Small Ensemble Vibraphone,Voice - Level 3 - Digital Download SKU: A0.935378 Composed by Dan Heslink. Christian,Jazz,Jewish,Sacred. Score and parts. 5 pages. Pharaoh Publications #4887161. Published by Pharaoh Publications (A0.935378). Psalm 111                                                                    composed by Dan Heslink This work is an original composition for narrator and solo vibes. The narration, which should be delivered with a manner of intense reverence, is interpreted simultaneously by the vibe’s music. It is hoped that this work will assist vibists who wish to play sacred music.  Psalm 111 would serve equally well in recital or in a church service. Any position in the service would be appropriate, especially as special music or as an offertory. Written for four mallets, the vibe part is accessible for a player with intermediate level experience. Pedaling on the vibes is for the most part by the dotted quarter note beat, and is not notated in most places. Pedal indications occur when this pattern is varied. Half-pedal should be applied wherever needed for clarification of the line. The composer recommends medium hard mallets and no use of the motor for vibrato.  111 is one of the hallelujah psalms that portrays reverence for God. The narration is appropriately delivered by either masculine of feminine voice; the translation is from the Life Application Bible, New International Version. It is possible for the vibist to also deliver the narration, but a separate narrator is preferable. The music is notated in one part, with narration text place above the vibe notation. Pairing of voice and instrument is general, not requiring coordination greater than one beat resolution. Considerable flexibility in tempo is acceptable, even appropriate.  Duration is 5:30. The composer, Dan Heslink, can be contacted at dan@dheslink.com.

Guitar Ensemble - Level 4 - Digital Download SKU: A0.1470119 Composed by John Dowland (1563-1626). Arranged by Clive Lane. Classical,Renaissance. Score and Parts. 38 pages. Clive Lane #1047866. Published by Clive Lane (A0.1470119). ‘Lachrimæ or Seven Tears figured in Seven passionate pavans, with divers other pavans, galliards and allemands, set forth for the lute, viols, or violons, in five parts’ is a collection of instrumental music composed by John Dowland and published in 1604. Apart from the sheer quality of the music, it is notable as the first publication of English music scored specifically for strings and for lute, and the first to have used the table layout for consort music.There are seven Lachrimae pavans, which are variations on the theme that Dowland had already made famous as a lute solo and a song (“Flow my tears”).The “divers other” compositions are: two almans (“almands”), nine lively galliards (“galiards”), two sombre pavans, and a “funerall.” There are 21 pieces in all and I have divided them into three books, retaining the original ordering of the pieces. This is Book One - the “Lachrimae” pavans:1.     Lachrimae antiquae2.     Lachrimae antiquae novae3.     Lachrimae gementes4.     Lachrimae tristes5.     Lachrimae coactae6.     Lachrimae amantis7.     Lachrimae verae(See Book Two & Book Three for the remaining 14 pieces)Time values have been halved, and in several cases (Nos. 9,12,15,16,17,20,21), I have transposed the key to a more guitar-friendly key. Clive Lane 2024(Also see my arrangement for guitar quartet).

Guitar Ensemble - Level 4 - Digital Download SKU: A0.1463459 Composed by John Dowland (1563-1626). Arranged by Clive Lane. Classical,Renaissance. Score and Parts. 34 pages. Clive Lane #1042157. Published by Clive Lane (A0.1463459). ‘Lachrimæ or Seven Tears figured in Seven passionate pavans, with divers other pavans, galliards and allemands, set forth for the lute, viols, or violons, in five parts’is a collection of instrumental music composed by John Dowland and published in 1604. Apart from the sheer quality of the music, it is notable as the first publication of English music scored specifically for strings and for lute, and the first to have used the table layout for consort music. There are seven Lachrimae pavans, which are variations on the theme that Dowland had already made famous as a lute solo and a song (“Flow my tears”).The “divers other” compositions are: two almans (“almands”), nine lively galliards (“galiards”), two sombre pavans, and a “funerall.” There are 21 pieces in all and I have divided them into three books, retaining the original ordering of the pieces. This Book Two (8-14) - three pavans and four galliards:8.     Pavan: “Semper Dowland, semper Dolens”9.      Sir Henry Umpton’s Funeral10.  Mr John Langton’s Pavan11.  The King of Denmark’s Galliard12.  The Earl of Essex Galliard13.  Sir John Souch, his Galliard14.  Mr Henry Noell, his Galliard(See Book One and Book Three for the others) For this arrangement for guitar quartet*, I have combined two of the parts (part three and part five) to make guitar 4 (with some minor adjustments).Time values have been halved, and in several cases (Nos. 9,12,15,16,17,20,21), I have transposed the key to a more guitar-friendly key. Clive Lane 2024*Also see my arrangement for guitar quintet.

