Instrumental Solo,Piano,Violin - Level 1 - Interactive Download SKU: A0.1402838 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M Music. This edition: Interactive Download. Folk,World. Individual part. 4 pages. Duration 96. Heather Mueller Music #7ibrQYvJ5qf6za8qfZzIWh. Published by Heather Mueller Music (A0.1402838). Key: G major.Title: Far From Home Type/Genre: Reel Arranger: Heather M Music Composer: Trad (Traditional) Description: Embark on a musical journey with Far From Home, a spirited reel that draws inspiration from the musical traditions of England, Ireland, and Scotland. This lively tune, known for its infectious rhythms and vibrant melodies, captures the essence of Celtic music and evokes images of distant lands and adventures. Whether you're playing at a session or honing your skills at home, Far From Home invites you to join in the spirited celebration of Celtic tradition. Let the lively tempo and dynamic energy of this reel transport you to the heart of England, Ireland, and Scotland's musical landscapes. Key Features: Interactive Sheet Music: Seamlessly adjust the Key, Tempo, and instrument volumes using our intuitive sheet music interface. Melody and Basic Accompaniment: Our comprehensive sheet music includes the melody along with basic accompaniment and guitar chords, providing a solid foundation for musicians of all levels.

Piano,Soprano Flute - Level 1 - Digital Download SKU: A0.1311257 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Historic,Instructional,Opera. Score and part. 6 pages. Colin Kirkpatrick Publications #900255. Published by Colin Kirkpatrick Publications (A0.1311257). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-sees�. It was commissioned by The King’s Theatre in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the real historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East including modern Turkey.  The melody is often known simply as Handel’s Largo (despite being marked “Larghetto� in the musical score) and is the opening aria in the opera. Known by its opening line Ombra mai fu the aria is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...�Although the melody has survived over the years, the opera itself was a complete failure when it was first performed at the King’s Theatre in London’s Haymarket in 1738. The style of the opera was not appreciated by London opera-goers and it generally received poor reviews. The audience may have been confused by the innovative nature of the work because Handel introduced unexpected comic elements into the plot.This arrangement for flute and piano is in G major and uses the lower register of the instrument thus making the arrangement suitable for elementary players.  The lowest note is the D just below the treble staff and the highest note is the G just above the top line. The piano part has been kept as simple as possible. Being so well-known, this piece would make a suitable encore.  

B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.1313805 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Historic,Instructional,Opera. Score and part. 6 pages. Colin Kirkpatrick Publications #902523. Published by Colin Kirkpatrick Publications (A0.1313805). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-sees�. It was commissioned by The King’s Theatre in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the real historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East including modern Turkey.  The melody is often known simply as Handel’s Largo (despite being marked “Larghetto� in the musical score) and is the opening aria in the opera. Known by its opening line Ombra mai fu the aria is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...�Although the melody has survived over the years, the opera itself was a complete failure when it was first performed at the King’s Theatre in London’s Haymarket in 1738. The style of the opera was not appreciated by London opera-goers and it generally received poor reviews. The audience may have been confused by the innovative nature of the work because Handel introduced unexpected comic elements into the plot.This arrangement for clarinet in B flat and piano is in E flat major. The lowest note in the clarinet part is written C just below the treble staff and the highest note is written F on the top line. The piano part has been kept as simple as possible.

French Horn,Piano - Level 2 - Digital Download SKU: A0.1311533 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Historic,Instructional,Opera. Score and part. 6 pages. Colin Kirkpatrick Publications #900540. Published by Colin Kirkpatrick Publications (A0.1311533). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-sees�. It was commissioned by The King’s Theatre in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the real historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East including modern Turkey.  The melody is often known simply as Handel’s Largo (despite being marked “Larghetto� in the musical score) and is the opening aria in the opera. Known by its opening line Ombra mai fu the aria is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...�Although the melody has survived over the years, the opera itself was a complete failure when it was first performed at the King’s Theatre in London’s Haymarket in 1738. The style of the opera was not appreciated by London opera-goers and it generally received poor reviews. The audience may have been confused by the innovative nature of the work because Handel introduced unexpected comic elements into the plot.This arrangement for Horn in F (French horn) and piano is in B flat major. The lowest note in the horn part is the C just below the treble staff and the highest note is the F on the top line. The piano part has been kept as simple as possible.  

Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.528288 Composed by Giuseppe Verdi. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and parts. 6 pages. Diego Marani #5731525. Published by Diego Marani (A0.528288). Libiamo ne' lieti calici (Let's drink from the joyful cups) is a famous duet with chorus from Verdi's La traviata, one of the best-known opera melodies and a popular performance choice (as is this opera itself) for many great tenors. The song is a brindisi, a lively song that encourages the drinking of wine or other alcoholic beverages.This arrangement for Bb Soprano Sax with Piano Accompaniment reproduces the original spirit of the Verdi's score.

Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.528290 Composed by Giuseppe Verdi. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and parts. 6 pages. Diego Marani #5731719. Published by Diego Marani (A0.528290). Libiamo ne' lieti calici (Let's drink from the joyful cups) is a famous duet with chorus from Verdi's La traviata, one of the best-known opera melodies and a popular performance choice (as is this opera itself) for many great tenors. The song is a brindisi, a lively song that encourages the drinking of wine or other alcoholic beverages.This arrangement for Flute with Piano Accompaniment reproduces the original spirit of the Verdi's score.

Instrumental Duet,Piano Piano,Trombone - Level 3 - Digital Download SKU: A0.528294 Composed by Giuseppe Verdi. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards. Score and part. 6 pages. Diego Marani #5739557. Published by Diego Marani (A0.528294). Libiamo ne' lieti calici (Let's drink from the joyful cups) is a famous duet with chorus from Verdi's La traviata, one of the best-known opera melodies and a popular performance choice (as is this opera itself) for many great tenors. The song is a brindisi, a lively song that encourages the drinking of wine or other alcoholic beverages.This arrangement for Trombone (or Euphonium) with Piano Accompaniment reproduces the original spirit of the Verdi's score.

Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.528287 Composed by Giuseppe Verdi. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and parts. 6 pages. Diego Marani #5731495. Published by Diego Marani (A0.528287). Libiamo ne' lieti calici (Let's drink from the joyful cups) is a famous duet with chorus from Verdi's La traviata, one of the best-known opera melodies and a popular performance choice (as is this opera itself) for many great tenors. The song is a brindisi, a lively song that encourages the drinking of wine or other alcoholic beverages.This arrangement for Eb Alto Sax with Piano Accompaniment reproduces the original spirit of the Verdi's score.

Instrumental Duet Clarinet,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.528289 Composed by Giuseppe Verdi. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and parts. 6 pages. Diego Marani #5731587. Published by Diego Marani (A0.528289). Libiamo ne' lieti calici (Let's drink from the joyful cups) is a famous duet with chorus from Verdi's La traviata, one of the best-known opera melodies and a popular performance choice (as is this opera itself) for many great tenors. The song is a brindisi, a lively song that encourages the drinking of wine or other alcoholic beverages.This arrangement for Bb Clarinet with Piano Accompaniment reproduces the original spirit of the Verdi's score.

French Horn,Piano - Level 3 - Digital Download SKU: A0.528295 Composed by Giuseppe Verdi. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 7 pages. Diego Marani #5739591. Published by Diego Marani (A0.528295). Libiamo ne' lieti calici (Let's drink from the joyful cups) is a famous duet with chorus from Verdi's La traviata, one of the best-known opera melodies and a popular performance choice (as is this opera itself) for many great tenors. The song is a brindisi, a lively song that encourages the drinking of wine or other alcoholic beverages.This arrangement for F/Eb Horn with Piano Accompaniment reproduces the original spirit of the Verdi's score.

