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Piano - Intermediate - Digital Download SKU: F0.W9135 Composed by Melody Bober. Edited by Lucy Warren. Sheet Music. Written For You. The left hand plays a chromatic ostinato pattern throughout the piece. There are also chromatic scales, staccato and legato between the hands, syncopation, ties and triplets. Solo Sheet. 4 pages. The FJH Music Company - Digital #W9135. Published by The FJH Music Company - Digital (F0.W9135). UPC: 674398209002.As the title suggests, this composition is full of mystery and intrigue, but also has its share of jazz and blues. The left hand plays a chromatic ostinato pattern throughout the piece. There are also chromatic scales, staccato and legato between the hands, syncopation, ties and triplets.
Super Sleuth
Piano seul

$2.50 2.14 € Piano seul PDF SheetMusicPlus

Piano,Viola - Level 3 - Digital Download SKU: A0.587371 Composed by Camille Saint-Saens. Arranged by David McKeown. Concert,Instructional,Romantic Period,Standards. Score and part. 7 pages. David McKeown #3221157. Published by David McKeown (A0.587371). Le Cygne, or The Swan, is the penultimate movement of Camille Saint-Saëns’1886 suite, Carnival of the Animals. Most often played as a solo piece for cello with piano, the original version was scored for solo instrument and two pianos. It was the only movement for the Carnival that the composer allowed to be heard in public during his lifetime. This version for Viola with Piano accompaniment has been arranged in alto clef to best suit the key and pitch of the solo instrument. The pdf file contains both the piano accompaniment and the separate solo part.Musicians at an intermediate level and above will find this ideal for formal and informal performances. The melody is expressive and legato; the piano accompaniment is challenging in its constant semiquaver arpeggios. The overall performance time is around three minutes. The linked full-length youtube performance is the Clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to help with expressive playing. The legato in both parts demand precise fingers. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
The Swan, (Le Cygne), by Saint-Saens, for Viola and Piano
Alto, Piano

$4.60 3.93 € Alto, Piano PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1217376 Composed by JohnWillard Utuk. Contemporary,Film/TV,Instructional,Pop,Singer/Songwriter. Score. 10 pages. JohnWillard Utuk #813922. Published by JohnWillard Utuk (A0.1217376). Do you or someone you know like the Heartstopper webcomic characters Nick Nelson and Charlie Spring? Here's a charming piano solo inspired by Alice Oseman's series that literally has music bringing them both together! Using each letter from their names, two distinct melody lines were created as a musical cryptogram (hidden words matched to musical pitches). Both themes are simple, and I wanted this piece to capture the optimism portrayed in the first two volumes of the graphic novel (and season 1 of the Netflix adaptation). Overall this solo has a light-hearted pop feel and a driving rhythm that can appeal to tweens, teens, and adults alike. Written in the key of C major, players get to explore varied musical elements and techniques: left hand syncopation, simple rhythms of mostly quarter, eighth, and half notes (crochet, quaver, and minums for our UK Friends!), triplets, alternating legato and staccato passages, tempo changes and different dynamic markings (p, mp, mf, f, ff). Musical phrases are 4-8 measures long, which makes recognizing patterns and form easy for students. With performance directions of hopeful, happily, and relaxed, interpretation beyond just notes and rhythms is an advanced concept teachers can explore with students. This solo piece can be played for fun, talent shows, recitals, sight reading, or (for fans of the series) entertainment during Heartstopper episode marathons! This piece celebrates the essence of youth, adventure, and hope of what's to come. Total performance time: 4:35. Key: C Major Musical Elements explored: syncopation, staccato, legato, simple rhythms, dotted quarter notes, triplets, sensitivity to musical interpretation, dynamic contrast, tempo changes, pedaling. Teachers can spark imagination with students by asking, What are the characters doing in this passage? How would they feel in this part? Who or what else can represent the two melodies? to experiment with musical storytelling. If you enjoyed this piece, leave a review below! You can also connect with me on IG @jwupiano or my YouTube Channel, JwuPiano.
Nick & Charlie
Piano seul

