2 flutes SKU: M2.MOS-41008 Composed by Hans-Georg Lotz. Hausmusik. Performance score. 14 pages. Möseler Verlag #MOS 41008. Published by Möseler Verlag (M2.MOS-41008). ISBN 9790203730088.Die neun Flotenduette wurden im wesentlichen mit der Absicht geschrieben, eine Unterrichtsliteratur anzubieten, die sowohl technisch als auch musikalisch weiterbildende Aufgaben stellt. So geht es u.a. um Atmungsprobleme bei langen Legatopassagen und gehaltenen Tonen in der tiefen Lage des Instruments, um Sauberkeit der Intonation bei den feinen Schwebungen von Sekundklangen, Quinten und Oktaven und um Wendigkeit bei schnellen Sprungen. Musikalisch war es die Absicht des Komponisten, echte Duette zu schreiben, Formen, die erst durch das Zusammenwirken von zwei Instrumenten wirklich lebendig und erkennbar werden. Das bedeutet eine gezielte Herausforderung an die rhythmischen Qualitaten und das musikalische Einfuhlungsvermogen beider Spieler. Irgend ein Niveauunterschied zwischen der ersten und zweiten Flote besteht nicht; beide haben die gleichen technischen Anforderungen und musikalischen Problem zu bewaltigen.

Piano Solo - Level 4 - Digital Download SKU: A0.1141519 By Filipe Bernardo. By Filipe Bernardo. Classical. Score. 11 pages. Filipe Bernardo #741850. Published by Filipe Bernardo (A0.1141519). These Four Canticles without Words are part of the NUMES collection, consisting of 7 works about 15 Hellenic deities. The four canticles were written for the left hand: 1. Hestia 2. Mnemosyne 3. Kleio 4. Khronos. The NUMES collection contains: * Sonatina * Sonata * Toccata * Intermezzo * Postlude * Four Canticles without Words * Fantasia. Scores are typed elegantly and accurately. The notation, from the positioning of the notes, passing through the direction of the stems, and arriving at legatos that do not cross staves and measures, seeks to be clear and intuitive. The form is evidenced by the bar numbering placed at the beginning of the main phrases. And the use of double bars is restricted to section changes, not tonal changes as in older notations. Dynamics are not structuring and therefore are not prefixed. And each score is preceded by an epigraph that situates the general character of the music, whose tempo is indicated by the name of the Divinity.

Piano Solo - Level 5 - Digital Download SKU: A0.1141251 By Filipe Bernardo. By Filipe Bernardo. Classical. Score. 9 pages. Filipe Bernardo #741562. Published by Filipe Bernardo (A0.1141251). This Toccata is part of the NUMES collection, consisting of 7 works about 15 Hellenic deities. Toccata: Thea Glaukopis Athena. The NUMES collection contains: * Sonatina * Sonata * Toccata * Intermezzo * Postlude * Quatro Cânticos sem Palavras [Four Canticles without Words] * Fantasia. The scores are elegantly and accurately typed. The notation, from the positioning of the notes, passing through the direction of the stems, and reaching legatos that do not cross staves and barlines, seeks to be clear and intuitive. The form is evidenced by the bar numbering placed at the beginning of the main phrases. And the use of double barlines is restricted to section changes, not tonal changes, as in older notations. Dynamics are not structuring and therefore are not prefixed. And each score is preceded by an epigraph that situates the general character of the music, whose tempo is indicated by the name of the Divinity.

Trumpet in C - very easy to easy - Digital Download SKU: S9.Q47687 22 Pieces from 5 Centuries. This edition: PDF. Easy Concert Pieces. Downloadable. Schott Music - Digital #Q47687. Published by Schott Music - Digital (S9.Q47687). Einzelstimme für Trompete in C zum Download, ergänzend zum Heft Easy Concert Pieces, Band 1 (ED 22555) Die Reihe Easy Concert Pieces enthält leichte bis mittelschwere Werke für Trompete mit Klavierbegleitung. Nach Schwierigkeitsgrad in drei Bänden geordnet finden sich für allle Epochen repräsentative Stücke, die sich für Vorspiele, Wettbewerbe oder Prüfungen eignen. Zudem dienen die Easy Concert Pieces als motivierende Ergänzung im Trompetenunterricht. Band 1 (ED 22555) – Schwierigkeitsgrad: sehr leicht bis leicht – enthält Stücke bis zum notierten c‘‘, in einigen wenigen Stücken kommt das d‘‘ als kurzer Spitzenton vor. Einfache und eingängige Rhythmen, gut ausführbare Tonverbindungen und Artikulationen, die bereits nach kurzer Zeit leicht beherrscht werden, machen diesen Band zu einem idealen Heft für Einsteiger. Band 2 (ED 22556) – Schwierigkeitsgrad: leicht bis mittel – beinhaltet Werke bis maximal zum notierten f‘‘. Neben dem erweiterten Rhythmusspektrum und leicht erhöhten Anforderungen in Phrasierung und Artikulation eignen sich diese Werke, um musikalisch differenzierter zu arbeiten. Band 3 (ED 22557) – Schwierigkeitsgrad: mittel – wendet sich an Spielerinnen und Spieler mit gut ausgebildetem Ansatz, die den Tonraum bis zum notierten g‘‘ beherrschen, wobei dieser Ton nur als kurzer Spitzenton vorkommt. Flexibilität in Artikulation und Legatospiel sowie eine gut ausgebildete dynamische Bandbreite werden für die im Vergleich zu den vorherigen Bänden längeren Stücke vorausgesetzt.

Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.

Guitar - Level 3 - Digital Download SKU: A0.985309 By The Chainsmokers. By Andrew Taggart, Chris Martin, Guy Berryman, Jonny Buckland, and Will Champion. Arranged by Jaan Varts. Pop. Guitar Tab. 15 pages. Jaan Varts #5742855. Published by Jaan Varts (A0.985309). Something Just Like This by The Chainsmokers & Colplay arranged for 3 guitars (rhythm, melody & rhythm 2). If you´re a beginner then the key to playing this arrangement is simplification - skip the small details and focus on the most essential stuff. The more advanced level = more details. I´ll cover it below for every part. The form and key is 100% the same as original so you can play along with the actual song. Share, like and subscribe if you enjoy this. More songs coming soon, so say tuned:)   -------------------------------------------------------------------------------------------------------------------------- The song is bult on G-A-Bm progression and the chords are played throughout the song.   1) Rhythm Rhythm part of Something Just Like This by The Chainsmokers & Colplay arranged for 3 guitars (rhythm, melody & rhythm 2). This is the easiest part of the arrangement. If you´re a beginner then start from here. It´s just variations of G-A-Bm chord progression with different rhythms and in different positions.   2) Melody Melody part of Something Just Like This by The Chainsmokers & Colplay arranged for 3 guitars (rhythm, melody & rhythm 2). As usual, the melody is the hardest part, since it features lots of slides and legatos. The chorus part features some funky rhythm playing as well. If you´re a beginner, then simplify as much as ou can – leave out all the embelishments, play simpler rhythms, leave out notes when there are more than one note played at a time etc etc.   3) Rhythm 2 Rhythm 2 part of Something Just Like This by The Chainsmokers & Colplay arranged for 3 guitars (rhythm, melody & rhythm 2). A little trickier rhythm part features some fingerstyle playing, also hiting the guitar as a drum. The strumming patterns are quite easy, but try to get a steady drum-like beat going on. In the choruses there are some power chords and in the ending we have some riffs as well.

Piano Solo - Level 5 - Digital Download SKU: A0.1141255 By Filipe Bernardo. By Filipe Bernardo. Classical. Score. 5 pages. Filipe Bernardo #741566. Published by Filipe Bernardo (A0.1141255). This Postlude is part of the NUMES collection, consisting of 7 works about 15 Hellenic deities. Postlude: Artemis Hegemone. The NUMES collection contains: * Sonatina * Sonata * Toccata * Intermezzo * Postlude * Quatro Cânticos sem Palavras [Four Canticles without Words] * Fantasia. The scores are elegantly and accurately typed. The notation, from the positioning of the notes, passing through the direction of the stems, and reaching legatos that do not cross staves and barlines, seeks to be clear and intuitive. The form is evidenced by the bar numbering placed at the beginning of the main phrases. And the use of double barlines is restricted to section changes, not tonal changes, as in older notations. Dynamics are not structuring and therefore are not prefixed. And each score is preceded by an epigraph that situates the general character of the music, whose tempo is indicated by the name of the Divinity.

