Voice (SSAA) - Level 2 - Digital Download SKU: A0.1240428 Composed by Anastasio Rossi. Arranged by Anastasio Rossi. A Cappella,Barbershop. Barbershop Quartet. 3 pages. Anastasio Rossi #835806. Published by Anastasio Rossi (A0.1240428). Think of the story behind this music as about a young lady who  just loves the waltz, and loves to sing and dance to its lilting triple time.  Her dancing partner is a dashing, ever so handsome young man, who sweeps her off her feet and takes her breath away with his charm and grace, as they float away on the wings of A Dance In Triple Time!I originally composed this piece as a little warm up ditty for my chorus, but as I worked the melody and the harmony, it grew into just a little bit more than a warm up exercise. We always enjoyed singing this little piece for our audiences. And they always enjoyed hearing it. One caveat; The lyrics go by quickly! Leads, use your best diction and pronunciation, so the story doesn't get lost. Harmony voices, keep the melody prominent, by always singing your la-las at least one dynamic notch below the melody!Choose the waltz tempo of your choice - very relaxed to very lilting in 1.  Base your choice on being able to deliver the lyrics with great clarity, especially in the faster passages. Be sure to observe the accelerandos, broadening tempos, a tempos, legatos, and staccatos. They all have much to do with delivering the style of this piece, especially the off beat la-las. Some pairs are staccato, in other pairs, the first la is legato, the second la is staccato.The metronome marks more accurately describe the accelerandos and broadenings. On the repeat at 11, a slight increase in the tempo will add urgency and intensity. Keep the melody prominent as it moves to different voices, beginning at 37. Maintain the crisp staccato harmony against the legato melody, and enjoy the change to full legato for all voices.  Anastasio Rossi May 2023Learning tracks are available at no cost from the composer: AAR@prodigy.net.

Choral Choir,Choral (SSAA) - Level 2 - Digital Download SKU: A0.1239660 Composed by Anastaso Rossi. Arranged by Anastaso Rossi. A Cappella,Barbershop,Singer/Songwriter. 3 pages. Anastasio Rossi #835039. Published by Anastasio Rossi (A0.1239660). Performance Notes: Choose the waltz tempo of your choice - very relaxed to very lilting in 1.  Base your choice on being able to deliver the lyrics with great clarity, especially in the faster passages. Be sure to observe the accelerandos, broadening tempos, a tempos, legatos, and staccatos. They all have much to do with delivering the style of this piece, especially the off beat la-las. Some pairs are staccato, in other pairs, the first la is legato, the second la is staccato.I originally composed this piece as a little warm up ditty for the chorus, but as I worked the melody and the harmony, it  grew into just a little bit more than a warm up exercise.. Think of the story behind the music as about a young lady who  just loves the waltz, and loves to sing and dance to its lilting triple time.  Her dancing partner is a dashing, ever so  handsome young man, who sweeps her off her feet and takes her breath away with his charm and grace, as they  float away on the wings of A Dance In Triple Time!   Anastasio Rossi May 2023Learning tracks are available at no cost from the Arranger: AAR@prodigy.net.

Piano Solo - Level 4 - Digital Download SKU: A0.1141259 By Filipe Bernardo. By Filipe Bernardo. Classical. Score. 7 pages. Filipe Bernardo #741568. Published by Filipe Bernardo (A0.1141259). This Fantasia is part of the NUMES collection, consisting of 7 works about 15 Hellenic deities. Fantasia: Moirai. The NUMES collection contains: * Sonatina * Sonata * Toccata * Intermezzo * Postlude * Quatro Cânticos sem Palavras [Four Canticles without Words] * Fantasia. The scores are elegantly and accurately typed. The notation, from the positioning of the notes, passing through the direction of the stems, and reaching legatos that do not cross staves and barlines, seeks to be clear and intuitive. The form is evidenced by the bar numbering placed at the beginning of the main phrases. And the use of double barlines is restricted to section changes, not tonal changes, as in older notations. Dynamics are not structuring and therefore are not prefixed. And each score is preceded by an epigraph that situates the general character of the music, whose tempo is indicated by the name of the Divinity.

Large Ensemble Bassoon,Cello,Clarinet,Flute,Guitar,Harp,Orff Instrument,Piano Accompaniment,Trumpet,Vibraphone,Violin - Level 2 - Digital Download SKU: A0.758215 Composed by Peter Ilyich Tchaikovsky. Arranged by Ester Alessandrini. Children,Christmas,Concert,Instructional,Romantic Period. Score and parts. 28 pages. Ester #2331939. Published by ester (A0.758215). La canzone è una rielaborazione più facile per gli studenti ai primi studi (2 ° e 3 ° anno). Il lavoro è stato rielaborato per gli alunni di una scuola secondaria specializzata in musica e abbiamo cercato di mantenere il più possibile le caratteristiche musicali della musica originale di Ciajkovskij. Gli strumenti non presenti nell'orchestra sono stati sostituiti da tastiere (tastiera) e ho anche allegato le parti DO tromba e clarinetto.

