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Piano - Level 1 - Digital Download SKU: A0.1230435 By The Beatles. By John Lennon and Paul McCartney. Arranged by DecPlay Ltd. Contemporary,Folk,Pop,Rock,Standards. DecPlay Piano. 2 pages. DecPlay Ltd #826116. Published by DecPlay Ltd (A0.1230435). You have great taste - this is a great song! If you’re not a DecPlay student yet, you might be wondering why the song sheet isn’t using traditional notation or chord names …..This patented form of song sheet from DecPlay® enables songs to be learnt much quicker and more easily than using traditional notation or guitar chords. The simple numbers, colours and patterns method enables rapid results on piano. The same song sheet enables beginners and advanced playing styles, in any musical key.For more details and a FREE video lesson go to www.DecPlay.com(This type of sheet music is known as piano tabs or PianoTabz and includes lyrics, melody and chords.).
Let It Be
Piano Facile
The Beatles
$3.99 3.83 € Piano Facile PDF SheetMusicPlus

Piano - Level 1 - Digital Download SKU: A0.1374821 By Betty Everett & Jerry Butler. By Gilbert Becaud, Mann Curtis, and Pierre Delanoe. Arranged by DecPlay Ltd. 20th Century,Pop,Rock,Standards. DecPlay Piano. 2 pages. DecPlay Ltd #959354. Published by DecPlay Ltd (A0.1374821). You have great taste - this is a great song! If you’re not a DecPlay student yet, you might be wondering why the song sheet isn’t using traditional notation or chord names …..This patented form of song sheet from DecPlay® enables songs to be learnt much quicker and more easily than using traditional notation or guitar chords. The simple numbers, colours and patterns method enables rapid results on piano.The same song sheet enables beginner and advanced playing styles, in any musical key.For more details and a FREE video lesson go to https://decplay.com(This type of sheet music is known as piano tabs or PianoTabz and includes lyrics, melody and chords).
Let It Be Me (Je T'appartiens)
Piano Facile
Betty Everett & Jerry Butler
$3.99 3.83 € Piano Facile PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1255179 By Max Potseluiev. By Max Potseluiev. 20th Century,21st Century,Jazz,New Age,Pop. Score. 2 pages. Max Potseluiev #848744. Published by Max Potseluiev (A0.1255179). Letting go of Love is a heartfelt and introspective composition that embraces the spirit of a freely improvisational jazz ballad. Inspired by the piano style of Keith Jarrett, this piece invites the listener to embark on a soulful journey of letting go and moving forward. With its soft and evocative melodies, it captures the bittersweet beauty of releasing love and finding inner peace.The music unfolds with a sense of spontaneity, as if the pianist is exploring the depths of their emotions in real-time. The gentle phrasing and delicate harmonies create an intimate atmosphere, allowing the listener to connect with the raw and vulnerable emotions that arise when love is set free.Letting go of Love embodies the essence of improvisation, where each note is an expression of the moment and emotions take shape through the music. The melodies meander freely, navigating through the emotional landscape with a tender touch. The soft dynamics and subtle nuances evoke a sense of vulnerability and acceptance, as the music embraces the journey of releasing attachments and finding solace in the act of letting go.Influenced by Keith Jarrett's piano style, this composition pays homage to his distinctive improvisational approach. It captures the essence of his ability to convey deep emotions through fluid and expressive melodies. The improvisational nature of the piece allows for artistic freedom, creating a unique and personal experience for both the listener and the performer.Letting go of Love is an invitation to embrace the process of healing and growth. The softness of the music provides a comforting space for reflection and self-discovery. Through its gentle and heartfelt melodies, it encourages the listener to release the weight of past attachments and find a renewed sense of freedom and inner peace.Immerse yourself in the soothing and contemplative sounds of Letting go of Love, and allow its improvisational beauty to resonate within. Let the music guide you through the emotional journey of releasing love and finding strength in the act of letting go.
Letting go of Love
Piano seul
Max Potseluiev
$4.99 4.79 € Piano seul PDF SheetMusicPlus