$7.00 5.98 € Piano seul PDF SheetMusicPlus

Handbells 3-5 Octave handbells - Level 2 - Digital Download SKU: H1.2667DP Composed by John Thompson and Michael Card. Arranged by Susan Geschke. Contemporary, General Worship, Worship. Handbell score. 8 pages. Hope Publishing - Digital #2667DP. Published by Hope Publishing - Digital (H1.2667DP). By Michael Card & John Thompson.Contemporary Christian song by Michael Card & John Thompson This powerful Christian contemporary song has carved a lasting place in the hearts and minds of worshippers. Rising like a whisper, the quiet legato ringing of the opening quickly gives way to a driving syncopated rhythm on mallets. Lush legato ringing and the echo technique provide contrast in the middle before returning to the unbounded energy of mallets and a bold, impressive ending. Guaranteed to inspire and lift the spirits of any congregation.
El Shaddai
Cloches
Michael Card & John Thompson

Contemporary Christian song by Michael Card & John Thompson
This powerful Christian contemporary song has carved a lasting place in the hearts and minds of worshippers
$7.00 5.98 € Cloches PDF SheetMusicPlus

Oboe, clarinet, bassoon - Digital Download SKU: IZ.BCMS171 Composed by Sy Brandon. BCMCC (Bassoon Chamber Music Composition Competition). Score and Parts. 69 pages. Imagine Music - Digital #BCMS171. Published by Imagine Music - Digital (IZ.BCMS171). 9 x 12 in inches.Divertimento is in three movements. The first movement, Frolic, has three main thematic ideas. The first contains dotted rhythms, staccato articulation, and meter change. The second thematic idea is related to the first in that it also uses dotted rhythms and meter change, but is more legato and begins with more sustained notes. The third thematic section is thinner in texture, more playful, and has a legato theme over a staccato background. The motivic material in each of these sections has similarities. Contrast is primarily obtained through change of style and mood. These thematic ideas develop throughout the movement by varying key, instrumentation, and melodic material. There are several sections of imitation that are very energetic.The second movement, Ballad, is lyrical at an Andante tempo. The form of the movement is through-composed as the motives develop into new variations instead of having clearly distinguished themes. There is however a recapitulation that brings the listen back to the opening material. The main motives that develop are a sixteenth note pattern that is arpeggiated and also stepwise, a dotted quarter and eighth note idea that is often on weak beats as well as appearing on strong beats, and scalewise eighth note lines.All of these interweave among the parts with frequent counterpoint and some imitation. The harmony is lush with seventh chords used frequently.The last movement, Tarantella, is in a lively tempo. The form of this movement is a large ABA(Scherzo, Trio, Scherzo). The A sections are in triple meter while the B section is in duple. The A section is in three parts, forming an ABA within the large A. The material for the first part is motivically derived. The first motive is a dotted eighth, sixteenth, eighth note followed by even eighth notes. The second motive is four chromatic sixteenth notes followed by an eighth note. This motive appears both ascending and descending. The B section within this large A consists of a slurred melodic line that has both stepwise motion and leaps. It is accompanied by staccato chromatic eighth notes. The large B section is folksong-like and is in a recognizable binary form that repeats in a new key. The large A serves as a recapitulation of the opening section and it ends lightly and playfully in keeping with the Divertimento title that means to divert or amuse.
Divertimento

