Concert Band - Level 1 - Digital Download SKU: A0.998359 Composed by Aaron Fonzi. Christmas,Contemporary,Folk,Standards. Score and parts. 25 pages. Aaron Fonzi #4834971. Published by Aaron Fonzi (A0.998359).      This lyrical piece is a delightful way to introduce your young band to ballad style. Exploring slurs, accents, dynamics, caesuras, ritardandos and more, you'll be shocked by how sophisticated this beautiful piece sounds while using only a limited number of notes.      Written to convey the playful innocence of a child dreaming, In Your Slumber balances the calm of a starry sky with the imagination and adventure of a child's mind at rest. Simple and elegant, the lullaby played by the flutes in the beginning gives way to an imaginative variation on the theme by the trumpets and clarinets at B. Gentle, pulsating tenutos in the harmonizing chords underneath are symbolic of relaxed, rhythmic breathing underlying the musical thoughts flowing by above them. Just as in dreams we seldom have control of which direction the story may go, D takes us somewhere else musically and implies a build to a false climax. At E, we are greeted with the quiet sounds of the night once more, but this time our imagination runs wild as the music builds to the climax of the piece at F. This powerful proclamation of the melody is concluded with a gentle final statement in the flute and clarinet, and the piece concludes with the final twinkle of the stars as the sun rises for a new day.Full of imagination, beauty and teachable moments throughout, I hope that you and your students can enjoy and appreciate this piece for it's simple beauty as I do. Onward!~Aaron FonziREHEARSAL NOTES:1. The clarinet part should be a very light drone creating atmosphere at the beginning- the same goes for the clarinet and saxophone at rehearsal E.2. It's easy to get too loud too soon in this piece, so remind your students to have patience. F is the climax of the piece, but many young students will want to play C as if it is. Similarly, be sure to balance the trumpet/ clarinet and the flute/ oboe/ bells at C so both lines come out evenly.3. Take your time in measure 48- we want to naturally fade away and pause before going on at rehearsal E. This increase and decrease in energy is a characterization of the ebb and flow of the piece.4. At F, there are 3 important parts that must be balanced: flute/oboe/bells; trumpet/clarinet; alto saxophone/horn. For best results, balance these 3 parts, and encourage the alto/horn line to play out a bit more than they think they need to. They are the new part which must be heard here.5. Have fun and use your imagination in terms of expressing the music- ask your students what it makes them think of and create a story to go along with it. Let this ultimately guide your interpretation. I am consistently impressed with the creative ideas my students come up with, so let them decide how the music should sound with their own stories. In your slumber, anything is possible!

Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1380601 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spiritual. 169 pages. Kevin G. Pace #965379. Published by Kevin G. Pace (A0.1380601). Sacred Anthems for Choir volume 3 is a collection of 21 sacred choral compositions with piano accompaniment. Music composed by Kevin G. Pace. Text by Mark R. Fotheringham.This music could be used by any Christian choir. Though written from the perspective of the Church of Jesus Christ of Latter-day Saints, the themes in many of these compositions are non-specific to any single creed,praising God and His Son, Jesus Christ, with unique fervor and beauty appropriate for any congregation.Titles:Come and SeeGethsemane, Garden Lovely The Prisoners Shall Surely Go Free Lord, Humbly I Come To Thee Now, TTBB Lord, Humbly I Come To Thee NowThe Dark GardenAll Wisdom, Grace and GloryInto the WindWaiting for Sunrise Let Thy Holy Spirit Guide, revised 2023Holy Father, I PrayBlessed Be God When We Call Sing to the Lord Dearest Savior Every Tongue Ye Are As a Fruitful FieldEver Saints Await Thee What Can I Offer? Where Would We Go Without You? Lead Us On To Victory!

Piano Solo - Level 3 - Digital Download SKU: A0.761942 Composed by Louis Landon. Concert,Contemporary,Instructional,Standards. Score. 12 pages. Landon Creative, Inc. #6341201. Published by Landon Creative, Inc. (A0.761942). Freedom is about letting go. It's about flow. It's about being in the moment and living life to the fullest. It's about living with an open heart and feeling all there is to feel as a human being including higher emotions which need to be cultivated. It's about living without fear. It's about Consciousness and Awakening. When I sit down to compose, I have to completely free myself to allow for creation to take place.Freedom took me in a new direction. This is the sheet music for Freedom, from the Solo Piano Space Traveler album, and was released on August 5, 2019. Recorded at the Peace Palace from February - April, 2019. You can listen to the song by streaming on Spotify, Apple Music, and Pandora Radio You can also download the recording iTunes, Amazon, and Bandcamp.. Music mastering: Joe Bongiorno at Piano Haven Studio, Sedona, AZ Cover photo: NASA Cover art: DanLevin.com All music published by Landon Creative, Inc. BMI All music produced, arranged, composed & performed by Louis Landon.