Alto Recorder,Bass Recorder,Soprano Recorder,Tenor Recorder - Level 3 - Digital Download SKU: A0.1276187 Composed by John Bartlett (1606). Arranged by Cody Sibley. Baroque,Chamber,Early Music,Medieval,Renaissance. Recorder Ensemble. 9 pages. Drachen Music #867422. Published by Drachen Music (A0.1276187). John Bartlett was an English composer during the Renaissance. The compositions in this volume was Bartlet's only publication which he put forth in 1606. The original compositions were written for lute and voice. His style is similar to madrigals and his music was very popular during its time.This arrangement FEATURES full quartet score and INDIVIDUAL PARTS which takes a traditional lute and voice melody and interprets it into a performance quality SATB recorder ensemble arrangement. The title of this piece from the collection is: Volume 1:1Song 00:18Go, Wailing VerseThis piece of music is also available as part of a full collection of 18 pieces, each with score and individual parts. The collection is titled A Book of Ayres for Recorder Quartet.
Go, Wailing Verse
Ensemble De Flûte à bec

$3.95 3.79 € Ensemble De Flûte à bec PDF SheetMusicPlus

Alto Recorder,Bass Recorder,Soprano Recorder,Tenor Recorder - Level 3 - Digital Download SKU: A0.1276179 Composed by John Bartlett (1606). Arranged by Cody Sibley. Baroque,Chamber,Easter,Medieval,Renaissance. Recorder Ensemble. 131 pages. Drachen Music #866628. Published by Drachen Music (A0.1276179). John Bartlett was an English composer during the Renaissance. The compositions in this volume was Bartlet's only publication which he put forth in 1606. The original compositions were written for lute and voice. His style is similar to madrigals and his music was very popular during its time.This arrangement FEATURES full quartet score and INDIVIDUAL PARTS which takes a traditional melody and interprets it into a performance quality SATB recorder ensemble arrangement. The title of this piece from the collection is: This collection includes the following 18 pieces:01-O-Lord-Thy-Faithfulness02-If-Ever-Hapless-Woman03-When-From-My-Love04-Who-Doth-Behold-My-Mistress-Face05-If-There-Be-Any-One06-I-Heard-of-Late07-All-My-Wits-Hath-Will-Enwrapped08-Go-Wailing-Verse09-A-Pretty-Duck-There-Was10-Of-All-the-Birds-That-I-Do-Know11-The-Queen-of-Paphos-Ericine12-I-Would-Thou-Wert-Not-Fair13-Unto-A-Fly-Transformed14-What-Thing-Is-Love-I-Pray-Thee-Tell15-Fortune-Love-and-Time16-Poets-to-Love-Such-Power-Ascribe17-Whither-Runneth-My-Sweetheart18-Surcharged-With-DiscontentEach piece of music in this collection is also available as separate pieces, each with score and individual parts. Each piece can be found by searching for the song title.
John Bartlett's Book of Ayres for Recorder Quartet
Quatuor de Flûtes à bec

$29.95 28.77 € Quatuor de Flûtes à bec PDF SheetMusicPlus

Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1256884 Composed by Lon W. Chaffin. 21st Century,Chamber. 71 pages. LCS Productions #850272. Published by LCS Productions (A0.1256884). Imagine a place where cultures are blended and people of all races can laugh, play, sing, dance, and even pray together.  Colores is a musical tale in which children show us how to create such a place.A child walks on to a deserted playground, looking for others.  Another child joins.  They introduce themselves and begin to talk to each other.  A third joins the conversation, then another, and another, until there is a large group of children, creating a colorful, contrapuntal cacophony of vocal chatter.  After the introductions and lively conversations, they pause to decide what to do next.  As would be expected, they decide to just play.  They run races, play chase and tag, catch and kickball, and laugh and giggle until their energy is gone.  Settling down, and wondering what to do next, one child begins singing a tune that is familiar.  …but not to all of them.  So, it’s time to teach the song to everyone.The tune is shared, bit by bit, and one by one every child learns it and joins in.  Before it’s over, their full-voiced singing creates a choral tapestry in which every child adds his or her own color to the musical palette.After a brief conversation, they add their renewed energy to the song they just learned, pick up the pace, and dance.  They twist and spin, jump and swing, making up their moves as they go along.  But, as before, their energy wanes.  This time, as they settle down, one child feels so comfortable with these new friends, he chooses to share his faith in the form of a chant — a prayer.Some join his prayer, as others add a familiar religious tune.  They pray and sing, and their separate experiences combine to produce a stirring, blended chorale.  As they finish, the day ends and they quickly reminisce about the blended experiences that are now behind them.  Before they go their separate ways, they share a moment of gratitude for the place where they can be free to be who they are, together.On a musical note, Colores combines multiple scale structures and varying types of vertical harmonies to give the piece its color palette.  Each of the five voices is set in a different mode, with different tonal centers and sets of accidentals.  The harmony combines both traditional tertian chords with secondal, quartal, and quintal structures.The colors within the music are intended to represent the racial diversity of the borderland from which the composer drew his inspiration.  It is hoped that we can learn from the example of children who talk, laugh, play, sing, dance, and pray together.  …who are grateful for the time and experiences they share.
Colores (Let the Children Teach Us)

