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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.528841 Composed by Giacomo Puccini. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and parts. 9 pages. Diego Marani #6575191. Published by Diego Marani (A0.528841). Nessun Dorma is an aria for tenor voice from the three-act opera Turandot by Italian composer Giacomo Puccini (1858-1924). Puccini began work on the opera in 1920-21 and left it unfinished at his death in November, 1924. It was later completed by another composer. Turandothas became a staple of the standard operatic repertoire and is it today one of the most often-performed opera in the world.Nessun Dorma (in English, No One Sleeps or No One Shall Sleep) is one of the most beautiful and famous tenor arias in all the operatic literature. This arrangement for brass quartet (Bb Trumpet 1, Bb Trumpet 2, Trombone or F Horn, Tuba) makes this exquisite music available to all the instrumentalists.
Nessun Dorma for Brass Quartet
Quatuor de Cuivres : 2 trompettes, trombone, tuba

$9.99 9.61 € Quatuor de Cuivres : 2 trompettes, trombone, tuba PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.528839 Composed by Giacomo Puccini. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and parts. 8 pages. Diego Marani #6571669. Published by Diego Marani (A0.528839). Nessun Dorma is an aria for tenor voice from the three-act opera Turandot by Italian composer Giacomo Puccini (1858-1924). Puccini began work on the opera in 1920-21 and left it unfinished at his death in November, 1924. It was later completed by another composer. Turandothas became a staple of the standard operatic repertoire and is it today one of the most often-performed opera in the world.Nessun Dorma (in English, No One Sleeps or No One Shall Sleep) is one of the most beautiful and famous tenor arias in all the operatic literature. This arrangement for string quartet (Violin I, Violin II, Viola, Cello) makes this exquisite music available to all the instrumentalists.
Nessun Dorma for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$9.99 9.61 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.528837 Composed by Giacomo Puccini. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. 8 pages. Diego Marani #6570949. Published by Diego Marani (A0.528837). Nessun Dorma is an aria for tenor voice from the three-act opera Turandot by Italian composer Giacomo Puccini (1858-1924). Puccini began work on the opera in 1920-21 and left it unfinished at his death in November, 1924. It was later completed by another composer. Turandot has became a staple of the standard operatic repertoire and is it today one of the most often-performed opera in the world.Nessun Dorma (in English, No One Sleeps or No One Shall Sleep) is one of the most beautiful and famous tenor arias in all the operatic literature. This arrangement for sax quartet (Bb Soprano, Eb Alto, Bb Tenor, Eb Baritone) makes this exquisite music available to all the instrumentalists.
Nessun Dorma for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones

$9.99 9.61 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Choral Choir,Choral,SATB Chorus - Level 1 - Digital Download SKU: A0.1465866 Composed by James F. Linzey and Lowell Mason. 21st Century,Chamber,Patriotic,Religious,Sacred. 4 pages. Military Bible Association #1044463. Published by Military Bible Association (A0.1465866). The History of the United States Marine Corps and the Marine Corps HymnOn November 10, 1775, the Second Continental Congress passed a resolution to establish the Continental Marines. ?is marked the formation of the United States Marine Corps. The Marine Corps was provided two battalions with a fleet. But the Treaty of Paris in April 1783 ended the Marine Corps along with the Revolutionary War. It was later permanently re-established on July 11, 1798. Since then the United States Marine Corps has been involved in the War of 1812, defending Washington in Bladensburg, Maryland, fighting for Andrew Jackson against the British in New Orleans, and fighting in the Mexican War (1846-1848) in which US Marines fought all the way to the Halls of Montezuma, Mexico City. The Marines served in the Civil War (1861-1865), the Spanish-American War (1898), the Philippine Insurrection (1899-1902), the Boxer Rebellion in China (1900), and World War I. The Marines were later involved in World War II, the Korean conflict beginning in 1950, and the Vietnam conflict, beginning in 1965. By the 1970s, the Marines were securing NATO, and later were involved in Operation Desert Shield and Operation Desert Storm (1990s), Somalia (1992), Operation Enduring Freedom (2001), the Global War on Terrorism and Operation Iraqi Freedom (2002), and in various conflicts since then. Since the inception of the Marine Corps in 1775,about 70,000 Marines have been killed in action. James Linzey served as a chaplain for the Marines in training at Fort Lee, Virginia, and as a contract chaplain at the Airman-Marine Memorial Chapel at MCAS Miramar from 2016-2019. While at Miramar, he gave leadership seminars to the Marines on the Battle of Midway. He is one of ten children of World War II hero, the late Navy Captain Stanford E. Linzey, Jr., CHC, USN (Ret.), who survived the sinking of the USS Yorktown (CV-5) in the Battle of Midway as a sailor, and later served with the Marines in Okinawa as a chaplain. Since the Marine Corps is part of the Department of the Navy, it has used the Navy hymn in chapel services. What is called “The Marine’s Hymn” cannot be sung in chapel services, because it is not a song of praise. As a fighting march, its author called it a hymn in name only. So, in commemoration of the United States Marine Corps, hymn writer James F. Linzey wrote the United States Marine Corps Hymn, “Serving for Thee.” He set it to the tune of Bethany, which was written by Lowell Mason in 1841. James Linzey is the General Editor of the New Tyndale Version (NTV) Bible translation.
Serving for Thee (The United States Marine Corps Hymn)
Chorale SATB
the 1970s, the Marines were securing NATO, and later were involved in Operation Desert Shield and Operation Desert Storm (1990s), Somalia (1992), Operation Enduring Freedom (2001), the Global War on Terrorism and Operation Iraqi Freedom (2002), and in various conflicts since then Since the inception of the Marine Corps in 1775,about 70,000 Marines have been killed in action
$1.99 1.91 € Chorale SATB PDF SheetMusicPlus