Piano Solo - Level 5 - Digital Download SKU: A0.1141251 By Filipe Bernardo. By Filipe Bernardo. Classical. Score. 9 pages. Filipe Bernardo #741562. Published by Filipe Bernardo (A0.1141251). This Toccata is part of the NUMES collection, consisting of 7 works about 15 Hellenic deities. Toccata: Thea Glaukopis Athena. The NUMES collection contains: * Sonatina * Sonata * Toccata * Intermezzo * Postlude * Quatro Cânticos sem Palavras [Four Canticles without Words] * Fantasia. The scores are elegantly and accurately typed. The notation, from the positioning of the notes, passing through the direction of the stems, and reaching legatos that do not cross staves and barlines, seeks to be clear and intuitive. The form is evidenced by the bar numbering placed at the beginning of the main phrases. And the use of double barlines is restricted to section changes, not tonal changes, as in older notations. Dynamics are not structuring and therefore are not prefixed. And each score is preceded by an epigraph that situates the general character of the music, whose tempo is indicated by the name of the Divinity.

Bassoon Solo - Level 2 - Digital Download SKU: A0.890669 Composed by Stella ter Hart. Contemporary,Folk,Instructional,Standards. Individual part. 4 pages. Stella ter Hart #6672189. Published by Stella ter Hart (A0.890669). Looking for that perfect show off bassoon solo? At The Parade utilizes all the key fundamentals for junior/early intermediate bassoon players. Bouncy rhythms, contrasting staccato and legator articulations, great tune and an interactive piano accompaniment all work together to create a great recital or festival piece.key: Eb+Tempo: moderatoDuration: 1'18.

Trumpet in C - very easy to easy - Digital Download SKU: S9.Q47687 22 Pieces from 5 Centuries. This edition: PDF. Easy Concert Pieces. Downloadable. Schott Music - Digital #Q47687. Published by Schott Music - Digital (S9.Q47687). Einzelstimme für Trompete in C zum Download, ergänzend zum Heft Easy Concert Pieces, Band 1 (ED 22555) Die Reihe Easy Concert Pieces enthält leichte bis mittelschwere Werke für Trompete mit Klavierbegleitung. Nach Schwierigkeitsgrad in drei Bänden geordnet finden sich für allle Epochen repräsentative Stücke, die sich für Vorspiele, Wettbewerbe oder Prüfungen eignen. Zudem dienen die Easy Concert Pieces als motivierende Ergänzung im Trompetenunterricht. Band 1 (ED 22555) – Schwierigkeitsgrad: sehr leicht bis leicht – enthält Stücke bis zum notierten c‘‘, in einigen wenigen Stücken kommt das d‘‘ als kurzer Spitzenton vor. Einfache und eingängige Rhythmen, gut ausführbare Tonverbindungen und Artikulationen, die bereits nach kurzer Zeit leicht beherrscht werden, machen diesen Band zu einem idealen Heft für Einsteiger. Band 2 (ED 22556) – Schwierigkeitsgrad: leicht bis mittel – beinhaltet Werke bis maximal zum notierten f‘‘. Neben dem erweiterten Rhythmusspektrum und leicht erhöhten Anforderungen in Phrasierung und Artikulation eignen sich diese Werke, um musikalisch differenzierter zu arbeiten. Band 3 (ED 22557) – Schwierigkeitsgrad: mittel – wendet sich an Spielerinnen und Spieler mit gut ausgebildetem Ansatz, die den Tonraum bis zum notierten g‘‘ beherrschen, wobei dieser Ton nur als kurzer Spitzenton vorkommt. Flexibilität in Artikulation und Legatospiel sowie eine gut ausgebildete dynamische Bandbreite werden für die im Vergleich zu den vorherigen Bänden längeren Stücke vorausgesetzt.