Guitar - Level 3 - Digital Download SKU: A0.985307 By The Chainsmokers. By Andrew Taggart, Chris Martin, Guy Berryman, Jonny Buckland, and Will Champion. Arranged by Jaan Varts. Pop. Guitar Tab. 62 pages. Jaan Varts #5742829. Published by Jaan Varts (A0.985307). Something Just Like This by The Chainsmokers & Colplay arranged for 3 guitars (rhythm, melody & rhythm 2). If you´re a beginner then the key to playing this arrangement is simplification - skip the small details and focus on the most essential stuff. The more advanced level = more details. I´ll cover it below for every part. The form and key is 100% the same as original so you can play along with the actual song. Share, like and subscribe if you enjoy this. More songs coming soon, so say tuned:)   -------------------------------------------------------------------------------------------------------------------------- The song is bult on G-A-Bm progression and the chords are played throughout the song.   1) Rhythm Rhythm part of Something Just Like This by The Chainsmokers & Colplay arranged for 3 guitars (rhythm, melody & rhythm 2). This is the easiest part of the arrangement. If you´re a beginner then start from here. It´s just variations of G-A-Bm chord progression with different rhythms and in different positions.   2) Melody Melody part of Something Just Like This by The Chainsmokers & Colplay arranged for 3 guitars (rhythm, melody & rhythm 2). As usual, the melody is the hardest part, since it features lots of slides and legatos. The chorus part features some funky rhythm playing as well. If you´re a beginner, then simplify as much as ou can – leave out all the embelishments, play simpler rhythms, leave out notes when there are more than one note played at a time etc etc.   3) Rhythm 2 Rhythm 2 part of Something Just Like This by The Chainsmokers & Colplay arranged for 3 guitars (rhythm, melody & rhythm 2). A little trickier rhythm part features some fingerstyle playing, also hiting the guitar as a drum. The strumming patterns are quite easy, but try to get a steady drum-like beat going on. In the choruses there are some power chords and in the ending we have some riffs as well.

Solo Guitar - Level 3 - Digital Download SKU: A0.985306 By Luis Fonsi and Daddy Yankee. By Erika Ender, Luis Fonsi, and Ramon Ayala. Arranged by Jaan Varts. Latin. Individual part. 16 pages. Jaan Varts #5719577. Published by Jaan Varts (A0.985306). Despacito by Luis Fonsi and Daddy Yankee arranged for 3 guitars (rhythm, melody & bass).This one came out a little trickier than I first expected, so there´s something to learn regardless of your playing level. This song is a good introduction to caribbean feel and groov.If you´re a beginner then the key to playing this arrangement is simplification - skip the small details and focus on the most essential stuff. The more advanced level = more details. I´ll cover it below for every part.Bass (the easiest part)The harmony of the song is Bm-G-A-D, one chord per bar. The bass is playing mostly rhythmic variations on the chord triads. If the main part is too difficult, then focus on just the first notes of the bars. Also take one groov at a time - you can use one groov throughout the song. When you feel confident with the one groov then take another one.If you want to see only the bass part, then click here: https://youtu.be/AfR3KnmemfERhythm (intermediate)The rhythm part features the same four chords - Bm-G-A-D on different positions and with different grooves. If you need to simplify then use open position chords and use one groove at a time.If you want to see only the rhythm part, then click here: https://youtu.be/mxT1ZLqmqzIMelody (advanced)The melody features lots of triplets and syncopations. When you´re a beginner, then just try to imitate the rhythm - you don´t have to play all the notes & rhythms. The same goes to all the legatos, slides and other embellishments.If you want to see only the melody part, then click here: https://youtu.be/A0gBfkV-F7o

Piano Solo - Level 4 - Digital Download SKU: A0.1143765 By Filipe Bernardo. By Filipe Bernardo. Classical. Score. 12 pages. Filipe Bernardo #744083. Published by Filipe Bernardo (A0.1143765). Lares is a brief suite of three pieces that present scenes common in Brazilian homes: 1.Dança de roda (Circle dance) 2.Casal à luz da Lua (Couple in the moonlight) 3.Quixote, o boneco aventureiro (Quixote, the adventurous doll).The scores are elegantly and accurately typed. The notation, from the positioning of the notes, passing through the direction of the stems, and reaching legatos that do not cross staves and barlines, seeks to be clear and intuitive. The form is evidenced by the bar numbering placed at the beginning of the main phrases. And the use of double barlines is restricted to section changes, not tonal changes, as in older notations. Dynamics are not structuring and therefore are not prefixed.

Chamber Orchestra - Level 4 - Digital Download SKU: A0.764295 By Ed Sheeran. By Ed Sheeran. Arranged by Kováts István. Pop. Score and parts. 10 pages. Kovats Istvan #3684133. Published by Kovats Istvan (A0.764295). First I've made an arrangement for my String Quartet, this is a version with solo Tenor-Saxophone and String Quartet accompaniment. The string parts have bowings, legatos, dynamics and rehearsal marks A, B, C, etc. to help and to speed up the learning process. Just count, respect the bow directions and You're done. It's a beautiful song and it sounds great with solo Saxophone. (mp3 sample is coming hopefully in the next days)Enjoy it!Tip: In the cello part the double notes can be ignored, if you want you can play only the lower notes (with doubles sounds much better, it worths studying a little more)For more info, contact, etc. visit my Facebook page here: https://www.facebook.com/kovatsmusicGive it a thumbs up, thanks :).