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.818201 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple. Praise & Worship,Sacred. Score. 20 pages. Stephen R Dalrymple #3070435. Published by Stephen R Dalrymple (A0.818201). Be With Me Today - original song by Stephen R Dalrymple (Worship Team Edition) CCLI Song # 7142179 music © 2005 (copyright registered in 'Sacred Songs 2000-2005’ collection) recording ℗ 2022 Stephen R Dalrymple presentation © 2022 Stephen R Dalrymple sequenced by the composer based on Colossians 1:26-27 and Galatians 5:23-23 ♫ I was driving to school to begin a new job teaching in a public school in a new town. I was praying to be aware of God’s presence as I began my day. As I meditated on God’s presence, the words of this song began to come to mind. I pulled to the side of the road, found an old envelop, drew a staff and began writing. ♫ We are told the heavens cannot contain God; God is spirit; and there is nowhere we can go to escape His presence. Thus, every inhabitant on earth is continually within God’s physical presence. On the other hand, we are urged to ‘come into His presence.’ Also, Christ’s presence is continuously available to us through the presence of the Holy Spirit. Experiencing the presence of God is an act of the will, an act of faith. Remembering and experiencing His presence is life changing for everyday life. We are in His presence at work and school, at the market and while we are driving, in sorrow and in pleasure, in danger and in peace. ♫ I think of God’s presence when I lap swim. I cannot float in the air, but I can float in water. Just as the water of the swimming pool surrounds me and holds me afloat, so God’s presence is constantly surrounding and supporting me every moment of every day. ♫ This .pdf file includes 1) labeled copies for up to 7 printed copies of the lead sheet for worship team use, 2) vocal line with piano accompaniment, 3) lead sheet for 10 inch tablet, and vocal line with piano for 10 inch tablet. (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose parts you wish to print).

Concert band - Grade 1 - Digital Download SKU: IZ.CBS163-S Composed by Martin J. Wimmer. Score. 10 pages. Imagine Music - Digital #CBS163-S. Published by Imagine Music - Digital (IZ.CBS163-S). 9 x 12 in inches.March of the Shadows is a Grade 1 1/2 work for second-year elementary band. As a veteran elementary band director,I am keenly aware of what students are able to accomplish at this level. March of the Shadows is a fun, slightlychallenging, and completely achievable work. It is a work that would be useful at the beginning of the school yearwhen it feels too summery to begin holiday music. March of the Shadows would be perfect for a Halloween orAutumn Concert.March of the Shadows begins with a whistle! It calls the show by announcing each new section of the piece. (Astudy of form.) It even reacts to a momentary modulation. The whistle part has all sorts of fun staging potential,including having it played by the director! The initial whistle is followed by a percussion introduction which sets thebeat. Seven percussion parts, three of them optional, have been included so that everyone in a large percussionsection will be kept engaged and out of trouble! The body of the work includes two alternating themes, one dark andshadowy in minor, the other bright, heroic and slightly syncopated in major. Every part gets the melody at somepoint, even the low brass and woodwinds! Ranges are all standard for early second-year band players, i.e. clarinetsdo not go over the break, trumpets do not go higher than middle line B, the snare drum part is sprinkled with basicrudiments such as flams and paradiddles. Even the horn gets a crack at the tune! Every part is fun, interesting andeducational.

Concert band - Grade 1 - Digital Download SKU: IZ.CBS163 Composed by Martin J. Wimmer. Score and Parts. 26 pages. Imagine Music - Digital #CBS163. Published by Imagine Music - Digital (IZ.CBS163). 9 x 12 in inches.March of the Shadows is a Grade 1 1/2 work for second-year elementary band. As a veteran elementary band director,I am keenly aware of what students are able to accomplish at this level. March of the Shadows is a fun, slightlychallenging, and completely achievable work. It is a work that would be useful at the beginning of the school yearwhen it feels too summery to begin holiday music. March of the Shadows would be perfect for a Halloween orAutumn Concert.March of the Shadows begins with a whistle! It calls the show by announcing each new section of the piece. (Astudy of form.) It even reacts to a momentary modulation. The whistle part has all sorts of fun staging potential,including having it played by the director! The initial whistle is followed by a percussion introduction which sets thebeat. Seven percussion parts, three of them optional, have been included so that everyone in a large percussionsection will be kept engaged and out of trouble! The body of the work includes two alternating themes, one dark andshadowy in minor, the other bright, heroic and slightly syncopated in major. Every part gets the melody at somepoint, even the low brass and woodwinds! Ranges are all standard for early second-year band players, i.e. clarinetsdo not go over the break, trumpets do not go higher than middle line B, the snare drum part is sprinkled with basicrudiments such as flams and paradiddles. Even the horn gets a crack at the tune! Every part is fun, interesting andeducational.