Guitar Ensemble - Level 4 - Digital Download SKU: A0.1470122 Composed by John Dowland (1563-1626). Arranged by Clive Lane. Classical,Renaissance. Score and Parts. 38 pages. Clive Lane #1047870. Published by Clive Lane (A0.1470122). ‘Lachrimæ or Seven Tears figured in Seven passionate pavans, with divers other pavans, galliards and allemands, set forth for the lute, viols, or violons, in five parts’ is a collection of instrumental music composed by John Dowland and published in 1604. Apart from the sheer quality of the music, it is notable as the first publication of English music scored specifically for strings and for lute, and the first to have used the table layout for consort music.There are seven Lachrimae pavans, which are variations on the theme that Dowland had already made famous as a lute solo and a song (“Flow my tears”).The “divers other” compositions are: two almans (“almands”), nine lively galliards (“galiards”), two sombre pavans, and a “funerall.” There are 21 pieces in all and I have divided them into three books, retaining the original ordering of the pieces. This is Book Two - three pavans and four galliards:1.     Pavan: “Semper Dowland, semper Dolens”2.     Sir Henry Umpton’s Funeral3.     Mr John Langton’s Pavan4.     The King of Denmark’s Galliard5.     The Earl of Essex Galliard6.     Sir John Souch, his Galliard7.     Mr Henry Noell, his Galliard(See Book One and Book Three for the remaining 14 pieces)Time values have been halved, and in several cases (Nos. 9,12,15,16,17,20,21), I have transposed the key to a more guitar-friendly key. Clive Lane 2024(Also see my arrangement for guitar quartet).

Bass Recorder,Descant Recorder,Tenor Recorder,Treble Recorder - Level 3 - Digital Download SKU: A0.1397299 By Clive Lane. By Orlande De Lassus. Arranged by Clive Lane. Classical,Renaissance. Recorder Ensemble. 12 pages. Clive Lane #980615. Published by Clive Lane (A0.1397299). Matona mia cara is one of the most well-known madrigals. The text tells the story of a German soldier attempting to woo an Italian lady. It makes a lively recorder quartet.Score and parts.

Guitar Ensemble - Level 4 - Digital Download SKU: A0.1463458 Composed by John Dowland (1563-1626). Arranged by Clive Lane. Classical,Renaissance. Score and Parts. 34 pages. Clive Lane #1042156. Published by Clive Lane (A0.1463458). ‘Lachrimæ or Seven Tears figured in Seven passionate pavans, with divers other pavans, galliards and allemands, set forth for the lute, viols, or violons, in five parts’ is a collection of instrumental music composed by John Dowland and published in 1604. Apart from the sheer quality of the music, it is notable as the first publication of English music scored specifically for strings and for lute, and the first to have used the table layout for consort music.There are seven Lachrimae pavans, which are variations on the theme that Dowland had already made famous as a lute solo and a song (“Flow my tears”).The “divers other” compositions are: two almans (“almands”), nine lively galliards (“galiards”), two sombre pavans, and a “funerall.” There are 21 pieces in all and I have divided them into three books, retaining the original ordering of the pieces. This is Book One - the “Lachrimae” pavans:1.     Lachrimae antiquae2.     Lachrimae antiquae novae3.     Lachrimae gementes4.     Lachrimae tristes5.     Lachrimae coactae6.     Lachrimae amantis7.     Lachrimae verae(See Book Two & Book Three for the remaining 14 pieces)For this arrangement for guitar quartet*, I have combined two of the parts (part three and part five) to make guitar 4 (with some minor adjustments).Time values have been halved, and in several cases (Nos. 9,12,15,16,17,20,21), I have transposed the key to a more guitar-friendly key. Clive Lane 2024*Also see my arrangement for guitar quintet.

