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Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1156211 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 46 pages. Socrates Arvanitakis #756525. Published by Socrates Arvanitakis (A0.1156211). This is the twentieth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view. Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 20 (Songs 514-540)Lancashire Peace Egging Song (1)Lancashire Peace Egging Song (2)Lancashire Processional MorrisLand of the Silver BirchLark in the Morn (the)Last Valentine’s DayLavender Cries 1Lavender Cries 2Lay the bent to the bonny broomLeave her JohnnyLeaving of Liverpool (the)Leezie LindsayLemondayLeprehaun (the)Let Me in this Ae NightLi’l Liza JaneLiberty for the SailorsLilliburleroLily-white Boys (the)LimboLimejuice Ship (the)Lincolnshire PoacherLinden LeaLinstead MarketLisbon 1Lisbon 2Lisbon 3.
Folk Songs For Classical Guitar - Volume 20 (Songs 514-540)
$25.00 23.87 € PDF SheetMusicPlus

Piano Solo - Level 2 - Digital Download SKU: A0.826863 Composed by Ryan D. Neaveill. Blues,Instructional,Jazz,Standards. Score. 23 pages. Ryan Neaveill #5707935. Published by Ryan Neaveill (A0.826863). This book is a collection of 20 fun-to-play intermediate piano pieces in easy keys that all use a twelve-bar blues chord structure. Each piece is titled with a kid’s first name including: Andrew, Anthony, Aubrey, Brooklyn, Carter, Christopher, Dylan, Gabriel, Hannah, Isaac, John, Joshua, Layla, Lillian, Lily, Natalie, Samantha, Samuel, Victoria and Zoey. This volume is part of the Your Blues Piano Book series created by Ryan D. Neaveill in which short (approximately 24 bars) pieces are written using the first names of piano students. You can listen to the entire collection at this website: https://www.neaveill.com/yourblues.html.
Your Blues Piano Book: Volume III Piano seul

$20.00 19.1 € Piano seul PDF SheetMusicPlus

Guitar - Beginning-Intermediate - Digital Download SKU: M0.97195MEB A Comprehensive Method for Today's Guitarist!. Composed by William Bay. Arranged by Lily Afshar. Mastering the Guitar. General/Note Reading & Chording. E-book and online audio. Mel Bay Publications - Digital Sheet Music #97195MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.97195MEB). ISBN 9781619115934. UPC: 161911593X. 8.75x11.75 inches.Absolutely the best, most comprehensive new method available for guitar. Introducing the innovative new Zone Concept for learning position playing. Over 150 solos and duets in the keys of C, G, D, and B minor. Musical styles: bossa nova, Latin, fiddle/tunes/ hornpipes/reels, Celtic music, ragtime, baroque, jazz, swing jazz ballads, American folk ballads, rock, early-American hymnody, be-bop, blues, samba, and tango. Concepts presented: basic improvisation, rhythmic variation, velocity studies, sight-reading, passing tone studies , chord progression studies, arpeggio studies, dropped-D tuning, blues, blues turn-arounds, licks/fills/ breaks, bass runs, principles of memorization, chord studies, minor pentatonic scale, principles of successful practice, priciples of successful performance, movable power chords, and rock comping. New Composers featured: J.S. Bach,Carcassi, Moaazni, Giuliani, Carulli, Vivaldi, Handel, Sor, Galilei, Tarrega, Debussy, H.L. Clark, St. Jacome, Corelli, Johann Krieger, Wohlfahrt, Jeremiah Clarke, plus guitar duos on selections from Handel's Water Music, Vivaldi's Four Seasons, and selected Bach cantatas. Includes access to extensive online audio.
Mastering the Guitar 2A
$19.99 19.09 € PDF SheetMusicPlus

Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8322-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 15 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8322-E. Published by E. C. Schirmer Music Company - Digital (MQ.8322-E). UPC: 600313483226. English. The three a cappella choral pieces that comprise “A Whitman Triptych†were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass†was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed†as the basis for my composition “Invocation and Dance.†I went on to set “Good-Bye, My Fancy†for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road†for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. “What is the Grass?†is also an adaptation of a much longer poem, one of Whitman’s deepest, and most mysterious. The poem begins as a child-like meditation on grass; as hope, as an embodiment of new life and new growth in the plant world. Then suddenly there is a somber turn with the line “And now it seems to me the beautiful uncut hair of graves.†Here Whitman enters an extended mediation on how grass connects life and death, informed by his experiences in the Civil War. Hope returns with the line: “They are alive and well somewhere,†leading to the mysterious final line: “And to die is different from what anyone supposed, and luckier…†Here Whitman affirms that death can be an initiation into a broader participation of existence. In the words of poet Ivan M. Granger, Whitman offers a “Zen-like riddle that doesn’t offer an answer so much as a pathway of questioning.†My musical setting follows Whitman’s exploration, first taking a child’s point of view, expressed with lilting melodies set in a lively compound meter. The entry of the tenor soloist indicates a change of mood to the serious. The first mood returns, leading to a climax on the words “And led forward life…â€, set in 9-part harmony. The mood turns reverent, as the tenor soloist intones: “All goes onward and outward; nothing collapses.†The piece ends with a tone of gentle, slightly ironic questioning. -David ConteDuration: 5:42
A Whitman Triptych: II. What Is the Grass? (Downloadable)
$2.85 2.72 € PDF SheetMusicPlus






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