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Concert Band - Level 2 - Digital Download SKU: A0.1389361 Composed by Florence Beatrice Price. Arranged by John Ivor Holland. 20th Century,Christian,Classical,Multicultural,World. 41 pages. John Ivor Holland #972946. Published by John Ivor Holland (A0.1389361). Born in Little Rock, Arkansas in 1887, Florence Price received early musical training from her mother, going on to study at the prestigious New England Conservatory of Music, graduating in 1906 with a Soloist’s Diploma in Organ Performance, and a Teacher’s Diploma in Piano Performance. After completing her degree, Price returned back to the south to teach music and after about 20 years, moved her family moved to Chicago to ultimately escape the racial tension in the south. It was here that she was able to properly establish herself as a concert pianist, organist and composer. She composed over 300 works, including 20 full orchestral pieces and over 110 art songs, many performed by leading American orchestras and esteemed vocalists. Price was the first African-American woman composer to earn national recognition. Seen as a pioneer among women, she was celebrated constantly for her achievements.Originally, written for organ, 'Adoration' (dating from 1951, just a few years before her death), is one of Florence Price’s best-known works, available in several different versions. Beginning in the 1930s, Price earned a living by playing organ in churches as well as in theatres. Adoration is a work of deep devotion and sincerity, a simple yet beautiful work suitable for church concerts and for remembrance/memorial events.
Adoration
Orchestre d'harmonie

$39.99 34.11 € Orchestre d'harmonie PDF SheetMusicPlus

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1017867 Composed by Hilary Brooks, Lyrics by Clive King. Broadway,Contemporary,Holiday,Musical/Show,Patriotic. Score. 64 pages. Hilary Brooks #6343455. Published by Hilary Brooks (A0.1017867). Vocal selection. Musical. Music by Hilary Brooks, Book & Lyrics by Clive King.It's a long way from the Eastern Bloc to the East Wing - and for one former glamour model turned FLOTUS it hasn't been a happy journey. Can the ghosts of Eleanor Roosevelt and Jackie Kennedy lift our heroine's spirits? Hilary Brooks and Clive King have written a highly entertaining musical with songs full of humour and irony (Mumble Musicals) ★★★★★@brooksandking. Brooks & King are represented by Micheline Steinberg Associates: micheline@steinplays.com. Requests for script copies and permissions for productions should be sought through MSA.A chamber musical for three female actors.Original production length: 58 minutes. Suitable for MT students, colleges, MT societies. Songs : 9I WANTED THE WORLD - soloTHE FIRST FIRST LADY - duetOUR FAIR LADY - duetMEL AT NATIONS UNITED - soloMAKE AMERICA GREAT AGAIN - trioLITTLE COUNTRY - soloA NEW DEAL - soloHAPPY AT THE END - soloIT'S UP TO THE WOMEN - trio
MELANIA
Piano, Voix

$30.61 26.11 € Piano, Voix PDF SheetMusicPlus

Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.891202 Composed by Laurie Betts Hughes. Contemporary. Octavo. 11 pages. Dandelion Music Press #3104027. Published by Dandelion Music Press (A0.891202). If you are looking to highlight your women's group and feature soloists from within the ensemble, this women's-choir-friendly piece is a harmonically interesting and pianistically supported way to explore those textures.The composer writes: I often find it difficult to find music for grown women: much treble repertoire is written for children's ranges and feature children's themes, and the remainder seems to be about romantic relationships.  When searching for a text that speaks to the nature of a woman, I found Emily Dickinson's little-known For largest Woman's Heart I knew.  It seemed to pair naturally with Heart! We will forget him! and provide context rooted in personal strength.While Dickinson was a prolific private poet, fewer than a dozen of her nearly 1,800 poems were published during her lifetime, usually altered significantly to fit the conventional poetic rules of the time.  A complete, and mostly unaltered, scholarly collection of her poetry first became available five full years after Aaron Copland's musical settings of her poetry.  Laurie Betts Hughes explores what Copland never had the chance to: Emily Dickinson's poem as the poet had conceived it, unedited, and with the punctuation she intended.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
Heart [SSA]
Chorale 3 parties

$2.10 1.79 € Chorale 3 parties PDF SheetMusicPlus






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