$32.00 27.33 € PDF SheetMusicPlus

French Horn Solo - Level 5 - Digital Download SKU: A0.767350 Composed by Mike Lyons. Concert,Contemporary. Individual part. 7 pages. Lyons Music Services #3520235. Published by Lyons Music Services (A0.767350). This is my third new sonata for unaccompanied French horn. it has three movements as follows:   Movement 1: Dance It begins with a crotchet theme which forms the basis of the rest of the movement. The opening should be stately and measured, but not slow. The echoes should be as quiet as possible for each statement of the opening motif. I have made a lot of use of rhythmic features in this movement. After the Maestoso, the 12/8 section is in the nature of a jig, with lots of repeated pitches and very rhythmical There's much use of syncopation. After I have played around with these ideas (intervals based on the opening) there is a more legato tune, also based on the opening music, but in a grander style and marked nobilmente. This is almost a processional, and leads to a reprise of the jig motifs in a new mode and with modifications to the rhythm. The second movement of this sonata is a set of 3 variations on an original tune. The melody is quite hymn-like and needs to be played as such. Very legato, with very slight tongue. Variation 1 is an 8th note variation, with a slight increase in tempo to help it to flow. The player will need to pay close attention to the written phrasing so as not to lose the theme. This variation is p throughout. Variation 2 is a triplet/sextuplet variation, again with a slight increase in tempo. This variation has turns, which I have written out in ossias above to be clear how I would like it to be played. Variation 3 is a semiquaver and glissando variation, requiring good tongue technique and clear phrasing. Breathing should be easy as I have made provision for breaths to mark the ends of phrases. Please don't change these! Finally, there is a restatement of the original theme with slight adaptations to bring the movement to a quiet finish. The third and final movement of the sonata is a rondo. The opening music keeps returning throughout the length of the movement. It comprises a stuttering rhythmic phrase with alternating upwards and downwards scales which gradually build up throughout the opening of the movement. Each time the ritornello idea returns it has been altered in some way. Between the ritornelli are slightly less frenetic sections of cantabile melodic ideas which hark back to both the first and second movements as well as referencing the scalic ideas from the third movement. Although the music is fast, it should be playable without resorting to triple tonguing.
Horn Sonata No. 3 (Complete)
Cor

$18.00 15.38 € Cor PDF SheetMusicPlus

String Quartet String Quartet - Level 3 - Digital Download SKU: A0.878290 Composed by Francisco Tárrega (1852-1909). Arranged by Peter Farnbank. Instructional,Romantic Period,Standards. Score and parts. 12 pages. Peter H Farnbank #1934303. Published by Peter H Farnbank (A0.878290). 2016 Chamber Music Contest Release. This arrangement is dedicated to the memory of William Gomez (1939-2000) viruoso guitarist, Gibraltar. This arrangement of the famous guitar piece offers a lot of performance flexibility by a string chamber group. It can be played by either a string quartet, string trio or even a duo between violin and cello. The original tremolo effect of Tárrega's composition is preserved but the piece can also be played legato, or both tremolo and legato can be combined in the trio/quartet format, thus providing opportunities for a range of performance execution. There is also an oppotrunity to develop co-ordinated precision in (measured) tremolo playing, which is obligated by the characteristic grace-notes in the original composition's melody line, here being expanded into three almost parallel voices. The piece would be especially suitable for an evening recital where quiet music is required, and is accessible by a string quartet or trio of intermediate standard and above. Ample suggestions for performance are given in the Perfromance Notes included in the full score.
Recuerdos de la Alhambra
Quatuor à cordes: 2 violons, alto, violoncelle

$11.99 10.24 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Clarinet,Piano - Level 3 - Digital Download SKU: A0.587363 Composed by Camille Saint-Saens. Arranged by David McKeown. Concert,Instructional,Romantic Period,Standards. Score and part. 7 pages. David McKeown #3221139. Published by David McKeown (A0.587363). Le Cygne, or The Swan, is the penultimate movement of Camille Saint-Saëns’ 1886 suite, Carnival of the Animals. Most often played as a solo piece for cello with piano, the original version was scored for solo instrument and two pianos. It was the only movement for the Carnival that the composer allowed to be heard in public during his lifetime. This version for Clarinet with Piano accompaniment has been arranged to best suit the key and pitch of the solo instrument. The pdf file contains both the piano accompaniment and the separate solo part. Musicians at an intermediate level and above will find this ideal for formal and informal performances. The melody is expressive and legato; the piano accompaniment is challenging in its constant semiquaver arpeggios. The overall performance time is around three minutes.  Teachers will enjoy using this arrangement as a fun way to help with expressive playing. The legato in both parts demand precise fingers.   There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203  
The Swan, (Le Cygne), by Saint-Saens, for Clarinet and Piano
Clarinette et Piano