Guitar Ensemble - Level 4 - Digital Download SKU: A0.1463461 Composed by John Dowland (1563-1626). Arranged by Clive Lane. Classical,Renaissance. Score and Parts. 31 pages. Clive Lane #1042183. Published by Clive Lane (A0.1463461). ‘Lachrimæ or Seven Tears figured in Seven passionate pavans, with divers other pavans, galliards and allemands, set forth for the lute, viols, or violons, in five parts’ is a collection of instrumental music composed by John Dowland and published in 1604. Apart from the sheer quality of the music, it is notable as the first publication of English music scored specifically for strings and for lute, and the first to have used the table layout for consort music.There are seven Lachrimae pavans, which are variations on the theme that Dowland had already made famous as a lute solo and a song (“Flow my tears”).The “divers other” compositions are: two almans (“almands”), nine lively galliards (“galiards”), two sombre pavans, and a “funerall.” There are 21 pieces in all and I have divided them into three books, retaining the original ordering of the pieces.This is Book Three - five galliards and two almans:15.  Mr Giles Hoby, his Galliard16.  Mr Nicholas Gryffith, his Galliard17.  Mr Thomas Collier, his Galliard18.  Captain Piper, his Galliard19.  Mr Bucton, his Galliard20.  Mistress Nichol’s Alman21.  Mr George Whitehead, his Alman(For the other pieces, see Books One and Two) For this arrangement for guitar quartet*, I have combined two of the parts (part three and part five) to make guitar 4 (with some minor adjustments). Time values have been halved, and in several cases (Nos. 9,12,15,16,17,20,21), I have transposed the key to a more guitar-friendly key. Clive Lane 2024*Also see my arrangement for guitar quintet.

Piano Solo - Level 3 - Digital Download SKU: A0.1032189 Composed by Oliver Szabo. Romantic Period. Score. 2 pages. Oliver “Liver� Szabo #4623693. Published by Oliver “Liver� Szabo (A0.1032189). This waltz is in the key of F Minor and is a waltz in the style of Chopin, one of my favorite composers along with Schubert, Bach, and Mozart. The idea for this piece came to me while I was improvising. I made a simple melody with an upper common tone and a descending line, and managed to develop it into a short waltz.

Instrumental Duet,Soprano Saxophone,Trombone - Level 1 - Digital Download SKU: A0.1512154 By Leonard Cohen. By Leonard Cohen. Arranged by Walt Oliver. Christmas,Film/TV,Folk,Religious,Singer/Songwriter. 4 pages. Walt Oliver #1087195. Published by Walt Oliver (A0.1512154). Presenting an exciting arrangement of Leonard Cohen's Hallelujah, specifically for soprano saxophone and trombone. Made famous by its rendition in the movie Shrek, this iconic song is now accessible to your repertoire with a version carefully adapted for musicians at the easy-beginner level.This arrangement blends the lyrical and expressive sound of the soprano saxophone with the deep richness of the trombone, creating a unique interpretation that preserves the emotional essence of the original song. Whether for lessons, group practice, or special events like weddings and celebrations, this version of Hallelujah is perfect for those seeking a balance between simplicity and emotion.With a gentle and engaging rhythm, this pop ballad arrangement is ideal for beginners wanting to perform a piece that captivates the audience. The flowing melodies and subtle harmonies allow the trombone and soprano saxophone to shine together, delivering an unforgettable performance.Benefits:* Easy for beginners, while retaining emotional depth;* Perfect for recitals, lessons, and public performances;* Specifically adapted to the unique tonal characteristics of soprano saxophone and trombone;* A timeless classic that resonates with any audience, ensuring an emotional experience.Add this arrangement to your repertoire and dazzle your audience with a charming and unique version of Hallelujah.

Instrumental Duet,Soprano Saxophone,Trombone - Level 1 - Digital Download SKU: A0.1512150 By Leonard Cohen. By Leonard Cohen. Arranged by Walt Oliver. Christmas,Film/TV,Folk,Religious,Singer/Songwriter. 4 pages. Walt Oliver #1087191. Published by Walt Oliver (A0.1512150). Presenting an exciting arrangement of Leonard Cohen's Hallelujah, specifically for soprano saxophone and trombone. Made famous by its rendition in the movie Shrek, this iconic song is now accessible to your repertoire with a version carefully adapted for musicians at the easy-beginner level.This arrangement blends the lyrical and expressive sound of the soprano saxophone with the deep richness of the trombone, creating a unique interpretation that preserves the emotional essence of the original song. Whether for lessons, group practice, or special events like weddings and celebrations, this version of Hallelujah is perfect for those seeking a balance between simplicity and emotion.With a gentle and engaging rhythm, this pop ballad arrangement is ideal for beginners wanting to perform a piece that captivates the audience. The flowing melodies and subtle harmonies allow the trombone and soprano saxophone to shine together, delivering an unforgettable performance.Benefits:* Easy for beginners, while retaining emotional depth;* Perfect for recitals, lessons, and public performances;* Specifically adapted to the unique tonal characteristics of soprano saxophone and trombone;* A timeless classic that resonates with any audience, ensuring an emotional experience.Add this arrangement to your repertoire and dazzle your audience with a charming and unique version of Hallelujah.

