String Orchestra - Level 1 - Digital Download SKU: A0.1255701 Composed by Giles Farnaby, 1563-1640. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Festival,Historic,Instructional,Traditional. 15 pages. Jmsgu3 #849209. Published by jmsgu3 (A0.1255701). 1. Farnaby's Dreame2. His Rest - Galiard3. His Humour4. FinaleGiles Farnaby was an English composer and virginalist during the late 16th and early 17th centuries. He is known for his contributions to Elizabethan and Jacobean music. He was born around 1560 and lived during the reigns of Queen Elizabeth I and King James I. He was a contemporary of other notable English composers such as William Byrd and John Dowland. Farnaby's compositions are known for their variety of styles. He wrote pieces that ranged from lively dance tunes to more intricate and introspective works. His music often featured elements of English folk melodies and dance rhythms.Giles Farnaby's Fantasias are significant for their role in developing keyboard music, their influence on later composers, and their historical documentation of musical practices in late Renaissance England. Farnaby's music often displays a lively and whimsical character, with syncopations, rapid passagework, and playful ornamentation. His style was influenced by the continental keyboard music of his time, especially that of the English virginalists like John Bull and William Byrd. However, Farnaby's compositions also have a distinct character, marked by their dance-like rhythms and catchy melodies.Although Farnaby's music fell out of favor during the Baroque period, there has been a resurgence of interest in his works in the modern era. Musicians and scholars have rediscovered and recorded his compositions, helping to revive his legacy.

String Orchestra - Level 4 - Digital Download SKU: A0.1298252 Composed by Giles Farnaby. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 33 pages. Jmsgu3 #888225. Published by jmsgu3 (A0.1298252). Giles Farnaby was an English composer and virginalist during the late 16th and early 17th centuries. He is known for his contributions to Elizabethan and Jacobean music. He was born around 1560 and lived during the reigns of Queen Elizabeth I and King James I. He was a contemporary of other notable English composers such as William Byrd and John Dowland. Farnaby's compositions are known for their variety of styles. He wrote pieces that ranged from lively dance tunes to more intricate and introspective works. His music often featured elements of English folk melodies and dance rhythms.Giles Farnaby's Fantasias are significant for their role in developing keyboard music, their influence on later composers, and their historical documentation of musical practices in late Renaissance England. Farnaby's music often displays a lively and whimsical character, with syncopations, rapid passagework, and playful ornamentation. His style was influenced by the continental keyboard music of his time, especially that of the English virginalists like John Bull and William Byrd. However, Farnaby's compositions also have a distinct character, marked by their dance-like rhythms and catchy melodies.Although Farnaby's music fell out of favor during the Baroque period, there has been a resurgence of interest in his works in the modern era. Musicians and scholars have rediscovered and recorded his compositions, helping to revive his legacy.

Jazz Ensemble Jazz Ensemble - Level 2 - Digital Download SKU: A0.1013573 Composed by Teena Trick. Instructional,Standards. Score and parts. 6 pages. Teena Trick #6383543. Published by Teena Trick (A0.1013573). A Band Score - to celebrate how music is a wonderful addition to our lives, and we need to hold a torch to keep it alive in our lives.