Guitar - Level 3 - Digital Download SKU: A0.985307 By The Chainsmokers. By Andrew Taggart, Chris Martin, Guy Berryman, Jonny Buckland, and Will Champion. Arranged by Jaan Varts. Pop. Guitar Tab. 62 pages. Jaan Varts #5742829. Published by Jaan Varts (A0.985307). Something Just Like This by The Chainsmokers & Colplay arranged for 3 guitars (rhythm, melody & rhythm 2). If you´re a beginner then the key to playing this arrangement is simplification - skip the small details and focus on the most essential stuff. The more advanced level = more details. I´ll cover it below for every part. The form and key is 100% the same as original so you can play along with the actual song. Share, like and subscribe if you enjoy this. More songs coming soon, so say tuned:)   -------------------------------------------------------------------------------------------------------------------------- The song is bult on G-A-Bm progression and the chords are played throughout the song.   1) Rhythm Rhythm part of Something Just Like This by The Chainsmokers & Colplay arranged for 3 guitars (rhythm, melody & rhythm 2). This is the easiest part of the arrangement. If you´re a beginner then start from here. It´s just variations of G-A-Bm chord progression with different rhythms and in different positions.   2) Melody Melody part of Something Just Like This by The Chainsmokers & Colplay arranged for 3 guitars (rhythm, melody & rhythm 2). As usual, the melody is the hardest part, since it features lots of slides and legatos. The chorus part features some funky rhythm playing as well. If you´re a beginner, then simplify as much as ou can – leave out all the embelishments, play simpler rhythms, leave out notes when there are more than one note played at a time etc etc.   3) Rhythm 2 Rhythm 2 part of Something Just Like This by The Chainsmokers & Colplay arranged for 3 guitars (rhythm, melody & rhythm 2). A little trickier rhythm part features some fingerstyle playing, also hiting the guitar as a drum. The strumming patterns are quite easy, but try to get a steady drum-like beat going on. In the choruses there are some power chords and in the ending we have some riffs as well.

Piano Solo - Level 5 - Digital Download SKU: A0.1141255 By Filipe Bernardo. By Filipe Bernardo. Classical. Score. 5 pages. Filipe Bernardo #741566. Published by Filipe Bernardo (A0.1141255). This Postlude is part of the NUMES collection, consisting of 7 works about 15 Hellenic deities. Postlude: Artemis Hegemone. The NUMES collection contains: * Sonatina * Sonata * Toccata * Intermezzo * Postlude * Quatro Cânticos sem Palavras [Four Canticles without Words] * Fantasia. The scores are elegantly and accurately typed. The notation, from the positioning of the notes, passing through the direction of the stems, and reaching legatos that do not cross staves and barlines, seeks to be clear and intuitive. The form is evidenced by the bar numbering placed at the beginning of the main phrases. And the use of double barlines is restricted to section changes, not tonal changes, as in older notations. Dynamics are not structuring and therefore are not prefixed. And each score is preceded by an epigraph that situates the general character of the music, whose tempo is indicated by the name of the Divinity.

Piano Solo - Level 3 - Digital Download SKU: A0.936650 By System of a Down. By Daron Malakian and Serj Tankian. Arranged by Rocio Martinez-Lopez. Metal,Rock. Score. 8 pages. Rocio Martinez-Lopez #6690835. Published by Rocio Martinez-Lopez (A0.936650). A powerful alternative rock song that shows a wide range of performative skills. From soft legatos to power octaves and double notes.For Grades 6+7 pages.

2 flutes SKU: M2.MOS-41008 Composed by Hans-Georg Lotz. Hausmusik. Performance score. 14 pages. Möseler Verlag #MOS 41008. Published by Möseler Verlag (M2.MOS-41008). ISBN 9790203730088.Die neun Flotenduette wurden im wesentlichen mit der Absicht geschrieben, eine Unterrichtsliteratur anzubieten, die sowohl technisch als auch musikalisch weiterbildende Aufgaben stellt. So geht es u.a. um Atmungsprobleme bei langen Legatopassagen und gehaltenen Tonen in der tiefen Lage des Instruments, um Sauberkeit der Intonation bei den feinen Schwebungen von Sekundklangen, Quinten und Oktaven und um Wendigkeit bei schnellen Sprungen. Musikalisch war es die Absicht des Komponisten, echte Duette zu schreiben, Formen, die erst durch das Zusammenwirken von zwei Instrumenten wirklich lebendig und erkennbar werden. Das bedeutet eine gezielte Herausforderung an die rhythmischen Qualitaten und das musikalische Einfuhlungsvermogen beider Spieler. Irgend ein Niveauunterschied zwischen der ersten und zweiten Flote besteht nicht; beide haben die gleichen technischen Anforderungen und musikalischen Problem zu bewaltigen.

