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Cello Solo - Level 1 - Digital Download SKU: A0.1193046 Composed by Carlos Eduardo Lyra Barbosa and Ronaldo F.e. Boscoli. Arranged by Fabio Eduardo de Oliveira. Jazz,Latin,Standards. Individual part. 2 pages. Fabio Eduardo #792500. Published by Fabio Eduardo (A0.1193046). FREE DOWNLOAD PLAYBACK https://www.fabioeduardomusiconline.com/freedownloadCarlos Eduardo Lyra Barbosa (born 11 May 1933) is a Brazilian singer and composer of numerous bossa nova and Música popular brasileira classics. He and Antonio Carlos Jobim, were the first two music composers, together with lyricists Vinicius de Moraes and Ronaldo Boscoli, to be recorded by João Gilberto on his first LP entitled Chega de Saudade (1959), which was called the first generation of Bossa Nova.
Se E Tarde Me Perdoa
Violoncelle

$4.99 4.31 € Violoncelle PDF SheetMusicPlus

Alto Saxophone Solo - Level 1 - Digital Download SKU: A0.1193056 Composed by Carlos Eduardo Lyra Barbosa and Ronaldo F.e. Boscoli. Arranged by Fabio Eduardo de Oliveira. Jazz,Latin,Standards. Individual part. 2 pages. Fabio Eduardo #792510. Published by Fabio Eduardo (A0.1193056). FREE DOWNLOAD PLAYBACK https://www.fabioeduardomusiconline.com/freedownloadCarlos Eduardo Lyra Barbosa (born 11 May 1933) is a Brazilian singer and composer of numerous bossa nova and Música popular brasileira classics. He and Antonio Carlos Jobim, were the first two music composers, together with lyricists Vinicius de Moraes and Ronaldo Boscoli, to be recorded by João Gilberto on his first LP entitled Chega de Saudade (1959), which was called the first generation of Bossa Nova.
Se E Tarde Me Perdoa
Saxophone Alto

$4.99 4.31 € Saxophone Alto PDF SheetMusicPlus

Flute Solo - Level 1 - Digital Download SKU: A0.1193054 Composed by Carlos Eduardo Lyra Barbosa and Ronaldo F.e. Boscoli. Arranged by Fabio Eduardo de Oliveira. Jazz,Latin,Standards. Individual part. 2 pages. Fabio Eduardo #792508. Published by Fabio Eduardo (A0.1193054). FREE DOWNLOAD PLAYBACK https://www.fabioeduardomusiconline.com/freedownloadCarlos Eduardo Lyra Barbosa (born 11 May 1933) is a Brazilian singer and composer of numerous bossa nova and Música popular brasileira classics. He and Antonio Carlos Jobim, were the first two music composers, together with lyricists Vinicius de Moraes and Ronaldo Boscoli, to be recorded by João Gilberto on his first LP entitled Chega de Saudade (1959), which was called the first generation of Bossa Nova.
Se E Tarde Me Perdoa
Flûte traversière

$4.99 4.31 € Flûte traversière PDF SheetMusicPlus

Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1104138 Composed by H.W. Petrie. Arranged by F. Leslie Smith. 19th Century,Children,Comedy,Pop,Wedding. 28 pages. Sweetwater Brass Press #707372. Published by Sweetwater Brass Press (A0.1104138).       Howard W. Petrie was a composer of popular music active in the late 19th and early 20th centuries. One of his most popular songs was “I Don’t Want to Play in Your Yard,†published early in his career, 1894. The song underwent a revival in the mid-1950s when Peggy Lee recorded it. It also figured prominently in the popular 1981 film Reds. Lyrics are credited to Philip Wingate, and his first verse sets up the story. Two little girls were next-door neighbors and best of friends. One day, however, a quarrel arose and “hot tears were shared.†One announced, “You can’t play in our yard.†The reply of the other forms the familiar chorus: I don't want to play in your yard, I don't like you any more, You'll be sorry when you see me sliding down our cellar door, You can't holler down our rain-barrel, you can't climb our apple tree, I don't want to play in your yard, if you won't be good to me.       The second verse tells of the reconciliation. The two girls miss each other. They kiss and make up and remain friends “all thro’ life.†But “in sweet dreams of childhood†we still remember the controversy of the yard.       This version features the group's Trumpets somewhat taking the roles of the two little girls. It retains the F major key in which it was written, changes tempo four times (in addition to a few rallentando/a tempo instructions) and includes two short, rather simple cadenzas, one for each Trumpet. It starts (rather incongruously!) with the eight 4/4 measures of “Mary, Mary, Quite Contrary†then transitions to ¾ for the remainder of the piece.       Trumpets predominate with melody and lead. However Horn and Trombone do occasionally come to the fore to provide introductions, call-and-response figures and recapitulations. Both Trumpets play a few notes above their staff—G# and A—but for the most part, all instruments perform within their normal playing range. Performance time is about three and a half minutes to perform.       Completed in 2022, performance time runs about 3 minutes, 34 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).
I Don’t Want to Play in Your Yard: Trumpet Feature
Quatuor de Cuivres

