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Handbells 3-5 octave handbell choir + B-flat 2 with optional 3 octave handchimes - Level 3 - Digital Download SKU: H1.2661DP Composed by Donna Adkins. Arranged by Linda R. Lamb. Contemporary, General Worship, Worship. Handbell score. 8 pages. Hope Publishing - Digital #2661DP. Published by Hope Publishing - Digital (H1.2661DP). By Donna Adkins.Popular worship song by Donna Adkins Linda Lambs gentle, reverent reflection on Donna Adkins' popular worship song is enhanced by the inclusion of the praise chorus, He Is Lord. Legato ringing of handbells and optional handchimes generates a sense of awe before the Father, the Son, and. . . Linda Lambs gentle, reverent reflection on Donna Adkins' popular worship song is enhanced by the inclusion of the praise chorus, He Is Lord. Legato ringing of handbells and optional handchimes generates a sense of awe before the Father, the Son, and the Holy Spirit.
Glorify Thy Name
Cloches
Donna Adkins

Popular worship song by Donna Adkins Linda Lambs gentle, reverent reflection on Donna Adkins' popular worship song is enhanced by the inclusion of the praise chorus, He Is Lord
$7.00 6.72 € Cloches PDF SheetMusicPlus

Piano - Intermediate - Digital Download SKU: F0.W9135 Composed by Melody Bober. Edited by Lucy Warren. Sheet Music. Written For You. The left hand plays a chromatic ostinato pattern throughout the piece. There are also chromatic scales, staccato and legato between the hands, syncopation, ties and triplets. Solo Sheet. 4 pages. The FJH Music Company - Digital #W9135. Published by The FJH Music Company - Digital (F0.W9135). UPC: 674398209002.As the title suggests, this composition is full of mystery and intrigue, but also has its share of jazz and blues. The left hand plays a chromatic ostinato pattern throughout the piece. There are also chromatic scales, staccato and legato between the hands, syncopation, ties and triplets.
Super Sleuth
Piano seul

$2.50 2.4 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.997780 By Kathi Kerr. By Kathi Kerr. Broadway,Contemporary,Contest,Festival,Film/TV,Jazz,Musical/Show. Score. 4 pages. Melody Music Publishers #603457. Published by Melody Music Publishers (A0.997780). This piano song for the early advanced pianist is heavy on syncopation in the left hand. Con brio means literally with fire. Notice the accents on the last half of the 4th beat in the left hand throughout the song. Start by practicing the left hand alone until mastered. When playing hands together, practice slowly at first, aligning each note in both hands. Watch the fingering in the triads starting measure 26 where you change the finger while holding the note. This fingering makes the top notes legato, creating a legato sound even though the middle and bottom notes are not. Take off the low G in the right hand chord on measures 32 and 33 if you can't reach it. And finally, drag the quarter triplet at the end.
Hearts On Fire
Piano seul
Kathi Kerr
$5.99 5.75 € Piano seul PDF SheetMusicPlus

Clarinet,Piano - Level 3 - Digital Download SKU: A0.587363 Composed by Camille Saint-Saens. Arranged by David McKeown. Concert,Instructional,Romantic Period,Standards. Score and part. 7 pages. David McKeown #3221139. Published by David McKeown (A0.587363). Le Cygne, or The Swan, is the penultimate movement of Camille Saint-Saëns’ 1886 suite, Carnival of the Animals. Most often played as a solo piece for cello with piano, the original version was scored for solo instrument and two pianos. It was the only movement for the Carnival that the composer allowed to be heard in public during his lifetime. This version for Clarinet with Piano accompaniment has been arranged to best suit the key and pitch of the solo instrument. The pdf file contains both the piano accompaniment and the separate solo part. Musicians at an intermediate level and above will find this ideal for formal and informal performances. The melody is expressive and legato; the piano accompaniment is challenging in its constant semiquaver arpeggios. The overall performance time is around three minutes.  Teachers will enjoy using this arrangement as a fun way to help with expressive playing. The legato in both parts demand precise fingers.   There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203  
The Swan, (Le Cygne), by Saint-Saens, for Clarinet and Piano
Clarinette et Piano

$4.60 4.41 € Clarinette et Piano PDF SheetMusicPlus

Alto Saxophone Solo - Level 2 - Digital Download SKU: A0.829785 Composed by Frederic Chopin. Arranged by John May. Chamber,Classical,Contest,Festival,Romantic Period. Individual part. 4 pages. Lost Key Music #3224643. Published by Lost Key Music (A0.829785). On the Texas Prescribed Music ListPrelude in B minor is from Frederic Chopin's 24 Preludes, which covers all major and minor keys. It is believed that this prelude, along with others, were played at his funeral. Nicknames given to this prelude after Chopin's death include Homesickness and Tolling Bells. Arranged for alto saxophone solo.This piece can help students learn to play in a legato style with legato articulations and slurs, as well as learning to play expressively.www.lostkeymusic.comFollow Lost Key Music on social media:https://www.facebook.com/lostkeymusic...https://twitter.com/lostkeymusichttps://www.pinterest.com/lostkeymusic/https://www.instagram.com/lostkeymusic/https://www.youtube.com/watch?v=bI_n8CGvFm0.
Prelude in B minor-Alto Saxophone with Piano Accompaniment
Saxophone Alto