Ssax(tsax)-tpt-pno-vln saxophone, trumpet, piano, violin and amplified narrator - Digital Download SKU: S9.Q19663 For narrator and instrumental ensemble. Composed by John Casken. This edition: score. Egypt - destiny - D.M. Thomas - Drama - dramatic - poem - Cleopatra - Life - poetry - fate - death - dead. Downloadable, Score. Duration 25 minutes. Schott Music - Digital #Q19663. Published by Schott Music - Digital (S9.Q19663). English.This work’s title comes from DM Thomas’s dramatic poem on an imagined episode in the life of Cleopatra. Cleopatra offers any three men from her royal court a night of unbridled passion, in return for which they must forfeit their lives the next morning. Three men step forward, the last of which is the son she had by her brother Ptolemy, whom she gave away at birth. Unaware that Cleopatra is his mother, he gives her wine laced with mandragora and makes his escape before daybreak. The grisly tale provided the composer many opportunities for dramatic characterisation. The use of a narrator necessitated an episodic structure in which the music captures the atmosphere suggested by the text, and mirrors the different moods as the journey unfolds and the three characters live out their different fates.The title Deadly Pleasures was suggested by the content of D.M. Thomas’s dramatic poem on an imagined episode in the life of Cleopatra. Cleopatra offers any three men from her royal court a night of unbridled passion, in return for which they must forfeit their lives the next morning. Three men step forward, the last of which (unbeknownst to all) is the son she had by her brother Ptolemy, whom she gave away at birth. Unaware that Cleopatra is his mother he gives her wine laced with the drug mandragora and escapes his grisly death before daybreak. The music of Deadly Pleasures skilfully captures the diff erent episodic moods of the text as the journey unfolds, and the three characters live out their diff erent fates.

String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost May�. Like springtime in the Northern Hemisphere, “Almost May� unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.

C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Lead Sheet / Fake Book. 1 pages. Heidi Savoie #960874. Published by Heidi Savoie (A0.1376331). This is a lead sheet for any instrument for the song Almost May. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost May�. Like springtime in the Northern Hemisphere, “Almost May� unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.

Piano Solo - Level 3 - Digital Download SKU: A0.1249225 By Max Potseluiev. By Max Potseluiev. 20th Century,21st Century,Film/TV,New Age,Pop. Score. 3 pages. Max Potseluiev #843691. Published by Max Potseluiev (A0.1249225). Introducing Fleeting Love - A Melodious Tapestry of Romance and TransienceExperience the tender allure of Fleeting Love, the captivating score that forms an integral part of the enchanting album Emotional Vibes, composed by the talented artist Max Potseluiev. This evocative composition weaves a melodic tapestry of emotions, capturing the essence of love's ephemeral nature.Fleeting Love invites you to immerse yourself in a world where emotions blossom and love takes center stage. The piano melodies gracefully intertwine, reflecting the delicate balance between passion and impermanence. As the music unfolds, it evokes a sense of nostalgia and longing, reminding us of the transient beauty that resides within the realms of the heart.This composition serves as a lyrical embodiment of the human experience, where relationships evolve, and moments of connection are cherished. Fleeting Love encapsulates the bittersweet nature of love, embracing both its ephemeral joys and tender farewells. It resonates with those who have experienced the ebb and flow of romance, evoking a profound sense of empathy and introspection.With its emotive melodies and heartfelt harmonies, Fleeting Love stands as a testament to Max Potseluiev's ability to create music that stirs the soul. This composition offers a poignant reminder of the beauty found in transience, inspiring us to cherish each fleeting moment of love and embrace the journey it unfolds.Whether you seek a musical companion for quiet reflection, a poignant backdrop for intimate gatherings, or a soulful addition to your repertoire as a pianist, Fleeting Love delivers a melodic experience that resonates on a deeply personal level.Indulge in the heartfelt melodies of Fleeting Love today and allow yourself to be swept away by its tender nuances. Let the piano's delicate notes carry you through a realm of emotional introspection, where love and transience intertwine in a harmonious embrace.Experience the captivating essence of Fleeting Love and allow its melodic beauty to touch your heart, reminding you of the ephemeral nature of love and the profound impact it leaves on our lives.

2-part choir, Piano - Digital Download SKU: LX.15-3709H Composed by Mark Burrows. General. Octavo. 12 pages. Heritage Music Press #e15/3709H. Published by Heritage Music Press (LX.15-3709H). ISBN 9780787768423.Mark Burrows delivers a heartfelt musical salute recognizing those on the front line of every rescue operation--expertly trained and dedicated first responders who are ready to provide aid and comfort in the wake of any adverse situation. With a directly stated vital message and memorable tune, there are no impediments to learning present. This is our song for the first responders; you lift us when we fall. The good, the brave, the lives you save, you answer when we call. You give it all..

