Voice (SSAA) - Level 4 - Digital Download SKU: A0.762506 By Blondie. By Howard Barrett, John Holt, and Tyrone Evans. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Barbershop Quartet. 6 pages. Rowena Harper #6341465. Published by Rowena Harper (A0.762506). Pop with a dash of reggae rhythm, and of course you can add percussion as you please! This is a fun arrangement of the Blondie cover which includes a fair dash of bass melody with three part rhythmic overlay, and a baritone feature utilising the trumpet line as their very own theme near the end which will require the leads to sing a simple harmony. Oodles of fun, although the rhythms change frequently - semiquavers to triplets - but give it a go! ;-)Range (Lowest-Highest): Bass G-E, Baritone C#-B, Lead B-D, Tenor G-G.Key = CThis price is for a set of parts (four copies). Available also as a per copy price - minimum 10 copies.(Note: This sheet music is notated in barbershop format: Tenor (S.1) and Lead (S.2) in treble clef , Baritone (A.1) and Bass (A.2) in bass clef. The bass clef parts are sung an octave higher than written.Contact: acappellatenor@gmail.com

Drum Set,Drums - Level 3 - Digital Download SKU: A0.928648 Arranged by Red*dio (Red Studio). Pop,Rock. Score. 3 pages. Red*dio #3378915. Published by Red*dio (A0.928648). This is a Drum Score for a song called Dear Friends by a band called Triplane a Japanese band. This sheet of song provide a learning experience of a combinations Quarter, Eighth, Sixteenth, Sixteenth Note Triplets exercises and it is good for intermediate learner. I highly recommend any beginner drummer to try this piece of song to test self-ability to go to the next step of learning.

Acoustic Guitar,Flute,Instrumental Duet - Level 2 - Digital Download SKU: A0.1387407 Composed by Gustavo Santaolalla. Arranged by Cade Gooley. Video Game. 13 pages. CadeVerse Music #971255. Published by CadeVerse Music (A0.1387407). This arrangement is adapted from the video game version of the main theme. It is meant to be highly faithful to the original composition, with the exception of shortening some breaks to keep the simpler arrangement in motion throughout. Time signature is 12/8 but can be though of in 4/4 with each quarter beat broken into triplets.Guitar part is in TAB. features mainly first position chords suitable for new fingerstyle students. Higher position chords do not go above the octave, making the part playable across a wide range of guitars.Flute part is faithful to the melody, with the bridge portion pulled from a textural-yet-audible woodwind part.PDF includes flute score and gutar tab separately, as well as combined.

Piano Solo - Level 3 - Digital Download SKU: A0.1318477 By Marlowe Haws. By Marlowe Haws. Arranged by Marlowe Haws. 21st Century,Classical,Contemporary,Film/TV,Halloween. Score. 3 pages. Marlowe Music Productions #907145. Published by Marlowe Music Productions (A0.1318477). A short, eerie song fitting for Halloween or a horror movie theme, intended as a piano solo. Not too difficult, probably intermediate level, though there's a mini run of sixteenth triplets in left hand at one point that might be difficult. This is an original composition I made when I was younger and I've polished it up a little. I recommend playing with a pedal and using dynamic phrasing as you go up and down the runs. Hope you enjoy.

Guitar,Piano,Vocal,Voice - Digital Download SKU: A0.942922 Composed by Rick Lee James. Arranged by Rick Lee James. Gospel,Praise & Worship,Rock. Score. 4 pages. Voices In My Head Productions LLC #6443759. Published by Voices In My Head Productions LLC (A0.942922). Shine A Light In The DarknessVerse 1You’ve been ignoring the truth you knowBeen a pretender for way too longYou’ve gotta be what you claim to beAre you a son of hell or a child of the KingVerse 2After the lies you said were trueThe compromise you waved on throughI know you’re wishing for something newBut The ancient roads are calling youYeah same old love is crying out to you sayingChorusWhere there is hatred let us loveWhere there is doubt let us trustWhere there is cursing let us blessLet us bravely walk through the shadow of deathShine a light in the darknessVerse 3You’ve burned bridges and destroyed the roadsThere’s nowhere left for you to goYou’ve held grudges and their dragging you downIf you don’t let go then you’re sure to drownBut it’s not too late to turn it all aroundBridgeIt’s time to let all the fighting ceaseTake up your cross and follow meCome on and see what see what love can bringThe lame to walkThe blind to seeThe deaf to hearThe mute to speakThe mourners cheerThe lepers cleanThe prisoners set freeTagShine a light in the darknessEndingShine a lightCCLI Song # 7177171Rick Lee James© James, Rick Lee