Piano Solo - Level 3 - Digital Download SKU: A0.1141254 By Filipe Bernardo. By Filipe Bernardo. Classical. Score. 2 pages. Filipe Bernardo #741565. Published by Filipe Bernardo (A0.1141254). This Intermezzo is part of the NUMES collection, consisting of 7 works about 15 Hellenic deities. Intermezzo: Eirene. The NUMES collection contains: * Sonatina * Sonata * Toccata * Intermezzo * Postlude * Quatro Cânticos sem Palavras [Four Canticles without Words] * Fantasia. The scores are elegantly and accurately typed. The notation, from the positioning of the notes, passing through the direction of the stems, and reaching legatos that do not cross staves and barlines, seeks to be clear and intuitive. The form is evidenced by the bar numbering placed at the beginning of the main phrases. And the use of double barlines is restricted to section changes, not tonal changes, as in older notations. Dynamics are not structuring and therefore are not prefixed. And each score is preceded by an epigraph that situates the general character of the music, whose tempo is indicated by the name of the Divinity.

Brass Ensemble Horn - Level 1 - Digital Download SKU: A0.931261 Composed by Johannes Brahms. Arranged by Alessandro Macrì. Concert,Graduation,Instructional,Romantic Period,Standards. Score and parts. 10 pages. Music Macri Editions #5801363. Published by Music Macri Editions (A0.931261). Johannes Brahms – Variazioni su un tema di Haydn op.56Le Variazioni op.56 sono un momento fondamentale nell’evoluzione creativa di Johannes Brahms come compositore sinfonico, lo proiettano infatti verso la prima sinfonia; di questa, il primo movimento era già pronto da qualche anno ma si trovava relegato in un cassetto a causa del timore reverenziale nell’affrontare quel modello classico.Le Variazioni sul tema di Haydn, scritte nella duplice versione per due pianoforti e per orchestra, appaiono espressioni di un unico momento creativo dato il breve lasso di tempo intercorrente tra l’una e l’altra; la versione per due pianoforti, inserita in catalogo dallo stesso autore come Opus 56b, viene eseguita a settembre del 1873 con Clara Schumann, quella per orchestra il 2 novembre 1873, con Brahms alla direzione della Filarmonica di Vienna. La versione orchestrale è quella oggi più conosciuta e molto più spesso eseguita.L'arrangimento, si basa sul Corale di Sant’Antonio, composizione per ensemble di fiati, all’epoca attribuita erroneamente a Franz Joseph Haydn ed ancora oggi di origine incerta; i fiati e il pizzicato degli archi esaltano il suo carattere corale. Il tema è impostato su due periodi asimmetrici, entrambi con ripetizioni segnate da ritornelli: il primo periodo presenta due frasi di cinque battute ciascuna, il secondo è costituito da uno sviluppo in otto battute, una ripresa di quattro battute e un finale di sette. Il tema è chiuso da un accordo ripetuto.

Piano Solo - Level 5 - Digital Download SKU: A0.1349351 By Danny Elfman. By Danny Elfman, John L. Nelson, and Prince R. Nelson. Arranged by David McCaulley. 20th Century,Contemporary,Film/TV. Score. 3 pages. David McCaulley #934102. Published by David McCaulley (A0.1349351). Danny Elfman's music for Tim Burton's Batman is dark, menacing, and truly incredible. But what happens when the masked vigilante wins the day? In this cue, Elfman's music takes a most triumphant turn towards optimism and hope, yet with a dark and mysterious undertone to end the film. This advanced piano arrangement aims to capture the glorious triumph of this cue (as well as the light and introspective moments) with rich and thick blocked chords, sweeping arpeggios, and tender legatos and rolled chords.

Piano Solo - Level 3 - Digital Download SKU: A0.936650 By System of a Down. By Daron Malakian and Serj Tankian. Arranged by Rocio Martinez-Lopez. Metal,Rock. Score. 8 pages. Rocio Martinez-Lopez #6690835. Published by Rocio Martinez-Lopez (A0.936650). A powerful alternative rock song that shows a wide range of performative skills. From soft legatos to power octaves and double notes.For Grades 6+7 pages.