$4.60 3.93 € Clarinette et Piano PDF SheetMusicPlus

Guitar - Digital Download SKU: ZY.DO-1546 Composed by Yorgos Nousis. Score. 9 pages. Les Editions Doberman-Yppan (digital) #DO 1546. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1546). SIX PIECES OF JOY AND MELANCHOLY is a collection of short pieces with a more melodic and in some cases rhythmic character. The pieces were composed individually for different occasions, but they work together somehow and offer the performer and the audience a roller-coaster sensation through the constant change of mood. Danceuphoria is the opening piece, an uneven, powerful dance which immediately creates an uplifting mood. Melodic Sorrow is a piece dedicated to the memory of my father, Konstantinos Nousis. It's one of the first pieces I wrote for guitar as a teenager. Here you can read an evolved version of that first piece which keeps the simplicity of the primary inspiration.Lifeness is an ode to life piece full of rich colors, melodies and harmonies. Meditation, originally written as the theme music for a Reiki Yoga YouTube channel, is a very slow and meditative piece with short melodic legato lines. Hope evokes warmer feelings. A simplistic piece based on natural harmonies that calms and soothes us.Finally, Cascading Waltz was chosen as the final piece, because it can be freely interpreted by any performer and gives the opportunity for diverse crescendos and accelerandos.The pieces can complement the repertoire of young students as well as professional guitarists who seek a modern yet melodic approach to the guitar.SIX PIECES OF JOY AND MELANCHOLY est une collection de courtes pièces au caractère plus mélodique et, dans certains cas, rythmique. Les pièces ont été composées individuellement pour des occasions différentes, mais elles fonctionnent ensemble d'une certaine manière et offrent à l'interprète et au public une sensation de montagnes russes grâce au changement constant d'humeur. Danceuphoria est la pièce d'ouverture, une danse inégale et puissante qui crée immédiatement une atmosphère exaltante. Melodic Sorrow est une pièce dédiée à la mémoire de mon père, Konstantinos Nousis. C'est l'une des premières pièces que j'ai écrites pour la guitare lorsque j'étais adolescent. Vous pouvez lire ici une version évoluée de cette première pièce qui conserve la simplicité de l'inspiration première.Lifeness est une ode à la vie, un morceau plein de couleurs, de mélodies et d'harmonies. Meditation, écrit à l'origine comme thème musical pour une chaîne YouTube de Reiki Yoga, est un morceau très lent et méditatif avec de courtes lignes mélodiques legato. Hope évoque des sentiments plus chaleureux. Il s'agit d'un morceau simpliste basé sur des harmonies naturelles qui nous calme et nous apaise.Enfin, Cascading Waltz a été choisie comme pièce finale, car elle peut être interprétée librement par n'importe quel interprète et donne l'occasion de divers crescendos et accelerandos.Les morceaux peuvent compléter le répertoire des jeunes étudiants ainsi que des guitaristes professionnels qui recherchent une approche moderne et mélodique de la guitare.1. Danceuphoria2. Melodic Sorrow3. Lifeness4. Meditation5. Hope6. Cascading Waltz.
6 Pieces of Joy an Melancholy

$5.95 5.08 € PDF SheetMusicPlus

Instrumental Duet Alto Saxophone,Clarinet,Instrumental Duet - Level 4 - Digital Download SKU: A0.587373 Composed by Camille Saint-Saens. Arranged by David McKeown. Concert,Instructional,Romantic Period,Standards. Score and parts. 4 pages. David McKeown #3222135. Published by David McKeown (A0.587373). Le Cygne, or The Swan, is the penultimate movement of Camille Saint-Saens’ 1886 suite, Carnival of the Animals. Most often played as a solo piece for cello with piano, the original version was scored for solo instrument and two pianos. It was the only movement for the Carnival that the composer allowed to be heard in public during his lifetime. This version is arranged as a duet for one Clarinet and one Alto Saxophone. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The melody is expressive and legato; the accompaniment is challenging in its constant semiquaver arpeggios. The overall performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to help with expressive playing. The legato in both parts demand precise fingers.   There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
The Swan, (Le Cygne), by Saint-Saens, Duet for Clarinet and Alto Saxophone
Saxophone, Clarinette (duo)

$4.60 3.93 € Saxophone, Clarinette (duo) PDF SheetMusicPlus


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