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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Arlo Guthrie
$3.99 3.41 € Chorale TTBB PDF SheetMusicPlus

Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1047344 By Blaze Scheuerman. By Blaze Scheuerman. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 29 pages. Blaze Scheuerman #651902. Published by Blaze Scheuerman (A0.1047344). First love is inspired by my experience with the first partner I ever loved. It is also slightly inspired by Johann Sebastian Bach’s fugues from the Well Tempered Clavier and Muse’s song “Butterflies and Hurricanes†from the album “Absolutionâ€. It is meant to show the ups and downs of the relationship, especially how the more developed it got the more problems arose. It starts with a cloud-like scene meant to depict mild attraction. It then develops into infatuation in measure 21 as the main character gets to enjoy his experiences with his partner. It lasts for a little while as he finds newer and newer aspects of his partner that he enjoys. He then returns to a moment of stability with the restatement of the opening theme, and then tries again to get back into those moments of bliss. But this time something goes wrong. The character doesn’t quite realize it until it is too late, but a rift appears in the relationship. This is shown in the D Minor section, as the main character is sad and longing for things to go back to how they were, but is just stuck. After a while of trying different things, a settlement is reached and the two get closer again in the relationship, seen in measure 174. Except this time things are different, they are close to the bond shown earlier, except not quite there. This can be seen with the rearrangement of voices in regards to the melody, such as the cello having the melody except the violin in measure 190. Although the two try their best, the relationship once again reaches a rift between the two, seen with the reemergence of the D Minor section. They try once again to patch things up, but end up becoming unsuccessful and breaking apart. The final sections starting at measure 246 depict the sadness and anger that follow, before eventually reaching a resolution back into the home key of F Major.
First Love - 1st Movement
Piano Trio: piano, violon, violoncelle
Blaze Scheuerman
$5.99 5.12 € Piano Trio: piano, violon, violoncelle PDF SheetMusicPlus

Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.999352 Composed by Dennis A. Westgate. Children,Christmas,Contemporary,Musical/Show. Octavo. 59 pages. Tyne Music #5953757. Published by Tyne Music (A0.999352).         Deep in the heart of Dingle Woods everyone is preparing for Christmas. On atree stump Barny the barn owl wakes from his slumbers, winks, blinks and toowit-toowoos.Woody the little fir tree is feeling very sorry for himself, bemoaning the fact that all ofhis leafy friends have been taken by the townspeople for their Christmas festivities andeven the late arrival of Jack Frost, a most exuberant character, finds it difficult to lift ourlittle friend’s spirit with his cheerful banter.         And so our fir tree resigns himself to make the best of Christmas Eve as allthe forest creatures hurry off home to prepare for the coming celebrations. However,things take a sudden turn when he overhears the fox and weasel devising a cunning planto make a pile of money, by going into the ‘Wholesale Toy Business’.      Of course when others hear about the plan, Woody becomes nominated tosave Christmas and sets out on his adventure, with a little help from the Christmas Fairy,Snowy White the snowman and Gordon the Garden Gnome, along with other forestfriends. Needless to say Foxy and Weazy get their just deserts, but just how this comesabout, will have to remain a secret until ............This album includes the Piano & Vocal Score along with the full Libretto.For full information please see my website:- https://www.tynemusic.com/woody’s-christmas-adventureP.S. Owing to the high cost in orchestration The music is only available as a piano score with lyrics and chords. However this is reflected in the price. You would have to add your own instrumentation, but this would be an excellent opportunity for any up and coming senior music student to take on.SONG TITLES1) Christmas is Coming2)   Mister Snow3)   Little Fir Tree4)   Snowy White5)   A Very Merry Christmas5)   Snowflakes (dance)6)   Mister Santa Claus7)   Christmas is Here
WOODY’S CHRISTMAS ADVENTURE (a new & original Christmas musical)
Chorale SATB