Voice - Level 3 - Digital Download SKU: A0.1485849 By Poem by H.P. Lovecraft. By ?rthvr. 20th Century,21st Century,A Cappella,Chamber. Full Performance. Duration 164. ?rthvr #1062899. Published by ?rthvr (A0.1485849). A setting of the poem Sunset by H.P. Lovecraft, for solo female voice (without accompaniment).Ambitus:B?3 - D5You can purchase the score of the piece here:https://www.sheetmusicdirect.com/en-US/se/ID_No/1537122/Product.aspxPoem text:The cloudless day is richer at its close;A golden glory settles on the lea;Soft, stealing shadows hint of cool reposeTo mellowing landscape, and to calming sea.And in that nobler, gentler, lovelier light,The soul to sweeter, loftier bliss inclines;Freed from the noonday glare, the favour’d sightIncreasing grace in earth and sky divines.But ere the purest radiance crowns the green,Or fairest lustre fills th’ expectant grove,The twilight thickens, and the fleeting sceneLeaves but a hallow’d memory of love!
Sunset
Poem by H P
$2.00 1.92 € PDF SheetMusicPlus

String Trio Cello,Violin - Level 4 - Digital Download SKU: A0.1222108 By Post Malone. By Austin Richard Post, Billy Walsh, Carl Austin Rosen, Carter Lang, Khalif Brown, and Louis Bell. Arranged by Sarah Cellobat Chaffee. Contemporary,Film/TV,Pop,Wedding. 13 pages. Sarah Cellobat Chaffee #818378. Published by Sarah Cellobat Chaffee (A0.1222108). *INSTRUMENTATION: 2 VIOLINS & CELLO*Sunflower, performed by Post Malone and Swae Lee, was included on Post Malone's third studio album and was also released as a single from the soundtrack of Spider-Man: Into The Spider-Verse. This upbeat and uplifting song quickly became hugely popular, topping the Billboard charts and receiving two Grammy nominations -- so you can't go wrong having this one in your gig books! This Cellobat arrangement for your two-violin and cello trio maintains the catchy melodies, fun countermelodies, harmonic layers, and cheery pop feel of the original, for a chart that's sure to get your audience singing along. Rated advanced-intermediate for some tricky rhythms in the violin parts, but overall it's more of an intermediate level, with all of the parts in first position the whole time; this will be playable for students and easily sightreadable for professionals.Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
Sunflower
Trio à Cordes: 2 violons, violoncelle
Post Malone
$14.99 14.42 € Trio à Cordes: 2 violons, violoncelle PDF SheetMusicPlus

Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.1436456 By Post Malone. By Austin Richard Post, Billy Walsh, Carl Austin Rosen, Carter Lang, Khalif Brown, and Louis Bell. Arranged by Sarah Cellobat Chaffee. Contemporary,Film/TV,Pop,Wedding. 9 pages. Sarah Cellobat Chaffee #1016569. Published by Sarah Cellobat Chaffee (A0.1436456). Sunflower, performed by Post Malone and Swae Lee, was included on Post Malone's third studio album and was also released as a single from the soundtrack of Spider-Man: Into The Spider-Verse. This upbeat and uplifting song quickly became hugely popular, topping the Billboard charts and receiving two Grammy nominations -- so you can't go wrong having this one in your gig books! This Cellobat arrangement for violin and cello duet maintains the catchy melodies, laid-back groove, and cheery pop feel of the original, and you're sure to get your audience singing along. Rated advanced-intermediate for some tricky rhythms in the violin part, but overall it's more of an intermediate level, with both parts in first position the whole time; this will be playable for students and easily sightreadable for professionals.Sarah “Cellobat” Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild” residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
Sunflower
Violon, Violoncelle (duo)
Post Malone
$9.99 9.61 € Violon, Violoncelle (duo) PDF SheetMusicPlus