Piano Solo - Level 2 - Digital Download SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Score. 1 pages. Heidi Savoie #960870. Published by Heidi Savoie (A0.1376326). This is a solo piano arrangement of Almost May, best suited for an early intermediate player. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost May�. Like springtime in the Northern Hemisphere, “Almost May� unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax.

Piano and voice - Digital Download SKU: LV.5806 Composed by James B. Oliver. Courtship, Love, Weddings. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.5806). They All Love Nellie Tracy (This Dainty Girl of Mine). Waltz Song & Chorus. Words by Jack Fay. Music by James B. Oliver. Published 1897 by M. Witmark & Sons, 49-51 West 28th St. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Courtship, Love, Weddings. First line reads I know a dainty little maid, she lives just o'er the way.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.1514975 Composed by James Lord Pierpont. Arranged by Walt Oliver. Christmas,Classical,Early Music,Holiday,Singer/Songwriter. Score and part. 4 pages. Walt Oliver #1089471. Published by Walt Oliver (A0.1514975). Soprano Saxophone and Piano Arrangement - Jingle Bells (Easy - Beginner Level) Brighten up your next performance with this lively arrangement of Jingle Bells for soprano saxophone and piano. Perfect for beginner musicians, this arrangement allows both the saxophonist and pianist to capture the magic of Christmas effortlessly while enjoying the beauty of one of the most beloved songs of all time.With simple melodies and smooth harmonies, the soprano saxophone shines with its expressive tone, while the piano provides a harmonious and captivating accompaniment. This arrangement is ideal for school recitals, Christmas church events, or intimate performances at family gatherings. The popularity of Jingle Bells makes it the perfect choice to delight audiences and spread the holiday spirit wherever it's played.Features:* Difficulty Level: Easy - Beginner* Instruments: Soprano Saxophone and Piano* Genre: Christmas, Classic* Benefits: Perfect for beginners, this arrangement allows musicians to build confidence and technique while performing a Christmas classic that is synonymous with holiday joy.Jingle Bells is more than just a melody; it's a celebration of connections, smiles, and moments that span generations. Don't miss the chance to add this festive piece to your repertoire and make your performances even more special.

Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.1514969 Composed by James Lord Pierpont. Arranged by Walt Oliver. Christmas,Classical,Early Music,Holiday,Singer/Songwriter. Score and part. 4 pages. Walt Oliver #1089465. Published by Walt Oliver (A0.1514969). Soprano Saxophone and Piano Arrangement - Jingle Bells (Easy - Beginner Level) Brighten up your next performance with this lively arrangement of Jingle Bells for soprano saxophone and piano. Perfect for beginner musicians, this arrangement allows both the saxophonist and pianist to capture the magic of Christmas effortlessly while enjoying the beauty of one of the most beloved songs of all time.With simple melodies and smooth harmonies, the soprano saxophone shines with its expressive tone, while the piano provides a harmonious and captivating accompaniment. This arrangement is ideal for school recitals, Christmas church events, or intimate performances at family gatherings. The popularity of Jingle Bells makes it the perfect choice to delight audiences and spread the holiday spirit wherever it's played.Features:* Difficulty Level: Easy - Beginner* Instruments: Soprano Saxophone and Piano* Genre: Christmas, Classic* Benefits: Perfect for beginners, this arrangement allows musicians to build confidence and technique while performing a Christmas classic that is synonymous with holiday joy.Jingle Bells is more than just a melody; it's a celebration of connections, smiles, and moments that span generations. Don't miss the chance to add this festive piece to your repertoire and make your performances even more special.

Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.1514981 Composed by James Lord Pierpont. Arranged by Walt Oliver. Christmas,Classical,Early Music,Holiday,Singer/Songwriter. Score and part. 4 pages. Walt Oliver #1089477. Published by Walt Oliver (A0.1514981). Soprano Saxophone and Piano Arrangement - Jingle Bells (Easy - Beginner Level) Brighten up your next performance with this lively arrangement of Jingle Bells for soprano saxophone and piano. Perfect for beginner musicians, this arrangement allows both the saxophonist and pianist to capture the magic of Christmas effortlessly while enjoying the beauty of one of the most beloved songs of all time.With simple melodies and smooth harmonies, the soprano saxophone shines with its expressive tone, while the piano provides a harmonious and captivating accompaniment. This arrangement is ideal for school recitals, Christmas church events, or intimate performances at family gatherings. The popularity of Jingle Bells makes it the perfect choice to delight audiences and spread the holiday spirit wherever it's played.Features:* Difficulty Level: Easy - Beginner* Instruments: Soprano Saxophone and Piano* Genre: Christmas, Classic* Benefits: Perfect for beginners, this arrangement allows musicians to build confidence and technique while performing a Christmas classic that is synonymous with holiday joy.Jingle Bells is more than just a melody; it's a celebration of connections, smiles, and moments that span generations. Don't miss the chance to add this festive piece to your repertoire and make your performances even more special.

Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.1514976 Composed by James Lord Pierpont. Arranged by Walt Oliver. Christmas,Classical,Early Music,Holiday,Singer/Songwriter. Score and part. 4 pages. Walt Oliver #1089472. Published by Walt Oliver (A0.1514976). Soprano Saxophone and Piano Arrangement - Jingle Bells (Easy - Beginner Level) Brighten up your next performance with this lively arrangement of Jingle Bells for soprano saxophone and piano. Perfect for beginner musicians, this arrangement allows both the saxophonist and pianist to capture the magic of Christmas effortlessly while enjoying the beauty of one of the most beloved songs of all time.With simple melodies and smooth harmonies, the soprano saxophone shines with its expressive tone, while the piano provides a harmonious and captivating accompaniment. This arrangement is ideal for school recitals, Christmas church events, or intimate performances at family gatherings. The popularity of Jingle Bells makes it the perfect choice to delight audiences and spread the holiday spirit wherever it's played.Features:* Difficulty Level: Easy - Beginner* Instruments: Soprano Saxophone and Piano* Genre: Christmas, Classic* Benefits: Perfect for beginners, this arrangement allows musicians to build confidence and technique while performing a Christmas classic that is synonymous with holiday joy.Jingle Bells is more than just a melody; it's a celebration of connections, smiles, and moments that span generations. Don't miss the chance to add this festive piece to your repertoire and make your performances even more special.

Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.1514972 Composed by James Lord Pierpont. Arranged by Walt Oliver. Christmas,Classical,Early Music,Holiday,Singer/Songwriter. Score and part. 4 pages. Walt Oliver #1089468. Published by Walt Oliver (A0.1514972). Soprano Saxophone and Piano Arrangement - Jingle Bells (Easy - Beginner Level) Brighten up your next performance with this lively arrangement of Jingle Bells for soprano saxophone and piano. Perfect for beginner musicians, this arrangement allows both the saxophonist and pianist to capture the magic of Christmas effortlessly while enjoying the beauty of one of the most beloved songs of all time.With simple melodies and smooth harmonies, the soprano saxophone shines with its expressive tone, while the piano provides a harmonious and captivating accompaniment. This arrangement is ideal for school recitals, Christmas church events, or intimate performances at family gatherings. The popularity of Jingle Bells makes it the perfect choice to delight audiences and spread the holiday spirit wherever it's played.Features:* Difficulty Level: Easy - Beginner* Instruments: Soprano Saxophone and Piano* Genre: Christmas, Classic* Benefits: Perfect for beginners, this arrangement allows musicians to build confidence and technique while performing a Christmas classic that is synonymous with holiday joy.Jingle Bells is more than just a melody; it's a celebration of connections, smiles, and moments that span generations. Don't miss the chance to add this festive piece to your repertoire and make your performances even more special.