Piano - Digital Download SKU: A0.1066521 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 153. THEMIS KOUTRAS #4762731. Published by THEMIS KOUTRAS (A0.1066521). This is about the time when a cripple man lived in Solomon porch near a pool that a Angel came time day steering the water and the 1st one in that pool was healed from any problem but the cripple man had no one to put him in the pool each time he tried to get in someone would beet him in there so JESUS CHRIST saw him had grace mercy for him and healed him completely (read it in the gospel) anyway it is about today also that all water comes from the sky by rain when GOD rains i have prayed and anywhere found water anywhere everyone now can be healed by going in there not just the 1st one in but all who go in for a healing can now be healed by praying to GOD JEHOVAH TRINITY HOLY CREATOR OF LIFE so this song now means for today's times also for the future times also all now can be healed as we pray

Instrumental Duet Drums,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1013054 Composed by Christine Southworth. 20th Century,Contemporary,Jazz. Score and parts. 7 pages. Airplane Ears Music #5802089. Published by Airplane Ears Music (A0.1013054). Sharktooth Frenzy (2014, 4') solo pianist with snare drum and bass drum. For Danny Holt. Composed at The Hermitage Artist Retreat. I wrote Sharktooth Frenzy for Danny Holt in January 2014, while in residence at The Hermitage Artist Retreat in Manasota Key, Florida, a special place, paleotologically, because fossilized shark teeth from up to 50 million years ago wash up on the beach here every day. Around 50 million years ago, Florida was completely under the ocean, and layers of limestone accumulated to create the bed rock of Florida. Starting around 30 million years ago, as the Earth cooled, sea levels dropped and Orange Island emerged in what is now north central Florida. 10 million years later, in the Miocene period, tectonic activity forced uplift around Orange Island and Florida began to resemble the land mass it is today. The coastal area was still covered by a shallow sea, but land animals lived inland. Further north the Appalachian Mountains were forming and sediment was flowing into Florida making very nutrient rich waters, which sank to the bottom of these shallow seas entombing dead marine animals and teeth from sharks (sharks loose teeth frequently, going through up to 30,000 in their lives). This continued until around 5 million years ago. There is an abundance of these fossilized teeth and other bones in the Peace River Formation and Myakka River, which washes out into the gulf each day, and then subsequently the fossils wash up onto the beaches of Manasota Key and Venice Beach. So while I was composing this piece for Danny, I was also obsessively collecting shark teeth. I’d go out each day as the tide was retracting and collect hundreds, actually thousands, of teeth. And it was a bit of a frenzy. So I decided this piece had to be about this process, collecting as many teeth as I could find and coming back to write music!About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes.  Website: www.kotekan.com

Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158022 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Contemporary. 34 pages. Https://gildedmusicpress.com/ #758318. Published by https://gildedmusicpress.com/ (A0.1158022). When Dr. Thrower won the audition for a position in the Air Force Bands in 2011 it fulfilled a childhood dream of becoming a military musician. Then he experienced an intense eight-week party known as Basic Military Training! All new Airmen go through Basic Training at Lackland Air Force Base in San Antonio, TX, which is known as the “Gateway to the Air Force.� Two reasons he chose to enter that Gateway were his patriotism toward the great United States of America, and the great benefits and security that the Air Force offered his family. With these passions in mind, he composed a rousing musical depiction of becoming an Airman. The composition began before Basic Training, so the excitement and anticipation that he felt are exuberantly presented as heroic fanfares and patriotic gestures. However, he completed the composition after boot camp. Accordingly, in the middle of the piece there are moments of struggle and anguish that musically paint the common rigors of Basic Training. The piece ends with recapitulated heroic strains with additional flourishes, as the overall feel for this new life chapter was bound to be exhilarating and inspiring. It is beneficial for the performers to visualize the exciting and difficult journey into the military as they prepare and perform “Gateway to Freedom.� Also a play on the title, this piece was composed for and premiered by “Gateway Brass� (the brass quintet from the USAF Band of the West) in October 2011. Special gratitude goes to Jim Bartelt (USAF, retired) who contributed greatly to the creation of the percussion part.

Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.764659 Composed by Max Bruch (1838-1920). Arranged by James Pybus. Contest,Festival,Jewish,Romantic Period. 26 pages. James Pybus #36999. Published by James Pybus (A0.764659). Kol Nidrei, Op. 47, is a composition originally written for cello and orchestra by Max Bruch. He completed the composition in Liverpool before it was first published in Berlin in 1881. It is styled as an Adagio on two Hebrew Melodies for Cello and Orchestra with Harp and consists of a series of variations on two main themes of Jewish origin. Bruch scored the work for solo cello, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, harp and strings. In the present arrangement for Solo Alto Saxophone and SATB Saxophone Quartet, the 1st alto takes the solo cello line, while the remaining four voices cover the orchestral accompaniment. Special thanks go to Mr. Marino Galluzzo, leader of the Three Rivers Saxophone Quartet, based in Pittsburgh, Pennsylvania, for suggesting the arrangement and providing encouragement. The premiere performance took place at the 23rd Annual Saxophone and Woodwind Workshop, hosted by the TRSQ at California University in California, Pennsylvania, in June 2013. Duration 9:25 contact me at james.pybus56@gmail.com.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1251231 Composed by Gus Kahn, Ernie Erdman and Dan Russo. Arranged by F. Leslie Smith. 20th Century,Comedy,Pop,Standards,Traditional. 37 pages. Sweetwater Brass Press #845507. Published by Sweetwater Brass Press (A0.1251231). This song starts with the narrator/lyricist saying that he overheard a guy at the train station trying to say farewell to his girl.  The guy would kiss her, bid her adieu, get on the train, then get off and do the whole thing over again.  And, he did this seven times!  What would he say to her each time?  He’d tell her that he’s leaving, that she shouldn’t cry, that he’ll write and that if she does not hear from him she should assume he’s been arrested.  What a romantic line!     Anyway, that’s the gist of the “Toot, Toot, Tootsie!� lyrics.  Credited to Gus Kahn, Ernie Erdman and Dan Russo, New York City’s Leo Feist, Inc. first published this upbeat, leave-taking song in 1922.  It had been one of 29 numbers featured in the 1921 Broadway production Bombo, a vehicle designed to showcase the talent of Al Jolson.  Six years later Jolson sang it in The Jazz Singer, generally recognized as the first sound feature film.  Additionally, all three composers, plus Ted Fio Rito and Eddie Cantor, also made early and very popular recordings.    This bubbly, cheerful arrangement opens in the key of F major with a suggested tempo of 120 BPM.  After an 8-measure introduction, the piece goes right to the familiar chorus with Trumpet 1 and Trombone switching leads and ending with a wonderful Fillmore-style smear.  The tempo then slows dramatically for a somewhat pensive interpretation of the verse, the narrator’s observations, Horn and Trumpet 1 alternating the lead.  At measure 67 the chorus repeats faster than ever, a recommended 132 BPM, as Trombone and the two Trumpets take turns with the melody.  This leads right into a repeat of the verse—this time played at full speed—and a change of key to D-flat major.  Trombone and Tuba play in unison, exchanging the melody with Trumpets, right on into the third go-round of the chorus.  The piece wraps up with a vaudeville-style conclusion and eventually fades away.  (But don’t miss Trombone's four-measure reference to “Charlottetown Is Burning Down/Goodbye, Liza Jane� at measure 141.)Lots of fun!    Completed in 2023, performance time at the suggested tempo runs about 2 minutes, 47 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.

Piano Solo - Level 2 - Digital Download SKU: A0.1511053 Composed by Carl Douglas. Arranged by Nolwenn Collet. Disco,Film/TV,Instructional,Pop. Score. 4 pages. Nolwenn Collet #1086266. Published by Nolwenn Collet (A0.1511053). Easy, yet great sounding arrangement of Kung Fu Fighting for piano solo.Young and not as young pianists (!) will enjoy this upbeat sheet music for piano.Kung Fu Fighting has always been a very popular disco song since its release in 1974 by Carl Douglas!The rhythm and the melody are very well combined in this arrangement for piano solo... so, go disco!A little piano practice... and you will be Kung Fu Fughting before you know it!

Level 3 - Digital Download SKU: A0.1421956 By George Ezra. By Fred Gibson, George Barnett, and Joel Laslett Pott. Arranged by Mark Harrison. Pop. 48 pages. Mark Harrison #1003292. Published by Mark Harrison (A0.1421956). #PromsInThePlayground2024For 4-Part Brass group (Parts available in Eb, Bb, F, and C) and optional Drums. Individual Part Booklets available on request if all 12 are purchasedProms In The Playground 2024 Collection:1. ABBA? ABBA! - ABBA2. CRAZY IN LOVE - Beyoncé - ft. Jay-Z3. I'M STILL STANDING - Elton John4. PROUD MARY - Creedence Clearwater Revival, Ike & Tina Turner5. SHAKE IT OFF - Taylor Swift6. SHOTGUN - George Ezra7. SWEET CAROLINE - Neil Diamond8. CAN'T STOP THE FEELING - Justin Timberlake9. REACH - S Club 710. FIREWORK - Katy Perry11. WALKING ON SUNSHINE - Katrina And The Waves12. I GOTTA FEELING - The Black Eyed Peas----------------Now an annual event in its fourth year, “Proms In The Playground� is an initiative that encourages community bands to connect with their local schools by offering a performance in their playground. As well as getting young people excited about brass banding, this initiative helps bands forge and strengthen relationships with organisations around them. For those bands that want to go beyond just a performance, this initiative is an ideal opportunity to offer a taster session so school children can learn about the opportunities available in their local brass bands.- Helen Minshall, BBE Youth Development Brass Specialist----------------When I was asked to arrange a collection of fun pieces for Brass Bands England’s “Proms In The Playground� initiative, I was more than happy to do so. It’s a brilliant way to engage local schools with music and brass bands, and I hope this set of arrangements will be enjoyable to perform and share with your community all year round.- Mark Harrison, Arranger.

