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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download

SKU: A0.1044425

By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worship,Sacred,World. Score. 2 pages. Servant Song Music and Ministry #649158. Published by Servant Song Music and Ministry (A0.1044425).

I wrote this reconciliation hymn back in 2016, when elders from the Blood Tribe, Metis, Piikani, and Siksika nations of Southern Alberta led the Reconciliation Week events at Medicine Hat College, in Medicine Hat, Alberta. They invited me to write and teach this hymn as part of the sessions at MHC, where I was (then) the ecumenical Chaplain. It has been an honour to participate in this annual tradition of indigenous leaders sharing their distinctive cultural practices, traditions, and values with the public in Medicine Hat (and the surrounding communities) for a decade, now. During the session I was asked to assist with, the Elders were sharing the Seven Grandfathers' Teachings, and so I included these core values into the lyrics of the hymn. The work in Medicine Hat started with expressions of lament and support from a group of local churches and the Medicine Hat College Chaplaincy program while the Truth and Reconciliation Commission was crossing the country. We quickly realized that many non-indigenous Canadians genuinely wanted to learn more about their First Nations, Metis, and Inuit neighbours. Seeing an urgent need for greater awareness about the intergenerational damage that was done by the Indian Residential School system here in Canada, and also identifying these Reconciliation events as a way to decrease racist stereotypes and assumptions about indigenous peoples, we decided to continue offering an annual reconciliation session, which grew, year by year. A decade later, I'm delighted to have seen deeper, healthier relationships being built between indigenous and non-indigenous people. Musically, this hymn loosely imitates the style of the French Canadian Voyageurs, the folk melodies of the 18th and 19th centuries. The lyrics incorporate the Seven Grandfathers' Teachings. This core ethical framework has many different versions, but many First Nations communities have adopted these teachings in some form. (I've heard Elders say that Respect must come first, because it is the foundation that we build on, but for this particular group at Medicine Hat College, Humility was first on the list). I have Metis ancestry myself, and as an adult, I have researched the long-hidden genealogical and cultural treasures of my family tree. Whether you are an indigenous person looking to support other indigenous Christian composers, or whether you are a non-indigenous person who is trying to broaden the repertoire of your congregation, We Must Learn to Walk Together is an upbeat, hope-filled hymn that sings about reconciliation as if it is not only possible in the distant future - but also achievable today, using the concrete steps suggested by the lyrics. The indigenous wisdom of the Seven Grandfathers' Teachings lines up beautifully with the teachings of Christ. Musically, this hymn is highly accessible for congregational singing; the range is moderate and the rhythms provide musical interest without becoming overly complex; to hear the guitar version and melody line of the hymn being played and sung by the composer, please go to the following YouTube link: https://youtu.be/3DpkFCLxgEs. The musical format of the hymn alternates between the chorus and three verses. The piece takes roughly 3:30 to perform. This hymn has been transcribed in the key of C Major, so it is as easy as possible for church accompanists to play and for congregations to sing; guitarists are invited to play in the key of A Major and simply capo 3. Guitar chords are included. I hope and pray that this hymn for reconciliation will help you, your congregation, and the wider community to think about, pray for, and enact the calls to action of the Canadian Truth and Reconciliation Commission in new and deeper ways this year.

We Must Learn to Walk Together
Piano, Voix et Guitare
Lisa Waites
$3.99 3.8 € Piano, Voix et Guitare PDF SheetMusicPlus

Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download

SKU: A0.1180454

By Kevin MacLeod. By Kevin MacLeod. Arranged by Lisa Ochoco. Comedy,Contemporary. 19 pages. Lisa L Ochoco #780355. Published by Lisa L Ochoco (A0.1180454).

If you’ve ever seen a funny video on YouTube, Facebook, TikTok, etc., chances are that you’ve heard this tune before…many many times. It makes cute and funny videos, well, cuter and funnier.  

Kevin Macleod wrote this delightfully sneaky tune, and it's just fantastic stuff when partnered with videos that don't need any dialog. How well would it do without a video? I don't know, but if you have some brave souls in your group, you could put on a funny skit to go along with this piece. 

This piece is just meant to be entertaining and something that your audience could get a good laugh at.  

Scored for low flute choir - 3 altos, 2 basses and contrabass.  There is an optional contra alto part that can be played in addition to, or in lieu of, the Bass 2 part.  Also optional is a double string bass part to help fortify the bass line.

Duration: 2.5 minutes.

Sneaky Snitch
Ensemble de Flûtes
Kevin MacLeod
$15.00 14.27 € Ensemble de Flûtes PDF SheetMusicPlus

Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download

SKU: A0.1256790

By Jax. By Dan Henig, Jacqueline Miskanic, and Mark Nilan Jr. Arranged by Lisa Ochoco. Contemporary,Pop. 28 pages. Lisa L Ochoco #850162. Published by Lisa L Ochoco (A0.1256790).

This song by Jax has a catchy tune and fun beat.  It's a song that talks about the beauty standards that women are faced with in our everyday lives.  Having struggled with body image issues herself, Jax wrote this song that directly calls out the lingerie company, Victoria's Secret, for cashing in on body issues, selling skin and bones with big boobs. The song has been an international hit. 

This arrangement is just so that people who love the song can play it.  I will admit that it is repetitious, but it's just a catchy tune! 

Scored for flute choir - 3 C, alto, bass, and contrabass flutes. If your choir doesn't have a contrabass, then it can be substituted by another bass, or any C instrument in a similar range, but it is a part that needs to be covered, as it has important (but quite simple bass lines).  There is an optional upright string bass part that doubles the contrabass an octave below. 
  
There are 2 body percussion parts that are quite simple, but particularly important.  It's a stomp and clap (or snap).  You could also use 2 different drums, buckets, etc.  Substitute a low pitch for the stomp and a higher one for the clap. 

Duration: 3 minutes.

Victoria's Secret
Ensemble de Flûtes
Jax
$15.00 14.27 € Ensemble de Flûtes PDF SheetMusicPlus

String Quartet String Quartet - Level 2 - Digital Download

SKU: A0.923559

Composed by Lisa Cameron. Contemporary,Instructional. Score and parts. 16 pages. Lisa Cameron #2964315. Published by Lisa Cameron (A0.923559).

A light, uplifting contemporary classical ensemble piece which has been played with great joy by many of my adult ensembles. Written for players of mixed ability (absolute beginner to intermediate), with optional viola and double bass parts and 3 cello parts (which can also be covered by double bass and viola). Pick and choose according to your ensemble needs. Melody cello parts also available (see Hope - Cello Quintet), for intermediate cellists.

Hope - String Ensemble
Quatuor à cordes: 2 violons, alto, violoncelle

$14.99 14.26 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus




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