Solo Guitar - Level 3 - Digital Download SKU: A0.985306 By Luis Fonsi and Daddy Yankee. By Erika Ender, Luis Fonsi, and Ramon Ayala. Arranged by Jaan Varts. Latin. Individual part. 16 pages. Jaan Varts #5719577. Published by Jaan Varts (A0.985306). Despacito by Luis Fonsi and Daddy Yankee arranged for 3 guitars (rhythm, melody & bass).This one came out a little trickier than I first expected, so there´s something to learn regardless of your playing level. This song is a good introduction to caribbean feel and groov.If you´re a beginner then the key to playing this arrangement is simplification - skip the small details and focus on the most essential stuff. The more advanced level = more details. I´ll cover it below for every part.Bass (the easiest part)The harmony of the song is Bm-G-A-D, one chord per bar. The bass is playing mostly rhythmic variations on the chord triads. If the main part is too difficult, then focus on just the first notes of the bars. Also take one groov at a time - you can use one groov throughout the song. When you feel confident with the one groov then take another one.If you want to see only the bass part, then click here: https://youtu.be/AfR3KnmemfERhythm (intermediate)The rhythm part features the same four chords - Bm-G-A-D on different positions and with different grooves. If you need to simplify then use open position chords and use one groove at a time.If you want to see only the rhythm part, then click here: https://youtu.be/mxT1ZLqmqzIMelody (advanced)The melody features lots of triplets and syncopations. When you´re a beginner, then just try to imitate the rhythm - you don´t have to play all the notes & rhythms. The same goes to all the legatos, slides and other embellishments.If you want to see only the melody part, then click here: https://youtu.be/A0gBfkV-F7o

Instrumental Solo - Level 5 - Digital Download SKU: A0.1424086 By Dario Gatto. By Dario Gatto. Arranged by Dario Gatto. 21st Century,Classical,Contemporary,Film/TV,New Age. Individual part. 3 pages. Dario Gatto #1005266. Published by Dario Gatto (A0.1424086). Among Us is an original piece composed by Dario Gatto in September 2022The piece is for advanced piano players.The piece has legatos and harmonic sounds.

Guitar - Level 3 - Digital Download SKU: A0.985303 By Luis Fonsi and Daddy Yankee. By Erika Ender, Luis Fonsi, and Ramon Ayala. Arranged by Jaan Varts. Latin. Guitar Tab. 71 pages. Jaan Varts #5719569. Published by Jaan Varts (A0.985303). Despacito by Luis Fonsi and Daddy Yankee arranged for 3 guitars (rhythm, melody & bass). This one came out a little trickier than I first expected, so there´s something to learn regardless of your playing level. This song is a good introduction to caribbean feel and groov. If you´re a beginner then the key to playing this arrangement is simplification - skip the small details and focus on the most essential stuff. The more advanced level = more details. I´ll cover it below for every part. Bass (the easiest part) The harmony of the song is Bm-G-A-D, one chord per bar. The bass is playing mostly rhythmic variations on the chord triads. If the main part is too difficult, then focus on just the first notes of the bars. Also take one groov at a time - you can use one groov throughout the song. When you feel confident with the one groov then take another one. If you want to see only the bass part, then click here: https://youtu.be/AfR3KnmemfE Rhythm (intermediate) The rhythm part features the same four chords - Bm-G-A-D on different positions and with different grooves. If you need to simplify then use open position chords and use one groove at a time. If you want to see only the rhythm part, then click here: https://youtu.be/mxT1ZLqmqzI Melody (advanced) The melody features lots of triplets and syncopations. When you´re a beginner, then just try to imitate the rhythm - you don´t have to play all the notes & rhythms. The same goes to all the legatos, slides and other embellishments. If you want to see only the melody part, then click here: https://youtu.be/A0gBfkV-F7o

Piano Solo - Level 4 - Digital Download SKU: A0.1141519 By Filipe Bernardo. By Filipe Bernardo. Classical. Score. 11 pages. Filipe Bernardo #741850. Published by Filipe Bernardo (A0.1141519). These Four Canticles without Words are part of the NUMES collection, consisting of 7 works about 15 Hellenic deities. The four canticles were written for the left hand: 1. Hestia 2. Mnemosyne 3. Kleio 4. Khronos. The NUMES collection contains: * Sonatina * Sonata * Toccata * Intermezzo * Postlude * Four Canticles without Words * Fantasia. Scores are typed elegantly and accurately. The notation, from the positioning of the notes, passing through the direction of the stems, and arriving at legatos that do not cross staves and measures, seeks to be clear and intuitive. The form is evidenced by the bar numbering placed at the beginning of the main phrases. And the use of double bars is restricted to section changes, not tonal changes as in older notations. Dynamics are not structuring and therefore are not prefixed. And each score is preceded by an epigraph that situates the general character of the music, whose tempo is indicated by the name of the Divinity.