C Instrument - Level 2 - Digital Download SKU: A0.1449410 By Leonard Cohen. By Leonard Cohen. Arranged by Barry McCormick. Film/TV,Pop,Singer/Songwriter. Lead Sheet / Fake Book. 4 pages. B. McCormick #1029183. Published by B. McCormick (A0.1449410). Discover the Beauty of “Hallelujah” with Our Lead Sheet Arrangement Immerse yourself in the soulful melody of Leonard Cohen’s “Hallelujah” with our versatile lead sheet arrangement. This product is designed to cater to musicians of varying skill levels, offering both a fingerpicking pattern and a strumming pattern that can be used interchangeably.“Hallelujah,” released in 1984, is one of Leonard Cohen’s most iconic songs. Its profound lyrics and haunting melody have made it a beloved piece across generations. Our arrangement captures the essence of this timeless song, providing a detailed guide to the melody, chords, and lyrics.Our arrangement is unique in its flexibility. The strumming pattern is simpler, making it suitable for beginners, while the fingerpicking pattern offers a more challenging option for those looking to advance their skills. The accompanying chord sheet includes the same picking and strumming patterns, formatted in a simpler way to cater to different music reading capabilities.The chord sheet also offers three alternative ways to play the F chord, accommodating musicians at different levels. With five different chords in this piece, it serves as an excellent tool for beginners to learn and practice, while the picking pattern adds an extra layer of challenge, making it a piece that bridges the higher end of beginner into a lower intermediate level.Small notehead notation is used in the lead sheet as each verse slightly differs. The lyrics for each verse will make it clear which of the notes should be sung/played.Given the repetitive nature of the song, you may choose to switch playing styles between strumming and picking to add variety, or shorten the arrangement by choosing a few verses rather than playing them all. Why Choose This Arrangement? Versatility: Our arrangement offers both a fingerpicking pattern and a strumming pattern, catering to different skill levels and learning preferences. Educational Value: With five different chords and various playing styles, this piece serves as an excellent tool for learning and practicing. Flexibility: The arrangement can be adapted to suit your performance needs, whether you want to switch playing styles or shorten the arrangement. Community Engagement: Share your performances on social media using our handle, @resourcesularrangements, and connect with our community of music enthusiasts. So why wait? Embark on your musical journey with our “Hallelujah” lead sheet arrangement. Remember, every note you play brings you one step closer to mastering the art of music.Note: Please ensure to tag @resourcesularrangements when sharing your performances on social media.

Bass Trombone,Trumpet,Violin - Level 4 - Digital Download SKU: A0.1394185 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 12 pages. Phil Beaman #977658. Published by Phil Beaman (A0.1394185). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite.  It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4 with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps.  Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts.  I wrote a highly ornamented continuo for each part when not playing melody.  In true Baroque style I have created a tight interplay between the parts.  Each part also has a rather wide range of about 2 octaves.  Although in a Minor Key, this piece is very bright and uplifting.  It is very accessible and thus a concert crowd pleaser.   Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation.  Most of all, this piece is just Pure Fun!6 pages score, 2 pages @ partRanges -Violin -  bottom space F# to high E above staffTrumpet - bottom line E# to high B above staffTrombone - low C below staff to high E above staff.

Cello,Clarinet,Flute - Digital Download SKU: A0.1393780 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 12 pages. Phil Beaman #977252. Published by Phil Beaman (A0.1393780). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite.  It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4 with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps.  Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts.  I wrote a highly ornamented continuo for each part when not playing melody.  In true Baroque style I have created a tight interplay between the parts.  Each part also has a rather wide range of about 2 octaves.  Although in a Minor Key, this piece is very bright and uplifting.  It is very accessible and thus a concert crowd pleaser.   Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation.  Most of all, this piece is just Pure Fun!6 pages score, 2 pages @ partRanges -Flute - second space Ab to high F above staffClarinet - bottom space F# to high C above staffCello - low C below staff to high E above staffrecording is of Flute-Oboe-Cello version, with Clarinet subbing for the Oboe part.

