #831187. Published by Scaver (A0.1235675). Scaver Music, a renowned concert band arranger, has recently unveiled their latest project: a concert band version of the hit song Animals by Martin Garrix. Originally released as a digital download on iTunes on June 17, 2013, Animals quickly gained popularity within the electronic dance music (EDM) culture, propelling Martin Garrix to become the youngest producer to ever have a song reach number one on Beatport, a prominent electronic music store.The track's infectious beats and energetic melodies captivated listeners, leading it to achieve remarkable success on various music charts. It climbed into the top ten and secured the number one spot on numerous electronic music charts, as well as some mainstream ones. Notably, Animals topped the singles charts in the United Kingdom, French-speaking Switzerland, and Belgium. In the United States, it reached number 21 on the Billboard Hot 100 and claimed the number one position on the Dance chart.Before its official release, Animals generated significant buzz as it was played anonymously, causing speculation to grow about the artist behind the track. Dutch record label Spinnin' Records fueled the anticipation by sharing a teaser clip of the song online, titled Animals (Teaser). This led to increased speculation, with a Vine video featuring Agnes from the animated film Despicable Me further stoking curiosity. The track was mistakenly attributed to other artists such as Hardwell, GTA, Sidney Samson, and Bassjackers before Martin Garrix's true identity as the producer was revealed.Martin Garrix shared insights into the composition of Animals, explaining that the melody was based on a previous track he had composed two years prior but never released. The drop, characterized by its ruthlessly minimalist and rhythmic sound, is inspired by Busta Rhymes' What It Is. Additionally, the opening section of the song draws inspiration from a track called D.A.T.A. by Aura Qualic. While Animals is predominantly instrumental, it features a spoken verse by a friend of Martin Garrix with the lyrics We're the fucking animals, delivered in a low pitch and repeated twice throughout the song.Now, Scaver Music has taken up the exciting challenge of arranging Animals for a concert band, bringing a fresh interpretation of this electronic dance anthem to a new musical realm. With their expertise in creating captivating arrangements, Scaver Music aims to capture the essence of the original track while adding the rich harmonies, dynamic textures, and powerful brass and woodwind sections that define the concert band sound.Fans of Animals and concert band enthusiasts alike can look forward to experiencing this new rendition, which promises to be a thrilling and unforgettable musical journey. Scaver Music's concert band version of Animals will undoubtedly provide a unique and exhilarating performance, blending the infectious energy of electronic dance music with the grandeur and depth of a full concert band. Instrument list: PiccoloFlute 1,2OboeBassoonClarinet Bb 1,2,3Bass ClarinetAlto Saxophone 1,2Tenor SaxophoneBaritone SaxophoneTrumpet Bb 1,2,3Horn F 1-2,3-4Trombone 1,2,3Euphonium BbTuba BbTuba EbDouble BassTimpaniXylophoneDrumsetPercussion 1,2

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1127285 Composed by Aguirre Agustin Lara. Arranged by Martin Ash. Jazz,Latin,Standards,Wedding. Score and parts. 18 pages. Martin Ash Music #727919. Published by Martin Ash Music (A0.1127285). This arrangement captures the Latin spirit of this much-loved standard, while writing sympathetically to strings and giving everyone plenty to do. Ideal for any Latin American-themed event or as general background music.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.837495 Composed by Martin Rinkart. Arranged by Brett L. Wery. Christian,Holiday,Praise & Worship,Sacred. Octavo. 12 pages. Sonata Grendel Publishing #5753929. Published by Sonata Grendel Publishing (A0.837495). SET A: SATB Choir/Organ (optional brass quintet and timpani-sold separately ) Now Thank We All Our God was originally written ca. 1636 by Protestant minister, Martin Rinkart. The melody is attributed to Lutheran Hymnist, Johann Crüger and was used in three J.S. Bach chorales but the most common version we hear today was harmonized by Felix Mendelssohn in 1840. Martin Rinkart was a deacon in Eisleben Germany where he served during the Thirty Years’ War. The city of Eisleben and Rinkart’s own home became a sanctuary for political refugees during the war. The resulting overcrowding in the walled city resulted in a horrible plague which hit its peak in 1637. Rinkart was the only surviving pastor in the city and before the plague was over he would preside over 4000 funerals include that of his own wife. Despite this, it was during this time that he wrote Now thank we all our God. This new setting of Now Thank We All Our God draws on Rinkart’s fierce spirit of optimism and faith in a time of desolation and despair. To paint the picture of the circumstances in which Rinkart wrote the hymn, this setting opens with the text from Psalm 13:  How long, Lord? Will you forget me forever?The setting turns quickly, in an act of disruptive optimism and faith, to a lopsided dance of joy. In the end, the setting returns to the opening question  of Psalm 13, How long? only to be answered by Rinkart’s declaration, Gifts of love today!

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.837496 Composed by Martin Rinkart. Arranged by Brett L. Wery. Holiday,Praise & Worship,Sacred. Octavo. 44 pages. Sonata Grendel Publishing #5753937. Published by Sonata Grendel Publishing (A0.837496). SET B Conductor’s Score,Trumpet 1, Trumpet 2, Horn in F, Trombone, Tuba, Timpani, SATB Choir/Organ Now Thank We All Our God was originally written ca. 1636 by Protestant minister, Martin Rinkart. The melody is attributed to Lutheran Hymnist, Johann Crüger and was used in three J.S. Bach chorales but the most common version we hear today was harmonized by Felix Mendelssohn in 1840. Martin Rinkart was a deacon in Eisleben Germany where he served during the Thirty Years’ War. The city of Eisleben and Rinkart’s own home became a sanctuary for political refugees during the war. The resulting overcrowding in the walled city resulted in a horrible plague which hit its peak in 1637. Rinkart was the only surviving pastor in the city and before the plague was over he would preside over 4000 funerals include that of his own wife. Despite this, it was during this time that he wrote Now thank we all our God. This new setting of Now Thank We All Our God draws on Rinkart’s fierce spirit of optimism and faith in a time of desolation and despair. To paint the picture of the circumstances in which Rinkart wrote the hymn, this setting opens with the text from Psalm 13: How long, Lord? Will you forget me forever?The setting turns quickly, in an act of disruptive optimism and faith, to a lopsided dance of joy. In the end, the setting returns to the opening question  of Psalm 13, How long? only to be answered by Rinkart’s declaration, Gifts of love today!