$43.00 36.76 € Chorale SATB PDF SheetMusicPlus

Piano - Digital Download SKU: AX.00-PS-0015760 By Jim Brickman. By Jim Brickman. Christmas. 4 pages. Alfred Music - Digital Sheet Music #00-PS-0015760. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015760). ISBN 9781470610012. UPC: 038081465111.Play Jim Brickman's inspired piano solos exactly as they sound on his album. A dozen new solo piano pieces are at the heart of this Christmas collection, including the single, Sending You a Little Christmas. This official album-matching sheet music folio will delight any pianist who is a fan of Jim Brickman's music. Titles: Angels We Have Heard on High * My Favorite Things * We Three Kings * Christmas Time Is Here / O Christmas Tree * Hark! The Herald Angels Sing * What Child Is This? * Have Yourself a Merry Little Christmas * Here We Come A-Caroling * The Magic of Christmas * What Are You Doing New Year's Eve? * Silent Night * God Rest Ye Merry Gentlemen * On a Winter's Night * Merry Christmas Darling * Sending You a Little Christmas.
On a Winter's Night
Piano seul
Jim Brickman
$3.99 3.41 € Piano seul PDF SheetMusicPlus

String Ensemble - Level 2 - Digital Download SKU: A0.801631 Composed by Connie Boss. Folk,Holiday,Pop,Wedding. Score and parts. 3 pages. Connie Boss #6331181. Published by Connie Boss (A0.801631). As I sat one morning by the water, I noticed the sunlight twinkling and sparkling as it reflected off of it. It was so peaceful and beautiful. I wondered about a song that I might reference it. I decided to compose a lullaby for a mother singing to her baby. I think of eyes that twinkle and sparkle and your child definitely has eyes that reflect that. At least I know mine did.There is an accompaniment mp3 for sale if you don't play.cdboss@cvalley.netLyrics:My Baby(A Mother’s Lullaby)Composed by Connie Boss Refrain:My baby, your eyes, twinkle and they sparkleMy baby, just like sunlight on the water Verses: I fell in Love with you when I saw your faceYou are my baby, no one can take your place Refrain: I count your fingers and then your little toesEach time I look at you, my love for you grows Refrain: Your cheeks were made to kiss and I just can’t resistTo kiss your little nose and your little toes Refrain: Bridge: We play pat-a-cake and play peek-a-booThese are all the things that you love to doWe snuggle close. Rock you to sleepAnd lay you down without a peep Refrain: Ending: My baby, My baby
My Baby (A Mother's Lullaby) - violin duet and piano

$5.00 4.27 € PDF SheetMusicPlus

Clarinet,Guitar - Level 4 - Digital Download SKU: A0.1506755 By András Csáki (guitar) and Péter Balázs (clarinet). By David Warin Solomons. 21st Century,Contemporary. Full Performance. Duration 178. David Warin Solomons #1082126. Published by David Warin Solomons (A0.1506755). Arrangement of Ariette Oubliée No 4 originally written for alto and guitar (also available on this site). The song is based on a poem by Paul Verlaine in which he imagines himself and his boyfriend Rimbaud as two innocent little girls.Original poem:Il faut, voyez-vous, nous pardonner les choses:De cette façon nous serons bien heureusesEt si notre vie a des instants moroses,Du moins nous serons, n`est-ce pas? deux pleureuses.Ô que nous mêlions, âmes soeurs que nous sommes,A nos voeux confus la douceur puérileDe cheminer loin des femmes et des hommes,Dans le frais oubli de ce qui nous exile !Soyons deux enfants, soyons deux jeunes fillesÉprises de rien et de tout étonnéesQui s`en vont pâlir sous les chastes charmillesSans même savoir qu`elles sont pardonnées.Paul Verlaine[literal translation into English]You see, you`ll have to forgive us a few thingsThen we`ll be two happy little girlsAnd if our life is a bit sad at timesat least there will be two of us sobbing together, won`t there?Oh sister souls that we are, wouldn`t we just mingleChildish sweetness with our embarassed vowsTo wander far from the world of adultsAnd forget our banishment in all our fresh innocenceLet`s be two children, two little girlsIn love with nought and astonished by allGoing pale-faced down innocent tree-lined pathsNot even aware that they`ve been forgiven.
Ariette Oubliée No 4 for clarinet and classical guitar (mp3)
András Csáki (guitar) and Péter Balázs (clarinet)
$5.00 4.27 € PDF SheetMusicPlus