$35.00 33.62 € PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1009194 Composed by An-lun Huang. 20th Century,Christmas,Classical. Score. 38 pages. DoReMi Edition #594856. Published by DoReMi Edition (A0.1009194). Based on the fairy tale “The Little Match Girl†by Hans Christian Anderson (1805-1875), the famous Danish writer, the Beijing Ballet School of China commissioned An-Lun Huang to compose this ballet in 1977. The play was written by Zhang Dun-yi, and the choreographers were Wu Fu-kang and Huang Buo-hong. The premiere took place in Beijing in 1977. It was performed by the school and the Central Opera House Orchestra, conducted by Zheng Xiao-ying. The music is written in Nineteen Century-Romantic style with some strong Scandinavian flavor. Margot Fonteyn, one of the most important ballet dancers of our age, claimed that “the composer has composed the very, very, very good music for this ballet ! “ She then produced a movie of it, which has been broadcasted by the PBS of U.S.A. in early of eighties. Since the great success of the premiere, this ballet and its music have been widely performed and warmly received. A tape of it was also released in China. This is the story of the ballet: In a little Danish town in the nineteenth century, Betty, a little girl who lost her mother, was selling matches along the street during Christmas time. The sound of the church bell reminded her that the time was quite late, but she was unable to go home until she completed her job. An old man came to light the street lights. He gave her some money and left. Betty tried to sell her matches to a carriage, but the carriage just ran away. Snow fell, cold and hungry, she lit a match on the wall to warm herself. A group of “Fire Fairies†appeared. They danced around her and got her warm. Since they disappeared so quickly, Betty lit another match. She saw a big dining room with a beautiful Christmas tree and a lot of food. While some bus boys were handing her a piece of roasted goose, the typical Danish Christmas food, a nobleman in a portrait hanging on the wall suddenly moved. Everything disappeared again. Betty immediately lit the third match, a “Swan Lake†with a beautiful garden appeared. She met her mother with tears because the mother had passed away for years. Mother got a pair of little red shoes for her as the Christmas gift and danced with her. The “Portrait nobleman†brought the mother out of the scene. Everything was gone but the snow storm. The church bell sounded again, with the morning dawn, the old man came to extinguish the street lights. He found the frozen body of the little girl.
Ballet, “THE LITTLE MATCH GIRL”, Op.24, (1977) - (piano score)
Piano, Voix et Guitare

$19.99 19.2 € Piano, Voix et Guitare PDF SheetMusicPlus

Cello Duet Cello - Level 4 - Digital Download SKU: A0.1050199 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary. Score. 25 pages. Thomas Oboe Lee #654576. Published by Thomas Oboe Lee (A0.1050199). Claire Kim (a.k.a. Deok Yong Kim) has been my go-to cellist since I first heard her with the NICO Quartet in 2019 @ NEC in Jordan Hall. She recently found a boyfriend who is also a cellist, Bennet Huang. They have been dinner guests at our home many times. So, when I ran out of projects to do in the early summer of 2022, I decided to write a duo of two cellos for them. In my search for inspiration, I discovered that Ermmano Wolf-Ferrari (1876 - 1948) wrote a number of nice duets for violin and cello. The one that really intrigued me was his Introduzione e balletto. And since my wife, Kristin Beckwith, is a ballet teacher who has only recently retired from teaching at the Boston Ballet School, I thought this would be a nice gesture to dedicate this work to her. The Wolf-Ferrari is only a two-movement work, hence the title's balletto reference. Mine will be a multi-movement work with many balletti in it. I. Introduzione II. Valser III. Bolero IV. Sarabanda V. Tarantella VI. Barcarola VII. Bandinerie VIII. Siciliana Enjoy!
Introduzione e balletti (2022)
2 Violoncelles (duo)