$9.00 8.64 € Saxophone Alto PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 5 - Digital Download SKU: A0.755218 Composed by Sy Brandon. 20th Century,Contemporary. 93 pages. Sy Brandon #3418979. Published by Sy Brandon (A0.755218). Divertimento is in three movements. The first movement Frolic has three main thematic ideas. The first contains dotted rhythms, staccato articulation, and meter change. The second thematic idea is related to the first in that it also uses dotted rhythms and meter change, but is more legato and begins with more sustained notes. The third thematic section is thinner in texture, more playful, and has a legato theme over a staccato background. The motivic material in each of these sections has similarities. Contrast is primarily obtained through change of style and mood. These thematic ideas develop throughout the movement by varying key, instrumentation, and melodic material. There are several sections of imitation that are very energetic. The second movement Ballad is lyrical at an Andante tempo. The form of the movement is through-composed as the motives develop into new variations instead of having clearly distinguished themes. There is however a recapitulation that brings the listen back to the opening material. The main motives that develop are a sixteenth note pattern that is arpeggiated and also stepwise, a dotted quarter and eighth note idea that is often on weak beats as well as appearing on strong beats, and scalewise eighth note lines. All of these interweave among the parts with frequent counterpoint and some imitation. The harmony is lush with seventh chords used frequently. The last movement Tarantella is in a lively tempo. The form of this movement is a large ABA(Scherzo, Trio, Scherzo). The A sections are in triple meter while the B section is in duple. The A section is in three parts, forming an ABA within the large A. The material for the first part is motivically derived. The first motive is a dotted eighth, sixteenth, eighth note followed by even eighth notes. The second motive is four chromatic sixteenth notes followed by an eighth note. This motive appears both ascending and descending. The B section within this large A consists of a slurred melodic line that has both stepwise motion and leaps. It is accompanied by staccato chromatic eighth notes. The large B section is folksong-like and is in a recognizable binary form that repeats in a new key. The large A serves as a recapitulation of the opening section and it ends lightly and playfully in keeping with the Divertimento title that means to divert or amuse.
Divertimento for Woodwind Quartet
Flûte, Hautbois, Clarinette, Basson

$14.99 14.38 € Flûte, Hautbois, Clarinette, Basson PDF SheetMusicPlus

Flute Choir,Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.1272639 Composed by Grant Horsley. Contest,Festival,Holiday,Jazz,Multicultural,Wedding,World. 41 pages. Grant Horsley #864865. Published by Grant Horsley (A0.1272639). Scored for 6 C Flutes, Weekend in Paris is a bright jazz waltz intended to convey the excitement and anticipation of a trip to Paris. The music is to bring to mind pleasure in sightseeing, wandering around cafe's, seeing children at play, people dancing and laughing and families gathering in a happy relaxed atmosphere in the glorious sunshine. The piece is in concert F major establishing the bright swingy rhythm, this then flows into the second section which is more lyrical and legato and is in E flat major. A short bridge section follows keeping the motif's heard in the first section but exploring the lower registers and remains largely legato. The first two sections are then heard again before a modulation takes place to give the piece a final lift before the end. The piece concludes quietly with a snippet of the opening motif. I have set it to intermediate level but the whole score is on the youtube link for you to assess suitability. The music would be a great addition to any repertoire as a happy piece, programmatic with a world/travelling theme in mind. Full score 16 pages-parts 4 pages. 4 mins 30 in length. Price is for the Full Score and all parts.NB Another Flute choir version (4 C flutes, Alto and Bass Flute) is also available as is a Clarinet Choir version.
"Weekend in Paris" Original Jazz Waltz for Flute Ensemble (6 C Flutes)
Ensemble de Flûtes

$14.50 13.91 € Ensemble de Flûtes PDF SheetMusicPlus

Instrumental Duet Clarinet,Flute,Instrumental Duet - Level 4 - Digital Download SKU: A0.587377 Composed by Camille Saint-Saens. Arranged by David McKeown. Concert,Instructional,Romantic Period,Standards. Score and parts. 4 pages. David McKeown #3222143. Published by David McKeown (A0.587377). Le Cygne, or The Swan, is the penultimate movement of Camille Saint-Saens’ 1886 suite, Carnival of the Animals. Most often played as a solo piece for cello with piano, the original version was scored for solo instrument and two pianos. It was the only movement for the Carnival that the composer allowed to be heard in public during his lifetime. This version is arranged as a duet for one Flute and one Clarinet. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The melody is expressive and legato; the accompaniment is challenging in its constant semiquaver arpeggios. The overall performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to help with expressive playing. The legato in both parts demand precise fingers.   There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
The Swan, (Le Cygne), by Saint-Saens, Duet for Flute and Clarinet
Flûte, Clarinette (duo)

$4.60 4.41 € Flûte, Clarinette (duo) PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.901078 Composed by Paul Copeland. 20th Century,Blues,Jazz,Standards. Score. 6 pages. Paul Copeland #4302467. Published by Paul Copeland (A0.901078). G'day from Australia.This little piano miniature is from my prize winning composition Audacious Binary Forms, which won the senior prize in the very prestigious Jean Bogan Prize for Piano Composition 2016.Michael Kieran Harvey, who is considered by many as the greatest living Australian pianist, performed the work. Here is a link to his performance. www.Bit.do/abformsThe Jazz Study from 5 to 4 has a walking bass, which should be played very legato throughout. The right hand is part melodic and part three  part chordal. The chords are composed mainly of intervals of fourths, with the outer notes being at the distance of either a major or minor second.The sustain pedal should only be used when the chords are played to assist in the melody line sounding legato.If you play this little piece, I would very much like to hear from you ( paulcopelandzzz@hotmail.com), so that perhaps you can make a youtube video for me to link to.Best wishes to you and your family and I hope you enjoy playing my little piece.Bye for now.Paul Copeland
Jazz Study from 5 to 4
Piano seul

$1.99 1.91 € Piano seul PDF SheetMusicPlus


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