Brass Ensemble - Level 3 - Digital Download SKU: A0.767277 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 79 pages. Lyons Music Services #3218695. Published by Lyons Music Services (A0.767277). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The songs starting from no 8 form a set of 6 to which Monteverdi gave a separate title Sestina Within this set of songs Monteverdi creates a little dramatic episode which foreshadows many of the developments that we find in his early operas: Monody/recitative, dialogue between chorus and soloist, a tendency to give the high parts strong melodic lines and a clear division of the roles of the singers. For the time being, until someone asks, I am not going to release the separate songs from Sestina individually as some of them are a little short. A sestina is a complicated verse form of six stanzas each of six lines with rules about repeating the last line of the first stanza. The poetic form is of little use to us as instrumentalists, but the dramatic mourning, cries of anguish and the feelings of loss embodied in the music will come through regardless of the lack of words. As with all things madrigalian, the lyrics are rife with double entendres.
Monteverdi Madrigals Book 6 - 08. SESTINA
Ensemble de cuivres

$15.99 13.67 € Ensemble de cuivres PDF SheetMusicPlus

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.983997 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop. Score. 12 pages. Boothe Publishing #4360831. Published by Boothe Publishing (A0.983997). Whether its food, alcohol, drugs, or viewing pornography. Addictions destroy the lives of everyone around them.  I look at addictions as if they were little devils that have us down and are jumping on top of us and won’t let us get up.   Little by little the addicted and all of his friends and family lose faith, hope, love, peace, joy, and self respect.  The shame of addiction keeps them in despair.  They constantly have  voices in their heads that say you’re no good, you’re no good, do you hear me, you’re no good.  Well I’m here to tell you that is a lie.  You are good.  You are worth something.  Life , family, love, peace, joy.  Those are all things that are worth fighting for. Take them back.  You are not unworthy. You can fight the addiction. You have made mistakes that are correctable.  God tells us to resist the devil and he will flee from you. Then God says to draw near unto Him and He will draw near unto you. When  God draws close  to us, we will recieve His strength and power to leave the addiction behind. With Him we can overcome anything.
Get Out PVG
Piano, Voix

$3.99 3.41 € Piano, Voix PDF SheetMusicPlus

Piano - Digital Download SKU: AX.00-PS-0015759 By Jim Brickman. By Jim Brickman. Christmas. 7 pages. Alfred Music - Digital Sheet Music #00-PS-0015759. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015759). ISBN 9781470610012. UPC: 038081465111.Play Jim Brickman's inspired piano solos exactly as they sound on his album. A dozen new solo piano pieces are at the heart of this Christmas collection, including the single, Sending You a Little Christmas. This official album-matching sheet music folio will delight any pianist who is a fan of Jim Brickman's music. Titles: Angels We Have Heard on High * My Favorite Things * We Three Kings * Christmas Time Is Here / O Christmas Tree * Hark! The Herald Angels Sing * What Child Is This? * Have Yourself a Merry Little Christmas * Here We Come A-Caroling * The Magic of Christmas * What Are You Doing New Year's Eve? * Silent Night * God Rest Ye Merry Gentlemen * On a Winter's Night * Merry Christmas Darling * Sending You a Little Christmas.
The Magic of Christmas
Piano seul
Jim Brickman
$3.99 3.41 € Piano seul PDF SheetMusicPlus

Small Ensemble Cello,Guitar,Piano,Violin - Level 2 - Digital Download SKU: A0.801632 Composed by Connie Boss. Folk,Holiday,Pop,Wedding. Score and parts. 3 pages. Connie Boss #6331183. Published by Connie Boss (A0.801632). As I sat one morning by the water, I noticed the sunlight twinkling and sparkling as it reflected off of it. It was so peaceful and beautiful. I wondered about a song that I might reference it. I decided to compose a lullaby for a mother singing to her baby. I think of eyes that twinkle and sparkle and your child definitely has eyes that reflect that. At least I know mine did.There is an accompaniment mp3 for sale if you don't play.cdboss@cvalley.netLyrics:My Baby(A Mother’s Lullaby)Composed by Connie Boss Refrain:My baby, your eyes, twinkle and they sparkleMy baby, just like sunlight on the water Verses: I fell in Love with you when I saw your faceYou are my baby, no one can take your place Refrain: I count your fingers and then your little toesEach time I look at you, my love for you grows Refrain: Your cheeks were made to kiss and I just can’t resistTo kiss your little nose and your little toes Refrain: Bridge: We play pat-a-cake and play peek-a-booThese are all the things that you love to doWe snuggle close. Rock you to sleepAnd lay you down without a peep Refrain: Ending: My baby, My baby
My Baby (A Mother's Lullaby) - cello and violin duet and piano

$5.00 4.27 € PDF SheetMusicPlus


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