Piano,Vocal,Voice - Digital Download SKU: A0.979345 Composed by Amy Boyes. Children,Christian,Easter,Praise & Worship,Sacred. Score. 1 pages. Amy Boyes #3456753. Published by Amy Boyes (A0.979345). Children will enjoy this simple song for Easter. Hosanna to the King of Kings! He liveth!Let happy voices sing. He rose again. With praise and adoration, we humbly praise His name. Hosanna to the King of Kings! He lives!My blessed Lord was crucified on Calvary. Three days and nights, He lay, in a a cold tomb. Then at daybreak, on Sunday, He rose up from the grave. Hosanna to the King of Kings! He lives!

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - Digital Download SKU: A0.1471485 Composed by Gabriel Fauré, Gabriel Faure. Arranged by Rob Bushnell. 19th Century,Classical,Religious,Romantic Period,Sacred. Brass Band. 79 pages. Rob Bushnell #1049258. Published by Rob Bushnell (A0.1471485). Composed between 1887 and 1890, Gabriel Fauré’s Requiem is not only one of his best-known works but one of the most popular piece of choral music in the Classical repertoire, coming 23rd in the Classic FM’s Hall of Fame 2024. Believed to be a tribute to his father (who died in 1885), Fauré himself said “My Requiem wasn't written for anything – for pleasure, if I may call it that!” It started life as a five-movement work but was later expanded to be the final seven-movement work we know today. The first version (which Fauré called “un petit Requiem”) was first performed on 16 January 1888, with Fauré conducting, a second version premiered on 21 January 1893 before the final version (reworked for full orchestra) was played on 12 July 1900; the Requiem was performed at the composer’s own funeral in 1924.The Libera Me, or Deliver Me, was actually written in 1877 and is the sixth part of the Requiem.Fauré once said of the work, “Everything I managed to entertain by way of religious illusion I put into my Requiem, which moreover is dominated from beginning to end by a very human feeling of faith in eternal rest. Upon interview, he also said, “It has been said that my Requiem does not express the fear of death and someone has called it a lullaby of death. But it is thus that I see death: as a happy deliverance, an aspiration towards happiness above, rather than as a painful experience. The music of Gounod has been criticised for its inclination towards human tenderness. But his nature predisposed him to feel this way: religious emotion took this form inside him. Is it not necessary to accept the artist's nature? As to my Requiem, perhaps I have also instinctively sought to escape from what is thought right and proper, after all the years of accompanying burial services on the organ! I know it all by heart. I wanted to write something different.”This arrangement is for the UK-style brass band, with alternative parts for horns in F and bass-clef lower brass. A recording of the original composition can be found here on YouTube: https://www.youtube.com/watch?v=fXwFNoBHCf0.

Clarinet,Guitar - Level 3 - Digital Download SKU: A0.1350421 Composed by David Warin Solomons. Contemporary. 13 pages. David Warin Solomons #935218. Published by David Warin Solomons (A0.1350421). Three clarinets performing Shakespeare's chant of the three witches (from Macbeth), with a quasi-ostinato guitar accompaniment. It is suitable for a Shakespeare performance or, more generally, for a Halloween concert. Thrice the brinded cat hath mew'd    Thrice and once the hedgepig whin'd    Harper cries: 'Tis time, 'tis time.    Round about the cauldron go;    In the poison'd entrails throw.    Toad, that under cold stone    Days and nights hast thirty one    Swelter'd venom sleeping got,    Boil thou first i' the charmed pot.    Double, double toil and trouble;    Fire burn and cauldron bubble.    Fillet of a fenny snake,    In the cauldron boil and bake;    Eye of newt, and toe of frog,    Wool of bat, and tongue of dog,    Adder's fork, and blind-worm's sting,    Lizard's leg, and howlet's wing,    For a charm of powerful trouble,    Like a hellbroth boil and bubble.    Double, double toil and trouble;    Fire burn and cauldron bubble.    Scale of dragon, tooth of wolf,    Witch's mummy, maw and gulf    Of the ravin'd saltsea shark,    Root of hemlock digg'd i' the dark    Liver of blasphemer too,    Gall of goat, and slips of yew    Sliver'd in the moon's eclipse,    Nose of Turk, and Tartar's lips,    Finger of birth-strangled babe    Ditch-deliver'd by a drab,    Make the gruel thick and slab:    Add thereto a tiger's chaudron,    For the ingredients of our cauldron.    Double, double toil and trouble;    Fire burn and cauldron bubble.    Cool it with a baboon's blood,    Then the charm is firm and good.The pdf file contains score and parts.