Piano Solo - Intermediate - Digital Download By Michael Buble. Arranged by Mario Stallbaumer. 5 pages. Published by Mario Stallbaumer

Full Orchestra - Level 5 - Digital Download SKU: A0.1091551 Composed by George Gershwin. 20th Century,Classical,Film/TV,Jazz. Score and parts. 253 pages. Szüts Apor #695728. Published by Szüts Apor (A0.1091551). In 1930, George Gershwin, together with his brother Ira, was invited to go to Hollywood to provide the music for the film Delicious. He spent seven weeks on the score only to find that just four songs (Blah, Blah, Blah; Delicious; Katinkitschka; Somebody from Somewhere), a five-minute Dream Sequence and one minute from a six-minute orchestral sequence called New York Rhapsody would be incorporated in the film. When he went back to New York in February 1931, George had decided to use the material from the six-minute sequence to work into a concert piece and had sketched some of it. Some of the material was jettisoned: the Manhattan Rhapsody opens with the main romantic theme in 6/8 time arranged for piano and solo cello. The rest of the film sequence was radically rearranged and rescored. Gershwin completed the fourteen-minute piece by May. The new work was titled Rhapsody in Rivets during his sketching, but later he could not decide between New York Rhapsody and Manhattan Rhapsody. George Gershwin settled on Second Rhapsody.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.818011 Composed by Camille Saint-Saens. Arranged by Matt Lax. Children,Romantic Period. 10 pages. Matthew Lax #3053967. Published by Matthew Lax (A0.818011). The Elephant from Saint-Saens Carnival of the Animals. A feature for bass clarinet accompanied by the rest of the wind quintet. Transposed to make it most suitable for the bass clarinet this arrangement tests the range of the bass both right down to low C# and into upper registers in the middle to give a striking contrast in tone. There are a couple of places where some bars may need to be taken up the octave if  your bass clarinet doesn't go down to low C# but don't let this stop you - it will still sound great.The accompanying parts are straight forward and would suit an intermediate ensemble.Check out my other publications here:http://www.sheetmusicplus.com/publishers/matthew-lax/5267If you like my arrangement please let me know by submitting a review.Thank you.

Instrumental Duet,Piano Bass Trombone,Instrumental Duet,Piano,Tenor Trombone - Level 5 - Digital Download SKU: A0.1397728 Composed by Uriel Imriffnol. Chamber,Classical,Contemporary. 33 pages. Songburd Music #981013. Published by Songburd Music (A0.1397728). Babel was a city full of riches, gods, power, and strength,  However, their arrogance, pride and sin led them away from God's plan.  It was then that they decided to build a giant towner that would reach to heaven, contradicting God's promise that He would not destroy the earth again with a flood.  They did not care, and God came down to confuse their tongues, preventing the tower from being finished.Come, let us go down and confuse their language, so that they may not understand one another's speech. - Genesis 11:7.

Full Orchestra - Level 4 - Digital Download SKU: A0.994719 Composed by Darian Stavans. 20th Century,Contemporary,Standards. Score and parts. 66 pages. Music Studio #4321783. Published by Music Studio (A0.994719). Noir et Blanc.Noir et Blanc - Orchestral Score / Album Noir et Blanc by Darian Stavans.Noir et Blanc is a work that was totally conceived for orchestra. As we listen to the album we are intrigued, for the only element lacking is the contrast suggested by the title. Why? The answer is that contrasts do not exist. They are simply the furthermost points in a grayscale that when displayed like a fan shows these extremes and therefore their contrasts. The deeds and acts that flow inside our mask of power come and go in nostalgic melancholy through pain and glory trickling like the water in a brook, where tenderness meets madness. Sometimes everything seems the same even though each element acts differently. This album speaks about that intriguing grayscale and the powerful force that lets it plunge into the depths of human essence and the soul. In the face of facts, seemingly distinct and at the same time so alike, only courage will prove out their differences and make us dare call out the Noir et Blanc, the Black and White, but until that moment comes things will appear to flow in a grayscale. Orchestral work.64 pages.Duration: 39:00Website: www.darianstavans.comemail: darianstavans@gmail.comYouTube Channel: https://www.youtube.com/user/darianstavans/Facebook: https://www.facebook.com/Darian.Stavans1.