Piano - Digital Download SKU: A0.1064894 Composed by Betsy Lee Bailey. Children,Musical/Show. Accompaniment. Duration 57. Betsy Lee Bailey #2037151. Published by Betsy Lee Bailey (A0.1064894). The Tale of Chicken Licken - K-5 Children's Musical is a cautionary tale about how some foolish fears could grow to disastrous proportions. The families of the Barnyard Fowl are taught a meaningful lesson through charming songs, dances, and a showstopper sung by a trio of Bluebirds. Sophisticated enough for the older children, yet accessible and fun for the very young. Your School or Children’s Theater group will love mounting this energetic and humorous production. Hard copy Scripts, Piano/Vocal Score, and Show Track CDs (including sound effects) are available from the publisher at BaileyKidsMusicals.com. Available for Digital Download at SMP Press are the individual Mp3 accompaniment recordings of the 7 original songs from the Score.
The Tale of Chicken Licken - 05. Cheep Cheep Peck a Little - Accompaniment
Piano seul

$3.99 3.84 € Piano seul PDF SheetMusicPlus

Piano Trio,String Ensemble - Digital Download SKU: A0.1004151 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 9 pages. Matthew Scott Phillips #3510887. Published by Matthew Scott Phillips (A0.1004151). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
The Sundials: III; Tempus Fugit Velut Umbra (Time flees like a shadow)

$2.00 1.92 € PDF SheetMusicPlus

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1126313 Composed by Philip Le Bas. Christian,Christmas,Praise & Worship,Religious,Sacred. Score. 8 pages. Philip Le Bas #727017. Published by Philip Le Bas (A0.1126313). A new Christmas carol by Philip Le Bas for unison voices (with occasional divisi) and piano, setting the words of William Blake's poem A Cradle Song from his collection entitled Songs of Innocence. The very title of Blake's poem calls out for it to be set to music. Indeed the poem is a straightforward lullaby for the first few stanzas, sung softly by a mother over her sleeping baby, as she marvels at the wonder of this beautiful infant and expresses her love for the child. Her own anxieties and weeping for the child remind her of the Christ-child who also wept as a vulnerable baby. But as God incarnate he wept for me, for thee, for all, and brought peace to heaven and earth. (Blake uses the word beguile perhaps to indicate the paradoxical nature of a weeping God bringing redemption to a suffering world by becoming a vulnerable human baby himself.) The composition aims to avoid unnecessary complexity in the vocal parts, so that it can be sung easily particularly by a parish choir. However, it also attempts to capture some of the beauty, drama and mystery of the scene expressed by Blake. The piece begins and ends in stillness, and there are gentle climaxes here and there, reflecting some of the rise and fall of the poem's lyrics. It could be sung by a mixed or single-voice choir, but note should always be taken of the predominantly quiet dynamics of the piece, especially in the first half. https://www.sheetmusicdirect.com/en-US/se/ID_No/1216185/Product.aspx https://plbmusic.blogspot.com A Cradle Song from Songs of Innocence by William Blake (1757-1827) Sweet dreams, form a shade O'er my lovely infant's head! Sweet dreams of pleasant streams By happy, silent, moony beams! Sweet Sleep, with soft down Weave thy brows an infant crown! Sweet Sleep, angel mild, Hover o'er my happy child! Sweet smiles, in the night Hover over my delight! Sweet smiles, mother's smiles, All the livelong night beguiles. Sweet moans, dovelike sighs, Chase not slumber from thy eyes! Sweet moans, sweeter smiles, All the dovelike moans beguiles. Sleep, sleep, happy child! All creation slept and smiled. Sleep, sleep, happy sleep, While o'er thee thy mother weep. Sweet babe, in thy face Holy image I can trace; Sweet babe, once like thee Thy Maker lay, and wept for me: Wept for me, for thee, for all, When He was an infant small. Thou His image ever see, Heavenly face that smiles on thee! Smiles on thee, on me, on all, Who became an infant small; Infant smiles are His own smiles; Heaven and earth to peace beguiles.
Cradle Song
Piano, Voix
happy, silent, moony beams! Sweet Sleep, with soft down Weave thy brows an infant crown! Sweet Sleep, angel mild, Hover o'er my happy child! Sweet smiles, in the night Hover over my delight! Sweet smiles, mother's smiles, All the livelong night beguiles Sweet moans, dovelike sighs, Chase not slumber from thy eyes! Sweet moans, sweeter smiles, All the dovelike moans beguiles
$1.99 1.91 € Piano, Voix PDF SheetMusicPlus


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