Trumpet Duet - Intermediate - Digital Download Composed by Various. Arranged by Eddie Lewis. Christian, Sacred, General Worship, Christmas, Easter. Score. 69 pages. Published by Tiger Music

Piano,Violin - Level 3 - Digital Download SKU: A0.528296 Composed by Giuseppe Verdi. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. 6 pages. Diego Marani #5739595. Published by Diego Marani (A0.528296). Libiamo ne' lieti calici (Let's drink from the joyful cups) is a famous duet with chorus from Verdi's La traviata, one of the best-known opera melodies and a popular performance choice (as is this opera itself) for many great tenors. The song is a brindisi, a lively song that encourages the drinking of wine or other alcoholic beverages.This arrangement for Violin with Piano Accompaniment reproduces the original spirit of the Verdi's score.

SATB choir unaccompanied - Medium - Digital Download SKU: MQ.8320-E Composed by Ronald Perera. Advanced/Collegiate. Secular, Christmas, Christmas-Sacred. Octavo. 14 pages. Duration 4 minutes, 40 seconds. E. C. Schirmer Music Company - Digital #8320-E. Published by E. C. Schirmer Music Company - Digital (MQ.8320-E). This setting of the well known Christmas poem 'I Heard the Bells on Christmas Day' restores some of the language that is commonly left out of most hymnals. This setting restores some of the anguish associated with the Civil War and allows for a tension not often associated with this text. A powerful setting. The title of the original Longfellow poem is 'Christmas Bells.' Charles Appleton Longfellow was the eldest son of the famous poet Henry Wadsworth Longfellow and Fannie Elizabeth Appleton, who lived in Cambridge, Massachusetts. In March of 1863, with the Civil War then in its third year, nineteen year old Charley ran away to Washington to join the Union Army. He presented himself for enlistment to the commander of Battery A of the 1st Massachusetts Artillery, who knew the boy. The officer contacted Henry who reluctantly gave his permission for the boy to enlist. Charley proved himself such an exceptional soldier that he was soon offered a commission as a Second Lieutenant of Artillery. He first saw action at the Battle of Chancellorsville. In June he was briefly invalided home following a bout of typhoid fever and malaria, rejoining his unit in August. Then in November, during the Battle of New Hope Church, Charley was shot through the left shoulder, the bullet just grazing his spine. He narrowly avoided being paralyzed. Henry received word of Charley’s wounding on December 1, and he and a younger son went immediately to Washington, where Charley was in hospital, and brought him home to Cambridge. It was while nursing his son in his slow recovery that Henry Wadsworth Longfellow composed this poem during Christmas, 1863. -Ronald PereraDuration: 4:40.

Full Orchestra - Level 5 - Digital Download SKU: A0.1515188 Composed by Barry Gray. Arranged by Chris Siddall. Film/TV. 114 pages. Chris Siddall Music Publishing #1089680. Published by Chris Siddall Music Publishing (A0.1515188). 30th September 1965 saw the first airing of creator Gerry Anderson’s iconic Supermarionation” series Thunderbirds. Set in the 2060s, the series follows the exploits of International Rescue, an organisation that uses technologically-advanced rescue vehicles to save human life. The series was notable for using marionette puppets but being filmed in the style of a feature film, incorporating dynamic shooting and lighting, and three-dimensional sets and extensive use of model miniatures. Special effects were directed by Derek Meddings, who later became known for his work on the James Bond (from Live and Let Die to GoldenEye), Superman and Batman (1989) movies. During his time working on Thunderbirds and Gerry Anderson’s other Supermarionation series, Meddings and his team developed a number of innovations in the filming of miniature models and landscapes which have since become standard in the industry.Having collaborated with Anderson on six previous TV series, composer Barry Gray was the obvious choice to provide music for Thunderbirds. Employing a large orchestra which dwarfed other TV productions of the time, he made extensive use of leitmotif, which each of the Thunderbird machines having its own theme, as well as notable characters such as Lady Penelope and the Tracy family’s arch nemesis The Hood.Now musicians, music students, conductors – any music lover – can study the complete score from Thunderbirds: Trapped in the Sky in this high-quality edition, carefully reproduced and edited from the original handwritten manuscript.