Cello,Oboe,Violin - Level 4 - Digital Download SKU: A0.1393758 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 12 pages. Phil Beaman #977229. Published by Phil Beaman (A0.1393758). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite.  It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4 with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps.  Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts.  I wrote a highly ornamented continuo for each part when not playing melody.  In true Baroque style I have created a tight interplay between the parts.  Each part also has a rather wide range of about 2 octaves.  Although in a Minor Key, this piece is very bright and uplifting.  It is very accessible and thus a concert crowd pleaser.   Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation.  Most of all, this piece is just Pure Fun!6 pages score, 2 pages @ partRanges -Violin - bottom space F# to high E above staffOboe - middle C to high A above staffCello - low C below staff to high E above staff.

Small Ensemble Cello,Flute,Oboe - Level 4 - Digital Download SKU: A0.844429 Composed by Jean Loeillet. Arranged by Phil Beaman. Baroque,Concert,Instructional,Standards. Score and parts. 12 pages. Phil Beaman #3260035. Published by Phil Beaman (A0.844429). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite.  It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4. with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps.  Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts.  I wrote a highly ornamented continuo for each part when not playing melody.  In true Baroque style I have created a tight interplay between the parts.  Each part also has a rather wide range.  (6 pages score, 2 pages @ part)Although in a Minor Key, this piece is very bright and uplifting.  It is very accessible and thus a concert crowd pleaser.   Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation.  Most of all, this piece is just Pure Fun!

Small Ensemble Bassoon,Oboe,Violin - Level 4 - Digital Download SKU: A0.844426 Composed by Jean Loeillet. Arranged by Phil Beaman. Baroque,Concert,Instructional,Standards. Score and parts. 12 pages. Phil Beaman #3260019. Published by Phil Beaman (A0.844426). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite.  It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4  with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps. Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts.  I wrote a highly ornamented continuo for each part when not playing melody.  In true Baroque style I have created a tight interplay between parts.  Each part also has a rather wide range.  (6 pages score, 2 pages @ part)Although in a Minor Key, this piece is very bright and uplifting.  It is very accessible and thus a concert crowd pleaser.  Great for student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation.  Most of all, this piece is just Pure Fun!

String Ensemble,String Trio Cello,Violin - Level 4 - Digital Download SKU: A0.844430 Composed by Jean Loeillet. Arranged by Phil Beaman. Baroque,Concert,Instructional,Standards. Score and parts. 12 pages. Phil Beaman #3260051. Published by Phil Beaman (A0.844430). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite.  It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4. with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps.  Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts.  I wrote a highly ornamented continuo for each part when not playing melody.  In true Baroque style I have created a tight interplay between parts.  Each part also has a rather wide range.  (6 pages score, 2 pages @ part)Although in a Minor Key, this piece is very bright and uplifting.  It is very accessible and thus a concert crowd pleaser.  Great for student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation.  Most of all, this piece is just Pure Fun!

Bass Trombone,Clarinet,Violin - Level 4 - Digital Download SKU: A0.1394166 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 12 pages. Phil Beaman #977651. Published by Phil Beaman (A0.1394166). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite.  It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4 with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps.  Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts.  I wrote a highly ornamented continuo for each part when not playing melody.  In true Baroque style I have created a tight interplay between the parts.  Each part also has a rather wide range of about 2 octaves.  Although in a Minor Key, this piece is very bright and uplifting.  It is very accessible and thus a concert crowd pleaser.   Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation.  Most of all, this piece is just Pure Fun!6 pages score, 2 pages @ partRanges -Violin -  bottom space F# to high E above staffClarinet - bottom line E# to high B above staffTrombone - low C below staff to high E above staffrecording is of Violin/Trumpet/Trombone, clarinet would substitute for the trumpet part.