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1350419 By David Warin Solomons. By David Warin Solomons. Contemporary. Score. 8 pages. David Warin Solomons #935216. Published by David Warin Solomons (A0.1350419). Three altos performing Shakespeare's chant of the three witches (from Macbeth), with a quasi-ostinato guitar accompaniment. The sound sample is a performance by the composer - multitracking.It is suitable for a Shakespeare performance or, more generally, for a Halloween concert. Thrice the brinded cat hath mew'd    Thrice and once the hedgepig whin'd    Harper cries: 'Tis time, 'tis time.    Round about the cauldron go;    In the poison'd entrails throw.    Toad, that under cold stone    Days and nights hast thirty one    Swelter'd venom sleeping got,    Boil thou first i' the charmed pot.    Double, double toil and trouble;    Fire burn and cauldron bubble.    Fillet of a fenny snake,    In the cauldron boil and bake;    Eye of newt, and toe of frog,    Wool of bat, and tongue of dog,    Adder's fork, and blind-worm's sting,    Lizard's leg, and howlet's wing,    For a charm of powerful trouble,    Like a hellbroth boil and bubble.    Double, double toil and trouble;    Fire burn and cauldron bubble.    Scale of dragon, tooth of wolf,    Witch's mummy, maw and gulf    Of the ravin'd saltsea shark,    Root of hemlock digg'd i' the dark    Liver of blasphemer too,    Gall of goat, and slips of yew    Sliver'd in the moon's eclipse,    Nose of Turk, and Tartar's lips,    Finger of birth-strangled babe    Ditch-deliver'd by a drab,    Make the gruel thick and slab:    Add thereto a tiger's chaudron,    For the ingredients of our cauldron.    Double, double toil and trouble;    Fire burn and cauldron bubble.    Cool it with a baboon's blood,    Then the charm is firm and good.The pdf contains score and separate guitar part.

Alto Voice,Guitar - Level 4 - Digital Download SKU: A0.1350418 By David Warin Solomons. By David Warin Solomons. Contemporary. Full Performance. Duration 175. David Warin Solomons #935215. Published by David Warin Solomons (A0.1350418). Three witch-like altos performing Shakespeare's chant of the three witches (from Macbeth), with a quasi-ostinato guitar accompaniment. The sound sample is a performance by the composer - multitracking.It is suitable for a Shakespeare performance or, more generally, for a Halloween concert. Thrice the brinded cat hath mew'd    Thrice and once the hedgepig whin'd    Harper cries: 'Tis time, 'tis time.    Round about the cauldron go;    In the poison'd entrails throw.    Toad, that under cold stone    Days and nights hast thirty one    Swelter'd venom sleeping got,    Boil thou first i' the charmed pot.    Double, double toil and trouble;    Fire burn and cauldron bubble.    Fillet of a fenny snake,    In the cauldron boil and bake;    Eye of newt, and toe of frog,    Wool of bat, and tongue of dog,    Adder's fork, and blind-worm's sting,    Lizard's leg, and howlet's wing,    For a charm of powerful trouble,    Like a hellbroth boil and bubble.    Double, double toil and trouble;    Fire burn and cauldron bubble.    Scale of dragon, tooth of wolf,    Witch's mummy, maw and gulf    Of the ravin'd saltsea shark,    Root of hemlock digg'd i' the dark    Liver of blasphemer too,    Gall of goat, and slips of yew    Sliver'd in the moon's eclipse,    Nose of Turk, and Tartar's lips,    Finger of birth-strangled babe    Ditch-deliver'd by a drab,    Make the gruel thick and slab:    Add thereto a tiger's chaudron,    For the ingredients of our cauldron.    Double, double toil and trouble;    Fire burn and cauldron bubble.    Cool it with a baboon's blood,    Then the charm is firm and good.