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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.871088 Composed by Paul Jones. Contemporary,Sacred. Score. 3 pages. Paul S. Jones #3559965. Published by Paul S. Jones (A0.871088). This celebrated hymn text by the hymn writer, Frances Havergal, is given an entirely new tune and setting in this lovely vocal solo by Dr. Paul Jones. Suitable for all sacred/ecclesiastical occasions or as a vocal recital piece; would also work well for a minister's installation service, missionary commissioning or any kind of dedicatory service. Offered on SMP in High and Med-Low keys. Performer should purchase two copies. 3 minutesPerformance demo is Branch Fields, bass from his album, Be Thou My Vision (2021).
Take My Life, and Let It Be (Med/Low)
Piano, Voix

$4.50 3.86 € Piano, Voix PDF SheetMusicPlus

Cello,Flute,Violin - Level 4 - Digital Download SKU: A0.1370192 By Paul Burnell. By Johann Strauss Jr. Arranged by Paul Burnell. 19th Century,Classical. 15 pages. Paul Burnell #954606. Published by Paul Burnell (A0.1370192). Tritsch-Tratsch-Polka, Op. 214, by Johann Strauss II.  Arranged by Paul Burnell for flute, violin and violoncello.Duration 2:40This arrangement is transposed from the original key.Programme note:Tritsch-Tratsch-Polka was composed by Johann Strauss II and first performed in Vienna on 24 November 1858.'Tritsch-Tratsch' (chit-chat) refers to the Viennese enthusiasm for gossip.  Strauss may also have been referencing the burlesque 'Der Tritschtratsch' by the Austrian playwright and actor Johann Nestroy, which premiered in 1833 and was still in the stage repertoire when the polka was written.
Tritsch-Tratsch-Polka, arranged for trio: flute, violin, 'cello - Score and Parts
Paul Burnell
$2.99 2.57 € PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.1049004 Composed by An-lun Huang. 20th Century,Classical,Contemporary,Multicultural,Traditional,World. Score and parts. 61 pages. DoReMi Edition #653398. Published by DoReMi Edition (A0.1049004). Chinese Rhapsody No.3 was composed e in Toronto, Canada , 1988. Huang dedicated the piece to the Canadian Saxophonist Paul Brodie who premiered it in Parry sound of Ontario in the same year. Written in Saibei Folk Style, the music is divided into 5 movements without stop. As usual, Huang didn‘t use any folk song . But the typical taste of Huang’s “Zhang Jia Kou[張家å£] accent†is pretty easy to be identified. With the concert virtuosity, the 1st movement is composed as an emotional Cadenza which expresses the profound affections to the land of Saibei. Using the same Alto Sax., the lyric 2nd movement is followed by a folk dance, the 3rd movement. Chang to a Soprano Saxophone, the 4th movement is sound like a dreamy nocturne which is interrupted by the percussions of the fiery 5th movement. The whole Rhapsody ends on a climax of the Chinese Northern west “wind and percussion “styleâ€. Brodie found more than 300 trills in this piece. Perhaps this is the key to perform the music in real Chinese style. Huang has composed 5 versions of these pieces for different ensembles: saxophone solo with piano, or strings, or winds/brasses, or Chinese traditional orchestra, or symphony orchestra. The attached mp3 was performed by the German saxophonist Jurgen Demmler with pianist Peter Grabinger in 1996. Duration: 20’.
CHINESE RHAPSODY No.3 For Saxophone and Full Orchestra, Op.46(1988) [score】 - Score Only
Orchestre

$19.99 17.16 € Orchestre PDF SheetMusicPlus






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