Woodwind Ensemble,Woodwind Trio Bassoon,Flute,Oboe - Level 4 - Digital Download SKU: A0.844425 Composed by Jean Loeillet. Arranged by Phil Beaman. Baroque,Concert,Instructional,Standards. 12 pages. Phil Beaman #3260013. Published by Phil Beaman (A0.844425). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite.  It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4  with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps.  Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three parts.  I wrote a highly ornamented continuo for each part when not playing the melody.  In true Baroque style I have created a tight interplay between parts.  Each part also has a rather wide range.  (6 pages score, 2 pages @ part)Although in a Minor Key, this piece is very bright and uplifting.  It is very accessible and thus a concert crowd pleaser.  Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation.  Most of all, this piece is just Pure Fun!

Woodwind Ensemble,Woodwind Trio Bass Clarinet,Flute - Level 4 - Digital Download SKU: A0.1394226 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 12 pages. Phil Beaman #977700. Published by Phil Beaman (A0.1394226). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite.  It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4 with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps.  Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts.  I wrote a highly ornamented continuo for each part when not playing melody.  In true Baroque style I have created a tight interplay between the parts.  Each part also has a rather wide range of about 2 octaves.  Although in a Minor Key, this piece is very bright and uplifting.  It is very accessible and thus a concert crowd pleaser.   Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation.  Most of all, this piece is just Pure Fun!6 pages score, 2 pages @ partRanges -Flute -  second space A to high A above staffClarinet - second line G# to high D above staffBass Clarinet - low E below staff to high E above staff.

Bass Trombone,Clarinet,Flute - Level 4 - Digital Download SKU: A0.1394137 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 12 pages. Phil Beaman #977597. Published by Phil Beaman (A0.1394137). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite.  It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4 with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps.  Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts.  I wrote a highly ornamented continuo for each part when not playing melody.  In true Baroque style I have created a tight interplay between the parts.  Each part also has a rather wide range of about 2 octaves.  Although in a Minor Key, this piece is very bright and uplifting.  It is very accessible and thus a concert crowd pleaser.   Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation.  Most of all, this piece is just Pure Fun!6 pages score, 2 pages @ partRanges -Flute -  Ab to high F above staffClarinet - bottom space F# to high C above staffTrombone - low C below staff to high F above staff.

Woodwind Ensemble,Woodwind Trio Bassoon,Clarinet,Flute - Level 4 - Digital Download SKU: A0.1394139 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 12 pages. Phil Beaman #977600. Published by Phil Beaman (A0.1394139). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite.  It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4 with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps.  Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts.  I wrote a highly ornamented continuo for each part when not playing melody.  In true Baroque style I have created a tight interplay between the parts.  Each part also has a rather wide range of about 2 octaves.  Although in a Minor Key, this piece is very bright and uplifting.  It is very accessible and thus a concert crowd pleaser.   Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation.  Most of all, this piece is just Pure Fun!6 pages score, 2 pages @ partRanges -Flute -  second space A# to high E above staffClarinet - bottom line E# to high B above staffBassoon - low B below staff to high E above staff.

Acoustic Guitar,Electric Bass Guitar,Xylophone - Level 5 - Digital Download SKU: A0.1394296 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 12 pages. Phil Beaman #977773. Published by Phil Beaman (A0.1394296). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite.  It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4 with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps.  Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts.  I wrote a highly ornamented continuo for each part when not playing melody.  In true Baroque style I have created a tight interplay between the parts.  Each part also has a rather wide range of about 2 octaves.  Although in a Minor Key, this piece is very bright and uplifting.  It is very accessible and thus a concert crowd pleaser.   Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation.  Most of all, this piece is just Pure Fun!  And who would expect a 17th century style piece on Xylophone, Acoustic Guitar, and Electric Bass Guitar!6 pages score, 2 pages @ partRanges -Xylophone -   bottom space F# to E above staffAcoustic Guitar - middle C to A above staffElecBass  Guitar - low B below staff to high E above staff.

