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Clarinet quartet Clarinet - Level 3 - Digital Download SKU: A0.532820 Composed by Jules Demersseman. Arranged by Paul Wehage. Christian,Contemporary,Romantic Period,Sacred,Wedding. 24 pages. Musik Fabrik Music Publishing #38025. Published by Musik Fabrik Music Publishing (A0.532820). Jules Demersseman was born on January 9, 1833 in Hondschoote, a small town in the north of France now near the border of Belgium. He entered the Paris Conservatory in 1844 in the class of Jean-Louis Tulou and won a first prize in flute in 1845. Demersseman had a career as a pedogogue and soloist, often performing his own compositions. A close friend of Adolphe Sax, he wrote some of the first works ever written for the saxophone, as well as for the saxhorn and for Sax‘s valved trombone, most of which were published by Sax himself.. Demersseman died in Paris on December 1, 1866 at the age of 33. Two versions of this work were published by the Adolphe Sax puublishing company: a version for voice and organ and a version for voice with Alto Saxophone, Sax Valved Trombone and Bass Saxhorn, an interesting combination which is perhaps not as easy to find as it was in Sax's showroom, where the piece was likely performed to show the qualities of Sax's instruments. These versions are also published by Musik Fabrik in seperate editions. This current version was arranged using the first edition of the trio version as its source, and the saxophone and voice parts remain essentially as in the original, with some editorial dynamic changes. The version may be performed in three possible ways: either as a piece for Clarinet Quartet, as a work with Voice and Clarinet Trio, or as a work with Voice and clarinet quartet, with Clarinet 1 doubling the voice. A voical part (in C) is included with the set.
Jules Demersseman : Ave Maria for 3 Bb clarinets and bass clarinet (or medium voice, 2 Bb clarinets
Quatuor de Clarinettes: 4 clarinettes

$12.95 11.25 € Quatuor de Clarinettes: 4 clarinettes PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.532821 Composed by Jules Demersseman. Arranged by Paul Wehage. Christian,Contemporary,Romantic Period,Sacred. 24 pages. Musik Fabrik Music Publishing #38027. Published by Musik Fabrik Music Publishing (A0.532821). Jules Demersseman was born on January 9, 1833 in Hondschoote, a small town in the north of France now near the border of Belgium. He entered the Paris Conservatory in 1844 in the class of Jean-Louis Tulou and won a first prize in flute in 1845. Demersseman had a career as a pedogogue and soloist, often performing his own compositions. A close friend of Adolphe Sax, he wrote some of the first works ever written for the saxophone, as well as for the saxhorn and for Sax‘s valved trombone, most of which were published by Sax himself.. Demersseman died in Paris on December 1, 1866 at the age of 33. Two versions of this work were published by the Adolphe Sax puublishing company: a version for voice and organ and a version for voice with Alto Saxophone, Sax Valved Trombone and Bass Saxhorn, an interesting combination which is perhaps not as easy to find as it was in Sax's showroom, where the piece was likely performed to show the qualities of Sax's instruments. These versions are also published by Musik Fabrik in seperate editions. This current version was arranged using the first edition of the trio version as its source, and the saxophone and voice parts remain essentially as in the original, with some editorial dynamic changes. The version may be performed in three possible ways: either as a piece for SATB Saxophone Quartet, as a work with Voice and ATB Trio, or as a work with Voice and SATB saxophone quartet, with the Soprano saxophone doubling the voice. A voical part (in C) is included with the set.
Jules DEMERSSEMAN Ave Maria for SATB Saxophone Quartet (or Voice and ATB Saxophone Trio)
Quatuor de Saxophones: 4 saxophones

$12.95 11.25 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.534438 Composed by Jules Demersseman. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 19 pages. Musik Fabrik Music Publishing #3493579. Published by Musik Fabrik Music Publishing (A0.534438). One of the first original compositions written for the saxophone, by one of Sax's closest associates. Jules Demersseman was born on January 9, 1833 in Hondschoote, a small town in the north of France now near the border of Belgium. He entered the Paris Conservatory in 1844 in the class of Jean-Louis Tulou and won a first prize in flute in 1845. Demersseman had a career as a pedogogue and soloist, often performing his own compositions. A close friend of Adolphe Sax, he wrote some of the first works ever written for the saxophone, as well as for the saxhorn and for Sax‘s valved trombone, most of which were published by Sax himself.. Demersseman died in Paris on December 1, 1866 at the age of 33. The work is in the form of a long lyrical episode punctuated with more florid passages which serve as counterpoint  to the main melody.. It is important to listen to vocal performances in this style, especially in performing the solo cadenzas, which (in spite of the notation) are not necessarily meant to be performed as virtuoso effects., but rather as a means of displaying expression and beautiful tone.
Jules Deersseman: Sérénade, Opus 33 for alto saxophone and piano
Saxophone Alto et Piano

$11.95 10.38 € Saxophone Alto et Piano PDF SheetMusicPlus

Handbell - Level 3 - Digital Download SKU: A0.1307875 Composed by Nicholas Jacques Lemmens. Arranged by Paul W. Allen - Bronze:FX. 19th Century,Classical,Romantic Period,Wedding. Score. 8 pages. Bronze:FX #897135. Published by Bronze:FX (A0.1307875). “Endless Fanfare†is a transcription of an original organ toccata composed by the Parisian organist Nicolas Jacques Lemmens. In the style of a French suite, this piece may be condensed or expanded to fit nearly any performance situation. Played quickly and without repeats, it builds to a satisfying climax. Taken at a more moderate tempo and with all repeats (including an unwritten but implied optional DC from the end of measure 78), “Endless Fanfare†may continue forever.The arrangement is for full choir using 3, 4, 5, or 6 octaves of handbells, and the piece is Level 3 when played with a full complement of ringers.All stopped sounds are left to the director's discretion, depending on the performance context and personal taste. The bass must provide a solid foundation, but never be overbearing. Plucked sounds would create a sharp accent and quick decay; malletted sounds should be much softer; martellati would be quite harsh.Exceptional skill and endurance is required of the F5+G5 and A5+B5 ringers, who must maintain a contant but subtle off-beat pulse throughout.The tempo must remain steady and without rubato, until the final two measures.Performance time:  4 minutes.
Endless Fanfare
Cloches

$2.95 2.56 € Cloches PDF SheetMusicPlus






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