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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1224901 Composed by Thomas Adams. Arranged by Andrew Lamb. 19th Century,Chamber,Christian. 19 pages. Andrew Lamb #821016. Published by Andrew Lamb (A0.1224901). Title: 3 Pieces by Thomas AdamsComposer: Thomas Adams (1785-1858)Arranger: Andrew LambDescription: This is a transcription of 3 pieces by Thomas Adams (1785-1858).PreludeOvertureAndante PastoraleThomas Adam was an English composer, born in London in 1785. He was born to a family of musicians and began his musical journey as a choirboy at St. Paul’s Cathedral. He later became the organist at St. Anne’s Church in Soho, where he cultivated his skills in composition.Adams was a prolific composer, and his works incorporate a variety of musical styles and genres. He is known for his choral music, hymns, and anthems, which were popular in both the Anglican and Nonconformist churches.Adams also worked as a music publisher and was the proprietor of the music shop Adams and Co. in London. He was a founding member of the Royal Society of Musicians and received the honour of being appointed the organist of the Chapel Royal in 1836.Despite his many accomplishments, Adams’s music has largely fallen out of favour and is rarely performed today. Nonetheless, his contributions to English choral music and his legacy as a respected musician within his community continue to be remembered. Adams passed away in 1858.
3 Pieces by Thomas Adams
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$20.00 17.09 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1100258 Composed by Christian Morris. Christmas,Contemporary. Octavo. 17 pages. Hoopla Sheet Music #704131. Published by Hoopla Sheet Music (A0.1100258). A Christmas Hymn to the Virgin Mother. For use in church services and Christmas concerts. Duration: c. 4.30 minutes. For more information about the composer, please visit: http://christianmorris.net/ Mid-fifteenth century text adapted by Fr Paul Thomas: Sing we to this merry company: Regina caeli, laetare! Holy Maid, blessed thou be; The Son of God is born of thee, The Father of Heaven, thus live we: Regina caeli, laetare! Sing we to this merry company: Regina caeli, laetare! Thou art Empress of Heaven, free; (wholly, fully) Now art thou Mother in majesty, Knitted into the blessed Trinity: Regina caeli, laetare! Sing we to this merry company: Regina caeli, laetare! Hail wife, hail Maid, bright of hue! Hail daughter, hail sister full of pity! Hail cousin to the Persons Three! Regina caeli, laetare! Sing we to this merry company: Regina caeli, laetare! Lo, this courteous King of high degree Would be thy son with solemnity: Mary mild, this is thy fee (reward) Regina caeli, laetare! Sing we to this merry company: Regina caeli, laetare! Therefore kneel we on our knee; Thy blissful birth now worship we With this song of melody: Regina caeli, laetare! Sing we to this merry company: Regina caeli, laetare!
Sing We To This Merry Company
Chorale SATB

$4.99 4.26 € Chorale SATB PDF SheetMusicPlus

String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
The Edmund Fitzgerald - Concerto for Piano and Strings
Orchestre à Cordes

$9.99 8.54 € Orchestre à Cordes PDF SheetMusicPlus

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1314616 By The Beatles. By George Harrison, John Lennon, Paul McCartney, and Richard Starkey. Arranged by Chris Gorman. Pop,Rock. Brass Band. 32 pages. Chris Gorman #903370. Published by Chris Gorman (A0.1314616). John Lennon wrote Now and Then in the late 1970s, and recorded a demo in 1977 at his home at The Dakota in New York City. The lyrics are typical of the apologetic love songs that Lennon wrote in the latter half of his career. For the most part, the verses are nearly complete, though there are still a few lines that Lennon did not flesh out on the demo tape performance. Writing for the Los Angeles Times, Stephen Thomas Erlewine called Lennon's composition a wispy, melancholy ballad, while Billboard's Kyle Denis described the song as a lovelorn guitar-centric rock ballad. This arrangement follows closely to the authorised version played by Paul McCartney, Ringo Starr  and friends,  and will be a great addition to the Brass Band Library.
Now And Then
The Beatles
$35.00 29.9 € PDF SheetMusicPlus

Guitar - Intermediate - Digital Download SKU: M0.31129MEB World. Folk. Ebook and online audio. 57 pages. Mel Bay Publications - Digital Sheet Music #31129MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.31129MEB). ISBN 9781513476896. 8.75X11.75 inches.The name of this book is no exaggeration. It includes some of the most gorgeous music that the authors El McMeen and Sandy Shalk know. To make things even more interesting, none of the music was originally written for guitar.In addition to Celtic favorites, El includes his arrangements of two of the most beautiful arias in all of opera: Che Gelida Manina from Puccinis La Boheme and My Heart at Thy Sweet Voice ôMon Coeur Souvre ? ta Voixö from Samson and Delilah by Camille Saint-Sa?ns. Sandys contributions range from Celtic to French love songs to Stephen Foster, manifesting Sandys gift for chordal subtleties and innovation.Each piece is in either standard tuning EADGBE or Drop D tuning DADGBE .Written in standard notation and tablature with computer generated audio files of each arrangement.
Gorgeous Melodies for Fingerpicking Guitar
Guitare

$17.99 15.37 € Guitare PDF SheetMusicPlus


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