$7.95 6.87 € Quatuor de Cuivres PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.891224 By Roque Banos. By Roque Banos. Arranged by JoLaYo. Contemporary. Score. 3 pages. Josiah Yowell #4794641. Published by Josiah Yowell (A0.891224). This is a very unique and beautiful piano song from the film The Girl in the Spider's Web. There are recommended finger numbers and musical directions to help the performer as much as possible. The second page can be somewhat challenging due to the fast-paced left hand. I didn't add finger numbers for this section, so that it gives you room to write ones in that work best for you!As an arranger/transcriber, I strive to make my arrangements/sheets as high-quality and performer-friendly as possible. If you enjoy this arrangement, please feel free to contact me to make requests for future arrangements!Email me at: sebbyomusic@gmail.com
Lisbeth's Theme (fede Alvarez Plays)
Piano seul
Roque Banos
$4.99 4.31 € Piano seul PDF SheetMusicPlus

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1387241 Composed by Alan Jay Lerner and Burton Lane. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #971124. Published by DAVID LEE GINGRAS (A0.1387241). You're All The World to Me is an American song written in 1950 by composer Burton Lane and lyricist Alan Jay Lerner for the 1951 MGM musical, Royal Wedding. The lyrics by Lerner, who also wrote the story and screenplay, for song-and-dance man Tom Bowen, played by Fred Astaire. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We added what we think are some pretty cool left-hand fills that we hope you will like! It's a fun song and not too hard to play!
You're All The World To Me
Piano, Voix

$4.99 4.31 € Piano, Voix PDF SheetMusicPlus

Large Ensemble Choir,Horn,Keyboard,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.828663 Composed by Henry F. Lyte, William H. Monk. Arranged by Theodore A. Samuels. 20th Century,Sacred,Spiritual,Traditional. Score and parts. 12 pages. Theodore A. Samuels #5899019. Published by Theodore A. Samuels (A0.828663). 2020 SMP Press Composition Contest Entry for both the Contemporary and Sacred instrumental ensemble categories:  For this easy arrangement (alternatively entitled, The Last Post at Eventide), the original Eventide hymn is transcribed for brass quintet, setting 2 trumpets to play the soprano & alto parts, the horn & trombone to double the tenor part, and the tuba (or a 2nd trombone) to play the bass part. Then a final variation verse is added, in which the 1st trumpet plays a slightly-modified version of The Last Post as a descant, while the other 4 brass instrumentalists play a slightly different setting of the Eventide hymn. (Consumers of Canadian Brass books of easy arrangements of hymns & Christmas carols will be familiar with this similar approach.)  A piano/vocal hymn-style part is included for congregational singing. The approximate playing time is 3 minutes, depending on the number of verses and repeats required for a performance.
Abide With Me

$4.99 4.31 € PDF SheetMusicPlus

Piano,Trumpet - Level 3 - Digital Download SKU: A0.845614 Composed by Benj Pasek and Justin Paul. Arranged by Robert Newth. Broadway,Contemporary,Film/TV,Musical/Show. Score and part. 9 pages. Robert Newth #3575273. Published by Robert Newth (A0.845614). This fantastic song from The Greatest Showman is presented here in an arrangement for Trumpet and Piano. It has been transposed down to the key of Bb (C major for the trumpet) to suit the range better. Towards the end of the arrangement, the Trumpet plays the solo vocal riff (which goes up to a written G above the stave).This arrangement would be perfect for a recital, concert, or for any fan of the musical to play through.The PDF download includes both a Trumpet part in Bb and a Piano score.
This Is Me
Trompette

$4.99 4.31 € Trompette PDF SheetMusicPlus

Piano Solo - Level 2 - Digital Download SKU: A0.612919 By Ben E. King. By Ben E. King, Jerry Leiber, and Mike Stoller. Arranged by Bernardo Pereira. Blues,Hip-Hop,Pop,R & B,Singer/Songwriter,Wedding. Score. 6 pages. Bernardo Pereira #222112. Published by Bernardo Pereira (A0.612919). Stand By Me is a R&B song composed and performed by the American singer and songwriter Ben E. King. Jerry Leiber and Mike Stoller collaborated with King during the songwriting process. Widely played at weddings, the song features pop and blues music elements. Over the years, the song has received different covers and adaptations from many artists on their recordings and performances. The chord progression called 50s progression remains in these adaptations. This arrangement of Stand By Me features the main bass line from the chord progression in the left-hand and the melody in right-hand. The melody has notes that fill the harmony on the second layer. At the end of the song, the intro material is recollected. The right-hand complete the rhythmic and melodic pattern of the left-hand with notes from the chords. Fingering suggestions are available throughout the arrangement.
Stand By Me
Piano seul
Ben E King
$4.99 4.31 € Piano seul PDF SheetMusicPlus






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