Piano Solo - Digital Download SKU: A0.1012713 Composed by Monica Bergo. Contemporary. Score. 10 pages. Moni Bergo #5742995. Published by Moni Bergo (A0.1012713). Music and song composed by me                                                        ALL  AS  BEFORE   Tired flower bends  the head photos in carved marble sad smell of the past along your tree-lined avenue how much peace in this place where you stand hidden cobwebs on your time and the scent of regret  while I touch your beautiful face  I ask myself who decided that your time would stop and that for you all would be over    I, minstrel of my time, tell a thousand stories  chronicles written in pencil real-life stories story now finished my fingers still drive,  find notes and then the enchantment to disperse them in the wind there was a king in love, by a bewitched spell, with the madwoman his queen and everything comes back as before there tucked away in a corner  There is a pathetic clown Look closer: it’s a little girl and everything comes back as before   You clown what would you do? You want to approach the king and then you want to tell him of her polluted heart but him, he does not want to be touched and you have to amuse her smile and do not tire continue your ... dance ... in the void and silence suspended in time  for your queen and everything comes back as before  before your leap do you want to fly high mixed-up Icarus you have fallen into emptiness   the beating of the heart makes too much noise  rumbles here within into emptiness and silence no, do not love me,  now or ever and hang on till the ultimate pain she'll pressure you and insinuate herself into your mind and end by doing you harm  but I invisible to your eyes and I want to hug you, you do not want I would like to tell you what you do not know of me and then on swings of fantasy  my hand close to yours we'll soar to the heights where she is not there  if you want I will reinvent myself for you And I may please you ,I know but with your eyes you’ve already answered me and hidden I'll go ..   The winter does not end the cold seems eternal  here the sun dies ,effaces itself and then disappears   Once upon a time there was or still is, who knows a minstrel that no longer has a court and he belongs to nobody, and no one will stop him while closing the door ,the king will delete him abracadabra here in my Kingdom nothing caresses, no kiss of goodby my name in history was written in pencil to be able to delete from a faded page   the mind has its woodworm and you can not heal it past, present and she who reigns everywhere    pages of your life flowing through my fingers for a king, tired and sick, who has not had a happy ending the spell is broken and now the veil has fallen regret makes its way into him and the minstrel would approach him  puppet in love ,now disconnected from your wires seek your child and there is nothing like before   there is the sunset in your eyes  but I'm here by your side  a daddy and his little girl and there is nothing like before .... ..... the be.

Alto Voice,Guitar - Level 4 - Digital Download SKU: A0.1350418 By David Warin Solomons. By David Warin Solomons. Contemporary. Full Performance. Duration 175. David Warin Solomons #935215. Published by David Warin Solomons (A0.1350418). Three witch-like altos performing Shakespeare's chant of the three witches (from Macbeth), with a quasi-ostinato guitar accompaniment. The sound sample is a performance by the composer - multitracking.It is suitable for a Shakespeare performance or, more generally, for a Halloween concert. Thrice the brinded cat hath mew'd    Thrice and once the hedgepig whin'd    Harper cries: 'Tis time, 'tis time.    Round about the cauldron go;    In the poison'd entrails throw.    Toad, that under cold stone    Days and nights hast thirty one    Swelter'd venom sleeping got,    Boil thou first i' the charmed pot.    Double, double toil and trouble;    Fire burn and cauldron bubble.    Fillet of a fenny snake,    In the cauldron boil and bake;    Eye of newt, and toe of frog,    Wool of bat, and tongue of dog,    Adder's fork, and blind-worm's sting,    Lizard's leg, and howlet's wing,    For a charm of powerful trouble,    Like a hellbroth boil and bubble.    Double, double toil and trouble;    Fire burn and cauldron bubble.    Scale of dragon, tooth of wolf,    Witch's mummy, maw and gulf    Of the ravin'd saltsea shark,    Root of hemlock digg'd i' the dark    Liver of blasphemer too,    Gall of goat, and slips of yew    Sliver'd in the moon's eclipse,    Nose of Turk, and Tartar's lips,    Finger of birth-strangled babe    Ditch-deliver'd by a drab,    Make the gruel thick and slab:    Add thereto a tiger's chaudron,    For the ingredients of our cauldron.    Double, double toil and trouble;    Fire burn and cauldron bubble.    Cool it with a baboon's blood,    Then the charm is firm and good.