Easy Piano - Level 1 - Digital Download SKU: A0.1471193 By Journey. By Jonathan Cain, Neal Schon, and Steve Perry. Arranged by RIS. 20th Century,Contemporary,Pop,Rock,Singer/Songwriter. Score. 3 pages. RISsounds #1048853. Published by RISsounds (A0.1471193). ? Don't Stop Believing by Journey - Lead Sheet Music | Easy Piano Tutorials ?Unlock your piano potential with our lead sheet music for Don't Stop Believing by Journey! Whether you're a beginner or more advanced, our sheet music is designed to help you master this iconic song with ease and flexibility.For beginners, the right-hand melody is clearly written out on the staff, making it easy to follow along and play the tune accurately. The moving cursor and falling lights in our video tutorial will guide you through each note, ensuring a smooth learning experience.For more advanced players, the left hand is left open for improvisation, allowing you to add your own flair and creativity to the performance. This approach not only makes the learning process engaging but also helps in developing your improvisational skills.By using our lead sheet music alongside our tutorial video, you'll have the perfect combination of structure and freedom, making your piano practice both effective and enjoyable. ? New Tutorials Weekly: Subscribe to our channel and hit the notification bell to stay updated with our latest piano tutorials.? If you found this helpful, give us a thumbs up and leave a comment below with your song requests or feedback!#EasyPianoTutorials #PianoForBeginners #DontStopBelieving #Journey #LeadSheetMusic #PianoTutorial #LearnPiano #BeginnerPiano #AdvancedPiano #PianoImprovisation #PianoPractice #PianoMusic.

C Instrument - Level 2 - Digital Download SKU: A0.1382259 By Noah Kahan. By Noah Kahan. Arranged by Barry McCormick. Country,Pop,Singer/Songwriter. Lead Sheet / Fake Book. 7 pages. B. McCormick #966772. Published by B. McCormick (A0.1382259). If you love Noah Kahan's music, you'll be thrilled to know that we have a digital sheet music product for his chart topping single Stick season. This song is a catchy and emotional tune that showcases his amazing voice and guitar skills. And now you can learn how to play it yourself with our lead sheet and chord sheet.A lead sheet is a type of sheet music that has all the information you need to perform a song. It has the melody, lyrics, chords, and sometimes other details like tempo, style, or key signature. A lead sheet is perfect for singers, guitarists, pianists, or any other instrumentalists who want to play along with the song.Our lead sheet for Stick season is no more than three pages long, so you don't have to worry about flipping pages while you play. It also comes with a bonus guitar chord sheet that has the lyrics and chords for the song. This chord sheet is only two pages long, so it fits easily on a stand if you want to print it out for performance.But that's not all. Our digital sheet music product also includes a performance note that explains the notation and gives you tips and hints on how to play and perform this piece. You'll learn how to do the fingerpicking and the strum pattern that Noah Kahan uses in the original recording. Here are some fun facts about the song and artist:- Stick season is a term used in Vermont, where Noah Kahan is from, to describe the period between fall and winter when the trees have lost their leaves and the landscape looks bleak.- Noah Kahan wrote this song as a reflection on his life and career, and how he feels torn between staying in his hometown or pursuing his dreams in the music industry.- Noah Kahan started playing guitar when he was eight years old, and he learned from his father, who is also a musician.- Noah Kahan has been compared to artists like Ed Sheeran, James Bay, and Vance Joy.Our digital sheet music  for Stick season is not only a great way to enjoy this beautiful song, but also a great way to improve your musical skills. Whether you are a beginner or an advanced player, you'll find something new and challenging in this piece. You'll also have fun playing along with Noah Kahan's voice and guitar.So what are you waiting for? Get your digital sheet music product for Stick season today and start playing this amazing song. You'll be glad you did!