$9.99 9.6 € 2 Violoncelles (duo) PDF SheetMusicPlus

Alto Saxophone Solo - Level 3 - Digital Download SKU: A0.1133559 Composed by Traditional. Arranged by Rick Hirsch. Christian,Classical,Holiday,Jazz,Spiritual. Individual part. 3 pages. HirschMusic #733699. Published by HirschMusic (A0.1133559). This version of Go Tell It on the Mountain starts out slowly, then becomes a joyful swinger———It is creatively reimagined and meticulously arranged for unaccompanied saxophone by world renowned composer Rick Hirsch———It’s playable by every type of saxophone (SOPRANO, ALTO, TENOR or BARITONE)———This Yuletide Single is excerpted from the 15-song collection YULETIDE IMPROVISATIONS: Holiday Music Reimagined for Saxophone, by Rick Hirsch. You can play it year after year at recitals, holiday concerts, church services, family gatherings, and much more.
Go Tell it on the Mountain (solo saxophone, soulful and jazzy)
Saxophone Alto

$2.00 1.92 € Saxophone Alto PDF SheetMusicPlus

Choral Choir,Choral (3-Part) - Level 2 - Digital Download SKU: A0.1293875 By Aneesa Chaudhry. By Aneesa Chaudhry. Arranged by Aneesa Chaudhry. Barbershop,Contemporary,Jazz. 3 pages. Aneesa Chaudhry #884322. Published by Aneesa Chaudhry (A0.1293875). Letting Go is a relaxing piece with simple 3 part harmony. It was originally written about working through loss and grief but can be used in many settings including meditation, relaxation, breathing work and a chilled out setting.The tune part can be sung in any octave by anyone wishing to sing it.The high part (S/T) is mostly a third higher than the tune for those wishing to sing high.  This typically includes sopranos and tenors.The low part (A/B) is roughly a third lower than the tune. This will most likely suit altos, tenors, baritones, and basses.Please glide up and down the glissando notes to the rhythm.Tacet means to remain silent until required to sing.There is scope for improvisation with both the voice and body percussion.Individual voice parts (mp3 files) can be purchased from aneesa@aneesachaudhry.com.
Letting Go
Chorale 3 parties
Aneesa Chaudhry
$1.99 1.91 € Chorale 3 parties PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.821201 Composed by Gordon Thornett. Christian,Christmas,Praise & Worship,Sacred. Octavo. 14 pages. Gordon John Thornett #3861793. Published by Gordon John Thornett (A0.821201). Prelude and Cherubic Hymn was commissioned by the John F. Kennedy School in Berlin, to mark the 25th anniversary of their annual Advent services held in Berlin Cathedral. It was performed by joint choirs, drawn from students, parents and faculty, and choir members of the American Church in Berlin on 29 November 2017.The piece is built around the ancient hymn, Let all mortal flesh keep silence. I was asked to write an organ prelude, to serve as a processional as the choirs assembled. This may be ordered separately through SwirlyMusic.org - and now also through SheetMusicPlus.After an opening fanfare-like section, the hymn setting starts gently, with sopranos singing in unison, with successive verses using contrasting choral forces to reflect the words, and the music builds to a big climax, with a return of the fanfare opening, for the final verse, At his feet the six-winged seraph, ending with joyful Alleluias. Although originally conceived for a large chorus with orchestral accompaniment, the setting may be performed with just organ or piano.There's a youtube video at https://youtu.be/HQwYDJRdmcc - this is an extract from the first performance in the magnificent setting of Berlin Cathedral, which was packed to capacity. The quality of both sound and picture isn't great, but it will provide you with an idea of the atmosphere and impact of the piece.  The sound recording covers the whole piece, using Sibelius sounds. (You may also like to hear a computer generated recording of the whole piece.)Dr. Joseph R. Curtis, Choral Director at the JFK School, writes:Prelude and Cherubic Hymn is a grand arrangement of the timeless carol 'Let All Mortal Flesh Keep Silence'. Utilizing choir, full orchestra and organ, it is sure to please and impress performers and audience alike. At a recent performance in the Berlin Cathedral, the piece received spontaneous applause (which was a first for this kind of event).NOTE - Although originally scored for orchestra, the piece would work well with just choir and organ - in which case the fanfare sections at the beginning and the first 6 measures at letter F could be omitted. If orchestral score and parts are needed, please go to https://www.swirlymusic.org/music/choral-music/gordon-thornett-cherubic-hymn/.] 
Prelude and Cherubic Hymn, incorporating "Let all mortal flesh keep silence"
Chorale SATB

$2.50 2.4 € Chorale SATB PDF SheetMusicPlus






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